PowerDirector 15
PowerDirector 15
PowerDirector
User's Guide
Copyright and Disclaimer
All rights reserved.
International Headquarters
Mailing Address CyberLink Corporation
15F., No. 100, Minquan Rd., Xindian Dist.
New Taipei City 231, Taiwan (R.O.C.)
Web Site http://www.cyberlink.com
Telephone 886-2-8667-1298
Fax 886-2-8667-1385
Copyright © 2015 CyberLink Corporation. All rights reserved.
Contents
..................................................1
Introduction
Welcome................................................................................................1
Latest
.................................................................................................1
Features
DirectorZone
.................................................................................................2
and CyberLink Cloud
PowerDirector
.................................................................................................3
Versions
System Requirements
................................................................................................4
..................................................7
PowerDirector Editing Modes
Full Feature
................................................................................................7
Editor
Easy Editor
................................................................................................8
Slideshow
................................................................................................11
Creator
Setting
.................................................................................................13
Music Preferences
Customizing
.................................................................................................14
Slideshows in the Slideshow Designer
..................................................19
PowerDirector Workspace
Rooms................................................................................................19
Media
.................................................................................................20
Room
Effect
.................................................................................................21
Room
PiP.................................................................................................21
Objects Room
Particle
.................................................................................................22
Room
Title
.................................................................................................22
Room
Transition
.................................................................................................22
Room
Audio
.................................................................................................23
Mixing Room
Voice-Over
.................................................................................................23
Recording Room
Chapter
.................................................................................................23
Room
Subtitle
.................................................................................................23
Room
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Library................................................................................................23
Window
Explorer
.................................................................................................25
View
Searching
.................................................................................................25
the PowerDirector Library
Filtering
.................................................................................................26
Media in the Library
Library
.................................................................................................26
Menu
Expanding
................................................................................................26
the Workspace
Preview................................................................................................27
Window
Preview
.................................................................................................28
Player Controls
Taking
.................................................................................................28
a Screen Snapshot
Preview/Display
.................................................................................................28
Options
Zoom
.................................................................................................31
In/Out
Undocking
.................................................................................................31
the Preview Window
Previewing
.................................................................................................31
in 3D Mode
Editing................................................................................................32
Workspace
Timeline
.................................................................................................33
View
Storyboard
.................................................................................................42
View
..................................................43
PowerDirector Projects
Setting................................................................................................43
Project Aspect Ratio
Exporting
................................................................................................44
Projects
Reusing
................................................................................................44
PowerDirector Projects
CyberLink
................................................................................................47
Cloud Projects
Importing Media into
..................................................49
PowerDirector
Importing
................................................................................................49
Media Files
3D.................................................................................................50
Media
Importing
.................................................................................................52
PowerDirector Projects
Capturing
................................................................................................53
Media
Capturing
.................................................................................................53
from a DV Camcorder
Capturing
.................................................................................................55
from an HDV Camcorder
Capturing
.................................................................................................55
from a TV Signal
ii
Capturing
.................................................................................................56
from a Digital TV Signal
Capturing
.................................................................................................56
from a Webcam
Capturing
.................................................................................................56
from a Microphone
Capturing
.................................................................................................56
from a CD
Capturing
.................................................................................................56
from an AVCHD Camcorder
Capturing
.................................................................................................57
from an Optical Device
Captured
.................................................................................................57
Content
Quality
.................................................................................................57
Profile Setup
Capture
.................................................................................................58
Settings
Capture
.................................................................................................58
Preferences
Downloading
................................................................................................59
Media
Downloading
.................................................................................................59
Photos From Flickr
Downloading
.................................................................................................60
Content from DirectorZone/CyberLink Cloud
Detecting
................................................................................................62
Scenes and Extracting Audio
Detecting
.................................................................................................62
Scenes in a Video Clip
Extracting
.................................................................................................64
Audio from a Video Clip
..................................................65
PowerDirector Plug-ins
Using the
................................................................................................65
MultiCam Designer
Importing
.................................................................................................66
Media
Synchronizing
.................................................................................................68
Clips
Creating
.................................................................................................69
Recorded Content
Changing
.................................................................................................71
the Recorded Content
Using the
................................................................................................73
Theme Designer
Overview
.................................................................................................74
Adding
.................................................................................................74
Theme Templates/Sequences
Adding
.................................................................................................77
Media Clips
Editing
.................................................................................................79
Media Clips
Editing
.................................................................................................81
Background Music
Editing
.................................................................................................82
Title Text
Replacing
.................................................................................................83
Background Images
Adding
.................................................................................................83
Transitions Between Sequences
Previewing
.................................................................................................84
and Saving Movies
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CyberLink Po w erDirecto r
Editing
.................................................................................................84
Created Movies
Arranging Media in Your
..................................................85
Production
Adding................................................................................................86
Video Clips and Images to the Timeline
Adding
.................................................................................................87
Video Clips and Images
Adding
.................................................................................................88
Color Boards and Backgrounds
Adding................................................................................................91
Audio Clips
Magic
.................................................................................................93
Music
Syncing
.................................................................................................94
Audio
Syncing
................................................................................................96
Clips by Audio
Using the
................................................................................................97
Magic Movie Wizard
Using the
................................................................................................98
Slideshow Creator
..................................................99
Editing Your Media
Content................................................................................................99
Aware Editing
Using
.................................................................................................100
Content Aware Editing
Splitting
................................................................................................104
a Clip
Unlinking
................................................................................................105
Video/Audio Clips
Trimming
................................................................................................105
Video and Audio Clips
Trimming
.................................................................................................106
a Video Clip
Trimming
.................................................................................................109
an Audio Clip
Setting
................................................................................................111
a Media Clip's Duration
Setting
................................................................................................112
TV (Video Clip Interlacing) Format
Adjusting
................................................................................................112
Video Clip Aspect Ratio
Stretching
................................................................................................113
Images
Cropping
................................................................................................114
Images
Changing
................................................................................................115
the Shape of Media
Fixing................................................................................................116
and Enhancing Images/Videos
Applying
.................................................................................................117
ColorDirector Color Effects (Presets)
Advanced
.................................................................................................117
Fixes and Enhancements
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Power
................................................................................................118
Tools
Utilizing
................................................................................................119
Keyframes on Media
Adding
.................................................................................................121
Keyframes
Muting
................................................................................................124
Audio
Advanced
................................................................................................124
Audio Editing
Time ................................................................................................125
Info
Magic................................................................................................125
Fix
Magic................................................................................................125
Cut
Adding ..................................................127
Effects
Adding
................................................................................................127
Video Effects
Modifying
.................................................................................................128
a Video Effect
Using................................................................................................129
Magic Motion
Magic
.................................................................................................130
Motion Designer
Using................................................................................................131
Magic Style
Using................................................................................................132
the Freeze Frame Effect
Creating..................................................133
PiP Effects
Adding
................................................................................................133
PiP Objects
Creating
.................................................................................................134
Custom PiP Objects
Using................................................................................................136
the Paint Designer
Creating
.................................................................................................137
a Paint Animation
Modifying
................................................................................................140
Media in the PiP Designer
Mode
.................................................................................................141
Selection and Zoom Tools
Modifying
.................................................................................................142
PiP Media Size and Position
Modifying
.................................................................................................142
PiP Media Properties
Adding
.................................................................................................146
Motion to PiP Media
Adding
.................................................................................................149
PiP Masks
Utilizing
.................................................................................................150
PiP Keyframes
Saving
.................................................................................................152
and Sharing PiP Objects
Adding ..................................................155
Particle Effects
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CyberLink Po w erDirecto r
Modifying
................................................................................................157
Particle Effects in the Particle Designer
Mode
.................................................................................................158
Selection and Zoom Tools
Adding
.................................................................................................159
Objects, Images, and Backgrounds
Modifying
.................................................................................................160
Particle Object Range and Position
Modifying
.................................................................................................161
Particle Object Properties
Adding
.................................................................................................165
Motion to Particle Objects
Utilizing
.................................................................................................166
Particle Keyframes
Saving
.................................................................................................168
and Sharing Particle Effect Templates
Adding ..................................................171
Title Effects
Modifying
................................................................................................173
Titles in the Title Designer
Mode
.................................................................................................174
Selection and Zoom Tools
Adding
.................................................................................................175
Text, Particles, Images, and Backgrounds
Modifying
.................................................................................................176
Title Effect Position
Modifying
.................................................................................................177
Title Text Properties
Applying
.................................................................................................183
Motion to Title Text
Utilizing
.................................................................................................185
Title Effect Keyframes
Saving
.................................................................................................186
and Sharing Title Templates
..................................................189
Using Transitions
Adding
................................................................................................189
Transitions to a Single Clip
Adding
................................................................................................191
Transitions Between Two Clips
Using................................................................................................192
Audio Transitions
Setting
................................................................................................193
Transition Behavior
Modifying
................................................................................................194
Transition Settings
Modifying
................................................................................................195
Alpha Transitions in the Transition Designer
Creating
.................................................................................................196
New Alpha Transitions
Modifying
.................................................................................................197
Alpha Transition Properties
Saving
.................................................................................................209
Alpha Transitions
Mixing Audio and Recording
..................................................213
Voice-Overs
Adjusting
................................................................................................213
Audio Clip Volume Levels
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Mixing
.................................................................................................213
Audio In-Track
Mixing
.................................................................................................214
Audio in the Audio Mixing Room
Adding
.................................................................................................215
Fade Effects to Audio Clips
Restoring
.................................................................................................215
Audio Clip Volume Levels
Recording
................................................................................................216
Voice-Overs
Adding ..................................................219
Chapters
Adding
................................................................................................219
Chapters Markers
Setting
................................................................................................219
Chapter Thumbnails
Adding ..................................................221
Subtitles
Adding
................................................................................................221
Subtitle Markers
Importing
................................................................................................222
Subtitles from a File
Extracting
................................................................................................222
Subtitles from an MKV File
Editing
................................................................................................223
Subtitles
Syncing
................................................................................................224
Subtitles
..................................................225
Producing Your Project
Utilizing
................................................................................................225
Intelligent SVRT
Produce
................................................................................................226
Window
Outputting
.................................................................................................228
to a Standard 2D File
Outputting
.................................................................................................230
in a 3D Format
Outputting
.................................................................................................233
to a Device
Uploading
.................................................................................................235
Video to Online Media Sites
Batch
.................................................................................................244
Produce
Creating..................................................247
Discs
Importing
................................................................................................248
Additional Disc Content
Selecting
................................................................................................250
a Disc Menu
Editing
................................................................................................252
Disc Menu Properties
Configuring
.................................................................................................252
Disc Menu Settings
Editing
.................................................................................................253
Disc Menu Text
Setting
.................................................................................................253
Disc Menu Music
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CyberLink Po w erDirecto r
Adding
.................................................................................................254
a First Play Video
Setting
.................................................................................................255
Disc Playback Mode
Specifying
.................................................................................................255
Buttons Per Page
Modifying
.................................................................................................256
Menu Object Properties
Customizing
................................................................................................257
Disc Menus in the Menu Designer
Mode
.................................................................................................258
Selection, Zoom Tools, and Context Menu
Setting
.................................................................................................259
Menu Opening and Background
Adding
.................................................................................................261
Images to Menus
Adding
.................................................................................................261
and Editing Disc Menu Title Text
Adding
.................................................................................................267
and Editing Menu Buttons
Enabling
.................................................................................................269
3D Depth in Disc Menus
Saving
.................................................................................................269
and Sharing Disc Menu Templates
Burning
................................................................................................271
Your Production to Disc
Burning
.................................................................................................271
a Disc in 2D
Burning
.................................................................................................273
a Disc in 3D
Configuring
.................................................................................................276
Burn Settings
Erasing
.................................................................................................276
Discs
..................................................279
PowerDirector Preferences
General
................................................................................................279
Preferences
Capture
................................................................................................280
Preferences
Confirmation
................................................................................................281
Preferences
DirectorZone
................................................................................................282
Preferences
Editing
................................................................................................283
Preferences
File Preferences
................................................................................................284
Display
................................................................................................285
Preferences
Hardware
................................................................................................286
Acceleration Preferences
Project
................................................................................................287
Preferences
Produce
................................................................................................287
Preferences
Improvement
................................................................................................288
Program Preferences
CyberLink
................................................................................................288
Cloud Preferences
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..................................................291
PowerDirector Hotkeys
Default
................................................................................................291
Keyboard Hotkeys
Application
.................................................................................................292
Menu Bar Hotkeys
System
.................................................................................................295
Hotkeys
Capture
.................................................................................................295
Hotkeys
Edit
.................................................................................................296
Hotkeys
Designer
.................................................................................................296
Hotkeys
Customizing
................................................................................................297
Keyboard Hotkeys
Hotkey
.................................................................................................298
Sets
..................................................301
Appendix
Intelligent
................................................................................................301
SVRT: When Is Used?
Licensing
................................................................................................302
and Copyright Information
Licenses
.................................................................................................304
and Copyrights
..................................................317
Technical Support
Before
................................................................................................317
Contacting Technical Support
Web Support
................................................................................................318
Help Resources
................................................................................................318
ix
CyberLink Po w erDirecto r
x
Intro ductio n
Chapter 1:
Introduction
This chapter introduces CyberLink PowerDirector and the digital video editing
process. It also outlines all of the latest features, available versions, and reviews the
minimum system requirements for CyberLink PowerDirector.
Note: this document is for reference and informational use only. Its content
and the corresponding program are subject to change without notice. For
more helpful tips on using the program, please visit our members forum or
see the video tutorials at http://directorzone.cyberlink.com/tutorial/pdr.
Welcome
Welcome to the CyberLink family of digital media tools. CyberLink PowerDirector is
a digital video editing program that lets you create professional-looking videos and
photo slideshows, complete with music, voice-overs, special effects, transitions,
and much more. You can then output your project to a file, camcorder, portable
device, upload it directly to various online video sharing web sites, or burn it to a
disc, complete with stylish menus.
Latest Features
This section outlines the latest features within the CyberLink PowerDirector
program.
Unleash your PC's speed with TrueVelocity 4.
Adds format support for H.265 HEVC* and XAVC S* video, as well as ALAC
audio. Also adds support for QuickTime with alpha (animated .PNG).
Faster photo importing and more camera support.
Sync multiple video and audio clips directly in the timeline using sync by
audio*.
Use the enhanced stabilizer for improved stabilization of your video clips.
Create and edit alpha transitions in the Transition Designer*.
Alter title text opacity, rotation, position, and size (scale) using keyframes.
Improved program usability with media library search and reusable projects.
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CyberLink Po w erDirecto r
DirectorZone
DirectorZone is a free web service that lets you search for and download theme
templates, PiP objects, paint animations, title templates, particle objects, sound
clips, and disc menus created by other users of CyberLink PowerDirector.
To access the benefits of DirectorZone, you can sign in by:
clicking the Sign in to DirectorZone link in the top right corner of the
CyberLink PowerDirector window.
clicking the button at the top of the window to open the PowerDirector
preferences, and then on the DirectorZone tab. See DirectorZone Preferences
for more information.
Go to http://directorzone.cyberlink.com to find out more information on the
features and benefits of the DirectorZone web service.
2
Intro ductio n
CyberLink Cloud
CyberLink Cloud is a cloud storage service from CyberLink where users can upload
and download their effects and templates, PowerDirector projects, produced video
clips, and more. CyberLink Cloud allows users to back up media, preferences,
projects, etc., and ensure their working environment is the same on multiple
computers.
Note: CyberLink Cloud is a subscription cloud storage service that is
included with some CyberLink products, and is available for purchase
through our web site. For more detailed information, see http://www.
cyberlink.com/products/cyberlink-cloud/.
PowerDirector Versions
The features that are available to you within CyberLink PowerDirector are
completely dependent on the version you have installed on your computer.
Supported file formats, editing features, disc-making functions, and other features
vary depending on the version that you have.
To view the PowerDirector version table, please go to our web site: http://www.
cyberlink.com/products/powerdirector-ultra/compare_en_US.html
To determine your version of CyberLink PowerDirector, click on the CyberLink
PowerDirector logo in the top right corner or select ? > About CyberLink
PowerDirector.
PowerDirector Live
PowerDirector Live is a subscription based version of CyberLink PowerDirector that
provides all the editing features you expect, and adds the CyberLink Cloud storage
service and more.
With a PowerDirector Live subscription, you get:
All the award-winning features of the Ultimate version of CyberLink
PowerDirector, including the production of 4K ultra HD video and stunning
3D movies.
The ability to back up program preferences, projects, project media, and (PiP
object, paint animation, title effect, particle effect, disc menu) templates on
the cloud storage space CyberLink Cloud.
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CyberLink Po w erDirecto r
Updating PowerDirector
Software upgrades and updates (patches) are periodically available from CyberLink.
CyberLink PowerDirector automatically prompts you when either is available.
Note: you can prevent CyberLink PowerDirector from auto checking for
updates/upgrades in General Preferences.
System Requirements
The system requirements listed below are recommended as minimums for general
digital video production work.
System Requirements
Operating System Microsoft Windows 8/8.1 (32 bit and 64
bit).
Microsoft Windows 7 Home Basic, Home
Premium, Professional, Ultimate (32 bit
and 64 bit).
Microsoft Windows Vista Home Basic,
4
Intro ductio n
5
CyberLink Po w erDirecto r
production.
60 GB (100 GB recommended) free for Blu-
ray Disc/AVCHD production*.
Burning Drive A CD or DVD burner (CD-R/RW, DVD+R/RW
or DVD-R/RW) is required to burn VCD/
DVD/SVCD/AVCHD* titles.
A Blu-ray Disc recordable drive is required
to burn Blu-ray Discs*.
Internet Connection Required for program activation and other
online services.
Required for the activation for some
import/export formats, including AVCHD,
Blu-ray Disc, DVD, H.264, XAVC S, and
MPEG-2. The activation is quick and easy.
Other Windows Media Player 9 or above is
required.
Note: please consult the CyberLink web site (http://www.cyberlink.com/
products/powerdirector-ultimate/spec_en_US.html) for the most recent
system requirements information. * optional feature in CyberLink
PowerDirector. Check the version table on our web site for detailed
versioning information.
6
Po w erDirecto r Editing M o des
Chapter 2:
PowerDirector Editing
Modes
CyberLink PowerDirector has three separate editors to fit your editing requirements.
When you launch the program from the start menu, or the CyberLink
PowerDirector shortcut on the desktop, you are prompted to choose one of the
following editing modes:
Note: before selecting your preferred editing mode, be sure to set the video
aspect ratio for your project (16:9 or 4:3).
Full Feature Editor: select this option to enter the classic editing mode of
CyberLink PowerDirector, where all of the program's features are available to
you.
Easy Editor: if you are new to the editing process and not sure how or where
to get started, then the Easy Editor can help. The Magic Movie Wizard takes
you through a step-by-step process to import, style, adjust, and preview your
finished movie, in just a few steps. You can then edit the created production,
output it to a video file, or burn it to a disc.
Slideshow Creator: with the Slideshow Creator you can instantly turn your
photos into a dynamic slideshow. Follow the steps in the Slideshow Creator to
import your photos, add background music, and stylish slideshow templates.
Once done, you can preview the slideshow, before outputting it as a video file
or burning it to disc.
Note: select the Always enter the full feature editor option at the bottom
of this dialog to skip this window at startup. You can always reset this
selection at any time in Confirmation Preferences.
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CyberLink Po w erDirecto r
In the Full Feature Editor there are four main modules available to you:
Module Description
Capture Capture media in a number of formats, from a variety
of different sources. See Capturing Media.
Edit In the Edit module you can edit and trim your
imported media, arrange it in your video production,
add effects, titles, PiP objects, transitions, music,
chapters, subtitles, and much more. See the relevant
section of this help file that corresponds with the
editing feature you'd like to use.
Produce In the Produce module you can output your created
production to a video file in a variety of formats
(including 3D formats), a device (camcorder, mobile
phone, or other portable device), or upload it to
YouTube, Facebook, DailyMotion, or Vimeo. See
Producing Your Project.
Create Disc Use the features in the Create Disc module to design
discs with menus, and then burn your video
production in a variety of different formats in 2D or
3D. See Creating Discs.
Easy Editor
If you are new to the editing process and not sure how or where to get started, then
the Easy Editor can help. The Magic Movie Wizard takes all of your media and
creates a completed video production in just a few steps.
To create your video production using the Magic Movie Wizard in the Easy Editor,
do this:
8
Po w erDirecto r Editing M o des
Note: if you want more creative control than the Magic Movie Wizard
provides, you can also use the Theme Designer to create your video
production. The Theme Designer allows you to customize the theme
templates used and choose the exact images, video clips, and background
music you want in your production. See Using the Theme Designer for more
information.
1. Select Easy Editor when prompted which mode you prefer at startup. The
Magic Movie Wizard displays.
Note: if you are in the Full Feature Editor, you can quickly launch the Magic
Movie Wizard by clicking on the button above the timeline and
selecting M agic M ovie Wizard.
2. In the Source window, click to import all of the media you want to use in
your video production. Select Import Media Files to import a number of
individual video or image files, or select Import a Media Folder if all of your
media is in a specific folder on your computer's hard drive. CyberLink
PowerDirector will import all of the supported media file formats in the
selected folder.
Note: click to remove any unwanted media files from your production.
use the button to add more music files to the background music
playlist. Use the and buttons to set the order of the music in the
playlist. The total duration of all the music added is noted above the playlist.
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CyberLink Po w erDirecto r
Mix audio level between music and the video's audio: use the slider to mix the
audio level, by deciding whether to have more background music or the
original video's audio in the production.
Specify the movie duration: here you can specify how long your movie will
be. Select Original duration if you don't want the Magic Movie Wizard to make
any edits to your imported media; Select Set output duration to manually
specify how long you want the movie to be in the field provided; Select Fit
duration to background music if you want your video production to match
the duration of the music you imported into the playlist.
7. Click the Settings* button to use the sliders to customize the criteria the
Magic Movie Wizard uses to cut your movie. Click OK to save the settings.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
10
Po w erDirecto r Editing M o des
Slideshow Creator
The Slideshow Creator is the easiest way to create a dynamic slideshow with your
photos.
2. In the Source window, click to import all of the photos you want to use in
your slideshow. Select Import Image Files to import a number of individual
photos, or select Import an Image Folder if all of your photos are in a specific
folder on your computer's hard drive. CyberLink PowerDirector will import all
of the supported image formats in the selected folder.
Note: you can right-click on a photo and select Set 3D Source Format if
required. For more information, please refer to Setting 3D Source Format.
You can also click to remove any unwanted photos from your
slideshow.
3. Click Next to continue.
4. In the Style & Music window, select a slideshow style. Each style you
select will result in a different slideshow.
