Flowers

Giovanni Allevi Arr. for Piano Solo

by Manuel Amico

   
Allegro
 
                             


   

  

       
         

  
       
5

          


           
   
            


         
      

10
      
    
          
        

      
  
    
   
  
 
   


 
  
Da Capo
           
15

  


  
              
        

19
                    



     
   
              
    
 
23
      
         



    
        
         
dim.

   
  
   

all right to proprer composer

2
27
      
             


     
    
                 

 
  
30
    
                
 


                       
 

     
         

     
                 
34

      


        
   
  


      
 

     
         
39

     


    
  
       


                 
    
42

        


       
         
               
   
                         
   
            
47



 
    
   

    
       
  

all right to proprer composer

 3

     
       
    

53

       


 


       
  
    
   
dim.
       
 

      
               
58

       



                     


      
  

                   

63

     



           
         
    

                 
68
  
      



                     
       
    
                    
73
 
           


 
  
     

   
  

                    
               
78


   


     
    
        dim.
      
 

all right to proprer composer

          
  
4

   
84

         
          




        
    

all right to proprer composer