AACS National Competition Manual (2020 Edition)
AACS National Competition Manual (2020 Edition)
American Association
of Christian
of ChristianSchools
Schools
American Association of Christian Schools
Bible
Music
Speech
Art
Academics
2020 Edition
Copyright
The AACS National Competition Manual is copyrighted material. Please adhere to the following.
1. The manual that you purchased is for use by your school only. Other schools must purchase their own
manuals.
2. Each school can print the manual or portions of the manual as needed. For example, you may print the
rules for a particular area or the judging forms for your school use as needed.
3. Do not forward the link or document to any other school or anyone other than school personnel.
4. Do not post the link on any website.
All rights reserved. No part of this publication or the related files may be reproduced, distributed, or transmitted in any
form, by any means (electronic, photocopying, recording, or otherwise) beyond the school that is the purchaser of the
manual without the prior written permission of the publisher.
National Competition Manual – Table of Contents
Table of Contents
General Information ............................................................................................................................................... 3
Purpose ................................................................................................................................................................... 3
Eligibility of Contestants ......................................................................................................................................... 3
Eligibility of Entries.................................................................................................................................................. 3
Limitation of Contestants ....................................................................................................................................... 3
State Coordinator.................................................................................................................................................... 4
Registration ............................................................................................................................................................. 4
Date and Location ................................................................................................................................................... 4
Classes of Competition ........................................................................................................................................... 4
Awards .................................................................................................................................................................... 4
Dress and Conduct Code ......................................................................................................................................... 4
The Dress Code ................................................................................................................................................. 4
The Conduct Code ............................................................................................................................................. 5
Time Limitation and Disqualification ...................................................................................................................... 6
Performance Time .................................................................................................................................................. 6
Music ....................................................................................................................................................................... 6
Judging Forms ......................................................................................................................................................... 7
Bible Usage.............................................................................................................................................................. 7
Recording Policy ...................................................................................................................................................... 7
Competition Annual Update ................................................................................................................................... 7
Copyright ................................................................................................................................................................. 7
Area One: Bible ..................................................................................................................................................... 11
Bible General Rules ............................................................................................................................................... 11
Rules by Category ................................................................................................................................................. 11
Category 1: Bible Quizzing .............................................................................................................................. 11
Category 2: Bible Memory .............................................................................................................................. 20
Category 3: Bible Teaching ............................................................................................................................. 22
Bible Preaching General Rules .............................................................................................................................. 22
Rules by Category ................................................................................................................................................. 23
Category 4: Expository Preaching ................................................................................................................... 23
Category 5: Evangelistic Preaching ................................................................................................................. 23
Category 6: Topical Preaching ........................................................................................................................ 23
General Information
National Competition Manual – General Information
General Information
Purpose
The AACS National Competition has been organized to provide a challenge toward excellence among the
students of AACS member schools. This competition will allow Christian young people to develop disciplined
skills in various areas of proficiency so that they might better serve the Lord throughout their lives. Certainly a
worthy goal of Christian education is to follow the example of our Savior who “increased in wisdom and
stature, and in favor with God and man” (Luke 2:52).
Eligibility of Contestants
Only senior high students (grades 9–12) who have won or placed in an AACS certified state or regional
competition may participate in the National Competition. However, this requirement will be waived for the
following exceptions: students in grades 7 and 8 may compete in Orchestra/Band and Handbell/Handchime
Choir. Students will be allowed to compete only if their school is currently a member of a state association or
is an associate-member school which is in good standing with the AACS. A state may enter only one individual
or group in each category.
Eligibility of Entries
The same entry (i.e., music composition, speech manuscript, art entry, science fair project, sermon, or Bible
teaching lesson) which placed at the state level must be entered in National Competition. See General Rules of
each area for additional eligibility requirements.
Limitation of Contestants
Competition is divided into five areas (Bible, Music, Speech, Art, and Academics). In individual competition a
student may enter one category in each of these areas: Bible, Music, and Speech. In addition, a student may
enter one or two Art categories and one or two Academic categories. However, he may not enter both
composition categories or both science fair categories. (See Academic General Rules.)
Example: A student may enter Sacred Piano, Declamation, English Testing, Calligraphy, and Sculpture.
Example: A student may enter Expository Preaching, Vocal Solo, Sculpture, Old Testament Bible
Knowledge, and English.
This applies only to individual competition. A student may enter group competition in addition to the
individual categories.
Note: Students entering Bible Memory, Debate, and Spelling may encounter irreconcilable scheduling
conflicts and should limit their competition to one of these categories. Bible Memory, Debate, and Spelling are
scheduled at specific times and for blocks of time that cannot be adjusted. Debate especially can involve a
competitor for several hours. If a competitor is involved in other performance events that conflict, he will be
required to forfeit a conflicting event.
State Coordinator
The State Association will designate a State Competition Coordinator who will serve as a liaison between the
AACS Competition Director and the State Association. It will be the responsibility of the State Competition
Coordinator to certify the eligibility of each student entered from his state. The State Coordinator will also be
responsible to secure the registration for those students who qualify from his state in the National
Competition.
Registration
Registration must be completed in accordance with the instructions provided by the AACS National Office.
Failure to submit the appropriate registration forms by the indicated deadline may result in disqualification.
Entry fees and room and board fees will be determined annually.
Classes of Competition
Two class distinctions shall be made in the categories of Choral Group, Handbell/Handchime Choir, and
Orchestra/Band. Class A groups in these categories are allowed to participate at the Class AA level if they did
so at their state competition.
Awards
Awards will be given for first, second, and third place. The state association which receives the most points
(three points for first, two points for second, and one point for third) will be awarded the AACS Cup of
Excellence.
mustaches will be permitted for students. Jeans are not to be worn, except as noted below for activities on
the athletic fields or in the gymnasiums.
3. Shorts or tank tops are not allowed outside the residence halls. Sunbathing is not permitted anywhere on
campus.
4. Appropriate dress for the evening services includes the following: Boys/men–dress slacks, dress shoes*,
dress shirt with collar; Girls/ladies–Sunday-type dress outfit, and dress shoes*.
Appropriate dress for the Awards Program includes the following: Boys/men–dress slacks, dress shoes*,
dress shirt with collar, neck tie, and preferably a sport coat or suit; Girls/ladies–Sunday-type dress outfit,
and dress shoes*.
*Dress shoes are not beach or shower shoes or tennis shoes. Boys/men—no tennis shoes, no sandals;
Girls/ladies—no tennis shoes, no beach/shower shoes.
5. Participants in activities on the athletic fields/gymnasiums may dress as follows: Boys/men—jeans, knee-
length shorts, T-shirts, athletic shoes; Girls/ladies—loose-fitting slacks (no jeans), loose-fitting knee-length
shorts or culottes, athletic shoes.
Performance Time
Individual contestants and groups must arrive at the competition room no less than five minutes prior to their
scheduled performance time, unless prior arrangements have been made with the judges in the room. Failure
to meet this requirement can result in disqualification.
Music
Contestants will need originals of each selection of music performed for judges to reference. If the
contestant(s) or accompanist will be using music for any performance, those will also need to be originals.
Photocopies are not permitted.
Photocopies are permitted only with the publisher’s permission. Permission from the publisher must be
attached to each copy that is supplied to the judges. Use of photocopies without publisher permission will be
penalized. Photocopies of music may be used only under the following circumstances.
1. The music is in the public domain—either it is not copyrighted or the copyright date is 1922 or earlier.
2. The copyrighted music has been ordered but not yet received, and the contestant presents a note from a
music store stating that he has ordered and paid for the music.
3. The contestant presents a letter from the publisher or the copyright holder giving permission to copy the
music. Permission from the publisher must be attached to each copy that is supplied to the judges.
Publishers often grant permission for adjudication. Band directors should note that most publishers sell
the additional score for a significantly reduced price.
4. The contestant or accompanist may reproduce single pages to facilitate page turns. The original published
score must also be present on the music stand and/or music rack.
5. An emergency copy may be made to replace previously purchased copies which for any reason are not
available for an imminent performance. The purchased replacement copies must be substituted at the
earliest opportunity.
6. If the contestant is using digital sheet music or something similar printed from an online download, he/she
will need to provide proof of purchase or a “permission to use letter” with the music. Permission from the
publisher must be attached to each copy that is supplied to the judges.
Judging Forms
Students competing in a category requiring judging forms must submit three completed judging forms to the
judges. There are no judging forms for Bible Memory, Spelling, and Academic Testing categories. In categories
where second rounds are called (speech, preaching, Bible teaching), AACS will provide judging forms for the
second round. The competitor must provide judging forms for the first round. Students must use the AACS
judging forms from the current National Competition Manual. Use of incorrect judging forms will be penalized.
Bible Usage
The AACS will use the KJV Bible for judging Bible competition categories. The King James Version will be the
only authorized translation used in any competition category. (See AACS website for current publication and
ordering information.) This specific publication is the official version and must be used for judging. Other
printings may have slight variations in words or punctuation. Answers must be correct according to the AACS
selected publication.
Recording Policy
No flash photography can be used during competition. Recording is absolutely prohibited except for the
recording of a single entry by representatives of the participant’s school for personal use. The recording of all
or portions of the performance of more than one entry in an event is prohibited. In any case, the head judge in
a competition may prohibit recording. No recording made by anyone other than competition officials may be
considered for adjudication purposes.
Copyright
The AACS National Competition Manual is copyrighted material. Please adhere to the following.
1. The manual that you purchased is for use by your school only. Other schools must purchase their own
manuals.
2. Each school can print the manual or portions of the manual as needed. For example, you may print the
rules for a particular area or the judging forms for your school use as needed.
©2020 American Association of Christian Schools 7
National Competition Manual – General Information
3. Do not forward the link or document to any other school or anyone other than school personnel.
4. Do not post the link on any website.
Rules by Category
Category 1: Bible Quizzing
1. Bible Quizzing is a jump-quizzing competition measuring Bible knowledge and speed of recall. Three
opposing teams are challenged by an oral question, and any team member who responds first is given
opportunity to answer within a time limit. Points are scored for correct answers and penalties assessed for
incorrect and incomplete answers. Both individual and team scores are kept. The highest scoring team is
declared winner at the game’s end. Competition proceeds as in a double-elimination tournament.
2. Schedule—Refer to the AACS website for competition schedule (arrival time, required meetings,
competition pairings).
Quiz Panel
The quiz panel will officiate each quiz.
1. The quiz panel may consist of the quizmaster, scorer, timekeeper, and one or two judges.
2. The quiz panel will be appointed and instructed by the quizmaster.
3. All decisions by the quiz panel will be final.
Team Membership
1. For each game, a team will be composed of two to five members and may include up to two substitutes
from the same school.
2. A team may change team members after the conclusion of a given game in the tournament.
Team Coaches
Each team’s coach will be present during competition.
1. Although the number of coaches for pre-contest preparation will be at the school’s discretion, each team
will have no more than two official coaches present during competition.
2. The coach will be responsible for the behavior of the team at all times.
3. The coach’s behavior will be considered as team behavior and, as such, will meet the Dress and Conduct
Code outlined in the General Rules.
4. The coach may lodge a protest solely with the National Competition quizmaster after a game has been
completed. The judges will not entertain protests at any time. Protests presented courteously to the
National Competition quizmaster will be received courteously.
Study Cycle
1. The AACS will use the KJV Bible for judging Bible competition categories. The King James Version will be
the only authorized translation used in any competition category. (See AACS website for current
publication and ordering information.)