5. In the Style & Music window, click the button to add background
music to your slideshow. After adding music, click the Music Preferences
button to customize the music duration and add fades. See Setting Music
Preferences for a detail description of the available preferences.
6. In the Style & Music window, click the Slideshow Preferences button to set
your slideshow preferences as follows:
Duration: use this option to set the length of your slideshow. Select Fit photos
to music to have the length of the slideshow match the duration of the added
background music. Select Fit music to photos (if launched in Full Feature
Mode) for the length of the music to match the duration of the slideshow, i.e.
its specified length on the timeline.
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CyberLink Po w erDirecto r
Sequence: use this option to set the order of the photos in the slideshow.
Select Timeline order (if launched in Full Feature Mode) to have the sequence
match the order the photos are currently displayed in the timeline. Select
Date/time taken for the photos to display in chronological order based on the
date and time they were taken.
Detect faces: some slideshow templates include this option. When selected,
the Slideshow Creator will scan and detect the faces in the photos included in
the slideshow. The faces in the photos will then become the area of focus in
the created photo slideshows.
Click OK to save your changes.
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Po w erDirecto r Editing M o des
2. Select the Fade-in option to have the background music gradually fade-in at
the beginning of the slideshow.
3. Select the Fade out option to have the background music gradually fade-out
at the end of the slideshow.
4. Click OK to save your changes.
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CyberLink Po w erDirecto r
A - Preview Area , B - Editing Area , C - Slide Area , D - Extra Tools Area , E - Selected Slide
14
Po w erDirecto r Editing M o des
The editing options and tools that are available in the Slideshow Designer, depend
on the slideshow style template you selected. The following outlines the editing
options available for the style templates that utilize the Slideshow Designer.
Camera/Cell Slideshow
When customizing a Camera or Cell slideshow in the Slideshow Designer, you can
perform the following functions:
in the slide area, click on a specific slideshow slide to view and edit it.
in the preview area, click and drag a photo to an alternative cell.
in the editing area (Unused photos), click the Add Photos button to import
additional photos for use in the slideshow.
in the editing area (Unused photos), indicate the maximum number of photos
that are displayed on a slide.
in the editing area, drag and drop the photos from Unused photos to the cell
in the preview area where you want it on the slide. You can also highlight a
cell by clicking it and use the buttons to add or remove selected
photos.
in the preview area, select a cell with a photo and then click on the button
to set the focus of that cell on a specific portion of the photo. Manually resize
and drag the box to set the desired focus area.
in the extra tools area, click the Remix button to generate a new version of
the slideshow.
in the preview area, use the player controls to preview the slideshow.
Motion Slideshow
When customizing a Motion slideshow in the Slideshow Designer, you can perform
the following functions:
in the slide area, click on a specific slideshow slide to view and edit it.
in the editing area (Cropping area), use the Magic Motion Designer to
customize the motion on the slide. See Magic Motion Designer for detailed
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Highlight Slideshow
When customizing a Highlight slideshow in the Slideshow Designer, you can
perform the following functions:
in the slide area, click on a specific slideshow slide to view and edit it.
in the extra tools area, select whether you want to edit the foreground or
background photo.
in the editing area (Cropping area), resize and drag the box to the area of the
photo you want highlighted on the slide.
in the preview area, use the player controls to preview the slideshow.
in the preview area, use the player controls to preview the slideshow.
Time-Lapse Slideshow
When customizing a time-lapse slideshow in the Slideshow Designer, you can
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Duration of each image: in the field provided, specify how long you want
each of the imported images to display. Each image can display for as long as
99 frames, or as short as for 1 single video frame.
For each displayed image, skip: when importing a large number of images
that were taken over a period of time, you may find the need to remove some
of the images to reduce the slideshow's duration. In the field provided, enter
the number of images you want to remove for each displayed image in your
slideshow.
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Chapter 3:
PowerDirector Workspace
This chapter outlines the CyberLink PowerDirector workspace, and all of its features.
The workspace in the Edit module is where you will spend most of your time when
using CyberLink PowerDirector, so getting familiar with everything is has to offer is
recommended.
A - Room s, B - Im port M edia , C - Pow erDirector Plug-ins, D - Libra ry Window , E - Expa nda ble
Workspa ce, F - Preview Window , G - Zoom In/Out, H - Undock Preview Window , I - 3D Displa y
Configura tion, J - Ena ble/Disa ble 3D M ode, K - Preview Qua lity/Displa y Options, L - Ta ke Sna pshot,
M - Preview Pla yer Controls, N - Editing Workspa ce, O - Tim eline Ruler, P - Function Buttons, Q -
Ra nge Selection, R - View Entire M ovie, S - Tra ck M a na ger, T - Tim eline/Storyboa rd View
Rooms
The various rooms in the Edit module of CyberLink PowerDirector are where you
can access all of your media, effects, titles, and transitions when editing your video
production. You can also gain access to controls for recording and mixing audio,
adding chapters or subtitles. By default, the library window displays the Media
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Room.
Media Room
The Media Room provides access to your media library and the PowerDirector plug-
ins. The media library contains your video, audio, and image files. You can also
access a number of useful color boards and backgrounds for use in your video
productions, or view your library of saved projects.
Export Library: select to export your entire media library as a file for backup,
in the PDL (PowerDirector Library) format.
Import Library: select to import a media library PDL file, exported from
another project or version of CyberLink PowerDirector.
Empty the Library: select to empty the entire contents of the media library.
Remove All Unused Content from Library: select if you just want to remove
the media that is not being used in the current project.
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the library menu to view the analysis results for all the video clips analyzed and
edited in Content Aware Editing. Clips that were previously analyzed are indicated
by the green (good parts) and light brown (bad parts) dots in the specific columns.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
To analyze video clips in this view, select them in the Analyze column and then
click the Analyze button.
To edit a video clip using Content Aware Editing, click . If the video clip has
not yet been analyzed, CyberLink PowerDirector will do this first before opening the
Content Aware Editing window.
See Content Aware Editing for more detailed information on this feature.
Effect Room
The Effect Room contains a library of special effects that are used on the video files
and images in your project. For more information, see Adding Effects.
Note: the video effects with the 3D icon produce a 3D effect in 3D mode and
when outputted in 3D video productions.
There are four main types of objects in the PiP Objects Room:
static graphics.
motion graphics that move through clips.
decorative borders that are added to frame your video.
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hand drawn paint animation objects you create in the Paint Designer.
For information on adding PiP objects, see Adding PiP Objects. For
information on the hand drawn paint animation objects you can create in the
Paint Designer, see Using the Paint Designer.
Particle Room
The Particle Room contains a library of effects you can place on a video track to
add a particle object (snow, clouds, smoke, etc.) on top of a video or image on a
video track.
Note: the particle effects with the 3D icon produce a 3D effect in 3D mode
and when outputted in 3D video productions.
You can modify particles in the Particle Designer. For more information, see
Adding Particle Effects.
Title Room
The Title Room contains the library of title effects that when applied to your
project, add credits or comments to your production. For more information, see
Adding Title Effects.
Note: the title templates with the 3D icon produce a 3D effect in 3D mode
and when outputted in 3D video productions. See The Difference Between
3D and 3D-Like Effects to learn more about both types of effects.
Transition Room
The Transition Room contains transitions that you can use on or between clips in
your project. Transitions let you control how media appears and disappears in your
project, and changes from one clip to the next. For more information, see Using
Transitions.
Note: you can now create your own custom transitions, or edit existing
alpha transitions, using the Transition Designer. See Modifying Alpha
Transitions in the Transition Designer for more information.
The transitions with the 3D icon produce a 3D effect in 3D mode and when
outputted in 3D video productions. See The Difference Between 3D and 3D-Like
Effects to learn more about both types of effects.
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Chapter Room
In the Chapter Room* you can automatically or manually set chapter markers for
your project. Setting chapters on your final disc allows viewers to jump from the
menu page to the chapter markers you have set in order to navigate through your
disc. For more information, see Adding Chapters.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Subtitle Room
In the Subtitle Room you can add subtitles to your video production manually or
through the import of a TXT, SRT, or MKV file. For more information, see Adding
Subtitles.
Library Window
The library window contains all of the media in CyberLink PowerDirector, including
your video, images, and audio files. When you are in other rooms (Effect Room, PiP
Objects Room, etc.), it contains the effects, titles, and transitions you apply to your
media.
The media content and available buttons that display in the library window depend
on the room you are currently in.
Use the slider above the library window to adjust the size of the media thumbnails
in the library.
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You can also resize the media thumbnails by selecting a default size from the
library menu.
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Explorer View
Select the button to display the explorer view within the library windows.
In the explorer view you can use tags to categorize the media in your library. This
lets you quickly browse through and filter the media in each room.
In the explorer view you can:
select an existing tag and then click to delete a previously created tag.
filter the media in the library window by selecting an existing tag.
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Library Menu
Click on to access the library menu. In the library menu you can sort the
content in a room by name, date created, file size, and more. You can also select all
the content in the room or change the media/effect thumbnail display size. Other
options that are available in the library menu, but are dependent on the specific
room you are in.
Note: if you cannot find this button when in the media library, you may need
to resize the preview window to reveal it. See Expanding the Workspace for
more information.
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Simply drag the borders of the preview window and timeline to resize them to your
liking. This allows you to get the most out of your display device space and
customize the size of the preview window as you work.
Note: you can also undock the preview window for a much larger timeline
and library view. See Undocking the Preview Window for more information.
Preview Window
While creating your video production, you can preview it in the preview window
using the available player controls.
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Use the button to select a seek by method (frame, second, minute, scene,
subtitle, chapter, segment) and then use the buttons on either side of it for a more
precise step through of your current production.
You can also click and drag the playback slider, or enter in a specific timecode in
the time field, and then press the enter key on your keyboard to quickly find a
specific scene.
Click the button to undock the preview window for a larger view of your
production. See Undocking the Preview Window for more information.
Preview/Display Options
CyberLink PowerDirector includes some preview and display options that help
make your editing experience easier. Click on to set the preview quality, show
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Preview Quality
Click , select Preview Quality, and then a preview quality from the list (Full HD*,
HD*, high, normal, low) to set the resolution/quality of the video used when
previewing your movie in the preview window. The higher the quality you select,
the more resources that are required to preview your video project.
Note: Full HD and HD preview resolution are only available when the Ultra
version of CyberLink PowerDirector is installed on a 64-bit operating
system.
Preview Mode
CyberLink PowerDirector provides two modes you can use to preview your video
production:
Real-time Preview: synchronizes and renders clips and effects in real-time,
displaying a preview of your video at the specified frames per second. See the
timeline frame rate option in General Preferences for information on setting
the correct frame rate for your production.
Non Real-time Preview: mutes the audio and displays a preview at a reduced
speed to help make editing go more smoothly. Useful when editing high-
definition video, using multiple PiP tracks on a less powerful computer, or
when you receive dropped frames when previewing. By muting the audio and
slowing down the video, CyberLink PowerDirector lets you view more frames
per second when your computer has trouble providing a smooth preview
during editing.
Note: you can also preview a portion of your video using the Render
Preview and Produce Range options. See Range Selection for more
information on these functions.
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Click the button and then select TV Safe Zone > On to enable a box that
indicates the on-screen area of most TV displays.
Click the button, select Grid Lines, and then select the number of lines
you want to display in a grid over the video image. Use this grid to more
precisely place the PiP media and title text on the video image.
Once enabled, select Snap to Reference Lines* to have the selected objects snap to
the grid lines, TV safe zone, and the boundary of the preview window.
Dual Preview
If you have a secondary display device, such as a monitor, TV, or DV camcorder
connected to your computer, click the button and then select Dual Preview*
to extend your workspace and preview your project on a secondary display.
Note: to use a connected monitor or TV as a secondary preview window,
you must first enable extend desktop to a secondary display in the
Windows Display Properties Settings. * optional feature in CyberLink
PowerDirector. Check the version table on our web site for detailed
versioning information.
Once enabled, when you click play in the preview window, you can preview your
production on both your primary and secondary display when Primary 2D and
Secondary 2D Display is selected. Select DV Camcorder to extend your production
preview to a connected DV camcorder device.
3D Dual Preview
When your desktop is extended to a secondary display, you can enable 3D on one
of the two devices. If you want one of your previews to be in 3D, select either
Primary 2D and Secondary 3D Display or Primary 3D and Secondary 2D Display to
enable it. Your selection depends on which device you want to enable, and which
one supports 3D.
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Note: if both of your displays are 3D devices, you can only enable 3D on
one of the two devices in dual preview mode.
Zoom In/Out
When you place media on the timeline, use the Fit* drop-down underneath the
preview window to zoom in or out on the video. Zooming in is useful for precise
placement of media, while zooming out lets you add media that begins off screen.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Previewing in 3D Mode
In the preview window you can enable 3D* mode to view the media in your
production in 3D, while you work.
Note: for detailed information on adding and setting the source format of 3D
media, see 3D Media. * Optional feature in CyberLink PowerDirector.
Check the version table on our web site for detailed versioning information.
3D Configuration
Before you can enable 3D mode, you must first set your 3D display device.
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Enabling 3D Mode
Once you have set your 3D display device, you can enable 3D mode at any time to
preview your video production in 3D. To enable, just click the button.
Note: any 2D media in your production will not display in 3D. However, you
can convert all of the 2D media to 3D using TrueTheater 3D in Power Tools.
See Power Tools: 2D to 3D for more information.
Editing Workspace
The editing workspace is where you create your project by adding your media,
various effects, transitions, and title effects. The editing workspace has two
different views, the timeline and storyboard views, which are accessed by clicking
the or button.
Note: you can set which workspace view is displayed by default in Editing
Preferences.
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Timeline View
The timeline view lets you view your entire project based on running time. This
view is useful if you want to insert effects, subtitles, etc. at a specific moment in
production. The timeline view also provides a view of all the tracks, media, and
other content (chapter markers, subtitle markers) that are displayed in the timeline.
Timeline Tracks
The timeline contains the following tracks:
Track Description
Video tracks contain your project's media clips (video clips and
images) and effects (PiP objects, particle effects, title effects, etc.)
on the timeline. By default, there are two video tracks in the
timeline, but you can have up to 100 video tracks by adding more
in the Track Manager. Each video track in the timeline may have
an associated audio track for the video clip's audio.
Audio tracks contain the audio in your project. The audio may be
the audio portion of a video clip on the video track, or a separate
audio track for music clips or other audio. By default there are
two audio tracks linked with a video track, and a separate audio
track for music, which is always the bottom track in the timeline.
You can have up to 100 audio tracks by adding more in the Track
Manager.
The effect track contains any special effects that you want to
apply to your final video. Video effects in the effect track are
applied to all the video tracks that are positioned above it in the
timeline.
The title track contains the text title effects that appear in your
project. The titles you add to this track display over all the
content in every video track that display during their duration.
The voice track contains a narrative voice-over or other audio
clips.
The music track contains your video's soundtrack.
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Timeline Behavior
The CyberLink PowerDirector timeline has several behavior features that make it
easy to manage media on the timeline.
On the timeline you can:
place media clips at any position on a video track. If no media is placed
before a media clip on the timeline, your video production displays a black
screen until the timeline position of your media clip is reached.
media clips will snap to other clips on the timeline for easy placement in your
production. If want to move the clips more freely on the timeline, you can
disable snap to clips in Editing Preferences.
hold down the Ctrl key on the keyboard and select multiple media clips on
the timeline.
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click and drag the mouse to select multiple media clips on the timeline.
right-click on select media in the timeline and select Group Objects. Doing
this allows you to move all the selected media clips as a group. Select
Ungroup Objects to once again allow for individual media clip movement.
Note: you cannot include transitions in grouped objects.
Timeline Ruler
You can resize the timeline ruler for a more expanded or condensed view of your
production. To resize the ruler, click on the ruler and drag it left or right.
Expanding the ruler is especially handy when aligning clips and effects, while
condensing it gives you a global overview of your entire production.
Click to auto fit your current project in the timeline area if you want to view the
entire movie in the editing workspace. You can also right-click on the timeline ruler
and select View Entire Movie to do this. Or select Zoom In or Zoom Out to change
the view to your required size.
Use the timeline ruler slider located in the bottom left corner
to manually resize the timeline.
Timeline Markers
You can add timeline markers* to the timeline ruler for more precise media
placement on the timeline. Once added, media clips snap to the timeline markers,
allowing your media to appear in your video production at the exact moment you
want it.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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Note: use the timeline ruler to expand the timeline for a more precise
placement of timeline markers.
2. Once you have found the time where you want to place the timeline, right-
click on the ruler and then select Add Timeline Marker.
3. Input a Note for the new timeline marker, if required.
4. Click on OK to add the new timeline marker.
Once a timeline marker is added, media will snap to it when added to a track in the
timeline.
Note: you can manually drag a timeline marker to different position if the
original is not in the exact location you wanted it. Expand the timeline ruler
for a more precise placement, if necessary.
Right-click on the timeline ruler and then select Edit Timeline Markers to view a list
of all the timeline markers you have added. In this list you can remove any of the
existing markers, or double-click in the Note column to edit the associated text.
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Function Buttons
When you select media that is on the timeline, whether it's a video clip, image,
audio clip, effect, title effect, etc., several function buttons display above the
timeline. These buttons let you perform a variety of tasks or gain access to some
important features of CyberLink PowerDirector.
The function buttons that are available depend on the type of media content you
select. However, whenever you select media, the and buttons are
always displayed. Click to remove the selected media content from the
timeline, or to gain access to more timeline functions, which vary
depending on the selected media.
Magic Tools
When editing your video project in the timeline, you can click the button
to use the magic tools to edit and touch up your audio, video, and image clips.
Magic tools can also help you add a creative style to your video production or add
the right background music.
CyberLink PowerDirector offers the following magic tools:
Magic Movie Wizard: automatically creates an edited video blended with
stylish effects and transitions.
Magic Fix: fixes and enhances your photos and videos, including fixing shaky
video, enhancing video quality, removing red-eye, and enhancing the focus
on photos.
Magic Motion: applies zooms and pans to your images. You can also use the
Magic Motion Designer to manually customize motion on an image.
Magic Cut: condenses long video segments into shorter clips that contain
only the best moments.
Magic Style: creates professional videos with pre-designed style templates
automatically.
Magic Music*: adds background music that automatically adjusts to suit
different durations.
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Click on the button within these tools to consult the iHelp for assistance on
using them.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Range Selection
Click and drag one of the arrows on either side of the timeline slider to select a
range* of media on the timeline.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Once selected, right click on the selection, select Loop Playback, and then click the
play button if you want to continuously play back of the selected range. You can
also cut or copy the range, and then paste it to another position on the timeline.
You can also use this feature to manually highlight a portion of a clip that you want
to then remove or trim out.
Click Render Preview to have CyberLink PowerDirector render a video preview of
only the highlighted range for playback in the preview window. Click Produce
Range to produce just the selected range in the Produce window, outputting it as a
video file that will be added to the media library.
Click Lock Range if you want to lock the selected range. Once locked, you can
more easily preview and even add additional media into the range for previewing,
rendering, or producing. Click Lock Range again to unlock the selected range.
Track Manager
In the Track Manager* you can add additional video and audio tracks to the
timeline. You can have up to 100 video tracks (with or without an audio track) in the
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3. In the Video section, select the Position in the timeline where you want to add
the tracks.
4. In the Audio section, enter in the number of audio tracks you want to add to
the timeline. By default, one track is added, but you can add up to 98 audio
tracks (100 in total) to the timeline, as required.
Note: if you only want to add an audio track (i.e. without a linked video
track), enter in 0 tracks in the Video section.
5. In the Audio section, select the Position in the timeline where you want to
add the tracks.
6. Click on OK to add the tracks to the timeline.
To quickly remove any unwanted tracks from the timeline, just right-click on the
timeline and then select Remove Empty Tracks.
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You can give all the tracks in the timeline a custom name as required.
Reordering Tracks
You can reorder the video tracks in the timeline if required. To reorder, click on the
left sidebar and drag the track to the new position in the timeline.
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You can also drag the effect track to a new position in the timeline. Effects on the
effect track are applied to all video tracks that are positioned above it in the
timeline.
You can also right-click on the timeline and select Adjust Video Track Height to
adjust the height of all the video tracks in the timeline to one of the default sizes.
Select Adjust Audio Track Height to resize all of the audio tracks, including the
music track, voice track, and each video track's corresponding audio track.
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Locking/Unlocking Tracks
To lock a track in the timeline, click at the left of the track. When a track is
locked, you cannot add new clips to the track, or move or edit the clips it contains.
To unlock a track in the timeline, click to the left of the track.
Enable/Disable Tracks
To disable a track in the timeline*, deselect to the left of the track. When a track
is disabled, the media it contains is not displayed in the Preview window. This
allows you to preview your project by tracks so you can concentrate on the track
you are working on.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Storyboard View
The storyboard view is essentially a large graphical display, or storyboard, of all
your video clips and images on the first track in the timeline. You can use it to
visualize the main scenes and overall production more clearly.
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Chapter 4:
PowerDirector Projects
When working on a new video production, click the button to save it as a .pds
file, a project file format that is used exclusively by CyberLink PowerDirector. These
project files can be imported directly into the timeline, if required. See Importing
PowerDirector Projects for more information.
Note: a CyberLink PowerDirector project (.pds) file essentially contains a
list of the media clips and effects used in your project, and a log of all the
edits you want to make to your media. Project files do not include the media
clips in them. If you want to save all your video production files in one place,
use the Pack Project Materials function. To do this select, File > Pack
Project M aterials from the menu.
Use the options in the File menu to save, create new, or open existing projects in
CyberLink PowerDirector. When you create a new project, CyberLink PowerDirector
resets your media library. If you want to create a new video production using the
same media currently in your library, select File > New Workspace.
Note: saved PowerDirector projects are now easily accessible in the media
library, and they are also reusable. See Reusing PowerDirector Projects for
more information.
If you have a CyberLink Cloud subscription you can upload saved projects and
more to CyberLink Cloud*. See CyberLink Cloud Projects for more information.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
The changes you make to your media in CyberLink PowerDirector do not affect the
original media you imported into the program. Since your edits are all saved in the
project file, you can trim, edit, or remove clips, but still keep your original files on
your hard drive, untouched. So let yourself get creative. If you end up changing
things too drastically, you can always start over.
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The preview window changes according to the aspect ratio you select. See
Adjusting Video Clip Aspect Ratio for information on modifying the aspect ratio of
a media file in your library.
Exporting Projects
You can export your CyberLink PowerDirector projects by writing them to a DV
tape, or by packing all the materials in a folder on your computer's hard drive or
CyberLink Cloud*. Exported projects can then be imported into another computer
running CyberLink PowerDirector.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
To export your project to a DV tape select File > Export > Write to DV Tape. To
export it to a folder select File > Pack Project Materials. If you have a CyberLink
Cloud subscription you can select File > Pack Project Materials and Upload to
CyberLink Cloud to back up all the media files, and the project file, in a folder on
CyberLink Cloud.
