Name: Liclican, Christan C.
Course/Yr&Section: BPED 3A
BON ODORI
The Bon Odori dance is a hallmark of the Obon festival, a revered occasion in
Japanese culture dedicated to honoring the spirits of deceased ancestors.
Celebrated primarily in mid-August, the Obon festival features Bon Odori as its
central communal activity. This dance, characterized by its distinctive movements,
vibrant costumes, and cultural significance, offers a fascinating glimpse into
Japanese traditions and the communal spirit of celebration.
Bon Odori is rather close to simple folks’ dance which let them enjoy the celebration
together. All the participants, regardless of their age, follows a perfect sequence of
movements that involve the entire body. The dance usually requires the performers
to execute elegant arm movements that imitate wave or delicate flower moving in
the wind. These arm movements are executed smoothly, resulting not only
beautiful to the eye but also meaningful. Most actions performed in dances are
circular or side-to-side movements, the songs are either very fast or moderate in
tempo and make the audience dance along. The steps are simple and thereby
ensure that anyone who wishes to join is welcome to do so
In connection with the Obon festival, Bon Odori is an immensely spiritual and
cultural practice. The dance is a tribute to deceased ancestors, embodying the
concept of honoring and celebrating their presence. The movements, although
simple, are infused with meaning, representing the joy and gratitude of the living
towards their ancestors. The dance also emphasizes community and unity. By
performing in unison, participants strengthen social bonds and reinforce their
shared cultural heritage.
Accessories and attire are also very important to been seen as part of the appeal of
the Bon Odori dance. Durin the event, the participants wear ‘‘yukata’’ which are
informal Kimonos made from cotton or synthetics materials. Yukatas are typically
light in color and differing from each other in terms of prints, the most common
prints are floral, and abstract. Another part is the “obi’’ a wide belt tied around the
waist of the yukata. The black sash known as the obi can be tied neatly in a bow at
the back of the garment. Although the main purpose of the obi is to hold the yukata
in place. For footwear, traditional wooden sandals known as geta or simple sandals,
complements the overall costume. The choice of footwear is practical, suited to
outdoor settings where Bon Odori is often performed. The simplicity of the footwear
allows participants to move freely and comfortably.
Bon Odori’s characteristics are reflective of its role in the Obon festival and its
cultural significance. The dance is fundamentally inclusive, designed to be
accessible to individuals of all ages and skill levels. This inclusivity is a key feature,
promoting participation and creates a feeling of togetherness. To sum up, Bon Odori
is one of the happiest and most jolly events. Although the dance has its origins in
ancestor worship, it remains highly spirited and energetic. The colorful costumes,
dancing and clapping also create a festive atmosphere and maintain the joyful
function of the dance which is to continue living and keep existing.