2. The cycle for the next nine years is as follows:
2020–2021 John
2021–2022 Acts
2022–2023 1 & 2 Corinthians
2023–2024 Matthew
2024–2025 Hebrews, 1 & 2 Peter
2025–2026 Romans, James
2026–2027 Mark, 1, 2, & 3 John, Jude
2027–2028 1 & 2 Thessalonians, 1 & 2 Timothy, Titus
2028–2029 Galatians, Ephesians, Philippians, Colossians, Philemon
Game Procedure
1. A game will consist of 20 correctly answered regular or toss-up questions plus whatever free and tie-
breaking questions become necessary, regardless of time.
2. Regular Questions: A game will commence with the reading of a regular question by the quizmaster to the
three teams. The regular question format will be as follows: “Question number one: question.”
a. If no quizzer responds within ten seconds after the reading of a question, the question will be tossed
out and another question read to continue play.
(1) Tossed out questions will not constitute any of the 20 regular questions.
(2) Team members may confer before any quizzer is recognized.
(3) Quizzers may begin to confer while the question is being asked, as long as they do not prevent
other teams from hearing the question. Quizzers may not confer once the quizzer is recognized.
b. During or after the reading of a regular question, the first quizzer whose light comes on will be
recognized by the quizmaster as the team spokesman for that question and will be addressed by state
and number, for instance, “Tennessee, Number Three.”
c. Interrupted Questions: The reading of regular, toss-up, or tie-breaker questions may be interrupted by
a quizzer, but he must then answer the question without hearing it read in its entirety.
d. The clock will start upon the quizmaster’s verbal recognition of the quizzer.
(1) Thirty seconds will be allowed in which to answer any question in its entirety.
(2) The quizzer will be allowed a maximum of ten seconds before beginning his answer, but the clock
will continue to run marking the thirty-second count. An answer will be considered as started when
a quizzer gives new information which is part of the unread portion of the question or part of the
answer.
(3) In a year when more than one book of the Bible is included in the study material, if the quizmaster
has not said the name of the book, the quizzer may say the name of the book within the ten
seconds in order to earn the full thirty seconds. However, if the new information supplied includes
the name of the book, the quizzer must correctly state the name of the precise book in order to be
ruled correct. (Example: First Corinthians, instead of just Corinthians.)
(4) In a year when only one book of the Bible is included in the study material, if the quizmaster has
not said the chapter of the book, the quizzer may say the chapter number within the ten seconds in
order to earn the full thirty seconds. However, if the new information includes the chapter number,
the quizzer must correctly state the precise chapter number in order to be ruled correct.
(5) If the quizzer fails to begin his answer within the ten seconds, it will constitute an error.
e. Upon giving the correct answer to a regular question, 20 points will be scored for the answering team,
and another regular question will be read to continue the cycle.
(1) Each individual quizzer’s points will be tallied on a score sheet.
(2) During the competition, any quizzer having correctly answered six 20-point questions (quizzing out)
will leave the game.
(a) He may be replaced by an eligible substitute.
(b) He will not return to the current game.
(c) Should the team captain quiz out, the co-captain will assume the role of challenger.
(d) Should an entire team vacate whether through quizzing out or erroring out, the format will
change to two-team rules; in other words, the toss-up question will still be worth 20 points, and
no error will be assessed for the attempt on the toss-up.
f. At the quizmaster’s call of time, or when the quizzer is seated again, any incorrect or incomplete
answer will constitute an error.
(1) Each individual quizzer’s errors will be tallied on a score sheet.
(2) During the competition, any quizzer having made six errors (erroring out) on regular or toss-up
questions will leave the game.
(a) He may be replaced by an eligible substitute.
(b) He will not return to the current game.
(c) Should the team captain error out, the co-captain will assume the role of challenger.
(3) Beginning with the fourth team error, ten penalty points for each error will be deducted from the
team’s score.
(a) The first three errors will not affect a team’s score.
(b) On the sixteenth and all subsequent questions, ten penalty points for each error will be
deducted whether or not the team has previously committed three errors.
3. Toss-Up Questions: After penalty points have been assessed for the incorrect answer to a regular
question, the regular question shall be reread and will constitute a toss-up question.
a. Only the remaining two teams may vie for a response to the toss-up question.
b. If no quizzer responds within ten seconds, the question will be tossed out.
c. A correct answer to a toss-up question will score 20 points for the answering quizzer’s team.
d. Beginning with the fourth team error, an incorrect answer to a toss-up question will deduct ten points
from the team’s score.
e. On the sixteenth and all subsequent questions, ten penalty points for each error will be deducted
whether or not the team has previously committed three errors.
f. When competition consists of only two teams, toss-up questions will carry a value of 20 points and
incorrect answers will not be penalized.
g. The toss-up format will be as follows: “Toss-up Question [to the remaining teams]: question.” Quizzers
may jump after the second question. If the Kirkman Box is used, quizzers may jump as soon as the
amber light comes on. [Instruction for quizmasters: The quizmaster will do his best to time the reset so
that the amber light will come on at the same time as the second word question. In any case, the
standard is when the amber light comes on.]
4. Free Questions: Upon error on a toss-up question, the remaining third team will be given a free question,
which will be a new, previously unread question.
a. The first quizzer to rise may attempt to answer a free question without fear of penalty upon error,
termed attempt.
b. No other attempts to answer will be permissible.
c. A correct answer to a free question scores ten points for a team.
d. No penalty points will be assessed at any time for free questions which are incorrectly or incompletely
answered, or unanswered in any manner; hence, the term free.
5. Tie Score: In the event of a tie score after the twentieth question, single regular questions will be asked
until the tie is broken, termed tie-breaker questions.
a. Individual scores and errors will continue to be tallied.
b. If the twentieth question is answered in error, the entire round will continue to completion, toss-up
and, if necessary, free question included. Thereafter, the single tie-breaker questions will continue
until a winner is declared, as in a sudden-death play-off. However, the quiz must end with a correctly
answered 20-point regular or toss-up question.
c. If, after the twentieth question, one team has the highest score and the remaining two teams are tied
in score, then the winner will drop from the contest; and the game will continue until a tie-breaking
question produces a middle winner. The format will change to two-team rules; in other words, the
toss-up question will still be worth 20 points, and no error will be assessed for the attempt on the toss-
up. A tie-breaking question, regular or toss-up, must be answered correctly in order to end the quiz. (A
tie cannot be settled by the points lost for an incorrect answer.)
d. The same process described above (5.c) will be followed if two teams are tied for first place honors at
the end of a game. Each game will have a high winner, a middle winner, and one loser (see
Determination of Winner).
e. If, after the twentieth question, all three teams are tied, the quiz will continue one question at a time
until there is a high winner, a middle winner, and one loser. An evaluation of how one or more of the
teams will finish the quiz will be made only after a correctly answered 20-point question. Each team
getting an error on a regular or toss-up question will continue to incur a 10-point deduction.
(1) If no team earns 20 points for an answer, then all three teams will continue to the next question,
regardless of the score.
(a) Example 1: All three teams have 120 points after 20 questions. On the first extra question,
Team A misses, Team B misses, and Team C misses the free question. The quiz continues, even
though the score is 110-110-120.
(b) Example 2: All three teams have 120 points after 20 questions. On the first extra question,
Team A misses, Team B misses, and Team C correctly answers the free question. The quiz
continues, even though the score is 110-110-130.
(2) If a team earns 20 points for an answer, then at the end of the question an evaluation will be made
regarding how the teams have finished in the quiz.
(a) Example 3: All three teams have 120 points after 20 questions. Team A jumps first and gets 20
points. The score is 140-120-120, and Team A is the high winner. Team A drops from the quiz,
and a two-team tie breaker continues according to rule 5.c. above.
(b) Example 4: All three teams have 120 points after 20 questions. Team A jumps first and misses;
then Team B jumps and gets 20 points. The score is 110-140-120, and the quiz is over with
Team B the high winner, Team C the middle winner, and Team A the loser.
(c) Example 5: The score is 110-110-130 after Example 2 above. Team A jumps and gets 20 points.
The score is 130-110-130, and Team B is the loser. Team B drops from the quiz, and a two-team
tie breaker continues according to rule 5.d. above.
6. Time-Outs: A team may call two time-outs during a game. A coach may talk with quizzers only during a
time-out. This does not mean a coach would be forbidden a spontaneous congratulations or
encouragement.
a. Time-outs will be allowed after the answer of one question and before the reading of the next.
b. Time-outs will be no longer than one minute.
c. A time-out will not be necessary for substitutions which become necessary at the quizzing out or
erroring out of quizzers.
(1) Voluntary substitutions require the calling of time-outs.
(2) Other teams may substitute quizzers during one team’s time-out.
(3) A time-out may be called for a team conference.
d. A challenge will take precedence over a time-out.
e. The procedure for calling a time-out will be as follows: The quizzer or coach should stand and say, “Mr.
Quizmaster, we would like a time-out.”
f. If tie-breaker questions are required, each team will be allowed one time-out during the tie breaker,
regardless of the number of previous time-outs taken.
7. Fouls: The following actions will constitute fouls.
a. Talking or conferring by any quizzers between the time the quizzer has been recognized and the time
points are awarded or penalties assessed.
b. Any part of the hands or feet touching the chair during the reading of a question.
c. Failure of a quizzer to come to full stature.
d. A team’s display of an overly antagonistic attitude toward officials and rulings.
(3) If the challenge to a correct ruling on a toss-up question is sustained, the answering team is
assessed an error, and the quiz continues to the free question. If the challenge is overruled, the
answering team retains the 20 points, and the quiz continues to the next question. If the challenge
to an incorrect ruling on a toss-up question is sustained, the answering team is awarded 20 points,
and the quiz continues to the next question. If the challenge is overruled, the result of the toss-up
question stands, and the quiz continues to the free question.
(4) If the challenge to a correct ruling on a free question is sustained, the score reverts to what it was
before the question was asked, and the quiz continues to the next question. If the challenge is
overruled, the answering team retains the 10 points, and the quiz continues to the next question. If
the challenge to an incorrect ruling on a free question is sustained, the answering team is awarded
10 points, and the quiz continues to the next question. If the challenge is overruled, the result of
the free question stands, and the quiz continues to the next question.
d. Only a team captain may challenge by standing and saying, “Mr. Quizmaster, I would like to challenge.”
The captain may yield the floor to a team member to voice the challenge.
e. The quizmaster, with or without counsel of the quiz panel, will have sole authority to accept or reject
the challenge.
f. No penalty shall be assessed against any team that properly submits a challenge.
(4) A quizzer may repeat all or some of the words of the verse that the quizmaster has already spoken,
but the quizzer must proceed beyond those words within the first ten seconds.
(5) Having begun to finish the verse, a quizzer may stop and retrace some or all of the words that he
has already spoken, provided that he makes no change in the retracing.
c. Reference Question form: a question citing a chapter and verse reference with or without the use of a
key word(s) answerable by information found in that specific verse reference.
(1) Reference questions will begin with the phrase “This is a reference question. Question number 8,
question:”
(2) Reference questions will include the phrase, “According to . . .” followed by a chapter and verse
reference. This phrase may be located at the beginning or at the end of the question.
(3) The standard of what constitutes a correct answer to a reference question is more precise than
that for an interrogative question because the correct answer must come from that specific verse.
While a paraphrased answer may occasionally be ruled correct, precise language from the specific
verse is preferable.
(4) Examples:
Q: “This is a reference question. Question number 4, question: Who hath no where to lay His head
according to Matthew 8:20?”
A: “the Son of man”—Correct.