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To reuse a saved project, just select it in the media library and then drag and drop it
to a desired position on the timeline. You can also insert the saved project
anywhere within your current project, by dragging and dropping it to the desired
position on the timeline.
Note: when you add a saved project to the timeline, all of its media is
automatically added back into the media library.
Once the saved project is in the timeline, you can simply replace all of the existing
media clips, templates, and effects with the content you want to use in your new
production. To do this, just drag the media clips/effects/templates to the desired
positions on the timeline, hovering over the clip/effect/template you want to
replace, drop it, and then select Replace. This replaces the current content with the
new content you want to add, without changing the structure of the project.
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Note: if a media clip you are replacing is shorter than a newly added video/
audio clip, CyberLink PowerDirector automatically trims the video/audio
clip to fit the space. For all other media clips, CyberLink PowerDirector
automatically resizes them to fit the original clip's duration.
To download a project that was saved on CyberLink Cloud, including projects that
were packed in a folder with their media (materials), select Download Project from
CyberLink Cloud from the File menu. In the window that displays, select a project
and then click Download.
Note: when you open a packed project stored on CyberLink Cloud, the
project file and all the project media is downloaded to your local computer
and stored in the download folder specified in CyberLink Cloud Preferences
.
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Chapter 5:
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NRW (Nikon), ORF (OLYMPUS), PEF (Pentax), RAF (Fujifilm), RW2 (Panasonic), SR2
(SONY), SRF (SONY)
Video: 3GPP2, AVI, DAT, DivX**, DV-AVI, DVR-MS*, FLV (H.264), HD MPEG-2, M2T*,
MKV (H.264, H.265), MOD*, MOV, MOV (H.264), MP4, MPEG-1*, MPEG-2*, MPEG-4
AVC (H.264)*, MPEG-4 HEVC (H.265)*, MTS*, TOD*, VOB*, VRO*, WMV, WMV-HD,
WTV*, XAVC S*
Note: ** to enable, you must download the DivX codec online. Available on
Windows 32bit only.
To import media into CyberLink PowerDirector, click and then select one of the
following options:
Import Media Files: import media files individually.
Import a Media Folder: import the entire contents of a folder that contains the
media files you want to use in your current project.
Note: you can also drag and drop media onto the CyberLink PowerDirector
window to import it into the program.
3D Media
CyberLink PowerDirector supports various 3D* video and image formats. You can
use 3D media to create both 3D videos, and standard 2D video productions. All 3D
media in the library is indicated by a 3D icon in the top left of its thumbnail.
Note: click the button to enable 3D mode to view the 3D content during
the editing process. For more information on enabling 3D mode and
configuring your 3D display settings, see Previewing in 3D Mode. * Optional
feature in CyberLink PowerDirector. Check the version table on our web
site for detailed versioning information.
You can use and arrange 3D video clips and images in your video productions the
same way you use 2D media. However, note that if you want to create a 3D video
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Dual view format: select this option if the 3D content is in the dual view
source format (.avi file format).
3. From the drop-down available, Specify whether to display the left or right eye
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frame first. Use this feature if while editing or playing back 3D content you
begin to feel uncomfortable or uneasy. This may be because the layout of the
3D image is displayed differently than most standard content. If this occurs,
try selecting the opposite eye view. This switches the way the 3D content is
displayed on your display device, and may reduce the discomfort.
4. Click OK to set your changes to the selected media file.
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Capturing Media
CyberLink PowerDirector lets you capture media from a variety of sources directly
into the media library. Click the Capture button to enter the Capture module.
A - Ca pture from a DV Ca m corder, B - Ca pture from a n HDV Ca m corder, C - Ca pture from a TV Signa l,
D - Ca pture from a Digita l TV Signa l, E - Ca pture from a Webca m , F - Ca pture from a M icrophone, G -
Ca pture from a CD, H - Ca pture from a n Externa l or Optica l Device, I - Ca pture Preview Window , J -
Ca ptured Content, K - Qua lity Profile Setup, L - Ca pture Settings (Drive), M - Ca pture Pla yer Controls,
N - Ca pture Preferences
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Note: to add a text remark, date, or timecode to the video you are capturing,
click on the button in capture preferences area to enable it. See
Capture Preferences for more information.
If your DV camcorder connects to your computer via a USB connection, just import
the video files directly from your camcorder, as if it was another hard drive on your
computer. See Importing Media for information on importing video files from your
computer.
DV Backup
The DV Backup* feature lets you back up the digital video from your DV camcorder
directly to DVD using CyberLink PowerDirector.
Insert a blank DVD disc into your disc drive and then click the button to
begin backing up your video.
Note: this feature requires a DVD burner. * Optional feature in CyberLink
PowerDirector. Check the version table on our web site for detailed
versioning information.
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Camcorder tab.
An interval/scene is the content you recorded each time you pressed record and
then stop during the video shooting process. For help on using this function, use
the tips on the user interface.
Click the button to access the manual batch capture feature. For help on
using this function, use the helpful tips on the user interface.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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window.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Capturing from a CD
Use this option to rip your favorite music, or other audio, from an audio CD. To
capture, use the capture player controls (record, play, stop, next/previous track,
etc.) underneath the capture preview window.
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Captured Content
All of the media you capture in the capture window is displayed in the Captured
Content area. When you return to the Edit module, all of the media is automatically
imported into your media library.
In the Captured Content area you can right-click on media to perform a number of
options, including detecting scenes in video clips and deleting unwanted content
so that it won't import into the Edit module.
The content captured in CyberLink PowerDirector is stored in the folder noted
underneath the Captured Content area. If you want to store it in a different location,
click the Change Folder button and select a different folder.
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Capture Settings
Use the Settings button to configure the set up of your selected capture device. The
capture settings that are available depend on the capture device connected and the
capture mode you have selected.
Note: when capturing from a DVD, this button reads Drive, allowing you to
select the specific disc drive you want to capture from.
Capture Preferences
Before capturing media, you can set the preferences for your captured content. The
capture preferences that are available, depend on the content you are capturing.
Set the capture preferences as follows:
to set a maximum capture length, select Time limit and then enter a time in
the timecode box.
to set a maximum captured file size, select Size limit and then enter a size
limit (in MB).
to add a text remark, date stamp, or time stamp to the video being captured,
click on the button. In the Add Text Overlay window, select which type
and display format of text overlay you want to include on your recorded
video on the Text tab. Select the Format tab to set the font and text position
for the text.
to take a still photo of a frame of video for use in your project, just click on
at the point where you want to take the snapshot. The image is saved to
the Captured content area. You can specify your preferred snapshot image file
format in preferences. See File Preferences for detailed information.
select Non real-time when capturing from a camcorder to continue
processing captured video after the original video stops playing in order to
ensure that no frames are dropped.
select Begin with fade-in to add fade-in to audio captured with a microphone.
select End with fade-out to add fade-out to audio captured with a
microphone.
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Downloading Media
If you feel that you do not have enough media for your project, or you are looking
for specific media to make your creation just perfect, in the Edit module you can
download media from Flickr, DirectorZone, and CyberLink Cloud* into the media
room library.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
To display all the current downloaded media in the media library, select
Downloaded from the Media Content drop-down.
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Note: having a Flickr account is not required to search for, browse, and
download photos from Flickr.
4. Select all of the photos that you want to import into your media library and
then click on the Download button.
Note: you cannot use the photos downloaded into your media library for
commercial use. Click on the button underneath a photo thumbnail to
view its copyright information.
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My DirectorZone Templates
In the My DirectorZone window you can conveniently download your custom PiP
object, paint animation object, title effect, particle effect, and disc menu templates
that you previously uploaded to DirectorZone. You can also access and download
templates from your DirectorZone download history and also your favorite
templates.
To download My DirectorZone templates, do this:
1. Click in the PiP Objects Room, Particle Room, Title Room, or Create Disc
module.
2. Click the My DirectorZone tab.
3. Filter the templates by My Uploads, Download History, or My Favorites, or
enter a search keyword in the field provided.
4. Select all of the templates you want to download.
5. Click Download to download them to your computer and import them into
the library.
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1. Click in the PiP Objects Room, Particle Room, Title Room, or Create Disc
module.
2. Click the My CyberLink Cloud tab.
3. Filter the templates by selecting a collection from the drop-down, or enter a
search keyword in the field provided.
4. Select all of the templates you want to download.
5. Click Download to download them to your computer and import them into
the library.
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Chapter 6:
PowerDirector Plug-ins
CyberLink PowerDirector includes a number of plug-ins that can help you create
video content for your production. Click the button above the Media Room
library in the Edit module to view the available PowerDirector plug-ins.
Currently, CyberLink PowerDirector includes the two plug-ins. See the following
two sections for detailed information:
Using the MultiCam Designer*
Using the Theme Designer*
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
To open the MultiCam Designer click the button and then select MultiCam
Designer.
Note: when entering the MultiCam Designer, any selected video files are
automatically imported into the available camera (video source) areas.
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A - Im port Video, B - Ava ila ble Ca m era s (Video Sources), C - Im port Audio, D - Synchroniza tion Type,
E - Selected Ca m era (Video Source), F - Recording Tra ck, G - Recording/Pla yba ck Controls, H - Audio
Source, I - Recorded Content, J - Ava ila ble Audio Source, K - Source Tra cks
Importing Media
In the MultiCam Designer you can have up to four different video sources from four
different cameras. Each available camera (video source) can have more than one
imported video clip on its source video track.
Note: if you require more than four video sources for your production, you
can use Sync by Audio to align them on the timeline and then edit the
footage manually. See Syncing Clips by Audio for more information.
You can also import one or more audio files to use as the source audio in the clip
you are recording.
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to import video clips into a specific camera (video source) area, click the
corresponding button. Next, select Import From Hard Drive to import
video clips from your computer's hard drive, or Import From Media Room to
import clips from the existing media in the Media Room library. Select one or
more clips and then click Open. The clips are placed in the camera area and
the corresponding source video tracks.
To remove a video clip from a source video track, click next to the track, select
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the check box next to the clip you want to remove, and then click . To add
additional video clips to the source track, click the button.
To remove an audio clip from the source track, click next to the track, select the
check box next to the clip you want to remove, and then click . To add
additional audio clips to the source track, click the button.
Synchronizing Clips
Once you have imported all of the media clips into the MultiCam Designer that you
want to use in your recording, the next step is to synchronize them.
To synchronize the clips in the MultiCam Designer, do this:
1. Select the Audio source for your recording from the drop-down. You can use
the audio of any of the imported video clips or select Imported Audio to use
the audio that was imported on to the source audio track.
2. In the Synchronization drop-down, select one of the following:
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Manual: select this option if you want to manually adjust the starting position
of each clip on the source tracks. You can do this by clicking and dragging
the clips on the source track to a new position.
Note: you can also click the button in the camera area to manually
move the clip on the source track back one frame. Click to move it
forward one frame.
Timecodes: select this option and then click Apply if you want the MultiCam
Designer to synchronize using the video clip's timecodes. The MultiCam
Designer will auto adjust the clips on the source tracks.
Note: this option can only be used if the video clips were recorded with a
DV or HDV camera that imprinted the timecode information in the clips and
were captured by CyberLink PowerDirector.
File Created Time: select this option and then click Apply to use the date and
time the file was created as the synchronization points. The MultiCam
Designer will auto adjust the clips on the source tracks.
Audio Analysis: select this option and then click Apply if you want the
MultiCam Designer to analyze the audio and then sync the files based on the
audio in them. The MultiCam Designer will auto adjust the clips on the source
tracks.
Markers on Clips: select this option and then use the playback controls to find
the synchronization points in each clip. Once you find a point, right click on
the source track and then select Set Marker. Once you have manually added
all the markers, click the Apply button. The MultiCam Designer will adjust the
clips on the source tracks.
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3. When you are ready, click to begin recording. The MultiCam Designer will
start recording, adding the current selected camera footage as recorded
content on the recording track.
4. As required during the recording process, click another camera (video source)
or use keyboard hotkeys 1-4 to switch the recording to that source's content.
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6. When you are done click the or button to stop the recording process.
7. Click on OK to close the MultiCam Designer, and import the recorded content
into the timeline.
Note: if you'd like to modify the MultiCam Designer recorded content once it
is in the timeline, just select it and then click the M ultiCam Designer
button. See Changing the Recorded Content for more information.
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3. Right-click on the camera segment you want to replace, and then select
another camera (video source).
4. Repeat the above steps as required to edit and replace the segments.
5. When you are done, click OK to save your changes and import the updated
recorded content into the timeline.
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As you customize the theme template, you can also fully customize how your
media is displayed, giving you more creative control over your outputted movie.
To open the Theme Designer click the button and then select Theme Designer.
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Overview
Themes that you edit in the Theme Designer consist of theme templates and your
media (images and video clips). The resulting video is similar to the movie content
created by the Magic Movie Wizard and Magic Style, but the Theme Designer
provides much more creative control over the outputted movie.
Theme Templates
Theme templates are used to create a video production, with a specific type of
theme or style, and can be downloaded from DirectorZone. Theme templates
consist of a number of sequences. Each of these sequences contain elements,
some of which are customizable and some of which are not.
The customizable elements include the text and media (images, videos, and
background music) you add to each sequence. You can add effects on this media
and set how and when it is displayed. You can also set the background image on
some sequences, and select the transition between each sequence in templates
named "with transitions". Non-customizable elements include any animation
included in the sequences.
When selecting a theme template to use in the Theme Designer, you can choose to
add one or more theme templates, creating a more original production. You can
even just select some of the sequences in a theme template, or mix and match the
sequences used.
There are three types of sequences: opening, middle, and closing sequences.
Opening and closing sequences usually contain text, while the elements in middle
sequences are much more random.
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To add a theme template, just select it in the window and all of its sequences will
be added.
Note: you can preview a theme template in the preview window by selecting
it and then using the available playback controls.
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If you don't want to use all the theme template's sequences, just deselect the ones
you don't want to use.
You can also select sequences from other theme templates and include them in
your video. The Theme Designer will remember the order of your selections.
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Click OK once you have selected all the sequences. They will be loaded into the
added sequences area of the Theme Designer.
If you'd like to add more sequences, just click the button. You can drag and
drop the sequences to reorder them, or right click to remove the selected one.
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Note: some of the media slots in sequences allow you to add both images
and videos into them, while others only allow one type of media.
2. C lick on the Media tab and then drag and drop the media that you
want in the sequence to the desired slot.
Note: the media that is available on the Media tab are the videos and
images you imported into the Media Room library. Click Import M edia to
import media from your computer's hard drive.
3. C ontinue this process until all the media slots have been used.
4. Select the next sequence, and then repeat steps 2 and 3 until all the
media slots have been filled.
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Note: if you want a media file to continue playing from one sequence to the
next, ensure the Continue from last clip in the previous sequence is
selected. The first media slot will be auto populated with the content from
the last media slot on the previous sequence. Deselect this option if you
want new media displayed in the next sequence.
5. Continue selecting all the sequences in your video until all of the media slots
and sequences contain media.
Note: when adding media you can also click the button to
auto fill all the empty media slots in the sequences. Select Auto Fill by
Library Order to fill by the created date, as displayed in the Media Room
library. Select Auto Fill Using Videos First if you want to add the video
clips first.
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To apply a zoom in on the media clip, click on the icon. Click to remove it
if required.
Imported: select this option if you want to import your own custom
background music from your computer's hard drive. Select the music you
want to use and then click OK to set it as the music used.
No Music: select this option if you don't want to have any background music
in your video.
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if required, trim the background music using the player controls and the
mark-in/mark-out indicators.
if required, adjust the volume of the music using the available volume
control.
if required, use the slider to mix the audio level, by deciding whether to have
more background music or the original video's audio in the production.
Click OK to save your changes.
To edit the title text, just enter the text you want to use in the fields provided. If you
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don't want any text displayed in the selected sequences, just make sure the text
field blank.
Click to replace the background with an image from your computer's hard drive.
Click if you want to remove the background image from the sequence.
Click to add a transition before the selected sequence. Click if you want to
remove a selected transition from the sequence. See Using Transitions for more
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information on transitions.
Click to preview the entire movie, or to preview just the selected sequence.
Click to change the preview resolution, or to take a photo snapshot of your
movie.
The keyframe indicators on the preview timeline indicate where the media files in
the sequence are in the movie. Hover your mouse over a keyframe to view the clip
information.
Once you are done previewing your movie and you are satisfied with the results,
click on OK to close the Theme Designer, and import the created movie into the
timeline.
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Chapter 7:
There are several program features you can utilize to assist with the arrangement of
media in your video production, including:
Magic Movie Wizard: auto creates a movie for you, using the media clips and
effects in your library. See Using the Magic Movie Wizard for more
information.
Slideshow Creator: auto creates a slideshow with your photos, in a few simple
steps. See Using the Slideshow Creator for more information.
Timeline markers*: add to the timeline ruler for more precise media clip
placement on the timeline. See Timeline Markers for more information.
Music Beat Detection*: use this feature to add music beat markers on the
music beat track, which you can use to arrange media clips to the music. See
Music Beat Detection for more information.
Sync by Audio: you can sync two or more clips that are on different timeline
tracks using the Sync by Audio feature. See Syncing Clips by Audio for more
information.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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If you insert or drop media onto other existing media clips that are on the timeline,
don't worry. CyberLink PowerDirector will prompt you to use its ripple editing
feature to overwrite, insert, replace, split, trim, transition, or speed up media to help
you easily place the media where you want it.
Once you add a video clip or image to any timeline track, click the Modify button
above the timeline to edit its properties in the PiP Designer. See Modifying Media in
the PiP Designer for more information.
Note: you can add additional tracks to your project's timeline in the Track
Manager, allowing you to have up to 99 PiP objects displayed on a video at
the same time. See Track Manager for more information.
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To insert video clips or images into the workspace, do one of the following:
use the timeline slider to set the position where you want the media, select
the media in the library, and then click to add it to the
selected video track.
use the timeline slider to set the position where you want the media, right-
click on the media in the library, and then select Insert on Selected Track to
add it to the selected video track.
You can also manually drag and drop a media clip to a desired position on a video
track to add it to the timeline.
When adding a clip to the timeline (inserting or dragging and dropping), if the
timeline slider is over an existing clip, or you drop it on an existing clip, you are
prompted to use one of the ripple editing options to insert the clip:
Overwrite: select to overwrite the existing clip with the newly added clip.
Insert: select to split the clip and insert the new clip between the two
portions. CyberLink PowerDirector also only moves the clips on the same
track to the right.
Insert and Move All Clips: select to split the clip and insert the new clip
between the two portions. CyberLink PowerDirector also moves all of the
media clips on the timeline that lie to the right of the inserted clip, right.
Crossfade: select to lay the clip over a portion of the existing clip and auto
add a transition between the two clips. CyberLink PowerDirector uses the fade
transition on the video track, and the constant gain audio transition if both
clips have audio on the corresponding audio track.
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Note: the Crossfade option does not overwrite the content on the track,
instead adding an overlap transition between the two clips. See Setting
Transition Behavior for more information. The Crossfade option is only
available if the end of the new clip is not over any existing content on the
track.
Replace: select to replace the current clip on the timeline with the new clip.
Use this option if you don't want to change the structure of the current
content on the timeline.
Note: if the duration of the clip you are replacing is shorter than the newly
added video clip, CyberLink PowerDirector automatically trims the video
clip to fit the original clip's duration. For images, CyberLink PowerDirector
automatically resizes them to fit the original clip's duration.
When inserting a video file, if the timeline slider is in a gap between two clips on a
timeline track, you are prompted to use one of these ripple editing options to insert
the clip:
Trim to Fit: select to have CyberLink PowerDirector auto trim off the end of
the video clip to fit the gap to the right of the timeline slider.
Note: this feature is also available when inserting image clips into a
timeline gap that have durations longer than the gap.
You can find color boards and backgrounds in your media library, by clicking to
open the explorer view, or selecting Color Boards or Backgrounds from the Media
Content drop-down.
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To insert color boards or backgrounds into the workspace, do one of the following:
use the timeline slider to set the position where you want the color boards or
backgrounds, select it in the library, and then click to add it
to the selected video track.
use the timeline slider to set the position where you want the color boards or
backgrounds, right-click on it in the library, and then select Insert on Selected
Track to add it to the selected video track.
You can also manually drag and drop a color board or background to a desired
position on a video track to add it to the timeline.
When adding a color board or background to the timeline (inserting or dragging
and dropping), if the timeline slider is over an existing clip, or you drop it on an
existing clip, you are prompted to use one of the ripple editing options to insert the
clip:
Overwrite: select to overwrite the existing clip with the color board/
background.
Insert: select to split the clip and insert the color board/background between
the two portions. CyberLink PowerDirector also only moves the clips on the
same track to the right.
Insert and Move All Clips: select to split the clip and insert the color board/
background between the two portions. CyberLink PowerDirector also moves
all of the media clips on the timeline that lie to the right of the inserted clip,
right.
Crossfade: select to lay the color board/background over a portion of the
existing clip and auto add a fade transition between the two clips.
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Note: the Crossfade option does not overwrite the content on the track,
instead adding an overlap transition between the two clips. See Setting
Transition Behavior for more information. The Crossfade option is only
available if the end of the new clip is not over any existing content on the
track.
Replace: select to replace the current clip on the timeline with the color
board/background. Use this option if you don't want to change the structure
of the current content on the timeline.
Note: if the duration of the clip you are replacing is longer or shorter than
the newly added clip, CyberLink PowerDirector automatically resizes it to fit
the original clip's duration.
If the timeline slider is in a gap between two clips on a timeline track when
inserting a color board or background, you are prompted to use this ripple editing
option to insert the clip:
Trim to Fit: select to have CyberLink PowerDirector auto set the duration of
the color board/background to fit the gap to the right of the timeline slider.
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library.
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use the timeline slider to set the position where you want the audio, select the
audio file in the library, and then click:
use the timeline slider to set the position where you want the audio, right-
click on the audio file in the library, and then select:
Add to Voice Track to add it to the voice track.
Add to Music Track to add it to the music track. The music track is always
the bottom track in the timeline.
You can also manually drag and drop an audio clip to a desired position on any of
the audio tracks available it the timeline.
When adding audio to the timeline (inserting or dragging and dropping), if the
timeline slider is over an existing clip, or you drop it on an existing clip, you are
prompted to use one of the ripple editing options to insert the clip:
Overwrite: select to overwrite the existing clip with the newly added audio
clip.
Insert: select to split the clip and insert the new audio clip between the two
portions. CyberLink PowerDirector also only moves the clips on the same
track to the right.
Insert and Move All Clips: select to split the clip and insert the new audio clip
between the two portions. CyberLink PowerDirector also moves all of the
media clips on the timeline that lie to the right of the inserted clip, right.
