Film Study Vocab

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1.

Dominate- The place in the screen where your eyes first rests
2. Lighting Key- the main source of light for the subjects that illuminates key features
3. Shot and angle proxemics- the type of camera shot and th distance between the camera and the
action
4. Angle- dictated by where the camera is placed in relation to the character or subject
5. Color values- a colors lightness or darkness
6. Lens/filter/stock- fish-eye lens, selective focus lens, realism filter, formalism filter, fast stock,
slow stock
7. Subsidiary contrasts- competing or contrasting with the dominant image
8. Density- density of texture refers to the amount of visual detail in a picture
9. Composition- refers to the organization of content and how this content in the shot fills the
available space.
10. Form- the system of relationships between all the elements we see on the screen
11. Framing- tight: usually in close shots. Carefully balanced and harmonized that the people
photographed have little to no freedom of movement. Loose: usually in longer shots. Spaciously
distributed within the confine of the framed image that the people photographed have
considerable freedom of movement
12. Depth planes- foreground, midground, background
13. Character placement- The way the characters are placed in the shot.
14. Staging positions- full front, quarter turn, profile, three quarter turn, back to camera.
15. Character proxemics- the space between characters. Intimate, personal, social, public.

General terms

1. Angle- dictated by where the camera is positioned in relation to the character or subject
2. Frame- one of the many still images which compose the complete moving picture
3. Shot- the moment that the camera starts rolling until the movement stops
4. Realism- concern for the fact or reality and rejection of the impractical and visionary
5. Genre- categories that define films based on narrative or stylistic elements

Types of camera shots and movement

1. Long shot-a view of a scene that is shot from a considerable distance.


2. Medium shot- a film shot that stretches from around the waist of a subject up to their head
3. Close-up- a shot taken of a person or object at a close range, in order to capture the minute detail
of the subject.
4. Extreme close-up- more intense version of a close up shot. Sometimes showing only the subjects
eyes
5. Establishing shots- wide or extreme wide shots of buildings or landscapes.
6. Over-the-shoulder shot- camera angle that offers a medium close up on one actor while showing
part of another actor’s shoulder
7. Pan- horizontal movement in which the camera moves right to left from a central axis
8. Tilt- a cinematic technique in which the camera stays in a fixed position but rotates up/down in a
vertical plane
9. Crane shot- achieved by a camera mounted on a platform, which is connected to a mechanical
arm that can lift the platform up, bring it down, or move it laterally across space.
10. Dolly (tracking) shot- the camera movement when a camera is mounted on a dolly. The camera
moves towards, away from, or alongside your subject.
11. Zoom shot- when the focal length of a camera lens is adjusted to give the illusion of moving
closer or further away from the subject.
12. Hand held shots- filmmaking technique in which a camera is held in the operator's hands as
opposed to being mounted on a tripod or other base.
13. Aerial shot- a shot that’s taken from an elevated vantage point than what is framed in the shot.
.

Camera angles

1. Birds eye view- a shot looking down on the subject


2. High angle- angle shot at less than 90 degrees can be considered a high angle
3. Eye level- the camera is positioned directly at eye level of the character.
4. Low angle- a film shot taken from a camera angle positioned below the average eye line and
pointing up
5. Oblique angle- setting the camera at an angle and tilting the entire scene.

Editing

1. Cut- an abrupt, but usually trivial film transition from one sequence to another.
2. Match cut- a film editing technique where two different shots are joined together based on visual
similarities, creating a seamless transition between scenes.
3. Jump cut- an edit to a single, sequential shot that makes the action appear to lead forward in time.
4. Fade- a subtype of dissolve transition that gradually moves to or from an image to or from black.
5. Dissolve- a gradual transition from one image to another, with the first image beginning to
disappear as the second image gradually appears.
6. Wipe- a type of film transition where one shot replaces another by traveling from one side of the
frame to another with a special shape.

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