A: “Jesus” or “the Son of God”—Incorrect. These paraphrased answers would be acceptable for an
interrogative question, but not for a reference question.
Q: “This is a reference question. Question number 6, question: According to 1 John 4:16, who
dwelleth in God?”
A: “He that dwelleth in love” or “A person who dwells in love”—Correct.
A: “Whosoever shall confess that Jesus is the Son of God”—Incorrect. While this answer is true, it is
taken from a different verse.
d. Quotation Question form: a total recall question which states an exact Biblical reference and is
answerable by a direct verbatim quotation.
(1) Quotation questions will begin with the phrase, “Quote this one verse. . .” or “Quote these two
verses. . .” or “Quote these three verses. . .” and follow with a book-chapter-verse reference.
(2) Quotation questions will be answerable by the verbatim quotation of the verse(s) cited. The quizzer
may, but will not be required to, cite the reference; however, he must begin the quotation of the
verse within the ten-second time frame.
(3) Having begun to quote the verse, a quizzer may stop and retrace some or all of the words that he
has already spoken, provided that he makes no change in the retracing.
(4) Example:
Q: “Quote this verse. Question number 3, question: John 1:4.”
A: “John 1:4, ‘In Him was life; and the life was the light of men.’”
2. Determination of Correctness of Answers
a. An answer will be considered correct only if it will have been correctly and completely stated within
the thirty-second time limit.
(1) Answers to quotations and finish-the-verse questions must be verbatim and complete within the
time limit.
(2) When answering reference and interrogative questions, if a quizzer is interrupted by the call for
time while giving additional information beyond what the judges consider necessary for
correctness and completeness; so long as the information given before the call for time was correct
and complete, the answer will be considered correct.
b. An answer will be considered correct if a proper name is mispronounced.
(1) The quizmaster may request clarification by spelling.
(2) An incorrect spelling of the proper name will constitute an error.
c. Only the first answer from a quizzer will be considered. Starting over to make a correction will
constitute an error.
d. Should a quizzer interrupt the reading of a question, he will not be required to complete the question
before answering, but an incorrect answer will constitute an error.
e. When a quizzer has finished his answer he should be seated.
3. Errors: The following actions will constitute an error.
a. If the quizzer fails to begin his answer within ten seconds.
b. If at the timekeeper’s call of time (30 seconds), any incorrect or incomplete answer has been given.
c. If the wrong quizzer answers the question, the right quizzer will then be permitted to answer the
question, and the wrong quizzer will be assessed a foul. However, if both quizzers are from the same
team, an error will be assessed. A new regular question will be asked if the question was a regular
question or a free question, or the free question will be asked if the question was a toss-up.
d. If an answer would require clarification for understanding.
e. Quoting an entire verse word for word in response to an interrogative or reference question.
f. An answer to a finish-the-verse or quotation question in which there is any deviation from verbatim
quotation of Scripture, i.e. any addition, omission, reversal, or change of words.
g. If the quizmaster calls for spelling of a proper name and it is incorrectly spelled.
h. Should a quizzer interrupt the reading of a question, he will not be required to complete the question
before answering, but an incorrect answer will constitute an error.
i. Only the first answer from a quizzer will be considered. Starting over to make a correction will
constitute an error.
j. Any incorrect information in an answer. This includes giving information that is not a part of the
question or the answer.
k. Incorrectly or incompletely identifying the name of the book or the chapter number, even if the answer
is correct.
l. Any incomplete answer at the call for time.
m. If, after the amber light comes on and the timer begins to count down, the quizzer begins to stand but
then is seated again without answering, this is an error, not a foul. The quizmaster gives the error to
the quizzer and moves to the toss-up question or to the free question.
Determination of Winner
1. The team with the highest score at the end of the twentieth question or sudden death tie breaker will be
declared the high winner. The team with the second highest score will be declared the middle winner. The
last place team will be considered the loser of the game. In other words, each game with three teams will
have two winners and one loser.
2. The advantage of being a high winner is the draw of opponents as the contest eliminates quiz teams.
3. The quizmaster will determine the teams competing in each game. Determination of Winner rule 1 will
help the quizmaster determine the selection of teams to participate in each game.
4. Competition will proceed as in a double elimination tournament so that each team must be defeated twice
before being eliminated.
1. Students are not required to provide judging forms for Bible Memory.
2. All students will stand, forming a single line facing the Bible Memory master. The master will question
from left to right.
3. All questions will be taken from the official memory material.
4. The master may conduct only two styles of quizzing as follows:
Style 1: Master cites reference; student recites verse. Master may continue this style for as many
rounds as he chooses.
Style 2: Master refers to application of verse; student cites both reference and verse. Master may
continue this style for as many rounds as he chooses.
5. Each student will be given a question different from that given the preceding student.
6. The student will not begin speaking until the master’s questioning is completed.
7. A student will be permitted one error before his elimination. Upon commission of his second error, the
student will be eliminated by the master with confirmation from the judges.
8. The AACS will use the KJV Bible for judging Bible competition categories. The King James Version will be
the only authorized translation used in any competition category. (See AACS website for current
publication and ordering information.)
9. The following will constitute errors:
a. Any incorrect reference citation.
b. Any deviation from the verbatim quotation of Scripture, i.e., any addition, omission, reversal, or
change of words.
c. Incomplete answers at the call of time.
d. Only one error per question may be scored against a student.
e. Pronunciation mistakes will not constitute errors.
f. Having begun either to cite a reference, quote a verse, or both, a student may stop and begin again,
repeating exactly as begun; but in the repeating, there can be no change of reference or quotation. If
such change occurs, the student will be declared in error.
10. The student will have 35 seconds to quote a verse or verse and reference.
a. Timing will begin at the master’s signal, “Time!”
b. If the student wishes a repetition of the question, to prevent the starting of the clock, he will signify his
request by saying, “Please repeat the question.”
c. Only one repeat request per question will be permissible.
11. Having already correctly cited a passage, a student will not be asked to recite the same passage in a later
round.
12. The correct citation or quotation will not be given after a response has been deemed in error. However, a
contestant who has been ruled in error may immediately request that the master give a brief summary of
the nature of the error.
13. A student may state a challenge for one of the following reasons:
a. The student believes that the master ruled an incorrect response of another student to be correct.
b. The student believes that the master ruled a correct answer to be incorrect.
c. The student believes that the master has not correctly enforced a rule.
The challenge must be stated immediately following the response to the question being challenged. The
student will initiate the challenge by saying, “Excuse me, Mr. Quizmaster, I would like to challenge.” The
master will have sole authority to accept or reject the challenge.
14. After a student’s elimination, the proceedings continue as normal. The next question from the master’s
official list will then be given to the next student.
15. When the students have been reduced to two, provided that each student has committed one error or
that each student is errorless, the elimination procedure changes, but not before the completion of the
current round. At that point, when one student commits an error, the opponent will be given an
opportunity to correctly answer that same question. If the opponent will answer correctly that same
question, plus answer the next question correctly on the master’s list, then he will be declared champion.
16. If one of the last two students commits an error and the other student, after correcting the error, commits
an error on the extra question, then the first student may attempt to answer the extra question. If the first
student then succeeds in correcting that error and then correctly answers another extra question, he will
be declared champion.
17. If both of the finalists commit errors on the same question, both will continue in competition. The
question will be answered correctly by the master, and the competition will continue with the next
question directed to the one who erred first on the prior question. The competition will resume under rule
14 and 15.
18. Any protest relating to the reference or quotation of a verse will be referred to the judges immediately.
Only a student participant may lodge a protest. The deadline for lodging a protest will be before the
affected student would have received his next question had he not been eliminated. No protest will be
entertained after a contested question has been given to another student. When only two students
remain, a protest must be made immediately, i.e., before the second student has begun to answer the
question, or, if both have missed the same question, before the correct answer is given to the audience.
19. When oral quizzing has continued for at least 20 rounds or for at least 1.5 hours without producing a
winner (whichever comes first), the master will institute written quizzing.
a. If, when written quizzing is instituted, some competitors have one error while others are errorless, the
errorless competitors shall be allowed three unpenalized errors in written quizzing.
b. In written quizzing, the competitors will be given ten outline statements. The competitor must write
the reference(s) and verse(s) that correspond with each outline statement.
c. A thirty-minute time limit will be established for written quizzing. If a competitor finishes his writing
before the time limit expires, he may turn in his work and the time elapsed will be recorded on his
paper. All work will be collected when the time limit has expired.
d. In written quizzing, errors will be weighted numerically. Any word error (incorrect word, omitted word,
or added word) will be given a weight of 3. Any error in spelling, punctuation, or capitalization will be
given a weight of 1.
e. If a tie remains after the writing is scored, the times for competitors (19.c.) will be used to break the
tie. In the case of a continuing tie, the entire writing process will be repeated for the tied competitors.
20. The master and judges have complete authority and control. Their decisions will be final.
Rules by Category
Category 4: Expository Preaching
An expository sermon is one in which a portion of Scripture is interpreted in relation to one theme or central
idea. The bulk of the material for the sermon is drawn directly from the passage, and the outline consists of a
series of progressive ideas centered on that one main idea.
8. Memory is required of piano solos, vocal solos, and vocal groups. Memory is not required of instrumental
solos (except piano) or instrumental groups. Failure to memorize when required will result in
disqualification.
9. Only live piano accompaniment will be permitted for all music categories which need accompaniment.
10. Each student or group may provide an accompanist who will not be considered as part of the group in size
determination or grade-level requirements.
11. No competitors are permitted to use page turners; accompanists may use a page turner.
12. No electronically amplified musical instruments will be permissible.
13. All sound equipment will be provided and supervised by the host school and its designated aides.
14. Refer to the AACS website for instruments provided by the host school for these categories: Percussion
Solo, Large Instrumental Ensemble, and Orchestra/Band.
15. Contestants will need originals of each selection of music performed for judges to reference. If the
contestant(s) or accompanist will be using music for any performance, those will also need to be originals.
Photocopies are not permitted.
Photocopies are permitted only with the publisher’s permission. Permission from the publisher must be
attached to each copy that is supplied to the judges. Use of photocopies without publisher permission
will be penalized. Photocopies of music may be used only under the following circumstances.
a. The music is in the public domain—either it is not copyrighted or the copyright date is 1922 or earlier.
b. The copyrighted music has been ordered but not yet received, and the contestant presents a note from
a music store stating that he has ordered and paid for the music.
c. The contestant presents a letter from the publisher or the copyright holder giving permission to copy
the music. Permission from the publisher must be attached to each copy that is supplied to the
judges. Publishers often grant permission for adjudication. Band directors should note that most
publishers sell an additional score for a significantly reduced price.
d. The contestant or accompanist may reproduce single pages to facilitate page turns. The original
published score must also be present on the music stand and/or music rack.
e. An emergency copy may be made to replace previously purchased copies which for any reason are not
available for an imminent performance. The purchased replacement copies must be substituted at the
earliest opportunity.
f. If the contestant is using digital sheet music or something similar printed from an online download,
he/she will need to provide proof of purchase or a “permission to use letter” with the music.
Permission from the publisher must be attached to each copy that is supplied to the judges.
g. Please note further the following copyright considerations.
(1) Copyrighted music may be edited or simplified provided that the fundamental character—
melodically and harmonically—of the work is not distorted. Minor deviations from the printed
music must be clearly marked on the music given to judges.
(2) Copyrighted lyrics may not be changed without permission of the copyright holder.
(3) Personal arrangements of a copyrighted work must have the written permission of the copyright
holder.