Crossfade: select to lay the audio over a portion of the existing clip and auto
add a constant gain transition between the two clips.
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Note: the Crossfade option does not overwrite the content on the track,
instead adding a transition between the two clips. The Crossfade option is
only available if the end of the new clip is not over any existing content on
the track.
Replace: select to replace the current audio clip on the timeline with the new
audio clip. Use this option if you don't want to change the structure of the
current content on the timeline.
Note: if the duration of the audio clip you are replacing is shorter than the
newly added audio clip, CyberLink PowerDirector automatically trims it to fit
the original clip's duration.
If the timeline slider is in a gap between two clips on an audio timeline track when
inserting audio, you are prompted to use one of these ripple editing options to
insert the clip:
Trim to Fit: select to have CyberLink PowerDirector auto trim off the end of
the audio clip to fit the gap to the right of the timeline slider.
Speed up to Fit: select to have CyberLink PowerDirector auto speed up the
audio clip so that it fits the gap to the right of the timeline slider.
Magic Music
Magic Music* is designed to help you add music into your video production. In just
a few simple steps, Magic Music can turn your video production into a professional
looking movie through the addition of background music.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Click the button located to the left of the timeline and then select Magic
Music to open the Magic Music panel. Magic Music uses SmartSound to add music
to your video production. Just follow the four steps on the user interface to select
the music style (genre), song, and then duration, before applying your selection to
your video production.
Note: SmartSound provides some music for you to use in your video
production, but you can also purchase music. Click the SmartSound
button to view SmartSound related copyright and purchasing information.
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Syncing Audio
When you add independent audio to any of the audio tracks on the timeline, it is
important to ensure that it syncs with the video in your production. CyberLink
PowerDirector displays the audio waveform on each clip that is added to the
timeline. The waveform is useful when trimming or splitting the audio clip, and
also when trying to sync audio to the video in your production.
Note: if you are trying to sync audio in an audio clip with the audio is a
video clip (because they have the same source audio), you can use Sync
by Audio to sync the clips.
You can even zoom in on the timeline for more precise syncing, as the waveform is
viewable down to the 1/10 frame level.
Note: if an audio clip's waveform is not displayed, it may be because this
option was disable in preferences. You can enable it again by selecting
Show sound waveform in timeline in General Preferences.
Once zoomed in, you can use the waveform in conjunction with Timeline Markers
to sync media more precisely in your video production.
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music clip in your video production, and then add beat markers to the music beat
track to help you sync the audio in your production. You can also manually add
music beat markers.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
You can then use these music beat markers for more precise arrangement and
syncing of media with the added music.
To add music beat markers, do this:
1. Add a music clip to an audio track on the timeline (audio, voice, or music
track).
2. Right-click on the music clip and then select Use Automatic Music Beat
Detection. The Automatic Music Beat Detection window opens.
3. Use the slider to set the Minimum time between beat markers. For example, if
you know the beats in the music are once a second, you can set the slider to
apply markers ever 2.0 seconds if you want to place media on every other
beat.
4. Click Detect. CyberLink PowerDirector will analyze the music clip, and then
detect and apply the music beat markers to the music beat track.
5. Click on Apply to close the Music Beat Detection window.
Once the music beats markers are added, media will snap to them when added to a
track on the timeline.
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1. Select all of the clips on the timeline that you want to sync.
2. Click the Sync by Audio function button that displays after selecting the clips.
3. CyberLink PowerDirector analyzes all the selected clips and then realigns them
so that their audio is in sync.
1. Click the button above the timeline and then select Magic Movie
Wizard.
2. Select which media you want to use in your movie, as follows:
Media Library: the Magic Movie Wizard uses all of the media in the library to
create your movie.
Timeline: the Magic Movie Wizard only uses the media that is currently on the
timeline.
Note: any edits you previously made in your project to the clips in the
timeline are ignored. The Magic Movie Wizard uses the source clips to
create you final movie.
Select items: the Magic Movie Wizard only uses the media that is currently
selected in the library.
3. Click Next to continue.
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4. See the step by step description in Easy Editor for more information on the
remaining steps in the Magic Movie Wizard.
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Chapter 8:
Content Aware Editing analyzes your video clips to find the portions that it believes
are the best and most interesting moments, and also the portions that need fixing.
You can then simply click on the "good parts" to include them in the video
production, and choose to fix or trim away the "bad parts".
Note: during the analysis process, CyberLink PowerDirector also detects
all the scenes in the video clips and marks them on the Content Aware
Editing window timeline with .
To analyze the video clips and then open the Content Aware Editing window, right-
click on a video clip in the media library or the timeline, and then select Content
Aware Editing.
If you would like to perform a batch analysis on multiple video clips at once, do
this:
1. In the Media Room, click on to access the library menu and then select
Content Aware Details.
2. Select all the video clips in the Analyze column and then click the Analyze
button.
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3. Once the analysis is complete, click the button next to the video clip
that you want to edit in the Content Aware Editing window.
Note: the Content Aware Details view displays the analysis results for all
the video clips analyzed and edited in Content Aware Editing. See Content
Aware Details for more information.
A - Pla yer Controls, B - Segm ent Selection Tools, C - Selected Segm ents, D - Deselected Segm ents, E -
Detected Scene M a rkers, F - Recom m ended Segm ents, G - Segm ents Need Fixing, H - Fix All
Segm ents, I - Content Selection Ca tegories
Note: the preview quality of the video in the Content Aware Editing window is
dependent on preview quality setting specified in preview/display options.
See Preview Quality for more information on selecting a preview quality.
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In the Content Aware Editing window, the segments indicated in green are the
recommended portions of the clip that CyberLink PowerDirector believes are the
most interesting, or are the "good parts". They may include camera zooms or pans,
and segments that contain a lot of motion or people talking (speech). CyberLink
PowerDirector also performs face detection on the video clip to highlight sections
that include people's faces.
The light brown segments are parts that need fixing, because either the video is
shaky or poorly lit. You can choose to fix or remove these "bad parts".
Check the content selection categories for details of what each highlighted
segment consists of.
Note: hover your mouse over the highlighted segments for more detailed
information about what they include.
The segments that are not highlighted are parts of your video that CyberLink
PowerDirector believes are not necessary to include. You can however include
these segments by selecting them with the mark in and out buttons.
Fixing Content
If the segments that CyberLink PowerDirector has highlighted for removal contain
parts of your video that you don't want to exclude, you can instantly fix them in the
Content Aware Editing window.
To fix segments, do either of the following:
right-click on the highlighted segment and then select Apply Fix to Entire
Scene. Select this option to apply the required fix to the entire scene in the
video clip, which is indicated by the detected scene markers. This ensures
there are no sudden changes in lighting or other video properties in the
scene. In the Auto Fixer window use the player controls to preview how the
fixed content will look. If satisfied with the results, ensure that Apply auto fix is
selected and then click on OK to apply the fix to the scene.
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Note: if no scenes were detected in your video clip, the fix is applied to the
entire clip when Apply Fix to Entire Scene is selected.
right-click on the highlighted segment and then select Apply Fix to this
Segment. Select this option to apply the required fix to just the selected
segment of video. In the Auto Fixer window use the player controls to preview
how the fixed content will look. If satisfied with the results, ensure that Apply
auto fix is selected and then click on OK to apply the fix to the selected
segment of the video clip only.
click the button to have CyberLink PowerDirector auto fix each of the
highlighted segments in the same content selection category.
CyberLink PowerDirector will fix the segments, which are then indicated with a
wrench icon.
Note: if you'd like to undo any of the fixes you made in the Content Aware
Editing window, just right-click on a fixed segment and then select Remove
Applied Fix.
Content Selection
Use the segment selection tools to begin selecting the video content you want to
include in the trimmed clip. Any content segments you add to the deselected list,
or do not select, will be trimmed out of the video clip.
Note: you must add at least one segment to the Selected list to enable the
OK button and trim the video clip.
Selecting Content
To select video content, do any of the following:
click on a highlighted segment and then click the Selected button.
right-click on a segment and then select Add to Selected List.
click on to add all of the video content, except the content in the
Deselected list, to the Selected list. CyberLink PowerDirector will remove any
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use the player controls to find and then click on to mark the beginning
of a segment of video you want to include. Use the player controls or drag the
timeline slider and then click to mark the end. Once selected, click on
Selected to add to the Selected list.
Once you are done selecting all the content, click the button in the Selected list
to preview what the trimmed video clip will look like. Select a segment and then
click if you want to remove it from the list.
Click on OK to trim the video clip as specified. The trimmed video is automatically
inserted into the timeline at the current timeline slider position.
Deselecting Content
To deselect video content, do any of the following:
click on a highlighted segment and then click the Deselected button.
right-click on a segment and then select Add to Deselected List.
use the player controls to find and then click on to mark the beginning
of a segment of video you do not want to include. Use the player controls or
drag the timeline slider and then click to mark the end. Once selected,
click on Deselected to add to the Deselected list.
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Once you are done deselecting all the content, click the button in the
Deselected list to preview the content that will be trimmed out. Select a segment
and then click if you want to remove it from the list.
Click on OK to trim the video clip as specified. The trimmed video is placed in the
timeline for you automatically.
Splitting a Clip
You can quickly split a media clip that is on any track in the timeline into two
separate clips. To do this, move the timeline slider (or use the player controls) to the
position in the clip where you want to split it. Next, click the Split button to
separate it into two clips that you can then move around separately from one
another.
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You can also use it to quickly remove unwanted portions of a media clip, or if you
want to insert other media between the two portions.
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Note: when you trim media clips, the program does not delete any of the
original source media's content. It just marks the requested edits on the
clips and then applies the edits when it renders the final video during
production.
A - Preview Area , B - M a rked Positions in Clip, C - M a rk Out Position Slider, D - Selected Content, E -
M a rk In Position Slider, F - Pla yer Controls
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4. Use the player controls to find where you want the trimmed clip to end, and
then click to set the mark out position or drag the mark out position
slider to this position.
5. If required, you can preview what the trimmed clip will look like by clicking
Output and then clicking the play button on the player controls. Click
Original if you want to play the original video.
6. Click OK to set your changes and trim the clip.
Note: you can reenter the trim window to refine the trimmed clip at any time.
You can also drag the trimmed edges of a video clip on the timeline as well.
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A - Preview Area , B - Tim eline, C - Tim eline M a gnifier* , D - M a gnified Tim eline, E - Selected Segm ents,
F - M a gnifier Controls* , G - Trim m ing Tools, H -Pla yer Controls, I - Fra m e Displa y
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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detect all the scenes in the selected video clip by clicking on . Once
selected, choose whether you want the program to add all the scenes to the
trimmed segments area, or just mark the scene breaks for you on the
timeline.
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A - Audio Wa veform , B - Tim eline Slider, C - M a rked Positions in Clip, D - Zoom Controls, E - M a rk In/
Out Buttons, F - Pla yer Controls
To trim an audio clip, do this.
1. Select the audio clip on the timeline you want to trim, and then click on the
Trim button above the timeline.
2. If required, use and to zoom in and out on the audio waveform for a
more precise edit.
3. Use the player controls to find where you want the trimmed clip to begin, or
the mark in position.
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5. Use the player controls or drag the timeline slider to position where you want
to audio clip to end, and then click to set the mark out position.
6. Click OK to set your changes and trim the clip.
Note: you can reenter the trim window to refine the trimmed clip at any time.
You can also drag the trimmed edges of the audio clip on the timeline as
well.
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Stretching Images
Some of the images/photos in the timeline may not have the same aspect ratio as
your video production. You can stretch these images, so that all the media in your
video production has the same aspect ratio.
To stretch an image, do this:
1. Right-click on an image in the timeline, select Set Clip Attributes, and then
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Cropping Images
You can completely customize the aspect ratio of the images in your video
production or crop out unwanted portions of a photo, using the crop image
function.
To crop an image, do this:
1. Select the image in the timeline and then click the Crop Image button. You
can also right-click on the image and then select Crop Image.
2. Set the size of the crop area by selecting one of the following:
4:3: gives the crop area, and the resulting cropped image, a 4:3 aspect ratio.
16:9: gives the crop area, and the resulting cropped image, a 16:9 aspect ratio.
Freeform: select if you want to manually resize the crop area on the image
and give the resulting cropped image a custom aspect ratio.
Custom: select if you want to set a custom aspect ratio for the cropped image
using the Width and Height fields.
3. Use the Crop size controls to set the size of the crop area, and the resulting
cropped image. You can also manually drag the edges of the crop area on the
image to resize it as required.
4. C lick OK to set your changes and crop the image.
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CyberLink PowerDirector lets you change the X and Y positions for the four corners
and the center of a media clip, giving it a custom freeform shape.
Note: the top-left corner of the video frame is the 0 axis, with the bottom-
right corner having a value of 1.0, 1.0. The center position in the video
frame is 0.500, 0.500.
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Note: you can also change the shape of media clips by altering their
freeform positions using keyframes. See Utilizing Keyframes on Media for
more information.
Note: * click on the button to consult the iHelp for more information
on using the available fix and enhance tools.
You can also enhance the media by adjusting color, white balance, or applying
TrueTheater HD* technology from CyberLink on videos. The Fix/Enhance feature
also lets you adjust the 3D orientation* of 3D media to fix its 3D effect when
needed.
Note: * optional feature in CyberLink PowerDirector.
To begin fixing and enhancing your media, select it in the timeline and then click
the Fix/Enhance button.
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You can apply fixes and video enhancements to the entire duration of a media clip,
or customize how they are displayed using keyframes. See Utilizing Keyframes on
Media for more information on customizing the way the fixes and enhancements
are displayed in your video production.
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2. Perform the adjustments on the image as necessary. Please consult the help
file in CyberLink PhotoDirector for detailed information on adjusting and
editing images in that program.
3. Once you finish adjusting the image file in CyberLink PhotoDirector, click the
Back button within the program. Your changes are saved and the adjusted
image is imported back into the timeline.
To adjust a video clip in CyberLink ColorDirector, do this:
1. Select the video clip on the timeline, click the Fix / Enhance button above the
timeline, and then the ColorDirector button. The CyberLink ColorDirector
program opens.
2. Perform the adjustments on the video clip as necessary. Please consult the
help file in CyberLink ColorDirector for detailed information on adjusting
video clips in that program.
3. Once you finish editing the video clip in CyberLink ColorDirector, click the
Back button within the program. Your changes are saved and the adjusted
video clip is imported back into the timeline.
Power Tools
Select a media clip on the timeline and then select the Power Tools button to
perform a range of powerful functions, including:
2D to 3D*: select this option to convert any 2D images or videos into 3D,
using TrueTheater 3D. Use the Scene Depth slider to adjust the amount of
depth in the resulting 3D image.
Video/Audio in Reverse*: when enabled on a selected video or audio clip, it
plays backwards.
Video Crop: select this option to crop or zoom in on a specific portion of a
video clip. Select the Crop Video button to define the area you want to zoom
in on (crop). You can then customize the motion on the cropped portion of
video. See Magic Motion Designer for information on customizing the motion
on the cropped section of video.
Video/Audio Speed: select this option to change the speed of a video or audio
clip. For an advanced slow motion effect, use the Slow motion video with
frame interpolated technology* option. Select Stretch audio (between 2X and
0.5X only) to stretch the audio to match the new video's length. Deselect this
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option to mute the audio. You can also enter a new duration in New video
length video to manually increase/reduce a video clip's speed.
Note: you can also hold down the Ctrl key on your keyboard and then click
and drag the edge of a video or audio clip on the timeline to manually
change its speed to fit your required duration.
Video/Photo Rotation: select this option and then use the buttons to rotate a
video or image up to 360 degrees in either direction. You can also enter in a
custom rotation amount in the field provided, and press the Enter key on your
keyboard to apply it.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
In the Keyframe Settings panel, the following options are available, depending on
the type of media selected:
Note: once you have customized the fixes, enhancements, and effects on a
clip using keyframes, you can right click on the clip and select Copy
Keyframe Attributes. This allows you to paste all of its keyframe
attributes onto another clip in the timeline, applying the same changes to
the clip. To apply just some of the keyframe attributes modified in this
panel, just right click on Fix/Enhance, Effect, Clip Attributes, or Volume
to copy and paste the changes to another clip.
Fix/Enhance
Use the available sliders to fix and enhance images, videos, and audio clips at the
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Clip Attributes
In the Clip Attributes section you can adjust the opacity, size, freeform shape, and
more for media clips in your video production.
Opacity: use the slider to adjust the opacity of images and video clips at
different moments (keyframes) in your video production.
H scale: set the height of media clips in at different moments (keyframes) in
your video production.
W scale: set the width of media clips in at different moments (keyframes) in
your video production.
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Freeform position: in the eight freeform position fields provided, define the
shape of the selected media clip by setting the X and Y positions for its four
corners in the video frame. By entering different values at different moments
(keyframes) in your video production, the clip's freeform shape can change
over time in your video production. See Changing the Shape of Media for
more information on freeform media clips.
Enable 3D depth on the PiP media: if you are creating a 3D video production,
select this option to give the PiP media a 3D* effect. Once enabled, use the
slider to set the amount of depth you want the PiP media to have in 3D.
Dragging the slider left will make the 3D PiP object seem nearer to the
audience (in the foreground), while dragging it right will make it appear
farther away (in the background).
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Volume
For video and audio clips in your video production, use the available slider to adjust
the level of the selected clip's volume at different moments in your production.
Adding Keyframes
In the Keyframe Settings window, there is a mini timeline for the selected media
clip. The timeline matches the duration of the selected media clip.
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You can resize the timeline ruler and move the timeline slider, just like on the main
timeline.
To add a keyframe to the keyframe timeline, do this:
Note: once you have customized the fixes, enhancements, and effects on a
clip using keyframes, you can right click on the clip and select Copy
Keyframe Attributes. This allows you to paste these keyframe attributes
on another clip in the timeline, applying the same changes to the clip.
1. Use the player controls to find the moment in your media clip where you
want its properties to change.
2. In the panel on the left, use the slider or other options to change the clips
properties as required. Note that a keyframe marker is added at that moment
in timeline.
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3. Use the player controls to find the next moment you want to add the next
keyframe, and then modify the clip properties as required again.
4. Repeat these steps to create the kind of effect you want in your video
production using keyframes. In the above example, the brightness of the
media clip will slowly dim between the two keyframe moments.
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Note: if you want to reset the changes made at a keyframe, just ensure the
keyframe is selected and then click next to the option/parameter you
want to reset back to the original.
Muting Audio
You can mute the audio in a video clip (or in any audio clip on the timeline) simply
by right-clicking on it in the timeline and then selecting Mute Clip. If you added any
audio volume keys previously, they are hidden.
To restore sound to the clip, right-click on the clip and then deselect Mute Clip.
Note: if you would like to mute the audio of an entire track, right-click on the
track and then select M ute Track. This is useful if you have video on a PiP
track and you don't want any of its audio in your final production.
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Time Info
When a DV-AVI video clip captured from a DV tape camcorder or an EXIF image is
added to the timeline, the Time Info button is enabled. Click the Time Info button
to enable the date or time stamp (displayed as an image) that was captured from
the original camcorder or digital camera. You may also add a text remark to your
video or image if required.
Note: CyberLink PowerDirector does not support the enabling of running
time codes on video files.
Magic Fix
With Magic Fix CyberLink PowerDirector can auto stabilize videos taken with shaky
hands, enhance a video's audio, or the quality of a video's image. Magic Fix can
also auto remove red-eye from photos, or improve the clarity on photos that are
out of focus.
To use Magic Fix to fix and edit a media clip, select it on the timeline, click on the
button above the timeline, and then select Magic Fix.
Click on the button to consult the iHelp for more information on using
these features.
Magic Cut
You can use Magic Cut* to have CyberLink PowerDirector auto-edit your video clips
using video technology that locates and keeps the most interesting moments,
while discarding sections of lesser importance. The Magic Cut tool is ideal for
condensing long video segments into shorter clips. For example Magic Cut can edit
a one hour video down to ten minutes.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
To use Magic Cut on a video clip, select it on the timeline, click on the
button above the timeline, and then select Magic Cut.
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Click on the button to consult the iHelp for more information on using this
feature.
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Chapter 9:
Adding Effects
You can add many different kinds of effects to your video production, including
video effects that you apply to a portion or the entire media clip. Use Magic Motion
to apply a motion effect to images in your video production, or the Magic Style and
Freeze Frame features to auto create some effects for you.
drag an effect from the Effect Room into the effect track directly beneath the
clips on the tracks that you want to apply it to.
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click and then select Apply Random Video Effect to add a random video
effect at the current position of the timeline slider.
When adding an effect to the timeline (inserting or dragging and dropping), if the
timeline slider is over an existing effect, or you drop it on an existing effect, you are
prompted to do one of the following:
Overwrite: select to overwrite the existing effect with the newly added effect.
Insert: select to split the effect and insert the new effect between the two
portions. CyberLink PowerDirector also only moves the effects on the same
track to the right.
Insert and Move All Clips: select to split the effect and insert the new effect
between the two portions. CyberLink PowerDirector also moves all of the
media clips on the timeline that lie to the right of the inserted effect, right.
Note: once an effect is added to the effect track, select it and then click the
M odify button to edit the effect's settings. See Modifying a Video Effect for
more information.
To add a video effect to an entire media, PiP object, or title template clip in the
timeline, do this:
Note: video effects cannot be added to an entire paint animation or particle
effect clip.
select an effect in the Effect Room, drag it to a video track, and then drop it
on top of the media, PiP object, or title effect clip you want to apply it to. The
video effect is applied to the entire duration of the clip.
Note: to modify the settings of a video effect applied to the entire clip,
select the clip on the timeline and then click the Effect button. See
Modifying a Video Effect for more information.
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click Modify. To modify a video effect that is applied to an entire clip, select the clip
and then click the Effect button above the timeline.
Clip Mode: when the Effect Settings panel first opens, it displays in clip mode.
Any changes you make to the effect's settings are applied for the entire
duration of the effect. Use the available sliders and options to customize the
video effect to your preference.
Keyframe Mode*: some effects utilize keyframes to customize an effect's
settings. Keyframes are frames of your video that define the start and end
points of an effect, for example the intensity of an effect between two
keyframes. To customize an effect in keyframe mode, click the Keyframe
button in the Effect Settings panel. See Utilizing Keyframes on Media for
detailed information on using keyframes to customize effects in your
production.
Note: to remove an effect applied to an entire clip, deselect the effect name
in the Effect Settings panel when in Clip Mode. * optional feature in
CyberLink PowerDirector. Check the version table on our web site for
detailed versioning information.
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A - Focus Area , B - Tim eline Indica tor, C - M otion Pa th, D - Rota tion Am ount, E - Focus Area Preview , F
- Zoom In/Out, G - TV Sa fe Zone/Grid Lines, H - Keyfra m e Buttons, I - Keyfra m e Tim eline
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
The Magic Motion Designer uses keyframes to customize the motion on an image.