16. The contestant must number at least every fifth (5th) measure on the music given to judges. Numbers
must be very clear and legible. Numbers may be written in pencil. Failure to clearly number at least every
5th measure will result in an automatic penalty of 3 points per selection. Judges are instructed not to mark
on music.
17. Personal arrangements and deviations from printed music should be clearly marked on the judges’ music
or disqualification will result after the performance is finished.
18. Warm-up rooms will be available throughout the day.
19. Instrumentalists may tune their instruments with the piano before performing.
20. Either the soloist, one member of a duet or small ensemble, or the director of a large ensemble or group
shall announce the name of the participant/group, the school, the title, and composer/arranger of the
selection. Timing will then begin.
21. Students will be penalized for going over time or under time in any category of competition where time
limits are established. When a student violates his time limit by more than 1 minute, the student will be
disqualified. However, if he is over time or under time, but not by 1 minute, points or a fraction of a point
will be deducted which will prevent an otherwise first-place winner from placing first, a second-place
winter from placing second, or a third-place winner from placing third.
22. The student or director will be responsible for securing furnished music from the judges following the
performance.
23. Recording is absolutely prohibited except for the recording of a single entry by representatives of the
participant’s school for personal use. The recording of all or portions of the performance of more than one
entry in an event is prohibited. In any case, the head judge in a competition may prohibit recording. No
recording made by anyone other than competition officials may be considered for adjudication purposes.
Category 12, 13, 15: Small Instrumental Ensemble, Large Instrumental Ensemble,
Handbell/Handchime Ensemble
1. A small instrumental ensemble consists of 2 to 6 instruments (plus piano accompaniment if desired). It
may not be directed.
2. A large instrumental ensemble consists of 7 to 12 instruments (plus piano accompaniment if desired). It
may be directed.
3. A handbell/handchime ensemble consists of 2 to 6 musicians (plus piano accompaniment if desired). It
may not be directed.
4. Each ensemble will perform one selection or medley within 8 minutes.
5. Memory is not required of instrumental groups.
6. Percussion ensembles are allowed in the large instrumental ensemble category (Category 13). No
electronic devices are permitted. No drum sets are permitted. The following instruments are allowed:
a. Snare Drum
b. Timpani
c. Mallet Percussion: any instrument with notes arranged in piano keyboard fashion including, but not
limited to orchestra bells (or glockenspiel), xylophone, marimba, or vibraphone.
d. Multiple Percussion: multiple percussion has no standard set of instruments, but often has a
combination of snare drums, concert toms, and small instruments such as a triangle, wood blocks, or
cymbals.
7. Percussion ensembles are excluded from the small instrumental ensemble category, and no percussion
instruments will be permitted in small instrumental ensembles (Category 12).
8. For all handbell competition, schools will be required to provide all equipment (bells, pads, etc.) except
tables.
9. Refer to the AACS website for instruments provided by the host school for these categories: Percussion
Solo, Large Instrumental Ensemble, and Orchestra/Band.
10. The judge will confirm the speaker and say, “You may begin.” Timing and adjudication will begin
immediately.
11. Selected students will be chosen from the first session to participate in the final competition session.
a. Call-backs will be held if there are ten or more entries in a speech category (Categories 1–11).
b. In categories where second rounds are called (speech, preaching, Bible teaching), AACS will provide
judging forms for the second round. The competitor must provide judging forms for the first round.
Students must use the AACS judging forms from the current National Competition Manual.
12. Recording is absolutely prohibited except for the recording of a single entry by representatives of the
participant’s school for personal use. The recording of all or portions of the performance of more than one
entry in an event is prohibited. In any case, the head judge in a competition may prohibit recording. No
recording made by anyone other than competition officials may be considered for adjudication purposes.
1. Selections from the Bible are not appropriate and should be entered in Category 8: Oral Interpretation of
Scripture.
2. Selection must be a single work or a cutting of a longer work.
Category 4: Declamation
Definition: The memorized oral interpretation of persuasive or inspirational material of high literary value,
originally prepared by and presented orally by another person or persons.
1. Topics will be stated as questions requiring the student to take a position on the issue.
2. At ten-minute intervals each student will draw three topic cards. The student will select one topic and
advise the judge of his choice. All three topic cards will then be returned to the judge for subsequent
drawings. Prior to a final round (if one is needed) all topic cards used in the preliminary rounds will be
discarded.
3. Students will prepare speeches without consultation and without references to prepared notes.
a. Students may access research brought with them to the competition during the preparation period.
b. Students should review news articles and opinion pieces from reputable sources.
c. Student research and speech references are not limited to the magazines from which topics will be
drawn. Research documents may be paper or electronic.
d. Students may not access the Internet during the 30-minute prep period.
e. All articles referenced must be printed or stored on a laptop or tablet.
f. Referenced documents may be originals or copies of whole pages.
g. No written material is permitted on any referenced document other than citation information.
h. Underlining or highlighting on referenced documents is permitted if done in only one color on each
article.
i. Students may access no other material during the preparation period—no speeches, handbooks,
outlines, or briefs are permitted.
4. Students will not receive any assistance during preparation time.
5. A student is permitted to use one 3 x 5 card for notes.
6. The timekeeper will show numbered cards nine through one at one-minute intervals during the speech to
alert the speaker of remaining time.
7. A competing student is not permitted to listen to other students until after he has completed his speech.
Category 9: Acting
Definition: A stage performance in which two to six individuals each portray one character without the use of
script, costumes, staging, lights, sound effects, or makeup.
1. Cuttings must be taken from published dramatic literature, published plays by a reputable author, or from
published prose that has been scripted for stage.
2. Acting will develop understandable scenes with clear character action and reaction. The scene(s) should
grow through increased insight, intensification of plot or mood, and thematic statement.
3. Actors may speak to silent or off-stage characters.
4. Each actor may portray only one character.
5. Narration: A brief introduction or scene description may be given, but is not required, for each scene
change. The narration must be done by one or more of the actors. The narration may be done by any of
the actors and does not violate the requirement that each actor may portray only one character.
6. Full costuming is not permitted. Actors may make use of small hand props and costume accessories (such
as an umbrella, shawl, gloves, hat, glasses, etc.). In a quality performance, small props may be used
appropriately to enhance the performance and props are not used excessively so that they distract from
the performance.
7. Participants must be able to perform their scene(s) in an acting space of approximately 18’ x 10’.
8. Prohibited elements in this category include Readers Theatre performances, full costuming, makeup,
lighting, and furniture other than a table and chairs, stools, or boxes.
9. Music: Any form of singing or music used in the presentation should be used to complement the speech
effects, and may not exceed 1.5 minutes of the entire presentation.
10. Use of Voice and Group vs. Individual Voices: Performers are to express different pitch levels, pace, pause
effect, rate, intensity, and volume. Their speech should be expressed mainly in groups of voices, with
infrequent solo lines. Large and small group voices must dominate. Excessive use of dialogue between
characters without engagement of the chorus must not dominate the performance. Diction must be clearly
understood, spoken with ease, and expressed with energy.
Definition: Organized oral argument on a current event topic providing participant opportunity to display skills
of logical reasoning, research and use of evidence, oral persuasion, conversational, and extemporaneous
delivery before a critic.
1. A team will consist of two members, both of whom must be present to avoid forfeiture.
2. A team will be prepared to debate both the pro and con positions of the issue.
3. Rules and tournament procedures (including judging forms) will adhere to the rules published by the
National Speech and Debate Association, www.speechanddebate.org. Guidelines to help students prepare
for Debate are found at www.speechanddebate.org. Debate procedures are in the Appendix.
4. A script or notes will be acceptable.
5. Computers will be allowed at the national level. Online access is not allowed. The guidelines for computer
use as published by the National Speech and Debate Association will be followed.
6. The debate topic changes each year. The state and national topic will be announced by AACS on the AACS
website.
Research is the key to effective debate. Delivery is secondary. All aspects of the topic from both the
affirmative and the negative positions should be researched thoroughly, since debaters will be required to
defend both sides of the question sometime during the competition.
10. Each entry must have attached to one of the judging forms a completed Artist’s Idea Statement which
gives the source of his idea and explains how he developed his artwork from the idea. (See Judging Forms,
Artist’s Idea Statement.) Photographs showing the development of the artwork may be included, if
desired. Photographs are not a replacement for a required pattern.
11. The art student is not required to attend National Competition.
12. Special external lighting will not be permitted (i.e., spotlight, overhead, or underlighting). The lighting in
the exhibit room is the only external lighting that will be allowed. Lighting that is part of the piece
(integrated into the piece and self-contained) to illuminate areas may be allowed only for the following
categories: Woodworking, Sculpture, and Crafts. Power sources for lighting must not require electrical plug
in for display.
Rules by Category
Category 1: Calligraphy
1. Lettering will be done with a calligraphy pen, either metal or fiber tip. Ruling pens, quills, automatic pens,
paint pens, and archival ink monoline pens are also acceptable. Ordinary felt tip markers are not
acceptable.
2. No traced letters or dry-transfer lettering will be acceptable.
3. Any style of calligraphy or hand-lettering may be used, and should be based on established lettering styles.
4. The entry may contain other elements (color, illustration) but the lettering should be the dominant
element.
5. Lettering should be original (i.e., done by the student himself). Alphabet styles may be based on a sample
supplied by the teacher or taken from a book.
6. Attention should be paid to the overall composition or arrangement of words and lines to ensure balance,
focus, and communication.
7. If the entry is not in English, the contestant must include a translation attached to the Artist’s Idea
Statement.
Category 4: Watercolor
1. Translucent techniques will be acceptable; use of proper watercolor paper is required. Aqua board is also
acceptable.
2. Opaque techniques will be acceptable if the paints used qualify as watercolors.
3. Any water-based medium, such as watercolor, gouache, or tempera, may be used.
Category 7: Sculpture
1. Sculpture is the art of carving (subtracting), modeling (shaping), or welding (combining) to produce a
three-dimensional work.
2. Works from molds are acceptable if the student created the mold and poured the object himself. Molds
must be presented with the finished artwork.
3. Acceptable materials include, but are not limited to the following: wood, plaster, stone, metal, wax,
ceramic slip, clay (both fired and unfired), balsa foam, model magic, and friendly plastic. Paper alone is an
unacceptable material for sculpture. Paper as a binding agent and molding medium is acceptable, i.e.
papier-mâché.
4. No objects should be displayed other than the sculpture itself (i.e., flowers, plants, toys).
5. If possible, the sculpture should have an attached base. If a base is not attached, then the project should
be placed on an appropriate surface, such as a ceramic tile, for display purposes.
6. Entries should not include models or dioramas.
5. All designed garments must meet general standards of decency and modesty. Competition officials shall
have full authority for making any determination in this regard. Projects determined to be inappropriate
will be penalized.
6. Garment construction will be judged on the basis of originality, artistic design, and professional
construction. Professional construction includes smooth well-pressed seams and hems, seam finishes on
fabric raw edges, precise detail work, and overall neatness.
7. Machine sewing is allowed.
Category 9: Textiles
1. Entries will be limited to selections from this listing:
a. Macramé, weaving (must show extensive, comprehensive work), quilting, needlework (such as
candlewicking, embroidery, ribbon embroidery, crochet, cross-stitch, knitting, needlepoint, or crewel,
etc.). No purchased garments, towels or similar items are permitted for these entries.
b. Wearable art using appliqué, paints, silk-dye, batik, or tie-dye items. Purchased garments, towels or
similar items are permitted for these entries.
2. Kits are not acceptable; however, commercially produced plans or patterns are acceptable. When a
commercially produced plan or pattern is used, a copy of the plan or pattern must accompany the project.
Photographs showing development of the artwork are not a replacement for the required plan or pattern.
3. No objects should be displayed other than the textile itself (no furniture, plants, or other items).
Division 2: Spelling
Category 16: Spelling
Division 3: Composition
Category 17: Creative Writing: Poetry Category 18: Expository Writing: Essay
5. In categories requiring math computation (except for Algebra/Geometry and Advanced Math), non-
programmable scientific calculators will be permitted.
a. The following will not be permitted: (1) calculators with graphing capabilities, (2) calculators which use
paper tape or printers, (3) hand-held computers, pocket organizers, or laptop computers, and (4)
programmable calculators.
b. Any necessary tables or charts will be provided.
6. Graphing calculators are permitted for Algebra/Geometry and Advanced Math.
7. No Bibles, reference materials, notes, or study guides will be allowed during testing.
Rules by Category
Category 1: Old Testament Bible Knowledge
Competition in this category will be by written examination, testing knowledge of factual or objective material
(rather than interpretive), from pre-assigned Old Testament books.
Category 3: English
1. The examination will consist of questions covering:
a. Grammar and usage: eight parts of speech, phrases, clauses, agreement, etc.
b. Vocabulary in context and spelling recognition
c. Mechanics: capitalization and punctuation
d. Library: research techniques, bibliography, footnote forms
e. Diagramming
2. No composition will be required.
3. No questions pertaining to literature will be asked.
Category 4: Algebra/Geometry
1. The examination will consist of questions covering:
a. Algebra 1
b. Algebra 2
c. Geometry
Category 6: Biology
1. The examination will consist of questions covering:
a. Cells
b. Protozoa
c. Algae and Fungi
d. Plants
e. Genetics
f. Vertebrate and Invertebrate Physiology
g. Human Anatomy
h. Fossils
Category 7: Chemistry
1. The examination will consist of questions covering:
a. Matter and Energy
b. Atoms
c. Formulas and Equations
d. Gases, Liquids, and Solids
e. Periodic Table Families
f. Equilibrium
g. Chemistry Laws
h. Acids and Bases
i. Metric Units
j. Scientific Methods
k. Chemical Bonding
Category 8: Physics
1. The examination will consist of questions covering:
a. Motion and Energy
b. Metric Units
c. Light
d. Electricity
e. Heat
f. Magnetism
g. Physics Laws
h. Sound
1. Spelling will be conducted in the traditional spelling bee format in a single elimination fashion.
a. Information regarding the spelling lists is available on the AACS website.
b. The dictionary specified in the current spelling bee information will be the final authority in
determining correctness of spelling and pronunciation.
c. Note: Rules of other national spelling competitions are not necessarily the same as the AACS National
Competition spelling rules.
d. The competition will be recorded for judges’ use only.
m. If one of the last two spellers misses and the other, after correcting the error, misspells the new word
submitted to him, then the misspelled new word will be referred to the first speller. If the first speller
then succeeds in correcting the error and correctly spells the next word on the pronouncer’s list, then
he will be declared champion.
n. If both spellers misspell the same word, both will continue in the contest; and the one who first
misspelled the word will be given a new word to spell. The contest will then continue under rules 2.l.
and 2.m.
o. Any question relating to the spelling of a word will be referred to the judges immediately. Only a
student speller may lodge a protest. The deadline for lodging a protest will be before the affected
student would have received his next word had he not been eliminated. No protest will be entertained
after a contested word has been given to another speller. When only two spellers remain, a protest
must be made immediately, i.e., before the second speller has begun to spell the word, or, if both have
missed the same word, before the correct spelling is given.
p. The judges have complete authority and control. Their decision will be final in any dispute.
original and authentic work and that I received no help in completing this project other than general
instruction and supervision.
4. Since they are interviewed by the judges, science fair contestants must attend National Competition.
5. Students are required to follow the procedures and format described in the AACS Science Fair Manual.
Science Fair projects are to be individual projects, not group projects.
6. STEM projects may be entered, but they must meet all science fair regulations and requirements.
7. Competition will be held in two distinct areas with the student responsible to choose one specific topic
area or sub-category to enter.
Appendix
National Competition Manual – Appendix: Bible Memory
B. Wisdom has been revealed to man through the Scriptures by the Holy Spirit (1 Corinthians 2:13;
2 Timothy 3:16).
Which things also we speak, not in the words which man’s wisdom teacheth, but which the Holy
Ghost teacheth; comparing spiritual things with spiritual.
All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction,
for instruction in righteousness:
C. Wisdom begins with fearing the Lord and departing from evil (Psalm 111:10; Job 28:28).
The fear of the LORD is the beginning of wisdom: a good understanding have all they that do his
commandments: his praise endureth for ever.
And unto man he said, Behold, the fear of the Lord, that is wisdom; and to depart from evil is
understanding.
D. Wisdom comes from seeking God (Proverbs 28:5).
Evil men understand not judgment: but they that seek the LORD understand all things.
E. Wisdom comes from desiring and seeking it (Proverbs 18:1).
Through desire a man, having separated himself, seeketh and intermeddleth with all wisdom.
F. It is God’s will that the Christian be filled with wisdom (Colossians 1:9–10).
For this cause we also, since the day we heard it, do not cease to pray for you, and to desire that ye
might be filled with the knowledge of his will in all wisdom and spiritual understanding; That ye might
walk worthy of the Lord unto all pleasing, being fruitful in every good work, and increasing in the
knowledge of God;
G. Wisdom should be the principal goal in the life of the Christian (Proverbs 4:7).
Wisdom is the principal thing; therefore get wisdom: and with all thy getting get understanding.
H. Wisdom may be petitioned from God (James 1:5).
If any of you lack wisdom, let him ask of God, that giveth to all men liberally, and upbraideth not; and
it shall be given him.
I. Wisdom is gained from hearing and receiving instruction (Proverbs 19:20).
Hear counsel, and receive instruction, that thou mayest be wise in thy latter end.
J. Wisdom proceeds from the Christian’s heart to his speech (Proverbs 16:23).
The heart of the wise teacheth his mouth, and addeth learning to his lips.
K. Wisdom can be forsaken (Proverbs 4:13).
Take fast hold of instruction; let her not go: keep her; for she is thy life.
III. True wisdom does not exist apart from God.
A. Wisdom is not found in human existence (Job 28:12–13).
But where shall wisdom be found? and where is the place of understanding? Man knoweth not the
price thereof; neither is it found in the land of the living.
B. Wisdom of this world is foolishness to God (1 Corinthians 3:19).
For the wisdom of this world is foolishness with God. For it is written, He taketh the wise in their own
craftiness.
C. The natural man cannot discern God’s wisdom (1 Corinthians 2:14).
But the natural man receiveth not the things of the Spirit of God: for they are foolishness unto him:
neither can he know them, because they are spiritually discerned.
D. God’s plan of salvation is foolish in the eyes of man (1 Corinthians 1:18).
For the preaching of the cross is to them that perish foolishness; but unto us which are saved it is the
power of God.
W. Wisdom promotes health and long life (Proverbs 4:20–22; Proverbs 9:10–11).
My son, attend to my words; incline thine ear unto my sayings. Let them not depart from thine eyes;
keep them in the midst of thine heart. For they are life unto those that find them, and health to all
their flesh.
The fear of the LORD is the beginning of wisdom: and the knowledge of the holy is understanding. For
by me thy days shall be multiplied, and the years of thy life shall be increased.
X. Wisdom gains favor (Proverbs 13:14–15).
The law of the wise is a fountain of life, to depart from the snares of death. Good understanding
giveth favour: but the way of transgressors is hard.
Y. Wisdom establishes and furnishes the Christian home (Proverbs 24:3–4).
Through wisdom is an house builded; and by understanding it is established: And by knowledge shall
the chambers be filled with all precious and pleasant riches.
Z. Wisdom values eternity (Psalm 90:12).
So teach us to number our days, that we may apply our hearts unto wisdom.
2021–2022: Soul-Winning
I. The worth of a soul
A. A soul is worth more than the entire world (Matthew 16:26).
For what is a man profited, if he shall gain the whole world, and lose his own soul? or what shall a
man give in exchange for his soul?
B. A soul is worth God’s long-suffering (2 Peter 3:9).
The Lord is not slack concerning his promise, as some men count slackness; but is longsuffering to
us-ward, not willing that any should perish, but that all should come to repentance.
C. A soul is worth God’s love (1 John 4:10).
Herein is love, not that we loved God, but that he loved us, and sent his Son to be the propitiation for
our sins.
D. A soul is worth Christ’s sacrificial death (1 Peter 2:24).
Who his own self bare our sins in his own body on the tree, that we, being dead to sins, should live
unto righteousness: by whose stripes ye were healed.
E. A soul is worth Christ’s humility (Philippians 2:5–8).
Let this mind be in you, which was also in Christ Jesus: Who, being in the form of God, thought it not
robbery to be equal with God: But made himself of no reputation, and took upon him the form of a
servant, and was made in the likeness of men: And being found in fashion as a man, he humbled
himself, and became obedient unto death, even the death of the cross.
II. Separation of the soul from God by sin
A. Man’s nature is sinful (Romans 5:12–14).
Wherefore, as by one man sin entered into the world, and death by sin; and so death passed upon all
men, for that all have sinned: (For until the law sin was in the world: but sin is not imputed when
there is no law. Nevertheless death reigned from Adam to Moses, even over them that had not
sinned after the similitude of Adam’s transgression, who is the figure of him that was to come.
B. All mankind has committed sinful acts (Romans 3:23).
For all have sinned, and come short of the glory of God;
C. Sin separates man from God (Isaiah 59:2).
But your iniquities have separated between you and your God, and your sins have hid his face from
you, that he will not hear.
D. Separation from God is darkness (1 Peter 2:9).
But ye are a chosen generation, a royal priesthood, an holy nation, a peculiar people; that ye should
shew forth the praises of him who hath called you out of darkness into his marvellous light:
E. Separation from God is spiritual death (John 5:24).
Verily, verily, I say unto you, He that heareth my word, and believeth on him that sent me, hath
everlasting life, and shall not come into condemnation; but is passed from death unto life.
III. Physical and spiritual death for the unbelievers
A. Physical death is not the end of man’s existence (John 5:28–29).
Marvel not at this: for the hour is coming, in the which all that are in the graves shall hear his voice,
And shall come forth; they that have done good, unto the resurrection of life; and they that have
done evil, unto the resurrection of damnation.
B. Judgment for sins occurs after physical death (Hebrews 9:27).
And as it is appointed unto men once to die, but after this the judgment:
f. God has removed our sins from us (Psalm 103:12; John 1:29).
As far as the east is from the west, so far hath he removed our transgressions from us.
The next day John seeth Jesus coming unto him, and saith, Behold the Lamb of God, which
taketh away the sin of the world.
g. God will never remember our sins (Hebrews 10:17).
And their sins and iniquities will I remember no more.
h. Condemnation for our sins is no longer possible (Romans 8:1).
There is therefore now no condemnation to them which are in Christ Jesus, who walk not
after the flesh, but after the Spirit.
2. Christ’s resurrection proved that He is God, with power over death (John 11:25).
Jesus said unto her, I am the resurrection, and the life: he that believeth in me, though he were
dead, yet shall he live:
a. Christ’s resurrection was necessary for proof of forgiveness and justification
(Romans 4:24–25).