Keyframes are frames of your video that define the start and end points of an
effect, which in this example is motion, rotation, or size of the focus area.
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click on to use the TV safe zone and grid lines to help with the precise
placement of the focus area on the image. Select Snap to Reference Lines to
have the focus area snap to the grid lines, TV safe zone, and boundary of the
video area.
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To use Magic Style to add effects and some style to media clips in your video
production, select them on the timeline, click the button above the
timeline, and then select Magic Style.
Click on the button to consult the iHelp for more information on using this
feature.
Note: if you want more creative control than the Magic Style provides, you
can also use the Theme Designer to create your video production. The
Theme Designer allows you to customize the theme templates used and
choose the exact photos, video clips, and background music you want in
your production. See Using the Theme Designer for more information.
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Creating PiP Effects
Chapter 10:
To insert a PiP object, or paint animation object, to the timeline, do one of the
following:
Note: you can download additional PiP and paint animation objects from
the DirectorZone web site. See Downloading from DirectorZone for more
information.
use the timeline slider to set the position where you want the PiP or paint
animation object, select it in the library, and then click to
add it to the selected video track.
use the timeline slider to set the position where you want the PiP or paint
animation object, right-click on it in the library, and then select Add to
Timeline to add it to the selected video track.
You can also manually drag and drop a PiP or paint animation object to a desired
position on a video track to add it to the timeline.
When adding a PiP or paint animation object to the timeline (inserting or dragging
and dropping), if the timeline slider is over an existing clip, or you drop it on an
existing clip, you are prompted to use one of these ripple editing options to insert
the clip:
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Overwrite: select to overwrite the existing clip with the PiP/paint animation
object.
Insert: select to split the clip and insert the PiP object/paint animation object
between the two portions. CyberLink PowerDirector also only moves the clips
on the same track to the right.
Insert and Move All Clips: select to split the clip and insert the PiP/paint
animation object between the two portions. CyberLink PowerDirector also
moves all of the media clips on the timeline that lie to the right of the inserted
clip, right.
Crossfade: select to lay the PiP/paint animation object over a portion of the
existing clip and auto add a fade transition between the two clips.
Note: the Crossfade option does not overwrite the content on the track,
instead adding an overlap transition between the two clips. See Setting
Transition Behavior for more information. The Crossfade option is only
available if the end of the new clip is not over any existing content on the
track.
Replace: select to replace a current clip on the timeline with the PiP or paint
animation object. Use this option if you don't want to change the structure of
the current content on the timeline.
Note: if the duration of the clip you are replacing is longer or shorter than
the PiP or paint animation object, CyberLink PowerDirector automatically
resizes it to fit the original clip's duration.
If the timeline slider is in a gap between two clips on a timeline track when
inserting a PiP or paint animation object, you are prompted to use this ripple
editing option to insert the clip:
Trim to Fit: select to have CyberLink PowerDirector auto set the duration of
the PiP/paint animation object to fit the gap to the right of the timeline slider.
Once added to the timeline, select the PiP object and then click the Modify button
to edit its placement, motion, and more in the PiP Designer. See Modifying Media
in the PiP Designer for more information. For information on setting the amount of
time the PiP effect appears in your video production, see Setting a Media Clip's
Duration.
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A - Pa int Settings, B - Pa int Ca nva s, C - Freeze Tim e, D - Uploa d to DirectorZone, D - Ca pture Controls,
E - Tools, F - Set Brush Width, G - Set Brush Color
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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Or click the colored box beside the color band to select it from the color
palette.
5. Before you start drawing, be sure to set the Paint Settings as follows:
Brush mode: select to draw on the paint canvas with the selected tool.
Inverse mode: select to switch the paint canvas background to a solid color,
which you erase as you draw.
6. If required, input a Freeze time in the field provided. This time should equal
the duration you want the finished drawing to be displayed at the very end of
the resulting paint animation object.
7. Click the button and then start drawing on the paint canvas. CyberLink
PowerDirector captures your mouse strokes to create a paint animation
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object.
8. When you are done, click on again. Use the player controls to preview
your paint animation object if required.
9. Select the Insert at current timeline position option if you want to insert the
saved paint animation object at the current position on the timeline when
you are done.
10. Once you are satisfied, click on the Save button to save it to the PiP Objects
library. When prompted to save, enter a custom name for the new paint
animation, use the slider to select the frame in the paint animation you want
to use as its thumbnail in the library, and then click OK.
click the button to add more content to the end of the drawing.
click the button to take a snapshot of a frame in the paint animation, and
save it as a new image in the media library.
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select the paint animation template in the library, and then click .
2. In the upload window, enter the information as follows:
Upload to: select where you want to upload the template.
Title: name of the template as it will display once uploaded.
Style: select a style or category for the template.
Type: if required, select the type of template you are uploading.
Tags: enter some keyword search tags that will help users find the template
when searching.
Note: separate each tag you enter with a space. If you want to use two
words as the tag, just put quotes around them, e.g. "dollar bill".
Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
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A - PiP Effect Properties Ta b, B - PiP Effect Properties, C - M otion Ta b, D - PiP M a sks Ta b, E - PiP Object,
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clicking on in the PiP Objects room to create a new PiP object template
from scratch by importing a custom image.
selecting an existing PiP object in the PiP Objects room, and then clicking on
to edit the template.
Mode Selection
In the PiP Designer there are two selection modes. Click the button to enable
the PiP media selection. When selected, you can freely click and move the PiP
media to different areas of the video frame.
Click the button to enable a mode that lets you drag the view in the PiP
Designer. This mode is especially helpful when applying PiP motion effects to
media that start off screen.
Zoom Tools
Use the zoom tools and to zoom out and in on the preview window
when modifying PiP media. You can also select the viewer zoom amount from the
drop-down to set the size of the PiP media preview. Select Fit to resize the PiP
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click on above the PiP media and drag it left or right to change its
orientation.
click and drag the blue nodes in corners to change its shape. See Changing
the Shape of Media for more information.
Note: you can use keyframes to customize the size and shape of PiP
media. See Utilizing PiP Keyframes for more information.
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You can use the X and Y Position fields to set the precise location of the top left
corner of the PiP media on the video image. To rotate the PiP media, enter an angle
degree in the Rotation field and then press the Enter key on your keyboard.
Note: select the M aintain aspect ratio option if you want to ensure the
PiP media's aspect ratio does not change while you are moving or resizing
it. Deselect this option if you want to change the PiP media's shape or alter
its aspect ratio.
1. Click on and then select the color in the image or video clip that you
want to replace/make transparent.
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Applying a Shadow
Select the Shadow* option to add a shadow on the PiP media. Available options
allow you to change the shadow's color, direction, and distance from the PiP effect.
You can also set the transparency and blur levels of the shadow using the available
sliders.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Adding a Reflection
Select the Reflection option to reflect the PiP media onto the background media.
Use the Distance slider to set space between the reflection and the PiP media. Use
the Transparency slider to set the opacity of the reflection.
Applying a Border
Select the Border option to add a border around the PiP media. Use the Size slider
to set the width of the border, and the Blur and Transparency sliders to customize
its appearance.
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border color.
2 color gradient: select this option if you want the border color to change
from one color to another using a gradient. Click the colored squares to set
the beginning and ending colors, and then drag the Gradient direction
control to set which way the color flows.
4 color gradient*: select this option if you want the border to consist of four
colors. Click the colored squares to set the colors in each of the four corners
of the border.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Enabling 3D Depth
If you are creating a 3D video production, select the 3D Settings* option to give the
PiP media a 3D effect.
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Once enabled, use the slider to set the amount of depth you want the PiP media to
have in 3D. Dragging the slider left will make the 3D PiP object seem nearer to the
audience (in the foreground), while dragging it right will make it appear farther
away (in the background).
Note: you can use keyframes to customize when the 3D depth is applied.
See Utilizing PiP Keyframes for more information.
Applying Fades
Select the Fades option to apply a fade effect on the PiP media. Select whether to
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drag an existing keyframe to a new location in the preview window. The PiP
media will follow the modified path to get to the changed keyframe position.
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drag the path line to alter the path the PiP media takes to get to the next
keyframe.
use the player controls to find a position on the motion path, and then click
on the Motion track of the keyframe timeline to add a new keyframe at a new
position, if required.
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Keyframe Timeline
The keyframe timeline is located below the preview window. Each keyframe in the
motion path has a corresponding marker on the keyframe timeline.
If the PiP media clip on the timeline has a duration of 10 seconds, the keyframe
timeline is 10 seconds long. To increase the speed of a PiP media's motion, drag a
keyframe marker closer to previous keyframe marker.
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Note: click the button to reset the rotation amount to 0. Any added
rotation is removed.
Object Settings
Use the Object Settings option to change some of the basic properties of the mask.
Use the Mask Opacity slider to set the desired transparency of the mask, or the
Mask Scale slider to change its size. You can use the X and Y Mask Position fields to
set the precise location of the top left corner of the mask on the video image.
Note: select the M aintain mask aspect ratio option if you want to ensure
the mask's aspect ratio does not change while you are moving or resizing it.
Deselect this option if you want to change the mask's shape or alter its
aspect ratio.
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Keyframe Timeline
A custom keyframe timeline is generated for each PiP media clip when you open it
in the PiP Designer. In the below example, because the media clip is 10 seconds
long on the project timeline, the keyframe timeline is also 10 seconds.
The keyframe timeline lets you precisely place each keyframe, so you can time the
applied effect in your movie production.
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Adding Keyframes
To add a keyframe to the keyframe timeline, do this:
1. Use the player controls to find the moment in your PiP media clip where you
want its properties to change.
2. Click next to the property you want to change to add a keyframe to the
corresponding keyframe track.
Note that keyframes are also added at the start and end of the keyframe track.
3. Use the features in the PiP Designer to modify the properties of the effect as
required for this keyframe. In this example we are modifying the opacity of
the PiP media clip at the first keyframe.
When previewed, at the first keyframe the PiP media is the completely
transparent, and then slowly gets more opaque until it reaches the specified
opacity level by the time the playback slider reaches the second keyframe.
It will maintain this opacity until the playback slider reaches the last keyframe,
unless you add more keyframes or change the properties of the last keyframe.
Note: you can also modify the properties of a keyframe by right clicking on
it and selecting Duplicate Previous Keyframe or Duplicate Next
Keyframe. Doing this copies the properties of the specified keyframe to the
keyframe you right clicked on.
4. Repeat these steps to create the kind of effect you want in your video
production using keyframes to modify the PiP media clip's properties and
motion.
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keyframe timeline.
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Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
5. Click on Finish to close the upload window.
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Chapter 11:
use the timeline slider to set the position where you want the particle effect,
select it in the library, and then click to add it to the
selected video track.
use the timeline slider to set the position where you want the particle effect,
right-click on it in the library, and then select Add to Timeline to add it to the
selected video track.
You can also manually drag and drop a particle effect to a desired position on a
video track to add it to the timeline.
When adding a particle effect to the timeline (inserting or dragging and dropping),
if the timeline slider is over an existing clip, or you drop it on an existing clip, you
are prompted to use one of the ripple editing options to insert the clip:
Overwrite: select to overwrite the existing clip with the particle effect.
Insert: select to split the clip and insert the particle effect between the two
portions. CyberLink PowerDirector also only moves the clips on the same
track to the right.
Insert and Move All Clips: select to split the clip and insert the particle effect
between the two portions. CyberLink PowerDirector also moves all of the
media clips on the timeline that lie to the right of the inserted clip, right.
Crossfade: select to lay the particle effect over a portion of the existing clip
and auto add a fade transition between the two clips.
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Note: the Crossfade option does not overwrite the content on the track,
instead adding an overlap transition between the two clips. See Setting
Transition Behavior for more information. The Crossfade option is only
available if the end of the new clip is not over any existing content on the
track.
Replace: select to replace a current clip on the timeline with the particle
effect. Use this option if you don't want to change the structure of the current
content on the timeline.
Note: if the duration of the clip you are replacing is longer or shorter than
the particle effect, CyberLink PowerDirector automatically resizes it to fit
the original clip's duration.
If the timeline slider is in a gap between two clips on a timeline track when
inserting a particle effect, you are prompted to use this ripple editing option to
insert the clip:
Trim to Fit: select to have CyberLink PowerDirector auto set the duration of
the particle effect to fit the gap to the right of the timeline slider.
Once added to the timeline, select the particle effect and then click the Modify
button to edit its properties in the Particle Designer. See Modifying Particle Effects
in the Particle Designer for more information. For information on setting the
amount of time the particle effect appears in your video production, see Setting a
Media Clip's Duration.
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selecting a particle effect in the Particle Room and then clicking on the
button to edit it.
Mode Selection
In the Particle Designer there are two selection modes. Click the button to
enable the object selection. When selected, you can freely click and move the
particle objects, images, etc. to different areas of the video frame.
Click the button to enable a mode that lets you drag the view in the Particle
Designer. This mode is especially helpful when applying particle motion effects if
the object starts off screen.
Zoom Tools
Use the zoom tools and to zoom out and in on the preview window
when modifying the particle effect. You can also select the viewer zoom amount
from the drop-down to set the size of the particle effect preview. Select Fit to resize
the particle effect so that is fits in the Particle Designer's viewer window.
Note: you can also hold down the Ctrl key on your keyboard and then use
the mouse scroll wheel to zoom in or out on the particle effect.
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To add a new particle object to a particle effect, click on the button. CyberLink
PowerDirector adds a default particle object to the particle effect template. See
Modifying Particle Object Properties for more information on customizing the
default particle object to fit the particle effect you are trying to create.
Adding Images
You can insert your own images into your particle effect template.
To add a image, do this:
Setting Backgrounds
Your particle effect can consist of a background that the particle objects emit over.
You can choose from the default backgrounds, or import your own custom
background.
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to change the position and source (emit) point of a particle object, select the
particle object in the keyframe timeline, and then click and drag to a new
position.
if the particle effect has an image, select the Image track in the keyframe
timeline. Next click and drag a corner or side to resize the image. Click on
to drag the image to a new position, if required.
to rotate a particle object, select it in the keyframe timeline, and then click
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Select the Mask option, and then select a mask from the list (or click to
import a custom mask image) to create a masked area where particles emit from.
Depending on the mask you select/import and how you resize it, the particles will
emit differently.
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Adding/Deleting Particles
Particle objects can consist of one or more particles, or small customizable images.
Select a particle object in the keyframe timeline and then the Add/Delete Particles
option to add or remove individual particles from a particle object.
Click on and then select Insert a Default Image if you want to select one of the
particle images provided with your copy of CyberLink PowerDirector. Select Insert a
Custom Image if you want to import your own custom particle image. You can add
as many custom particles as you like to a particle object.
Select an existing particle and then click to delete it from the particle object.
Modifying Parameters
Select a particle object in the keyframe timeline and then the Modify Parameters
option to completely customize the properties of the particle object as follows:
Note: you can use keyframes to customize the parameters of particle
objects. See Utilizing Particle Keyframes for more information.
Emit rate: use the slider or enter in a value in the box provided to set the rate
or speed particles emit from the source point.
Max count: use the slider or enter in a value in the box provided to set the
number of particles that emit from the source point.
Life: use the slider or enter in a value in the box provided to set the life, or
how long the particle displays in the effect. The lower the number, the shorter
amount of time each particle displays before fading out. For example, if you
enter 100, the life will equal the entire length of the clip.
Life variation: use the slider or enter in a value in the box provided to set the
amount of variation there is in particle life. For example, if you enter 50, then
half of the particles will die out before they meet the specified life amount.
Size: use the slider or enter in a value in the box provided to set the size of the
particle.
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Size variation: use the slider or enter in a value in the box provided to set the
amount of variation there is in particle size. For example, if you enter 50, then
half of the particles will equal the defined size.
Speed: use the slider or enter in a value in the box provided to set the speed
of the particle.
Speed variation: use the slider or enter in a value in the box provided to set
the amount of variation there is in particle speed. For example, if you enter 50,
then half of the particles will have the defined speed.
Wave (amplitude): use the slider or enter in a value in the box provided if you
want your particle to travel in a wave pattern. The higher the number, the
bigger the amplitude of the wave. If the value is 0, then the particle travels in a
straight line.
Wave (amplitude) variation: use the slider or enter in a value in the box
provided to set the amount of variation there is in wave's amplitude. For
example, if you enter 50, then half of the particles will have the same
amplitude.
Wave (frequency): use the slider or enter in a value in the box provided if you
want your particle to travel in a wave pattern. The higher the number, the
larger the frequency of the wave. If the value is 0, then the particle travels in a
straight line.
Wave (frequency) variation: use the slider or enter in a value in the box
provided to set the amount of variation there is in wave's frequency. For
example, if you enter 50, then half of the particles will have the same
frequency.
Symmetry: use the slider or enter in a value to set the symmetry of the wave.
The higher the value, the more asymmetrical the wave will be.
Rotation speed: use the slider or enter in a value in the box provided to set the
rotation speed of the particle. The higher the value, the faster it rotates.
Depending on whether the parameter has a positive or negative value
determines the direction of the rotation.
Rotation speed variation: use the slider or enter in a value in the box provided
to set the amount of variation there is in the particle's rotation speed. For
example, if you enter 50, then half of the particles will have the same rotation
speed.
Gravity: use the slider or enter in a value in the box provided to set the
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Enabling 3D Depth
Select a particle object in the keyframe timeline and then the 3D Settings* option if
you are creating a 3D video production and want the particle object to have a 3D
effect.
Select Enable 3D depth to enable, and then use the slider to set the amount of
depth you want the particle object to have in 3D. Dragging the slider left will make
the 3D particle object seem nearer to the audience (in the foreground), while
dragging it right will make it appear farther away (in the background).
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Adding Color
Select a particle object in the keyframe timeline and then the Color option if you
want to add or change the color of the particles. To do this, select Enable color and
then set the following options:
Select color: click the colored box to select the color of the selected particle
object.
Opacity: use this slider to set the opacity or transparency level of the particle
object.
Enable particle overlay: select this option to enable an overlay on colored
particles to change their appearance, if required.
Applying Fades
Select a particle object in the keyframe timeline and then the Fades option to apply
a fade effect to it. Select whether to enable a fade-in and/or fade-out on the particle
object.
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When a fade is applied, note that a keyframe indicator is added to the particle
object's track on the keyframe timeline, indicating the duration of the fade.
You can click and drag the keyframe indicator to customize the duration of the
fade, if required.
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Keyframe Timeline
A custom keyframe timeline is generated for each particle effect clip when you
open it in the Particle Designer. In the below example, because the particle effect
clip is 10 seconds long on the project timeline, the keyframe timeline is also 10
seconds.
The keyframe timeline lets you precisely place each keyframe, so you can time the
applied effect in your movie production. You can also click and drag the beginning
of a particle object or image track in the keyframe timeline, to set precisely when
the effect first appears in the particle effect.
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Click and drag the end of the track to set when you want the effect to end.
Adding Keyframes
To add a keyframe to the keyframe timeline, do this:
1. Use the player controls to find the moment in your particle object where you
want its parameters to change.
2. In the Modify Parameters section on the Properties tab, click the button
next to the parameter you want to change.
3. If required, click the arrow next to the corresponding particle track to display
the parameter keyframe track.
4. Click next to the parameter you want to change to add a keyframe to the
parameter keyframe track.
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5. Use the sliders in the Modify Parameters section to modify the parameters of
the object as required for this keyframe. In this example we are modifying the
emit rate of the particles from the source point at the second keyframe.
6. Repeat these steps to create the kind of effect you want in your video
production using keyframes to modify the particle object parameters.
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select the particle effect template in the library, and then click .
2. In the upload window, enter the information as follows:
Upload to: select where you want to upload the template.
Title: name of the template as it will display once uploaded.
Style: select a style or category for the template.
Type: if required, select the type of template you are uploading.
Tags: enter some keyword search tags that will help users find the template
when searching.
Note: separate each tag you enter with a space. If you want to use two
words as the tag, just put quotes around them, e.g. "dollar bill".
Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
5. Click on Finish to close the upload window.
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170
Adding Title Effects
Chapter 12:
When adding a title effect to the timeline (inserting or dragging and dropping), if
the timeline slider is over an existing clip, or you drop it on an existing clip, you are
prompted to use one of the ripple editing options to insert the clip:
Overwrite: select to overwrite the existing clip with the title effect.
Insert: select to split the clip and insert the title effect between the two
portions. CyberLink PowerDirector also only moves the clips on the same
track to the right.
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Insert and Move All Clips: select to split the clip and insert the title effect
between the two portions. CyberLink PowerDirector also moves all of the
media clips on the timeline that lie to the right of the inserted clip, right.
Crossfade: select to lay the title effect over a portion of the existing clip and
auto add a fade transition between the two clips.
Note: the Crossfade option does not overwrite the content on the track,
instead adding an overlap transition between the two clips. See Setting
Transition Behavior for more information. The Crossfade option is only
available if the end of the new clip is not over any existing content on the
track.
Replace: select to replace a current clip on the timeline with the title effect.
Use this option if you don't want to change the structure of the current
content on the timeline.
Note: if the duration of the clip you are replacing is longer or shorter than
the title effect, CyberLink PowerDirector automatically resizes it to fit the
original clip's duration.
If the timeline slider is in a gap between two clips on a timeline track when
inserting a title effect, you are prompted to use this ripple editing option to insert
the clip:
Trim to Fit: select to have CyberLink PowerDirector auto set the duration of
the title effect to fit the gap to the right of the timeline slider.
Once added to the timeline, select the title effect template and then click the
Modify button to edit it in the Title Designer. See Modifying Titles in the Title
Designer for more information. For information on setting the amount of time the
title effect appears in your video production, see Setting a Media Clip's Duration.
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A - Text Properties Ta b, B - Title Properties, C - Text M otion Ta b, D - Insert Text/Im a ges/Pa rticles/
Ba ckgrounds, E - Title Text, F - M ode Selection, G - Ba ckground Video, H - Zoom Tools, I - TV Sa fe
Zone/Grid Lines, J - Align Objects, K - Uploa d to Internet, L - Title Keyfra m e Tim eline
You can also open the Title Designer by:
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3D-Like Title to create a new title template with 3D-Like effect properties.
See Modifying 3D-Like Text Properties for information on editing its title
text properties.
selecting an existing title effect in the Title Room and then clicking on to
edit the existing template.
Mode Selection
In the Title Designer there are two selection modes. Click the button to enable
the object selection. When selected, you can freely click and move the title text,
particles, images, etc. to different areas of the video frame.
Click the button to enable a mode that lets you drag the view in the Title
Designer. This mode is especially helpful if zoomed in on the title effect.