But for us also, to whom it shall be imputed, if we believe on him that raised up Jesus our
Lord from the dead; Who was delivered for our offences, and was raised again for our
justification.
b. Christ’s resurrection proves that the saved shall also rise (1 Corinthians 15:20, 23).
But now is Christ risen from the dead, and become the firstfruits of them that slept.
But every man in his own order: Christ the firstfruits; afterward they that are Christ’s at his
coming.
B. Conversion is a sinner’s turning from his sin toward God (Acts 3:19).
Repent ye therefore, and be converted, that your sins may be blotted out, when the times of
refreshing shall come from the presence of the Lord;
1. A sinner must repent of his sins (Luke 5:32).
I came not to call the righteous, but sinners to repentance.
2. A sinner must have faith, or personal trust, in Christ’s finished work on the cross (John 1:12;
Romans 10:9).
But as many as received him, to them gave he power to become the sons of God, even to them
that believe on his name:
That if thou shalt confess with thy mouth the Lord Jesus, and shalt believe in thine heart that God
hath raised him from the dead, thou shalt be saved.
3. While the sinner must exercise repentance and faith by his own will, it is God who leads him to
both (Romans 2:4; Ephesians 2:8).
Or despisest thou the riches of his goodness and forbearance and longsuffering; not knowing
that the goodness of God leadeth thee to repentance?
For by grace are ye saved through faith; and that not of yourselves: it is the gift of God:
C. Regeneration is being “born again” at conversion, and it is accomplished by God (Titus 3:5).
Not by works of righteousness which we have done, but according to his mercy he saved us, by the
washing of regeneration, and renewing of the Holy Ghost;
D. Salvation is a gift imparted at conversion (Romans 10:10, 13).
For with the heart man believeth unto righteousness; and with the mouth confession is made unto
salvation.
For whosoever shall call upon the name of the Lord shall be saved.
1. We are saved from the bondage which makes us continue to sin (1 John 3:9).
Whosoever is born of God doth not commit sin; for his seed remaineth in him: and he cannot sin,
because he is born of God.
2. We are saved from sin’s penalty and are given eternal life (John 3:36).
He that believeth on the Son hath everlasting life: and he that believeth not the Son shall not see
life; but the wrath of God abideth on him.
3. The completion of our salvation will be the sinless glorification of our bodies
(Philippians 3:20–21).
For our conversation is in heaven; from whence also we look for the Saviour, the Lord Jesus
Christ: Who shall change our vile body, that it may be fashioned like unto his glorious body,
according to the working whereby he is able even to subdue all things unto himself.
E. At salvation, we are sealed with the Holy Spirit as security and indwelt by Him until our final
redemption (Ephesians 1:13; 1 Corinthians 6:19).
In whom ye also trusted, after that ye heard the word of truth, the gospel of your salvation: in whom
also after that ye believed, ye were sealed with that holy Spirit of promise,
What? know ye not that your body is the temple of the Holy Ghost which is in you, which ye have of
God, and ye are not your own?
F. At salvation, we are sanctified or set apart in God’s eyes from the unsaved world (Hebrews 10:10).
By the which will we are sanctified through the offering of the body of Jesus Christ once for all.
G. At salvation, Christ’s intercession for us with the Father begins (Hebrews 7:25).
Wherefore he is able also to save them to the uttermost that come unto God by him, seeing he ever
liveth to make intercession for them.
2024–2025: Prayer
I. Prayer is verbal expression of our feelings and needs to God.
A. We pray directly to God (Psalm 5:2).
Hearken unto the voice of my cry, my King, and my God: for unto thee will I pray.
1. We are to pray with humility (Psalm 10:17).
LORD, thou hast heard the desire of the humble: thou wilt prepare their heart, thou wilt cause
thine ear to hear:
2. We are to pray in Jesus’ name (John 16:23).
And in that day ye shall ask me nothing. Verily, verily, I say unto you, Whatsoever ye shall ask the
Father in my name, he will give it you.
3. We are to pray in the Holy Spirit (Jude 20–21).
But ye, beloved, building up yourselves on your most holy faith, praying in the Holy Ghost, Keep
yourselves in the love of God, looking for the mercy of our Lord Jesus Christ unto eternal life.
4. We are to pray truthfully (Psalm 145:18).
The LORD is nigh unto all them that call upon him, to all that call upon him in truth.
5. We are to pray boldly (Hebrews 10:19–22).
Having therefore, brethren, boldness to enter into the holiest by the blood of Jesus, By a new
and living way, which he hath consecrated for us, through the veil, that is to say, his flesh; And
having an high priest over the house of God; Let us draw near with a true heart in full assurance
of faith, having our hearts sprinkled from an evil conscience, and our bodies washed with pure
water.
6. We are to pray confidently (1 John 5:14).
And this is the confidence that we have in him, that, if we ask any thing according to his will, he
heareth us:
7. We are to pray about matters persistently, importunately, without shame (Luke 11:8–10).
I say unto you, Though he will not rise and give him, because he is his friend, yet because of his
importunity he will rise and give him as many as he needeth. And I say unto you, Ask, and it shall
be given you; seek, and ye shall find; knock, and it shall be opened unto you. For every one that
asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.
B. We are to pray from the heart, expressing our feelings and thoughts (Psalm 62:8).
Trust in him at all times; ye people, pour out your heart before him: God is a refuge for us. Selah.
1. Prayer may be audible (Psalm 77:1).
I cried unto God with my voice, even unto God with my voice; and he gave ear unto me.
2. Prayer may be silent because God knows the heart and its thoughts (1 Chronicles 28:9).
And thou, Solomon my son, know thou the God of thy father, and serve him with a perfect heart
and with a willing mind: for the LORD searcheth all hearts, and understandeth all the
imaginations of the thoughts: if thou seek him, he will be found of thee; but if thou forsake him,
he will cast thee off for ever.
C. We are to pray concerning everything (Philippians 4:6).
Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your
requests be made known unto God.
B. The prayer for salvation from anyone will be heard by God (Romans 10:9–10, 13).
That if thou shalt confess with thy mouth the Lord Jesus, and shalt believe in thine heart that God
hath raised him from the dead, thou shalt be saved. For with the heart man believeth unto
righteousness; and with the mouth confession is made unto salvation.
For whosoever shall call upon the name of the Lord shall be saved.
C. All believers share the privilege of prayer. (Matthew 6:6; 1 Timothy 2:8).
But thou, when thou prayest, enter into thy closet, and when thou hast shut thy door, pray to thy
Father which is in secret; and thy Father which seeth in secret shall reward thee openly.
I will therefore that men pray every where, lifting up holy hands, without wrath and doubting.
D. The Bible teaches that Christ continues to intercede for believers (Hebrews 7:25).
Wherefore he is able also to save them to the uttermost that come unto God by him, seeing he ever
liveth to make intercession for them.
E. The Bible teaches that the Holy Spirit also intercedes for us (Romans 8:26).
Likewise the Spirit also helpeth our infirmities: for we know not what we should pray for as we ought:
but the Spirit itself maketh intercession for us with groanings which cannot be uttered.
III. It is wrong for the Christian to fail to pray.
A. Prayer is commanded (1 Thessalonians 5:17).
Pray without ceasing.
B. Prayer is pleasing to God (Psalm 141:2).
Let my prayer be set forth before thee as incense; and the lifting up of my hands as the evening
sacrifice.
C. We will not have if we do not ask (James 4:2).
Ye lust, and have not: ye kill, and desire to have, and cannot obtain: ye fight and war, yet ye have not,
because ye ask not.
IV. The Bible teaches us when to pray.
A. The believer’s heart is to remain in an attitude of continuing prayer and gratitude to God
(Romans 12:12; Ephesians 5:20).
Rejoicing in hope; patient in tribulation; continuing instant in prayer;
Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ;
1. We are to pray at all times (Luke 18:1).
And he spake a parable unto them to this end, that men ought always to pray, and not to faint;
2. We are to pray day and night (Psalm 88:1).
O LORD God of my salvation, I have cried day and night before thee:
B. We are to pray in thankfulness before eating, as exemplified by Christ (Mark 8:6; 1 Timothy 4:4–5).
And he commanded the people to sit down on the ground: and he took the seven loaves, and gave
thanks, and brake, and gave to his disciples to set before them; and they did set them before the
people.
For every creature of God is good, and nothing to be refused, if it be received with thanksgiving: For it
is sanctified by the word of God and prayer.
C. We are to pray in times of trouble (Psalm 86:6–7).
Give ear, O LORD, unto my prayer; and attend to the voice of my supplications. In the day of my
trouble I will call upon thee: for thou wilt answer me.
D. God will not answer prayer from an unforgiving heart (Mark 11:25–26).
And when ye stand praying, forgive, if ye have ought against any: that your Father also which is in
heaven may forgive you your trespasses. But if ye do not forgive, neither will your Father which is in
heaven forgive your trespasses.
E. God will not answer prayer made without regard to his will (Matthew 6:10).
Thy kingdom come. Thy will be done in earth, as it is in heaven.
F. God will not answer prayer from an unthankful heart (1 Thessalonians 5:18).
In every thing give thanks: for this is the will of God in Christ Jesus concerning you.
G. God will not answer prayer from a disobedient heart (1 John 3:20–22).
For if our heart condemn us, God is greater than our heart, and knoweth all things. Beloved, if our
heart condemn us not, then have we confidence toward God. And whatsoever we ask, we receive of
him, because we keep his commandments, and do those things that are pleasing in his sight.
H. God will not answer prayer from an ungiving heart (Luke 6:38).
Give, and it shall be given unto you; good measure, pressed down, and shaken together, and running
over, shall men give into your bosom. For with the same measure that ye mete withal it shall be
measured to you again.
I. God will not answer prayer from a heart which is not abiding in Him (John 15:7).
If ye abide in me, and my words abide in you, ye shall ask what ye will, and it shall be done unto you.
J. God will not answer prayer from the partners in an inharmonious marriage relationship
(1 Peter 3:1, 7).
Likewise, ye wives, be in subjection to your own husbands; that, if any obey not the word, they also
may without the word be won by the conversation of the wives;
Likewise, ye husbands, dwell with them according to knowledge, giving honour unto the wife, as unto
the weaker vessel, and as being heirs together of the grace of life; that your prayers be not hindered.
III. God has given promises concerning the physical welfare of His children.
A. God has promised longer life for obedience to Him (Proverbs 3:1–2).
My son, forget not my law; but let thine heart keep my commandments: For length of days, and long
life, and peace, shall they add to thee.
B. God has promised longer life for honoring parents (Ephesians 6:2–3).
Honour thy father and mother; which is the first commandment with promise; That it may be well
with thee, and thou mayest live long on the earth.
C. God has promised peace and comfort in fear (John 14:27; Philippians 4:7).
Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not
your heart be troubled, neither let it be afraid.
And the peace of God, which passeth all understanding, shall keep your hearts and minds through
Christ Jesus.
D. God has promised help in illness (Psalm 41:3).
The LORD will strengthen him upon the bed of languishing: thou wilt make all his bed in his sickness.
E. God has promised the rest of sweet sleep (Proverbs 3:24).
When thou liest down, thou shalt not be afraid: yea, thou shalt lie down, and thy sleep shall be sweet.
F. God has promised both afflictions and delivery in those afflictions (1 Thessalonians 3:3; Psalm 50:15).
That no man should be moved by these afflictions: for yourselves know that we are appointed
thereunto.
And call upon me in the day of trouble: I will deliver thee, and thou shalt glorify me.
G. God has promised to dry our tears (Revelation 7:17).
For the Lamb which is in the midst of the throne shall feed them, and shall lead them unto living
fountains of waters: and God shall wipe away all tears from their eyes.
H. God has promised renewal of strength (Isaiah 40:31).
But they that wait upon the LORD shall renew their strength; they shall mount up with wings as
eagles; they shall run, and not be weary; and they shall walk, and not faint.
I. God has promised that nothing shall happen by chance (Proverbs 16:33).
The lot is cast into the lap; but the whole disposing thereof is of the LORD.
J. God has promised children as His heritage (Psalm 127:3).
Lo, children are an heritage of the LORD: and the fruit of the womb is his reward.
K. God has promised a blessed home life (Proverbs 3:33).
The curse of the LORD is in the house of the wicked: but he blesseth the habitation of the just.
L. God has promised preservation of orphans and widows (Jeremiah 49:11).
Leave thy fatherless children, I will preserve them alive; and let thy widows trust in me.
M. God has promised blessings upon the children of godly parents (Psalm 112:1–2; Proverbs 20:7).
Praise ye the LORD. Blessed is the man that feareth the LORD, that delighteth greatly in his
commandments. His seed shall be mighty upon earth: the generation of the upright shall be blessed.
The just man walketh in his integrity: his children are blessed after him.
N. God has promised our basic needs of food, drink, and clothing (Matthew 6:31–32).
Therefore take no thought, saying, What shall we eat? or, What shall we drink? or, Wherewithal shall
we be clothed? (For after all these things do the Gentiles seek:) for your heavenly Father knoweth
that ye have need of all these things.
O. God has promised to meet our every need (Philippians 4:19; Matthew 6:33).
But my God shall supply all your need according to his riches in glory by Christ Jesus.
But seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto
you.
IV. God has given spiritual promises to those who are saved.
A. God has promised abundant life (John 10:10).
The thief cometh not, but for to steal, and to kill, and to destroy: I am come that they might have life,
and that they might have it more abundantly.
B. God has promised eternal life (1 John 2:25).
And this is the promise that he hath promised us, even eternal life.
C. God has promised the indwelling Holy Spirit as the earnest or pledge of His salvation
(2 Corinthians 1:22).
Who hath also sealed us, and given the earnest of the Spirit in our hearts.
D. God has promised His eternal presence (Hebrews 13:5).
Let your conversation be without covetousness; and be content with such things as ye have: for he
hath said, I will never leave thee, nor forsake thee.
E. God has promised that He is slow to anger and merciful (Psalm 103:8).
The LORD is merciful and gracious, slow to anger, and plenteous in mercy.
F. God has promised to forget only one thing: our sins (Hebrews 10:17).
And their sins and iniquities will I remember no more.
G. God has promised salvation from His wrath (Romans 5:9).
Much more then, being now justified by his blood, we shall be saved from wrath through him.
H. God has promised us sonship (Galatians 4:6–7; John 1:12).
And because ye are sons, God hath sent forth the Spirit of his Son into your hearts, crying, Abba,
Father. Wherefore thou art no more a servant, but a son; and if a son, then an heir of God through
Christ.
But as many as received him, to them gave he power to become the sons of God, even to them that
believe on his name:
I. God has promised that we will be His heirs (Galatians 3:29).
And if ye be Christ’s, then are ye Abraham’s seed, and heirs according to the promise.
J. God has promised the advocacy of Jesus Christ (1 John 2:1).
My little children, these things write I unto you, that ye sin not. And if any man sin, we have an
advocate with the Father, Jesus Christ the righteous:
K. God has promised that He will never change (James 1:17).
Every good gift and every perfect gift is from above, and cometh down from the Father of lights, with
whom is no variableness, neither shadow of turning.
L. God has promised to hear and answer our prayers (1 John 5:14–15).
And this is the confidence that we have in him, that, if we ask any thing according to his will, he
heareth us: And if we know that he hear us, whatsoever we ask, we know that we have the petitions
that we desired of him.
M. God has promised us victory over spiritual foes (Romans 8:37).
Nay, in all these things we are more than conquerors through him that loved us.
N. God has promised us angelic protection and care (Psalm 34:7; Hebrews 1:14).
The angel of the LORD encampeth round about them that fear him, and delivereth them.
Are they not all ministering spirits, sent forth to minister for them who shall be heirs of salvation?
O. God has promised that nothing can separate us from His love (Romans 8:38–39).
For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things
present, nor things to come, Nor height, nor depth, nor any other creature, shall be able to separate
us from the love of God, which is in Christ Jesus our Lord.
P. God has promised His enabling to do His calling (1 Thessalonians 5:24).
Faithful is he that calleth you, who also will do it.
Q. God has promised rewards for our work (Revelation 22:12).
And, behold, I come quickly; and my reward is with me, to give every man according as his work shall
be.
R. God has promised that we shall bear life’s burdens with His help (Galatians 6:5; Psalm 55:22).
For every man shall bear his own burden.
Cast thy burden upon the LORD, and he shall sustain thee: he shall never suffer the righteous to be
moved.
S. God has promised us chastisement for disobedience for our profit (Hebrews 12:6, 11).
For whom the Lord loveth he chasteneth, and scourgeth every son whom he receiveth.
Now no chastening for the present seemeth to be joyous, but grievous: nevertheless afterward it
yieldeth the peaceable fruit of righteousness unto them which are exercised thereby.
T. God has promised never to test us beyond our endurance (1 Corinthians 10:13).
There hath no temptation taken you but such as is common to man: but God is faithful, who will not
suffer you to be tempted above that ye are able; but will with the temptation also make a way to
escape, that ye may be able to bear it.
U. God has promised a spiritual harvest after labor (Galatians 6:9).
And let us not be weary in well doing: for in due season we shall reap, if we faint not.
V. God has promised that He cares for us (1 Peter 5:7).
Casting all your care upon him; for he careth for you.
W. God has promised us courage (2 Timothy 1:7).
For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.
X. God has promised wisdom if we ask (James 1:5).
If any of you lack wisdom, let him ask of God, that giveth to all men liberally, and upbraideth not; and
it shall be given him.
Y. God has promised victory over death (1 Corinthians 15:54–57).
So when this corruptible shall have put on incorruption, and this mortal shall have put on
immortality, then shall be brought to pass the saying that is written, Death is swallowed up in victory.
O death, where is thy sting? O grave, where is thy victory? The sting of death is sin; and the strength
of sin is the law. But thanks be to God, which giveth us the victory through our Lord Jesus Christ.
V. God has given promises concerning eternity to the Christian.
A. God has promised us an eternal home in heaven (1 Peter 1:3–4).
Blessed be the God and Father of our Lord Jesus Christ, which according to his abundant mercy hath
begotten us again unto a lively hope by the resurrection of Jesus Christ from the dead, To an
inheritance incorruptible, and undefiled, and that fadeth not away, reserved in heaven for you,
B. God has promised that Christ will return for His own (John 14:3).
And if I go and prepare a place for you, I will come again, and receive you unto myself; that where I
am, there ye may be also.
C. God has promised to those who die before Christ’s return that the soul will have immediate entrance
into heaven after death (2 Corinthians 5:8).
We are confident, I say, and willing rather to be absent from the body, and to be present with the
Lord.
D. God has promised that, at Christ’s return for His own, the dead in Christ will be bodily resurrected
(1 Thessalonians 4:16–17).
For the Lord himself shall descend from heaven with a shout, with the voice of the archangel, and
with the trump of God: and the dead in Christ shall rise first: Then we which are alive and remain shall
be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be
with the Lord.
E. God has promised that, whether still living or resurrected, we all shall be changed to immortal beings
(1 Corinthians 15:51–52).
Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed, In a moment, in the
twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised
incorruptible, and we shall be changed.
F. God has promised that we shall be like Christ (1 John 3:2).
Beloved, now are we the sons of God, and it doth not yet appear what we shall be: but we know that,
when he shall appear, we shall be like him; for we shall see him as he is.
G. God has promised that we must appear before the Judgment Seat for reward or loss for our earthly
works (1 Corinthians 3:13–15).
Every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by
fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath
built thereupon, he shall receive a reward. If any man’s work shall be burned, he shall suffer loss: but
he himself shall be saved; yet so as by fire.
H. God has promised that heaven will be sinless (Revelation 21:27).
And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh
abomination, or maketh a lie: but they which are written in the Lamb’s book of life.
I. God has promised that there shall be no night in heaven (Revelation 22:5).
And there shall be no night there; and they need no candle, neither light of the sun; for the Lord God
giveth them light: and they shall reign for ever and ever.
J. God has promised that there will be neither pain nor sorrow in heaven (Revelation 21:4).
And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow,
nor crying, neither shall there be any more pain: for the former things are passed away.
K. God has promised to dwell with His people for eternity (Revelation 21:3).
And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will
dwell with them, and they shall be his people, and God himself shall be with them, and be their God.
Appendix: Debate
Time Limits
1st Aff. Constructive speech 8 minutes
1st Aff. is questioned by Neg. speaker 3 minutes
Procedure
Debate Procedure: Each speaker shall have eight minutes for constructive argument, alternating affirmative to
negative. Following each constructive speech, one opponent shall cross-examine the speaker for three
minutes. The questioner shall control the use of the time and may interrupt the respondent, but may not
comment on the answers or make any statement of his/her own views. Each debater shall question one
opponent. Following the four constructive speeches and questioning, each speaker shall have five minutes for
rebuttal, alternating negative to affirmative.
Tournament Procedure: Each team will participate in preliminary rounds. The four teams with the best
records (wins) in the preliminary rounds will be named as semifinalists. If there is a tie between two or more
teams in the number of wins, the team(s) with the highest total of speaker points will be named as a
semifinalist. Three judge panels will judge every round.
Timing
At the expiration of time, the timekeeper shall stand and remain standing for the judges to note the overtime,
but that shall not disqualify the debater.
Cross-Examination
Cross-examination is more than the art of debate. All the essential elements of good debate are necessary: A
strong case, good adaptation to the audience, adequate evidence, and skillful delivery. Good cross-
examination demands, in addition, a quick wit and facile tongue.
General
1. Purpose of Cross-Examination: To clarify an obscure point in an opponent’s case, to expose factual error
or unsupported assertion, or to obtain damaging admissions are the purposes of cross-examination. It
should not be used (as it is in law) to attack the witness’ personal integrity.
2. Attitudes of Questioner and Witness: Both should appear to be reasonable, cooperative, and eager to
please. Either one should be marked down for unpalatable sarcasm, obvious stalling, or appearing to
browbeat his opponent.
3. Relation to Case: The virtue of a cross-examination decreases unless the results are tied to later speeches.
The cross-examination should be an integral part of the debate, not a sideshow.
4. Delivery: Both speakers must talk to the audience. Cross-examination takes the form of an exchange
between two debaters, but basically, it is for the benefit of the listeners. In public debates it is vital that
both speakers face the audience while questioning or responding.
The Questioner
1. Controls the time, and may interrupt the witness to request shorter or more direct answers, or to indicate
that the answer he has given is insufficient.
2. Must ask fair and relevant questions. He should neither comment on the answers, argue with the witness,
nor make speeches. He should use his time for questioning alone, not for either constructive argument or
summary. In fact, a conclusion is all the more effective if the audience reaches it without the questioner’s
help.
3. Should have considerable scope in the questions he asks. Since the time is his, he may waste time if he
wants to. The witness should answer even if the significance or relevance of the question is not
immediately apparent to him.