Zoom Tools
Use the zoom tools and to zoom out and in on the preview window
when modifying the title effect. You can also select the viewer zoom amount from
the drop-down to set the size of the title effect preview. Select Fit to resize the title
effect so that is fits in the Title Designer's viewer window.
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Note: you can also hold down the Ctrl key on your keyboard and then use
the mouse scroll wheel to zoom in or out on the title effect.
To add new title text, click on the button and then click in the preview
window to add the title text box to the desired position. Type in the required text in
the new title text box.
See Modifying Title Text Properties for more information on customizing the
default title text properties to fit the title effect you are trying to create.
To add a particle effect to a title effect, click on the button and then select
the particle effect you want to add to the template.
Note: the properties of particle effects cannot be modified once added to a
title template.
Adding Images
You can insert your own images into your title effect template.
To add a image, do this:
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Inserting Backgrounds
Your title effect can consist of a background that the title text displays over.
To set a background, do this:
if editing a 2D title, click on above the title text or image, and drag it right
or left to change its orientation.
if the title effect contains an image, select it and then click and drag a corner
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Adding a Reflection
Select the Reflection option to add a reflection of the title text onto the background
media. Use the Distance slider to set space between the reflection and the title text.
Use the Transparency slider to set the opacity of the reflection.
Applying Border
Select the Border option to add a border around the title text. Available options
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allow you to change the border's size, and add a transparency or blur effect.
You can customize the border color using the following options in the Fill type
drop-down:
Uniform color: select this option if you want the border to be one solid color.
Click the colored square to open the color palette and select the desired
border color.
2 color gradient: select this option if you want the border color to change
from one color to another using a gradient. Click the colored squares to set
the beginning and ending colors, and then drag the Gradient direction
control to set which way the color flows.
4 color gradient*: select this option if you want the border to consist of four
colors. Click the colored squares to set the colors in each of the four corners
of the border.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Enabling 3D Depth
If you are creating a 3D video production, select the 3D Settings* to give the title
text a 3D effect.
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Once enabled, use the slider to set the amount of depth you want the title text to
have in 3D. Dragging the slider left will make the 3D title text seem nearer to the
audience (in the foreground), while dragging it right will make it appear farther
away (in the background).
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Next, click on and then select the color in the image that you want to replace/
make transparent. Use the Tolerance of intensity and Tolerance of hue sliders to set
the level of chroma key applied, revealing the content behind the selected image.
Select Enable flip object if you want to to flip the image in the title text upside
down or from left to right, depending on your requirement. You can also enable a
fade effect on the image. Select whether to enable a fade-in and/or fade-out on the
image.
Note: when a fade is applied, note that keyframes are added to the Opacity
keyframe timeline so you can customize the length of the fade, if required.
See Utilizing PiP Keyframes for more information.
You can use the X and Y Position fields to set the precise location of the top left
corner of the title effect on the video image. To rotate the title effect, enter an angle
degree in the Rotation field and then press the Enter key on your keyboard.
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Adding a Reflection
Select the Reflection option to add a reflection of the 3D-Like title text onto the
background media. Use the Distance slider to set space between the reflection and
the 3D-Like title text.
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Enabling 3D Depth
If you are creating a 3D video production, select the 3D Settings*option to give the
3D-Like title text a 3D effect.
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Once enabled, use the slider to set the amount of depth you want the 3D-Like title
text to have in 3D. Dragging the slider left will make the 3D title text seem nearer to
the audience (in the foreground), while dragging it right will make it appear farther
away (in the background).
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Keyframe Timeline
A custom keyframe timeline is generated for each title effect when you open it in
the Title Designer. In the above example, because the title effect clip is 20 seconds
long on the project timeline, the keyframe timeline is also 20 seconds.
The keyframe timeline lets you precisely place each keyframe, so you can time the
applied effect in your movie production. The title effect animation has four
keyframes.
The first two keyframes indicate the start and end points for the starting effect,
while the last two indicate the start and end points for the ending effect.
The darker green section indicates the time it takes for the starting/ending effect to
complete. If you would like to change the start or end time of the effect or how
long it takes for the starting or ending effect to complete, just drag a keyframe to
the desired position in the timeline.
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Note: the lighter green section indicates how long the title effect displays
on screen once the starting effect animation is complete.
Adding Keyframes
To add a keyframe to the keyframe timeline, do this:
1. Use the player controls to find the moment in your title effect where you want
its properties to change.
2. Click next to the text property you want to change to add a keyframe to the
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Note that keyframes are also added at the start and end of the keyframe track.
3. Use the features in the Title Designer to modify the properties of the title
effect as required for this keyframe. In this example we are modifying the
opacity of the title effect at the first keyframe.
When previewed, at the first keyframe the title effect is the completely
transparent, and then slowly gets more opaque until it reaches the specified
opacity level by the time the playback slider reaches the second keyframe.
It will maintain this opacity until the playback slider reaches the last keyframe,
unless you add more keyframes or change the properties of the last keyframe.
Note: you can also modify the properties of a keyframe by right clicking on
it and selecting Duplicate Previous Keyframe or Duplicate Next
Keyframe. Doing this copies the properties of the specified keyframe to the
keyframe you right clicked on.
4. Repeat these steps to create the kind of effect you want in your video
production using keyframes to modify the title effect's properties.
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Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
5. Click on Finish to close the upload window.
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Chapter 13:
Using Transitions
Click the button to open the Transition Room to access a library of transitions
that you can use on or between image and video clips in your video production.
You can also use the available audio transitions between two audio clips on the
voice or music tracks, or on an audio track.
Transitions let you control how media appears and disappears in your project, and
changes, or transitions, from one clip to the next. You can add a transition to a
single clip, or between two clips on a track.
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Prefix Transition
Postfix Transition
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Note: you can add transitions to all the video, image, and effect clips on the
timeline at once by clicking , choosing Apply Random Transition to
All Videos or Apply Fading Transition to All Videos, and then the
desired transition behavior. You can also do this for all the audio clips by
selecting Apply Random Audio Transition to All Audio.
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Note: you can add transitions to all the video, image, and effect clips on the
timeline at once by clicking , choosing Apply Random Transition to
All Videos or Apply Fading Transition to All Videos, and then the
desired transition behavior. You can also do this for all the audio clips by
selecting Apply Random Audio Transition to All Audio.
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Note: you can set the default behaviour of transitions added to the timeline
on the Editing preferences tab. See Editing Preferences for more
information.
Cross Transition: when using a cross transition, the two clips are side by side
on the timeline and the transition acts like a bridge between them. For
example, if you add a two second transition between two five second clips,
the total duration is 10 seconds. The transition begins at the four second mark
of the first clip, and ends at the one second mark of the second clip.
Overlap Transition: when using an overlap transition, the two clips overlap
while the transition is taking place. This allows for parts of the two clips to
play over each other during the transition. Using the same example as above,
the total duration is eight seconds, with the transition playing for two seconds
over both clips.
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Note: you can also set the transition behavior in the Transition Settings
panel. See Setting Transition Behavior for more information.
To open the Transition Designer, click on to enter the Transition Room, and
then select the Alpha transition tag on the left. Next, select an alpha transition in
the library and then click the button.
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A - Alpha Tra nsition Properties, B - Tra nsition Effect Preview , C - Tra nsition Effect Keyfra m e Tim eline
To create a new alpha transition, enter the Transition Room and then click the
button to open the Transition Designer. See Creating New Alpha Transitions for
more detailed information.
Note: you can also open the Transition Designer when editing an alpha
transition's settings by clicking the Transition Designer button in the
Transition Settings panel.
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1. Click to enter the Transition Room and then the button above the
transition library.
2. Browse to and then select the image you want to use in the alpha transition.
Once selected, click the Open button to import it into the Transition Designer.
Note: for the best results, it is recommended that you use images that
contain gradients.
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Note: you can invert the transition area so that the whitest areas are
revealed first. See Inverting Transition Area for more information.
While the whitest outside areas are the last parts to be revealed.
Note: you can fully customize the progression of the shift (from A to B) in
the alpha transition. See Customizing the Shift Progression for more
information.
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Deselect the Keep aspect ratio option if you want more control on the shape of the
focus area. Note that the aspect ratio of the focus area matches your current
project's aspect ratio.
Select the Flip upside down option if you want to flip the image vertically, or Flip
left to right if you want to flip it horizontally.
Applying a Border
You can apply a color border on the edge of the transition line. To do this, select
the Border option and then set the level of Transparency on the border to adjust
its appearance.
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The timeline along the top is the keyframe timeline and is generated for the alpha
transition when you open it in the Transition Designer. In the below example,
because the transition duration is two seconds long (by default in the transition
library), the keyframe timeline is also two seconds. If you increased the duration of
the transition in the timeline to five seconds, the keyframe timeline would then be
five seconds long.
If alpha transition you are editing is on the timeline, click the button
to view the movie timeline.
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The scale to the left represents the progression from the A to the B, and the line
shows the progress.
You can modify the shift progression as required, by changing the beginning and
ending points, or adding keyframes to precisely customize the shift progression, or
transition from one clip to another when used in your production.
Adding Keyframes
To add a keyframe to the keyframe timeline, do this:
1. Use the player controls to find the moment in the transition where you want
the progression to shift.
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line.
3. If required, use the Shift slider to change the progression position of the line.
In this above example, the transition will now shift 75% from A to B in the first
second of the transition, and then progress the final 25% in the last second.
4. Repeat these steps to customize the shift progression as required using
keyframes.
Removing Keyframes
To remove a keyframe, drag the timeline slider over it so that it is highlighted and
then click .
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Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
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4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
5. Click on Finish to close the upload window.
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M ixing Audio and Reco rding Vo ice-Overs
Chapter 14:
Click to open the Audio Mixing Room to mix all of the audio levels into a more
harmonious soundtrack for your video, or mix the levels in track on each individual
clip using volume keys.
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A - Audio Tra cks in Tim eline, B - M a ster Volum e Controls, C - Fa de In/Out Controls, D - Norm a lize
Volum e, E - Audio Level M eter, F - M a ster Ga in Control
When you enter the Audio Mixing Room, the audio at the current position of the
timeline slider is available for mixing. Use the player controls to locate the position
in your video where you want to mix the audio.
To mix the audio in the timeline, do this:
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select a clip in the timeline, and then use the master volume controls to
increase or decrease the volume at the current position.
if there is more than one audio clip on the voice or music track, or on any of
the audio tracks, click the Normalize* button to have CyberLink
PowerDirector set the volume for all the clips to the same level.
Note: * optional feature in CyberLink PowerDirector. Check the version table
on our web site for detailed versioning information.
use the master gain control sliders to increase or decrease the volume of all
the media on a track.
use the audio level meter to view the audio level, or loudness in decibels,
during playback. If the audio levels rise to the red levels, you can adjust the
master volume to lower the audio level.
Note: if audio in a clip enters the red level of the audio level meter, CyberLink
PowerDirector marks the area on the timeline in red. Use the master volume
controls and audio level meter to fix the problem area as required.
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Recording Voice-Overs
Click to open the Voice-Over Recording Room and record a narration with a
microphone while watching a preview of your video production.
Note: access to the Voice-Over Recording Room is only available if
CyberLink PowerDirector detects there is a microphone or other audio input
device available.
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fades.
select Mute all tracks when recording if you want CyberLink PowerDirector to
mute all the other audio while you are recording the voice over.
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Chapter 15:
Adding Chapters
Click the button to open the Chapter Room*. Chapters are used to ease
navigation of your finalized production if you decide to burn it to a disc. Chapters
allow viewers to watch only the content they want or easily find their place if the
disc was stopped before completion.
Note: for best results, adding chapters should be the last editing step
before burning your video production to disc. * Optional feature in
CyberLink PowerDirector. Check the version table on our web site for
detailed versioning information.
To set chapter markers manually, navigate to a point in your video production and
then click . To remove a chapter marker, select it and then click .
Click to remove all of the chapter markers in your production.
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button.
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Chapter 16:
Adding Subtitles
CyberLink PowerDirector lets you add subtitles to your video production, either for
a disc or imprinted on a video file. You can also import subtitles from a file, extract
them from an MKV file, or add them manually in the Subtitle Room.
To add subtitles to your video production, click on in the Subtitle Room and
then to select one of the following types of subtitles:
Create subtitles for discs/files*: select this option to create subtitles that are
compatible with most DVD/BDMV/AVCHD/MKV playback software and can be
switched on/off like those found on commercial discs.
Note: when you select Create subtitles for discs/files, there is a Subtitles
option by default in your created disc menu in the Create Disc window. Text
formatting for disc subtitles is more limited. * Optional feature in CyberLink
PowerDirector. Check the version table on our web site for detailed
versioning information.
Create subtitles imprinted on a video file: select this option to blend subtitles
into the video.
Note: if you are creating subtitles for an MKV file, make sure you select
the Create subtitles for disc/files option, not the option where the
subtitles are imprinted on the video file.
click the play button on the player controls and then click the button
at the beginning of every piece of dialogue spoken to create all the subtitle
markers required for your production. Continue this process until the video is
complete, and then click the stop button to load the subtitle markers into the
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Subtitle Room.
use the player controls to find the position in the video where you want to
add the subtitle, and then click the button to add a single subtitle
marker.
Once you have added the subtitle markers, the next step is to edit the subtitle text
and duration. See Editing Subtitles for more information.
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timeline.
2. Right-click on the file, select Extract Subtitles, and then the language of the
subtitles you want to extract.
3. CyberLink PowerDirector will extract the subtitles into the Subtitle Room.
Once you have extracted the subtitles from the file, you can then edit the subtitle
text. See Editing Subtitles for more information.
Editing Subtitles
Once the subtitle markers are added in the Subtitle Room, you can perform a
variety of edits on them, including editing subtitle text, changing the subtitle text
font, positioning them on the screen, and more.
To edit the subtitles in your video production, do this:
double-click on each subtitle marker in the timeline (or in the Subtitle Text
column), and then enter the text as required.
click the button to set the position of the subtitles on the screen. Use
the X position slider to set its position on the horizontal, use the Y position
slider to set its vertical position.
click the button to format the subtitle text as required. If you are
creating a 3D video production, use the 3D Depth* slider to set the amount of
depth you want the subtitles to have in 3D. Dragging the slider left will make
the 3D subtitles seem nearer to the audience (in the foreground), while
dragging it right will make them appear farther away (in the background).
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Note: once you are done editing the subtitles, you can click the
button to export and save them as an SRT file.
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Syncing Subtitles
To ensure the subtitles in your video production sync with the video dialogue, you
can manually adjust the start and end time for each subtitle marker, or the duration
they display on screen.
To set a start time for a subtitle marker, do either of the following:
double click on the Start Time column for the subtitle marker, and then enter
a time code.
position your cursor at the beginning of the subtitle marker on the subtitle
track, and then drag it to the new position.
To set an end time for a subtitle, do either of the following:
double click on the End Time column for the subtitle marker, and then enter a
time code.
position your cursor at the end of the subtitle marker on the subtitle track,
and then drag it to the new position.
You can also easily set the duration of each subtitle marker by selecting it on the
subtitle track and then clicking the Duration button above the timeline. In the
Duration Settings window, enter in the how long you want it to display, and then
click on OK.
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Chapter 17:
Based on the format of original video clips in your project, what portions of the
clips were modified (and therefore require rendering during production), and which
portions of them were not changed (and thus can be skipped over during the
rendering process), Intelligent SVRT suggests the video profile that will result in the
best output quality possible, and save you the most time during production.
To utilize Intelligent SVRT, do one of the following:
when editing your video production in the Edit window, right-click on the
timeline and select Show SVRT Track.
in the Produce window, click the Intelligent SVRT button on the Standard 2D
or 3D tab.
In the Intelligent SVRT dialog that displays, CyberLink PowerDirector auto selects
the video profile it suggests you use to output your video production, and some
other video profiles you can utilize.
Note: view the SVRT information in the Edit window for more detailed
information, including which video clips need rendering. If you viewing the
SVRT information in the Produce window, click the Details (Edit) button to
quickly switch to the Edit window.
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To select a video profile, just select it in the Intelligent SVRT dialog and then click
Apply when you are in the Produce window. The selected video profile is auto
highlighted and selected as you proceed to produce. The video profile you used is
also saved in the dialog, and will always be available when utilizing Intelligent SVRT.
Produce Window
Click the Produce button to compile your video production into a file that is ready
for a variety of uses, including sharing with others, uploading to the Internet, or for
burning to disc at a later date.
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Note: before producing a movie production, make sure that all of your video
clips have the same interlacing format. This is an extremely important step
to take before production, as it can drastically affect final video quality. If
you produce your movie and find the video quality unsatisfactory, verify if the
interlacing format of all of your video clips is the same. If your clips have
different interlacing formats, set them all to the same format, then produce
your movie again. For more information, see Setting TV (Video Clip
Interlacing) Format.
In the produce window, select the production option that matches the task you
want to perform. You can select one of the following production options:
Tab Description
Standard 2D Click on the Standard 2D tab if you want to output
your production to a 2D video file that you can
watch on a computer or burn to a disc at a later
date. You can also output just the audio into a
audio file for playback on a variety of devices. See
Outputting to a Standard 2D File for more
information.
3D Click on the 3D tab if you want to output your
production in a 3D video file format. See
Outputting in a 3D Format for more information.
Device Click on the Device tab if you want to produce
your video and then output it to a camcorder or
portable device. See Outputting to a Device for
more information.
Online Click on the Online tab if you want to upload your
video to YouTube, Facebook, Dailymotion, or
Vimeo. See Uploading Video to Social Web Sites for
more information.
Note: you can also produce multiple created video production projects at
one time in the Edit window using the Batch Produce feature. See Batch
Produce for more information.
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on your computer where you want it. Click to set another output
folder.
5. Click the Start button to begin producing your file.
Customizing Profiles
After you select a file format for your outputted file, depending on the format you
selected, there may be quality settings you can customize in the profiles section.
These quality settings are called profiles, and can consist of a video file's resolution,
bitrate compression, audio compression type, and more.
Before you output your production, you may want to create a new quality profile,
edit an existing one, or select a different profile and other options from one of the
available drop-downs in the production options section.
Fast video rendering technology: SVRT and Hardware video encoder are
options that can reduce production time. The Hardware video encoder
option is only enabled if your computer supports hardware acceleration
(NVIDIA graphics card that supports CUDA, an AMD graphics card that
supports AMD Accelerated Parallel Processing, or a computer with Intel Core
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Processor Family technology), and you are outputting in a file format that
supports it (H.264 and MPEG-4).
Dolby Digital 5.1: select this preference if you want to include Dolby Digital
5.1 audio in your produced video file.
x.v.Color: x.v.Color is a color system that can display a wider color range than
usual. CyberLink PowerDirector can generate an x.v.Color-compliant stream,
which is backward compatible with RGB displays, while offering the
opportunity to achieve better visual quality if your playback environment is x.
v.Color ready.
Upload a copy to CyberLink Cloud*: if you have a CyberLink Cloud
subscription, select this option if you also want the program to upload the
produced file to your CyberLink Cloud storage space after production.
Note: if you selected to upload a copy of the produced file to CyberLink
Cloud, PowerDirector will ask you if you want to convert it before uploading.
Click Yes to convert it to an .MP4 file that is playable on a portable device,
or No if you want to upload the original produced file.
Enable preview during production: select this option to preview your movie
during production. Selecting this option will increase the time required to
produce your file.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Outputting in a 3D Format
You can output your production in a 3D* video file format. To output your project
to a file, select the 3D tab and then select the desired file format.
Note: if you're not sure which video file format you should output your
production in, click the Intelligent SVRT button for assistance. See
Utilizing Intelligent SVRT for more information on using this feature. *
Optional feature in CyberLink PowerDirector. Check the version table on
our web site for detailed versioning information.
You can output your production to one of the following file formats:
Windows Media
MPEG-2*
QuickTime*
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H.264 AVC*
To output your video production in 3D, do this:
Note: if there is any 2D media in your video production, you must convert it
to 3D before production. See Power Tools: 2D to 3D for more information.
2. Select the 3D output format from the drop-down. See 3D Output Formats for
more information.
3. Select the Profile name/Quality you want to use to create the file. This
selection determines the video resolution, file size, and overall quality of the
outputted file. See Customizing Profiles for more information.
Note: in some versions of CyberLink PowerDirector, the H.264 AVC/WMV
video file formats support up to 4K* resolution (Ultra HD). Before
production, be sure to select the desired video resolution in the Profile
name/Quality drop-down. * optional feature in CyberLink PowerDirector.
Check the version table on our web site for detailed versioning information.
4. Configure the production options as required. See Configuring Production
Options for more information.
5. Check the production details and that the file will be outputted to the folder
on your computer where you want it. Click to set another output
folder.
6. Click the Start button to begin producing your file.
3D Output Formats
Once you select a video file format (or container), you need to select the 3D output
source format. This selection specifies how the 3D content is displayed. You can
select one of the following 3D output source formats:
Side-by-Side Half Width (L/R): a side-by-side 3D source format optimized for
4:3 or non-HD video productions.
Side-by-Side Full Width (L/R): a side-by-side 3D source format optimized for
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HD video productions.*
Note: * 3D MPEG-2 videos cannot be outputted with this source format. The
side-by-side full width format is only available when the Ultra version of
CyberLink PowerDirector is installed on a 64-bit operating system.
Customizing Profiles
After you select a file format for your outputted file, depending on the format you
selected, there may be quality settings you can customize in the profiles section.
These quality settings are called profiles, and can consist of a video file's resolution,
bitrate compression, audio compression type, and more.
Before you output your production, you may want to create a new quality profile,
edit an existing one, or select a different profile and other options from one of the
available drop-downs in the production options section.
Fast video rendering technology: SVRT and Hardware video encoder are
options that can reduce production time. The Hardware video encoder
option is only enabled if your computer supports hardware acceleration
(NVIDIA graphics card that supports CUDA, an AMD graphics card that
supports AMD Accelerated Parallel Processing, or a computer with Intel Core
Processor Family technology), and you are outputting in a file format that
supports it (H.264 and MPEG-4).
Dolby Digital 5.1: select this preference if you want to include Dolby Digital
5.1 audio in your produced video file.
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x.v.Color: x.v.Color is a color system that can display a wider color range than
usual. CyberLink PowerDirector can generate an x.v.Color-compliant stream,
which is backward compatible with RGB displays, while offering the
opportunity to achieve better visual quality if your playback environment is x.
v.Color ready.
Upload a copy to CyberLink Cloud*: if you have a CyberLink Cloud
subscription, select this option if you also want the program to upload the
produced file to your CyberLink Cloud* storage space after production.
Note: if you selected to upload a copy of the produced file to CyberLink
Cloud, PowerDirector will ask you if you want to convert it before uploading.
Click Yes to convert it to an .MP4 file that is playable on a portable device,
or No if you want to upload the original produced file.
Enable preview during production: select this option to preview your movie
during production. Selecting this option will increase the time required to
produce your file.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
Outputting to a Device
Select the Device tab if you want to output your video production back to a DV or
an HDV* tape.
Note: you must manually locate the position on your HDV camcorder tape
where you want to write back your content to before proceeding.
You can also output your production to a file that you can then copy back to an
HDD (hard disk drive) camcorder*. Or output it in a file format that is compatible
with a number of portable devices, including for an iPod/iPhone/iPad, PS3*/PSP/
Walkman, Xbox/Zune, and a wide variety of mobile phones*.
To output your video production to a device, do this:
Note: if there is any 2D media in your video production, you must convert it
to 3D before production. See PowerTools: 2D to 3D for more information.
1. Select a device type by clicking it. If you are writing back to a DV or HDV
camcorder, ensure it is connected and turned on.
2. Select the Profile Type or Profile name/Quality you want to use to create the
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file. This selection determines the video resolution, file size, and overall quality
of the outputted file. See Customizing Profiles for more information.
3. Configure the production options as required. See Configuring Production
Options for more information.
4. Check the production details and that the file will be outputted to the folder
on your computer where you want it. Click to set another output
folder.
5. Click the Start button to begin producing your file.
Customizing Profiles
After you select the format of your produced project file, depending on your
selection, there may be video quality settings you can customize in the video
profiles section.
These video quality settings are called profiles, and can consist of your video's
resolution, bitrate compression, audio compression type, and more.
Before you output your production, you may want to create a new quality profile,
edit an existing one, or select a different profile and other options from one of the
available drop-downs in the production options section.
Fast video rendering technology: SVRT and Hardware video encoder are
options that can reduce production time (available for creating an HDD
camcorder file only). The Hardware video encoder option is only enabled if
your computer supports hardware acceleration (NVIDIA graphics card that
supports CUDA technology, an AMD graphics card that supports AMD
Accelerated Parallel Processing, or a computer with Intel Core Processor
Family technology), and you are outputting in a file format that supports it
(H.264 and MPEG-4).
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Dolby Digital 5.1: select this preference if you want to include Dolby Digital
5.1 audio in your produced video file (available for creating an HDD
camcorder file only).
x.v.Color: x.v.Color is a new color system that can display a wider color range
than usual (available for creating an HDD camcorder file only). CyberLink
PowerDirector can generate an x.v.Color-compliant stream, which is
backward compatible with RGB displays, while offering the opportunity to
achieve better visual quality if your playback environment is x.v.Color ready.
Upload a copy to CyberLink Cloud*: if you have a CyberLink Cloud
subscription, select this option if you also want the program to upload the
produced file to your CyberLink Cloud* storage space after production.
Note: if you selected to upload a copy of the produced file to CyberLink
Cloud, PowerDirector will ask you if you want to convert it before uploading.
Click Yes to convert it to an .MP4 file that is playable on a portable device,
or No if you want to upload the original produced file.
Delete the file after the write back is complete: select this option to have
CyberLink PowerDirector delete the produced video file after it has written it
back to your DV or HDV camcorder.
Enable preview during production: select this option to preview your movie
during production. Selecting this option will increase the time required to
produce your file.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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Uploading to YouTube 3D
If the video production you are uploading is a 3D production, select the Share as a
3D video* option to upload it to YouTube in a 3D video source format. Once
uploaded, you will be able to watch it on YouTube in 3D.
Note: * optional feature in CyberLink PowerDirector. Check the version
table on our web site for detailed versioning information.
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5. Set whether you want the video to be Public or Private once it is uploaded to
Niconico Douga.
Note: sign in to DirectorZone and then select Share in CyberLink
DirectorZone Video Gallery if you want to show others how you adjusted
the clips in your video production. When selected, an animated version of
your project's storyboard displays, along with your uploaded video, on
DirectorZone.
6. Configure the production options as required. See Configuring Production
Options for more information.
7. Use the player controls in the preview window to find the frame of video in
your production you want to use as the video's thumbnail on the Niconico
Douga web site, and then click the Set Thumbnail button.
8. Click Start to begin.
9. Click Authorize and then grant CyberLink PowerDirector permission to upload
videos to your Niconico Douga account by following the steps in the
Niconico Douga Authorization windows.
10. CyberLink PowerDirector proceeds to produce and upload the video file. Click
Close when done to return to the program.
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Batch Produce
CyberLink PowerDirector lets you produce multiple projects an once using the
Batch Produce feature. In the Batch Produce window, you can import multiple
CyberLink PowerDirector projects in the .pds format and output them as video files
in a variety of formats all in one sitting.
To perform a batch production, do this:
Note: if you are currently working on a video production, you must save and
close it before you can perform a batch production.
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Click OK to close the Profile Settings window and set your changes.
5. If your computer supports hardware acceleration (NVIDIA graphics card
that supports CUDA, an AMD graphics card that supports AMD Accelerated
Parallel Processing, or a computer with Intel Core Processor Family
technology) and you are outputting in a file format that supports it (H.264 and
MPEG-4), select the Enable GPU hardware video encoder
automatically option if you want C yberLink PowerDirector to use it,
when available, during the batch production.
6. Click Start to begin the production of all the tasks in the list.
Note: select the Shut down computer after production option to have
CyberLink PowerDirector shut down the program and your computer once
all the tasks are produced.
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Chapter 18:
Creating Discs
After you finish creating your video production, click on Create Disc to burn your
movie onto a disc, complete with a disc menu. You can also import additional
videos and CyberLink PowerDirector projects, creating multi-layered professional
looking disc in just a few simple steps.
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hover your mouse over the title and then click on on its thumbnail to play
back the title.
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The order of the titles on the Content tab is the order they are burned to disc.
Most of the disc menu templates in CyberLink PowerDirector are multi-layered, and
can consist of the following pages:
Note: if you do not want to include a menu on your burned disc, select the
No M enu template in the menu library. When you play the burned disc, it
will automatically start playing the first title/scene.
a main menu home (Root menu) page. This is the first menu page that
displays when you play the disc. It can contain a menu opening, motion
thumbnails, and more.
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Note: you can choose not to include a root menu on your disc. See
Configuring Disc Menu Settings for more information.
if you have more than one title (video or project), your disc will have a Scenes
page in the Disc Preview Window. Note that when in the Menu Designer, it is
called the Titles page. If you choose to not include a root menu, the scenes
page becomes the page displayed when you play the disc.
a Chapters page where you can navigate through your titles. This page is
available if you added chapters in the Chapter Room.
a Subtitles page that lets you enable/disable the subtitles on your disc.
Note: the Subtitles page in a disc menu is only available if you selected
Create subtitles for disc when creating subtitles in the Subtitle Room.
See Adding Subtitles for more information.
To select the disc menu template for your disc, do either of the following:
Note: after you select your menu template be sure to edit its properties.
You can edit the text, menu music, and more right in the disc menu preview
window on the right. See Editing Disc Menu Properties for more information.
You can also customize a disc menu's buttons, background, individual
pages, and much more in the Menu Designer. See Customizing Disc
Menus in the Menu Designer for more information.
Right-click on the menu template's thumbnail in the menu library that you
want to use and then select:
Apply to set the menu page to the current menu page you are viewing in
the disc menu preview window. For example, if you navigate to the scenes
page in the disc menu preview window and you select Apply, that menu
template is only used on the scenes page of the menu.
Apply to All Pages to apply the menu template to all the pages in your
menu, i.e. home/root, titles/scenes, chapters.
Click on a menu template thumbnail in the menu library that you want to use
and then select:
Apply to set the menu page to the current menu page you are viewing in
the disc menu preview window. For example, if you navigate to a chapters
page in the disc menu preview window and you select Apply, that menu
template is only used on the chapters page of the menu.
Apply to All Pages to apply the menu template to all the pages in your
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click to remove the current background music from the disc menu.
click to add background music with Magic Music. See Magic Music for
more information.
click the button to add or replace the current disc menu background
music.
if required, trim the background music using the player controls and the
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mark-in/mark-out indicators.
you can use a 3D video clip as the first play video. Once added, click to
set the 3D source format of the clip. See Setting 3D Source Format for more
detailed information.
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Note: the maximum number of buttons that can display on each menu page
is dependent on the design of the menu template. If you want more buttons
on a page, see Adding Menu Buttons for more information.
when in the Menu Designer, click on above the selected object and then
drag it right or left to change its orientation.
when in the Menu Designer, select images and buttons, and then click and
drag a corner or side to resize them.
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A - Cha nge M enu Text Properties Ta b, B - M enu Properties, C - Set Button Properties Ta b, D - M enu
Pa ge View (Edit pa ge), E - Add M edia /Im a ge/Text/Button, F - Set Title/Scene Button Type, G - M ode
Selection, H - Zoom Tools, I - TV Sa fe Zone/Grid Lines, J - Align Objects, K - Select Video Effect, L - Set
M enu M otion, M - Uploa d to Internet, N - Ena ble 3D Depth
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In the Menu Designer you can edit all three possible disc menu pages. Note that the
titles/scenes (videos and projects on your disc) and chapters pages always have the
same layout.
To modify a specific page, select Root Menu, Titles/Chapters Menu, or Subtitles
Menu from the Edit page drop-down menu.
Note: the subtitles menu page is only available if you selected Create
subtitles for disc when you added subtitles in the Subtitle Room. See
Adding Subtitles for more information.
Mode Selection
In the Menu Designer there are two selection modes. Click the button to
enable object selection. When selected, you can freely click and move the menu
text, buttons, images, etc. to different areas of the menu.
Click the button to enable a mode that lets you drag the view in the Menu
Designer. This mode is especially helpful if zoomed in on the disc menu.
Zoom Tools
Use the zoom tools and to zoom out and in on the preview window
when modifying the disc menu. You can also select the viewer zoom amount from
the drop-down to set the size of the disc menu preview. Select Fit to resize the disc
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Context Menu
When in the Menu Designer, you can right-click on an item in the preview window
to gain access to some functionality you may find useful.
In the context menu you can:
insert images, title text, and buttons onto the menu page.
cut, copy, paste, or delete items on the menu page.
bring the selected item forward, or send it backward.
quickly align selected items in the menu page how you want them.
select Align All Menu Buttons to uniformly align all of the menu buttons on
the current menu page.
go to Full Screen View for a larger view of the current menu page.
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button.
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Applying Border
Select the Border option to add a border around the text object. Available options
allow you to change the border's size, and add a transparency or blur effect.
You can customize the border color using the following options in the Fill type
drop-down:
Uniform color: select this option if you want the border to be one solid color.
Click the colored square to open the color palette and select the desired
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border color.
2 color gradient: select this option if you want the border color to change
from one color to another using a gradient. Click the colored squares to set
the beginning and ending colors, and then drag the Gradient direction
control to set which way the color flows.
4 color gradient*: select this option if you want the border to consist of four
colors. Click the colored squares to set the colors in each of the four corners
of the border.
Note: * optional feature in CyberLink PowerDirector. Check the version table
on our web site for detailed versioning information.
Enable 3D Depth
If you are creating a 3D video production, select the 3D Settings* option to give the
text object a 3D effect.
Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
Once enabled, use the slider to set the amount of depth you want the text object to
have in 3D. Dragging the slider left will make the 3D text object seem nearer to the
audience (in the foreground), while dragging it right will make it appear farther
away (in the background).
Click on and then select the color in the image that you want to replace/make
transparent. Adjust the Tolerance of hue, Tolerance of saturation, and Tolerance of
luminance sliders to remove the selected color/background. Adjust until the menu
background is completely revealed, without any loss of quality on the added image
. Use the Edge sharpness slider to fine tune the edges of the image on the revealed
background. Using this slider can make the image look more authentic by
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Adding a Reflection
Select the Reflection option to add a reflection of the text object onto the
background media. Use the Distance slider to set space between the reflection and
the text object. Use the Transparency slider to set the opacity of the reflection.
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The section in blue is how long the image displays, while the orange parts are the
fade in and out. If you don't want the image to fade in and out, just drag the
keyframes to either end, so only the blue displays.
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To add a menu button, click the button. Depending on the page in your disc
menu you add the button to, the new button might just be text or button text and
a scene/chapter thumbnail.
Note: click the button at the top of the Menu Designer to align all of
the current menu buttons in the disc menu window. If you want all newly
added menu button to auto align, click next to this button and then
select Auto Align Buttons > On.
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Note: when using this feature, select the button to enable 3D mode for
best editing results. See Previewing in 3D Mode for more information on
using this mode. * Optional feature in CyberLink PowerDirector. Check the
version table on our web site for detailed versioning information.
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select the disc menu template in the library, and then click .
2. In the upload window, enter the information as follows:
Upload to: select where you want to upload the template.
Title: name of the template as it will display once uploaded.
Style: select a style or category for the template.
Type: if required, select the type of template you are uploading.
Tags: enter some keyword search tags that will help users find the template
when searching.
Note: separate each tag you enter with a space. If you want to use two
words as the tag, just put quotes around them, e.g. "dollar bill".
Collection: enter the name of the collection you want the template added to.
Description: enter a short description of your template.
3. Click Next to proceed.
4. Confirm the copyright disclaimer, and then click Next to proceed with the
upload.
5. Click on Finish to close the upload window.
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Burning a Disc in 2D
If you created a standard 2D video production, click on the 2D Disc tab to configure
your disc's preferences and burn it to disc.
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Select the video encoding format and quality: if available for your selected
disc format, select a video encoding format and video quality for your disc
from the drop-downs. For quality, select the Smart Fit option if you want
CyberLink PowerDirector to automatically adjust the bitrate to create the best
quality video file possible, which will fit the capacity of the disc you are using.
Select the audio encoding format and channels: select an audio format for
your disc, and the number of channels it is capable of outputting to. If
burning a DVD, Blu-ray Disc, or AVCHD disc, you can select Dolby Digital to
create a disc with Dolby Digital 2 or 5.1 surround sound. If burning a DVD or
Blu-ray Disc, you can also select DTS to have CyberLink PowerDirector use the
DTS 5.1 Producer to create a disc with DTS 5.1 surround sound.
Note: the video quality and audio type options that are available depend on
the disc format that you have selected.
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Burning a Disc in 3D
If you created a 3D* video production, click on the 3D Disc tab to configure your
disc's preferences and burn it to disc.
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3D output format: select the 3D output source format of the video that is
rendered and then burned to the disc.
Note: subtitles and disc menus are not supported on 3D discs using the
side-by-side 3D source format.
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in a directory.
Enable x.v.Color: x.v.Color is a color system that can display a wider color
range than usual. CyberLink PowerDirector can generate an x.v.Color-
compliant stream, which is backward compatible with RGB displays, while
offering the opportunity to achieve better visual quality if your playback
environment is x.v.Color ready.
Enable hardware video encoder: enable this option to speed up rendering
and burning time. This option is only enabled if your computer supports
hardware acceleration (NVIDIA graphics card that supports CUDA, an AMD
graphics card that supports AMD Accelerated Parallel Processing, or a
computer with Intel Core Processor Family technology).
4. When ready, click the Start Burning button to burn your production to disc.
Note: the burning process may take a few minutes, depending on the length
and quality of your video and your computer's processing power. Be
prepared for a short wait while CyberLink PowerDirector renders your movie
and burns it to the disc. Time remaining does not include the time it takes
to finalize/close discs.
Erasing Discs
If you are using a rewritable disc, you can erase content that has data previously
recorded on it. This allows you to reuse the same discs over and over without the
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need to continually buy new discs. Click on the button to begin erasing a
disc.
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Chapter 19:
PowerDirector Preferences
To set your preferences in CyberLink PowerDirector, just click the button.
General Preferences
In the Preferences window, select the General tab. The available options are as
follows:
Application:
Maximum undo levels: enter the number (between 0 and 100) of undos
(Ctrl+Z) you would like to make available while you work on your video
production. Setting a higher number consumes more CPU resources.
Audio channels: select the default number of channels for the audio in your
video production when editing and previewing it. If Stereo is selected,
CyberLink PowerDirector will downmix any 5.1 channel audio to two channels
during preview.
Note: when editing and previewing video or audio with 7.1 channels, it is
downmixed to the number of audio channels selected in this preference
option.
Timeline frame rate: select the TV format (NTSC or PAL) and frame rate for
your video production. The format should correspond to the region in which
you plan to play your video (if you burn it to disc). The frame rate should
correspond to the source video footage being used in your production.
Use drop frame timecode: if your selected TV format is NTSC, select "Yes" to
synchronize the timecode of your video to its video length in the timeline.
Show sound waveform in timeline: select to display the sound waveform in
the timeline that represents the sound levels in audio clips.
Enable HD video processing (shadow file): select this to speed up the editing
of high definition video by enabling CyberLink PowerDirector to process the
file faster. Enabling this consumes more CPU resources.
Auto delete temporary files every: select to have CyberLink PowerDirector
automatically delete temporary files created while editing, every specified
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number of days. Click on the Manually Delete button if you want to select and
delete specific temporary files to free up disc space.
Internet:
Automatically check for software updates: select to periodically check for
updates or new versions of PowerDirector automatically.
Language:
Use system default language: select this option for the language display to be
the same as the language of your operating system.
User defined: select this option and then select the language from the drop-
down list that you want to use.
Capture Preferences
In the Preferences window, select the Capture tab. The available options are as
follows:
Capture:
Add captured files to media library: select this option to import captured files
into the media library directly after capture.
Add captured files to empty workspace: select this option to automatically
import captured files into an empty area in the workspace (timeline).
Enable automatic file replacement when recording voice-over: select this
option to overwrite existing audio if the voice-over overlaps during recording.
Auto scene detection:
Do not detect scenes after capture: select this option if you do not want to
activate the auto scene detection function after video is captured.
After capture, detect scenes by change of video frames: select this option to
perform scene detection after video capture. Once capture is complete, the
Detect Scenes window is opened, displaying the captured video. See
Detecting Scenes in a Video Clip for more information.
During capture, detect scenes by timecode, and then save each scene as a
separate file (DV-VCR mode only): select this option to detect scene break
signals and to save each scene as a separate file. (DV camcorders generate a
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scene break signal on the tape whenever users release the REC button.) This
feature is only available in DV camcorder capture.
DV parameters setup:
click the DV Parameters button to set the buffer time (in the Batch capture/
Writing to tape sections) for your DV camcorder. Setting a buffer time ensures
that your DV camcorder and the batch capture/ writing to tape function begin
at the same time. Without a buffer, batch capturing or writing to tape may
begin before the camcorder is engaged. In the DV auto stop section of the DV
Parameters Setup window, select whether you want CyberLink PowerDirector
to automatically stop scanning/capturing after a specified interval of blank
tape. You can specific the interval, in seconds, in the field provided.
Confirmation Preferences
In the Preferences window, select the Confirmation tab. The available options are as
follows:
Confirmation
Always prompt me when timeline frame rates conflict: select this option to
enable a warning message when you add a video clip to the workspace whose
frame rate conflicts with the project's timeline frame rate set in General
preferences.
Always prompt me when aspect ratios conflict: select this option to enable a
warning message when you add a video clip to the workspace whose aspect
conflicts with that of the project.
Enable file deletion from hard drive: select this option if you would like to
enable the deletion of files from your hard drive when in the media library.
Enable warning when chapters are removed during editing: select this option
to enable a warning message if chapter points are deleted during video
editing.
Always prompt me when widescreen is not supported: select this option if
you want PowerDirector to notify you when a widescreen format is not
supported.
Always prompt me when I import high definition video into the library: select
this option if you want PowerDirector to notify you when you are importing
high definition video into the media library.
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Always prompt me to confirm captured video prefix name: select this option
if you want PowerDirector to ask you for a file name when capturing videos in
the capture window. If you deselect this option, PowerDirector will auto name
the files for you.
Always prompt me to confirm captured snapshot file name: select this option
if you want PowerDirector to ask you for a file name when capturing screen
snapshots of video. If you deselect this option, PowerDirector will auto name
the files for you.
Always enter the full feature editor at startup: select this option if you don't
want PowerDirector to ask you which editing mode it should open every time
you launch the program. Once selected, the full feature editor is auto opened
every time you open the program.
Always prompt me when entering 3D full screen mode: select this option if
you want PowerDirector to prompt you when it enters 3D full screen mode on
some computers that can only view 3D content at full screen.
Always prompt me when there is a poor quality segment in Content Aware
Editing: select this option if you want PowerDirector to ask if you want to
auto fix segments of video that are shaky or have poor lighting when
encountered during the analysis process of Content Aware Editing.
Always prompt me when entering non real-time preview mode: select this
option if you want to be prompted every time you click the play button when
non real-time preview mode is enabled.
Always prompt me before pasting keyframes attributes: select this option if
you want to be prompted every time you try and paste a clip's keyframe
attributes onto another clip.
DirectorZone Preferences
In the Preferences window, select the DirectorZone tab. The available options are
as follows:
Auto sign in:
Auto sign in to DirectorZone: select this option and then enter in your e-mail
address and password to automatically sign in to DirectorZone when the
program is opened. If you do not have a DirectorZone account, click on the
Get an Account button.
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Privacy rules:
Allow DirectorZone to gather editing information: select this option to allow
DirectorZone to collect all of the names of the templates used in a finished
project you upload to YouTube.
Editing Preferences
In the Preferences window, select the Editing tab. The available options are as
follows:
Timeline:
Set default transition behavior: select the default behavior of transitions
added between two clips on a timeline track. See Setting Transition Behavior
for more information on the differences between the overlap and cross
transition.
Default workspace: select whether to display the timeline or storyboard
editing workspace by default in the Edit window.
Add transition between photos when applying Magic Motion: select this
option to add the transition selected in Transition type between photos when
using the Magic Motion tool and apply to all photos.
Add an effect and a title when using Freeze Frame: select this option to
automatically add an effect and title effect to the timeline when you click the
Freeze Frame button.
Enable continuous thumbnails on video clips for easy scene recognition: select
this option to enable frame thumbnails throughout the video clips inserted
on the timeline. Enabling this option makes it easier to find the different
scenes in your clips.
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Switch to move mode automatically during playback: select this option if you
want PowerDirector to auto switch to movie mode when previewing your
video production. Doing this allows you to preview all the content in your
production, instead of just the selected clip.
Enable snap to clips in timeline: deselect this option if you don't want clips to
snap to other clips when moving them around on the timeline tracks.
Durations:
set the default durations (in seconds) for image files and the different effects,
transitions, titles, subtitles, etc. when placed in the timeline.
File Preferences
In the Preferences window, select the File tab. The available options are as follows:
Default locations:
Import folder: indicates the last folder that media was imported from. To
change this folder, click Browse and then select a new folder.
Export folder: set the folder where captured media is saved. To change this
folder, click Browse and then select a new folder.
Note: the export folder is where produced projects are outputted to by
default. Also, when you burn a file to disc, this folder is where the temp file
is created before burning it to disc.
File name:
Captured video prefix: enter a default name for captured video files. When
capturing from a DV/HDV tape, select the Append time information after the
file prefix option to add the date captured information to the file name.
Production file prefix: enter a default name for your produced files.
Snapshot file name: enter a default name for captured snapshots in both 2D
and 3D. Select a file format from the drop-down list for your snapshots. You
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have the choice of BMP, JPG, GIF and PNG 2D formats, or MPO and JPS when
taking snapshots of 3D content. The captured 3D snapshots are also in 3D.
Snapshot destination: select the location where PowerDirector saves captured
snapshots from the drop-down. You can save them as a file, copy them to
your clipboard, or set them as your wallpaper background on your
computer's desktop.
Use original video size as snapshot image quality whenever possible: select
this option if you want the image to be the same size and quality as the
original video, instead of the smaller preview window it is taken in.
Display Preferences
In the Preferences window, select the Display tab. The available options are as
follows:
Preview quality: select the default preview quality from the list (Full HD*, HD*,
high, normal, low) to set the resolution/quality of the video used when
previewing your movie in the preview window. The higher the quality you
select, the more resources that are required to preview your video project.
Note: Full HD and HD preview resolution are only available when the Ultra
version of CyberLink PowerDirector is installed on a 64-bit operating
system.
Preview mode: select the default preview mode used when previewing video
production:
Real-time Preview: synchronizes and renders clips and effects in real-time,
displaying a preview of your video at the specified frames per second.
Snap to reference lines*: select to have the selected objects in the preview
window snap to the grid lines, TV safe zone, and the boundary of the window.
TV safe zone: select to enable a box on the preview window that indicates the
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Hardware Acceleration
Preferences
In the Preferences window, select the Hardware Acceleration tab. The available
options are as follows:
Hardware acceleration:
Note: ensure you download and install the latest drivers, and any related
hardware acceleration software, for your computer's graphics card to
enable this feature in CyberLink PowerDirector.
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this option to use hardware acceleration to decode the video during the
editing process and when producing video.
Project Preferences
In the Preferences window, select the Project tab. The available options are as
follows:
Project:
Number of recently used projects: enter the number (between 0 and 20) of
recently used projects that you would like to make available in the File menu
when you open CyberLink PowerDirector.
Automatically load the last project when PowerDirector opens: select this
option to automatically load the last project you were working on.
Automatically load sample clips when PowerDirector opens: select this option
to automatically load the sample image and video clips into your media
library when the program opens.
Auto save project every: select this to automatically save your project every
specified number of minutes, so you don't lose your changes by accident. If
you want to set a specific location for the auto save files, click the Browse
button and select a folder location on your computer.
Produce Preferences
In the Preferences window, select the Produce tab. The available options are as
follows:
Produce:
Reduce video blocky artifacts (Intel SSE4 optimized): select this option to
improve the production overall quality of produced video, if your computer
supports Intel SSE4 optimization.
Reduce video noise when using MPEG-1, MPEG-2, and H.264 software
encoders: select this option if you want CyberLink PowerDirector to auto
apply video denoise when encoding MPEG-1, MPEG-2, and H.264 video during
production.
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H.264 AVC:
Allow SVRT on single IDR H.264 video: select this option if you want
CyberLink PowerDirector to use SVRT to render a movie project when you
only have one H.264 AVC clip on the timeline. See Utilizing Intelligent SVRT for
more information on SVRT.
Improvement Program
Preferences
In the Preferences window, select the Improvement Program tab. The available
options are as follows:
CyberLink Product Improvement Program
I want to participate: select this item if you would like to participate in the
CyberLink Product Improvement Program for PowerDirector. Once enabled,
CyberLink PowerDirector will collect information about the hardware and
software configuration of your computer system, as well as your usage
behavior and statistics related to the software. Click the Read more
information about the improvement program online link to view more
detailed information about the content collected.
Note: the CyberLink Product Improvement Program for PowerDirector will
not collect any personal information for purposes of identifying you.
Back up and restore your program settings: If you have a CyberLink Cloud
subscription you can click Back up to CyberLink Cloud to back up program
preferences, keyboard hotkeys, and custom output profiles to CyberLink
Cloud. Click Restore from CyberLink Cloud to replace your current program
settings with the ones you previously backed up on CyberLink Cloud.
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Download folder: click the Browse button to change the folder where
CyberLink Cloud effects, projects, and media are stored when downloaded.
Clear CyberLink Cloud cache: click the Clear Offline Cache button to free up
some disk space by emptying the temp files stored when downloading
content from CyberLink Cloud.
Sign out from CyberLink Cloud service: if you are currently signed in to
CyberLink Cloud, click the button to sign yourself out.
Note: click the Account Information link in the bottom right corner of the
preferences windows if you want to know your CyberLink Cloud
subscription expiry date, how much storage space you have, and more.
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290
Po w erDirecto r Ho tkeys
Chapter 20:
PowerDirector Hotkeys
CyberLink PowerDirector includes a number of keyboard hotkeys that can make the
whole video editing process go more quickly and smoothly.
CyberLink PowerDirector has many Default Keyboard Hotkeys, but you can also
fully customize the hotkeys to fit your requirements. See Customizing Keyboard
Hotkeys for detailed information.
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CyberLink Po w erDirecto r
File
Ctrl + N Create new project
Ctrl + Shift + W New workspace
Ctrl + O Open existing project
Ctrl + S Save project
Ctrl + Shift + S Save project as
Ctrl + Q Import media files
Ctrl + W Import a media folder
Alt + F9 Switch to Capture module
Alt + F10 Switch to Edit module
Alt + F11 Switch to Produce module
Alt + F12 Switch to Burn (EZProducer/Create Disc) module
Alt + P Display project properties
Alt + F4 Exit CyberLink PowerDirector
Edit
Ctrl + Z Undo
Ctrl + Y Redo
Ctrl + X Cut
Shift + X Cut and leave gap
Ctrl + Alt + X Cut and move clips on the same track
Alt + X Cut and move all timeline clips after removed clip
Ctrl + C Copy
Ctrl + V Paste
Alt + left arrow Move timeline selected object one frame left
key
Alt + right arrow Move timeline selected object one frame right
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Po w erDirecto r Ho tkeys
Hotkeys Command
key
Shift + left arrow Go to previous marker
key
Shift + right Go to next marker
arrow key
Shift + M Add marker at current timeline position
Alt + 1 Opens Magic Mix function
Alt + 2 Opens Magic Motion function
Alt + 3 Opens Magic Cut function
Alt + 4 Opens Magic Style function
Alt + 5 Opens Magic Music function
Alt + 6 Opens Magic Movie Wizard
F2 Modify (selected clip in PiP/Particle/Title Designer)
Ctrl + Alt + T Open Trim window
Delete Delete/Remove selected item(s)
Shift + Delete Remove and leave gap
Ctrl + Delete Remove and move clips on the same track
Alt + Delete Remove and move all timeline clips after removed clip
Ctrl + A Select all
Ctrl + T Split clip at current timeline slider position
Ctrl + P Take a snapshot of content in the preview window
Ctrl + D Detect scenes
Alt + H Customize keyboard hotkeys
Alt + C Open user preferences window
View
Tab Switch between timeline/storyboard view
F3 Switch to Media Room
F4 Switch to Effect Room
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Hotkeys Command
294
Po w erDirecto r Ho tkeys
Hotkeys Command
Ctrl + G Go to timecode
Ctrl + F Fast forward
Ctrl + U Adjust system volume
Ctrl + Backspace Mute/Mute off
F Full screen
System Hotkeys
Hotkeys Command
Capture Hotkeys
Hotkeys Command
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Edit Hotkeys
Hotkeys Command
Library
Ctrl + A Select all
Ctrl + Tab Filter media type in media library
Ctrl + D Detect scenes
Ctrl + Q Import media files
Ctrl + W Import a media folder
Workspace
Ctrl + Drop Overwrite content on track when a clip is dropped on
another clip
Shift + Drop Move all clips on the timeline to the right when a clip is
dropped on another clip
Alt + Drop Lay the clip over the existing clip and add a transition
between the two clips when a clip is dropped on another clip
[ Mark in
] Mark out
1 Select camera 1 in MultiCam Designer
2 Select camera 2 in MultiCam Designer
3 Select camera 3 in MultiCam Designer
4 Select camera 4 in MultiCam Designer
Designer Hotkeys
Hotkeys Command
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Hotkeys Command
1. Select Edit > Keyboard Hotkeys > Customize from the menu. Or just press the
Alt+H keys on your keyboard to open the Customize Keyboard Hotkeys
window.
2. Browse to and find the hotkey command that you want to customize.
Note: if required, enter in a search keyword in the field provided for the
hotkey command you want to customize and then click . Click it
repeatedly to locate multiple instances of the inputted search keyword, if
required.
3. Click in the Hotkeys column next to the command you want to customize.
4. Press the hotkey combination on your computer's keyboard that you want to
use/replace the existing hotkey with.
Note: if the keyboard hotkey you specify is already in use in the program,
you will be asked if you want to remove it from the existing command to use
in the new specified command. The replaced command will no longer have
a keyboard hotkey associated to it.
5. Repeat the above steps to customize all the keyboard hotkeys to your
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preference.
6. Once you are done, click the Apply button, enter a name for the new set of
customized keyboard hotkeys, and then click OK to apply and save the
changes.
Hotkey Sets
When you customize keyboard hotkeys in CyberLink PowerDirector, they are saved
as hotkey sets in the Customize Keyboard Hotkeys window. If required you can
create multiple sets of hotkeys, which are quickly accessible in the window.
In the Customize Keyboard Hotkeys window, you can:
quickly switch among the saved hotkey sets by selecting the one you want to
use from the Hotkey sets drop-down and then clicking the Apply button.
Select the PowerDirector Default hotkey set to use the original hotkey
settings.
edit an existing hotkey set by further customizing the keyboard hotkeys, and
then clicking the Apply button. Click the Save as button to save it as a brand
new hotkey set.
delete a custom hotkey set by selecting it in the Hotkey sets drop-down and
then clicking the Delete button.
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menu.
5. Browse to the location of the exported file in the .PDH file format.
6. Click the Open button to complete the import process.
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300
Appendix
Chapter 21:
Appendix
This chapter contains reference information to help answer questions you may
have about the digital movie production process or about using CyberLink
PowerDirector.
301
CyberLink Po w erDirecto r
302
Appendix
List of Components
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CyberLink Po w erDirecto r
Dolby Laboratories
Manufactured under license from Dolby Laboratories. Dolby and the double-D
symbol are registered trademarks of Dolby Laboratories. Confidential unpublished
works. Copyright 2003-2005 Dolby Laboratories. All rights reserved.
DTS
For DTS patents, see http://patents.dts.com. Manufactured under license from DTS
Licensing Limited. DTS, the Symbol, & DTS and the Symbol together are registered
trademarks, and DTS 5.1 Producer is a trademark of DTS, Inc. © DTS, Inc. All Rights
Reserved.
304
Appendix
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[This is the first released version of the Lesser GPL. It also counts as the successor of
the GNU Library Public License, version 2, hence the version number 2.1.]
Preamble
The licenses for most software are designed to take away your freedom to share
and change it. By contrast, the GNU General Public Licenses are intended to
guarantee your freedom to share and change free software--to make sure the
software is free for all its users.
This license, the Lesser General Public License, applies to some specially designated
software packages--typically libraries--of the Free Software Foundation and other
authors who decide to use it. You can use it too, but we suggest you first think
carefully about whether this license or the ordinary General Public License is the
better strategy to use in any particular case, based on the explanations below.
When we speak of free software, we are referring to freedom of use, not price. Our
General Public Licenses are designed to make sure that you have the freedom to
distribute copies of free software (and charge for this service if you wish); that you
receive source code or can get it if you want it; that you can change the software
and use pieces of it in new free programs; and that you are informed that you can
do these things.
To protect your rights, we need to make restrictions that forbid distributors to deny
you these rights or to ask you to surrender these rights. These restrictions translate
to certain responsibilities for you if you distribute copies of the library or if you
modify it.
For example, if you distribute copies of the library, whether gratis or for a fee, you
must give the recipients all the rights that we gave you. You must make sure that
they, too, receive or can get the source code. If you link other code with the library,
306
Appendix
you must provide complete object files to the recipients, so that they can relink
them with the library after making changes to the library and recompiling it. And
you must show them these terms so they know their rights.
We protect your rights with a two-step method: (1) we copyright the library, and (2)
we offer you this license, which gives you legal permission to copy, distribute and/
or modify the library.
To protect each distributor, we want to make it very clear that there is no warranty
for the free library. Also, if the library is modified by someone else and passed on,
the recipients should know that what they have is not the original version, so that
the original author's reputation will not be affected by problems that might be
introduced by others.
Finally, software patents pose a constant threat to the existence of any free
program. We wish to make sure that a company cannot effectively restrict the users
of a free program by obtaining a restrictive license from a patent holder. Therefore,
we insist that any patent license obtained for a version of the library must be
consistent with the full freedom of use specified in this license.
Most GNU software, including some libraries, is covered by the ordinary GNU
General Public License. This license, the GNU Lesser General Public License, applies
to certain designated libraries, and is quite different from the ordinary General
Public License. We use this license for certain libraries in order to permit linking
those libraries into non-free programs.
When a program is linked with a library, whether statically or using a shared library,
the combination of the two is legally speaking a combined work, a derivative of the
original library. The ordinary General Public License therefore permits such linking
only if the entire combination fits its criteria of freedom. The Lesser General Public
License permits more lax criteria for linking other code with the library.
We call this license the "Lesser" General Public License because it does Less to
protect the user's freedom than the ordinary General Public License. It also provides
other free software developers Less of an advantage over competing non-free
programs. These disadvantages are the reason we use the ordinary General Public
License for many libraries. However, the Lesser license provides advantages in
certain special circumstances.
For example, on rare occasions, there may be a special need to encourage the
widest possible use of a certain library, so that it becomes a de-facto standard. To
achieve this, non-free programs must be allowed to use the library. A more
frequent case is that a free library does the same job as widely used non-free
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CyberLink Po w erDirecto r
libraries. In this case, there is little to gain by limiting the free library to free software
only, so we use the Lesser General Public License.
308
Appendix
Activities other than copying, distribution and modification are not covered by this
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constitute a work based on the Library (independent of the use of the Library in a
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the program that uses the Library does.
1. You may copy and distribute verbatim copies of the Library's complete source
code as you receive it, in any medium, provided that you conspicuously and
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2. You may modify your copy or copies of the Library or any portion of it, thus
forming a work based on the Library, and copy and distribute such modifications
or work under the terms of Section 1 above, provided that you also meet all of
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These requirements apply to the modified work as a whole. If identifiable sections
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310
Appendix
However, linking a "work that uses the Library" with the Library creates an
executable that is a derivative of the Library (because it contains portions of the
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terms permit modification of the work for the customer's own use and reverse
engineering for debugging such modifications.
You must give prominent notice with each copy of the work that the Library is used
in it and that the Library and its use are covered by this License. You must supply a
copy of this License. If the work during execution displays copyright notices, you
must include the copyright notice for the Library among them, as well as a
reference directing the user to the copy of this License.
Also, you must do one of these things:
a) Accompany the work with the complete corresponding machine-readable
source code for the Library including whatever changes were used in the work
(which must be distributed under Sections 1 and 2 above); and, if the work is an
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uses the Library", as object code and/or source code, so that the user can modify
the Library and then relink to produce a modified executable containing the
modified Library. (It is understood that the user who changes the contents of
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definitions files in the Library will not necessarily be able to recompile the
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b) Use a suitable shared library mechanism for linking with the Library. A suitable
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For an executable, the required form of the "work that uses the Library" must
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It may happen that this requirement contradicts the license restrictions of other
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contradiction means you cannot use both them and the Library together in an
executable that you distribute.
7. You may place library facilities that are a work based on the Library side-by-side
in a single library together with other library facilities not covered by this License,
and distribute such a combined library, provided that the separate distribution of
the work based on the Library and of the other library facilities is otherwise
permitted, and provided that you do these two things:
a) Accompany the combined library with a copy of the same work based on the
Library, uncombined with any other library facilities. This must be distributed under
the terms of the Sections above.
b) Give prominent notice with the combined library of the fact that part of it is a
312
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work based on the Library, and explaining where to find the accompanying
uncombined form of the same work.
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It is not the purpose of this section to induce you to infringe any patents or other
property right claims or to contest validity of any such claims; this section has the
sole purpose of protecting the integrity of the free software distribution system
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NO WARRANTY
15. BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
FOR THE LIBRARY, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
PROVIDE THE LIBRARY "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER
314
Appendix
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316
Technical Suppo rt
Chapter 22:
Technical Support
If you require technical support, then this chapter can help. It includes all the
information you need to find the answers you are looking for. You may also find
answers quickly by contacting your local distributor/dealer.
the wording of any warning messages that were displayed (you may want to
write this down or take a screen capture).
317
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Web Support
Solutions to your problems are available 24 hours a day at no cost on the CyberLink
web site:
Note: you must first register as a member before using CyberLink web
support.
CyberLink provides a wide range of web support options, including FAQs, in the
following languages:
Help Resources
The following is a list of help resources that may assist you when using any of
CyberLink's products.
Access CyberLink's Knowledge base and FAQ (frequently asked questions):
http://www.cyberlink.com/cs-resource
View video tutorials for your software: http://directorzone.cyberlink.com/
tutorial/
318
Technical Suppo rt
Ask questions and get answers from our users on the CyberLink Community
Forum: http://forum.cyberlink.com/forum/forums/list/ENU.page
Note: CyberLink’s user community forum is only available in English and
German.
319
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320
Index
subtitles 223
2 4
2D
4 color gradient
burning disc in 271
disc menu text 262
converting to 3D 118
PiP effects 144
producing in 228
title text 177
2K resolution
4K resolution
outputting in 2D 228
outputting in 2D 228
outputting in 3D 230
outputting in 3D 230
uploading 235
uploading 235
3 5
3D
5.1 surround 279
burn disc in 273
configuration 285
disc menu text 264
disc menus 269
7
output formats 231 7.1 channels
overview 52 downmixing 279
particle effects 164
PiP effects 145
preferences 285 A
producing in 230 Align 259
setting source format 50 Anaglyph 31, 230
321
CyberLink Po w erDirecto r
Burn creating 90
temp file 272, 275 ColorDirector
Buttons accessing 117
highlight style 268 presets 117
menu 267 Confirmation preferences 281
navigation 268 Content aware editing 20, 99
per page 255 Context menu 259
properties 268 Convert 2D to 3D 118
Copy keyframe attributes 150
Create disc 247
C Crop
images 114
Capture
videos 118
content 57
Cross transition 193
media 53
Crossfade 87, 88, 91, 133, 155
preferences 58, 280
CyberLink Cloud
quality 57
account information 288
settings 58
downloading effects 61
CD 56
overview 2
Chapters
pack project materials 44
adding 219
preferences 288
menu page 250
projects 47
thumbnails 219
signing out 288
Checkerboard 31
uploading disc menu templates 270
Chroma key
uploading paint animations 139
disc menu images 264
uploading particle effects 169
pip effects 143
uploading PiP effects 152
title effects 179, 182
uploading title effects 187
Clip mode 28
uploading transitions 210
CLPV 112, 113
uploading videos 230, 233, 235
Color
CyberLink Product Improvement Program 288
effects 117
fixing 119
Color boards
adding 88
323
CyberLink Po w erDirecto r
Disc menus
3D 269
D adding images 261
adding menu buttons 267
Dailymotion 235
adding text 261
dB meter 214
alignment 256
Default language 279
background 259
Design Studio
background music 253
Menu Designer 257
chroma key 264
Paint Designer 136
creating new 257
Particle Designer 157
customizing 257
PiP Designer 140
duration 255
Title Designer 173
editing properties 252
Detect
first play video 254
faces 11
Menu Designer 257
music beats 94
menu music duration 255
scenes, library 62
menu objects 256
scenes, trim 106
motion 260
Devices 233
opening, disable 252
Digital TV 56
playback mode 255
DirectorZone
selecting 250
downloading from 60
settings 252
overview 2
uploading 269
preferences 282
Discs
uploading disc menu templates 270
3D menus 269
uploading paint animations 139
burning 271
uploading particle effects 169
creating 247
uploading title effects 187
customizing menus 257
uploading transitions 210
editing menu 252
uploadng PiP effects 152
erasing 276
Disc image
importing content 248
2D 273
Menu Designer 257
3D 275
selecting menu 250
Disc menu text
Display
3D depth 264
3D 31, 285
324
Index
E F
Easy editor 8 Facebook 235
Edge sharpness 208 Fades 215
Edit disc menu images 265
audio 124 PiP effects 145
content aware editing 99 Features
media 99 overview 1
Editing preferences 283 File preferences 284
Effects Flickr 59
adding 127 Formats
color 117 supported, 2D export 228
downloading 60 supported, 3D import 230
freeze frame 132 supported, discs 271
keyframes 121 supported, import 49
325
CyberLink Po w erDirecto r
G fixing 116
importing 49
Gain 214 keyframes 119
General preferences 279 Magic Motion 130
Gravity 162 opacity 120
Green screen 143 PhotoDirector 117
Grid lines 28 shape 115
Group objects 34 transitions 189
Import
media 49
H projects 52
Insert 87
H.264 AVC
projects 52
outputting in 2D 228
Intelligent SVRT
outputting in 3D 230
overview 301
H.265 HEVC
utilizing 225
outputting in 2D 228
Interlaced video 112
Hardware acceleration
Interpolated technology 118
preferences 286
Invert
HDMI 1.4 Enabled 31
transition 206
HDV camcorder 55
iPad/iPhone/iPod 233
Help 318
ISO image 273, 275
Hotkeys 291
customizing 297
326
Index
M MKV
extracting subtitles 222
M2TS outputting in 2D 228
outputting in 2D 228 outputting in 3D 231
outputting in 3D 231 subtitles 221
Magic Cut 125 Mobile phone 233
Motion blur 140
327
CyberLink Po w erDirecto r
Produce 225
range 38
Profiles S
capture 57
Scenes 250
Progressive video 112
detecting 106
Projects
Screen snapshots 28
aspect ratio 43
Search
CyberLink Cloud 47
library 25
exporting 44
Send backward 259
inserting 52
Set 3D format 50
library 44
Settings
overview 43
burn 276
preferences 287
capture 58
producing 225
Shadow file
reusing 44
MultiCam Designer 69
saving 43
preferences 279
Shape 115
W
Water reflection 127
Wave 162
WaveEditor 124
Waveform 94, 213
Web support 318
Webcam 56
White balance 119
Workspace
creating new 43
expanding 26
overview 19
X
Xbox 233
Y
Youku 243
333