4. Should begin with common ground on which agreement may be expected, and proceed to areas in which
disagreement develops or the witness makes significant admissions. The questioner may well begin with
the questions which reveal his purpose: “Do you maintain that the Nationalist Chinese Army stands as a
bulwark against Communism in Asia?” “Yes.” “And do you further maintain that recognition of Red China
would weaken or destroy this bulwark?” “Yes.” Agreement on such questions is almost certain, and the
questioner clearly indicates the direction of his inquiry.
5. Should develop his attack along the lines of his basic case. He should limit the number of objectives he
tries to reach. A series of at least five questions, probing a single issue of the debate thoroughly and
following up the leads which the witness’ answers provide, is preferable to a miscellaneous assortment of
questions lacking interrelation and adaptation to the witness’ answers.
6. May not insist on a simple “yes” or “no” answer unless his question is simple, direct, and factual.
Questions about why something is true are necessarily complicated and the questioner cannot expect the
witness to answer them briefly. Factual questions are best, and the questioner can ask them in enough
different ways to lend variety to the cross-examination.
7. Should phrase questions with the verb first, then the subject, and finally the object or modifying phrase:
e.g. “Do you admit that Joseph R. McCarthy is the junior senator from Wisconsin?” He should avoid
negative questions or any phrasing with “not”: “Do you not know that there have been thirty-seven
violations of the Korean truce by the Red Chinese?” The answer to this can only be confusing.
8. May remind the audience and the witness of relevant fact by beginning the question: “Are you aware
that . . .” or “Are you familiar with . . .” However, the questioner’s motive in putting such questions should
be to put the witness on record concerning the statement involved, and not to present materials of his
own.
9. Should summarize a series of questions on an issue by repeating an opening question: “Do you still
consider, in light of these facts, that the Chinese Nationalist Army stands as a bulwark against Communism
in Asia?” This calls for a “yes” or “no” answer, clearly indicates the questioner has concluded that
particular approach, and allows the members of the audience to draw their own conclusions.
The Witness
1. Must answer directly and briefly any legitimate question. He should not question the questioner (except in
using a rhetorical question as an answer), nor should he engage in stalling tactics.
2. May refuse to answer a tricky or unfair question—“When did you stop beating your wife?”—if he states a
good reason for doing so.
3. May ask questions to clarify a question, possibly giving his reasons for considering the question obscure, or
may ask the questioner to stop making speeches and to continue his questioning.
4. May clarify a question, if to do so is appropriate. He should state the qualification before his answer. “Do
you believe in the desirability of democratic elections?” “For people educated in the tradition and practice
of democracy, yes.”
5. Can exercise some control over the question period by controlling the timing of his answers. If he feels that
the questioner is dragging out the question period, he can answer rapidly, exposing the questioner’s
ineptitude.
6. Should not be afraid to admit ignorance if the question demands knowledge of an obscure fact.
7. Must answer without consulting his colleague or receiving help from him.
Judging Guidelines
1. A decision is not to be based upon:
a. The merits of the question. The judge should not be influenced by prejudices in favor of or against the
proposition.
b. Partiality. The judge should not be influenced by the reputation of or show partially for or against
either of the competing teams, their schools, or coaches.
c. Preconceived notions on arguments. The judge should not allow his idea of what the best affirmative
or negative arguments or cases may be to influence his decision.
d. Personal preferences on debating style. A judge should not penalize a team if its style differs, either in
case construction or delivery, from that which he personally prefers; but the judge should evaluate all
styles on the basis of effectiveness in winning the conviction.
2. A decision should be based upon:
a. Skill in analysis. This includes not only the analysis of the proposition, but also analysis of the debate as
it progresses.
b. Use of evidence. This includes the use of sufficient evidence and proper reference to its source.
c. Validity of argument. This includes reasoning and conclusions drawn from the evidence presented.
d. Clarity of organization. This includes clear outlining of constructive arguments and easily followed
handling of refutation.
e. Effectiveness of delivery. This includes all matters pertaining to oral presentation with special emphasis
upon extempore abilities.
2. A team should be penalized for:
a. An unfair interpretation. If the interpretation is disputed by the negative, it shall rest with the judge
whether or not the affirmative is supporting a tenable position.
b. Discourtesy toward opponents. Discourtesy should be penalized according to the seriousness of the
offense.
c. Falsification of evidence. If a team falsifies evidence in support of a point, it shall lose the point; and if
the falsification is obviously deliberate, the judge shall impose an additional penalty according to the
seriousness of the falsification.
d. Misconstruing an opponent’s arguments. A speaker who misconstrues an argument unintentionally
should not be penalized more than the time wasted. If it is intentional, the team should, in addition,
forfeit the argument.
e. Introducing new arguments into rebuttal. The judges shall disregard new arguments introduced in
rebuttal. This does not include the introduction of new evidence in support of points already advanced
or the answering of arguments introduced by opponents.
f. Speaking overtime. When a speaker’s time is up, the judge shall disregard anything beyond a closing
statement.
Additional Guidelines
1. Interpretation: Judges should regard no interpretation of the question as official, unless the National
Wording Committee issues an official interpretation and labels it as such.
2. Technicalities: The team shall debate the basic principles underlying the proposition. Too much emphasis
should not be placed upon a technicality.
3. Burden of proof: A debate team need not destroy all opposing argument. It need only show that the
preponderance of argument and evidence rests on its side.
4. Affirmative burden: An affirmative team need not destroy all negative argument. It need only show that
the preponderance of argument and evidence rests on its side. This holds true equally for the negative
team.
5. Questions: A team need answer questions only when they are shown to be pertinent and consequential to
the debate. During the questioning periods, the time belongs to the debater asking the questions. The
questions should be brief and the answers short and specific. The person answering the questions should
not be permitted to refute, but should be limited to simply answering the questions. The questioner
should not be permitted to comment on the answers.
6. Irrelevant arguments: Arguments as to whether the proposition is constitutional or whether it will be
adopted are irrelevant.
7. Direct clash: The negative team is primarily responsible for a direct clash, providing the affirmative team is
not evading the proposition. The affirmative team is responsible for a clash on arguments advanced by the
negative as evils in the proposition.
8. Delayed replies: An argument introduced in constructive cases should be replied to by the opponents in
time to give the team which advanced the argument an opportunity to reply.
9. Adaptation: A high premium should be placed upon adaptive extempore debating. This should not excuse
a team for lack of clarity in organization or for errors in the use of English.
10. Persuasion: A premium should be placed upon the ability of the debaters to utilize human interest and
accepted premises. Fallacies committed in an attempt to gain persuasive power should be treated the
same as other fallacies.
11. Fallacies: A judge should not discredit an argument as fallacious, unless the fallacy is exposed by the
opposition, except in the closing affirmative rebuttal, when the judge shall discredit it upon discovering the
fallacy.
12. Constructive solution: Credit should be given to the team which most nearly approximates a constructive
solution to the problems.
13. Point of order: The negative team shall not be denied the right to rise to a point of order after the closing
affirmative rebuttal. However, if they argue the point instead of stating the point, they shall be heavily
penalized on the point. In this contingency, final disposition of the matter shall rest entirely with the judge.
In general, this practice is to be discouraged.
Judging Forms
BIBLE
Bible Teaching
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor ______________________________________________
Judge’s Signature
©2020 American Association of Christian Schools 101
BIBLE
Bible Preaching
Time _______________ {Judges – Circle time if outside limits for category} Expository Evangelistic Topical (Check One)
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Explanation/Interpretation (appropriate,
accurate explanation of Scripture and
principles presented)
Point Scale
9–10…..Excellent, Superior Total (100 possible points) ___________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor ______________________________________________
Judge’s Signature
Time _______________ {Judges – Circle time if outside limits for category} Male Female (Check One)
POINTS POINTS
FACTORS EVALUATED COMMENTS #1 COMMENTS #2
(4–10) (4–10)
Presentation
1. Poise
2. Communication
3. Facial Expression
4. Posture
5. Memorization
Technique
1. Breath
2. Diction
3. Tone
4. Vitality
Musicianship
1. Phrasing
2. Contrast Mood
3. Contrast Dynamics
Accuracy
1. Text
2. Rhythm
3. Pitch
4. Style (if period piece)
Selection
1. Words/music complementary
2. Difficulty
3. Appropriate for the voice
4. Appropriate for the occasion
Point Scale
9–10…..Excellent, Superior Total (100 possible points) ___________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor ______________________________________________
Judge’s Signature
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Tone
1. Quality
2. Control
3. Intonation
4. Vibrato
Articulation
1. Attacks and Releases
2. Slurring
3. Note Accuracy
4. Rhythmic Accuracy
Interpretation
1. Tempo
2. Phrasing
3. Dynamics
4. Fluency
Musicianship (summary)
1. Correctness
2. Mood and Emotion
3. Artistry
Selection
1. Appropriateness
2. Difficulty
Presentation
1. Appearance
2. Poise
3. Stage Presence
Point Scale
9–10…..Excellent, Superior Total (60 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Intonation
Tone
1. Vibrato
2. Quality
Accuracy
1. Notes
2. Rhythm
Technique
1. Bowing
2. Left Hand
3. Posture
4. Articulation
Interpretation
1. Tempo
2. Phrasing
3. Dynamics
Selection
1. Appropriateness
2. Difficulty
Presentation
1. Appearance
2. Poise
3. Stage Presence
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
Snare Drum Solo Timpani Solo Mallet Percussion Multiple Percussion (Check One)
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Tone
1. Stick/Mallet Choice
2. Playing Area
3. Correct method and consistency of tone reproduction or
articulation
4. Head/Snare Tension
Accuracy
1. Correct Pitches
2. Correct Rhythms and Rests
3. Precision
4. Intonation (where applicable)
5. Correct Interpretation of Meter
6. Key Signature/Accidentals (where applicable)
Technique
1. Stick Control
2. Mechanics of hand/arm motion, grip/left hand, right hand
3. Attacks/Releases
4. Pedaling Execution (where applicable)
5. Rolls
6. Dampening
7. Posture
8. Instrument Height/Physical Set Up
9. Mastery of Rudiments—sticking patterns (where applicable)
Musicianship/Interpretation
1. Phrasing/Shaping of Musical Line
2. Expressive Elements
3. Balance
4. Dynamics
5. Emotional Involvement
6. Fluency/Style
Tempo
1. Attention to metronome marking
2. Control and maintenance of basic pulse and subdivisions
Selection
1. Suitability of Literature
2. Difficulty
Presentation
1. Appearance
2. Poise
3. Stage Presence/General Conduct/Mannerisms
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
Time _______________ {Judges – Circle time if outside limits for category} Classical Sacred (Check One)
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Performance
1. Musical Effect
2. Poise
3. Difficulty and/or Choice of Selection
4. Memorization
Interpretation
1. Dynamics
2. Phrasing
3. Styling/Mood
4. Balance/Voicing
Musicianship
1. Feeling for Meter
2. Steadiness
3. Tempo
4. Expression/Feeling
5. Range of Dynamics
Accuracy
1. Note Accuracy
2. Rhythmic Accuracy
3. Continuity
4. Fluency
5. Dynamics/Tempo Indications
Technique
1. Coordination
2. Fingering
3. Tone Quality
4. Facility
5. Appropriate Touch/Pedaling
Point Scale
17–20…..Excellent, Superior Total (100 possible points) ______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor _________________________________________________
Judge’s Signature
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Technique
1. Blend
2. Balance
3. Ensemble
Rhythm
Diction
Interpretation
1. Performance
2. Styling
Part Accuracy
Stage Presence
Selection
1. Difficulty
2. Appropriateness
Point Scale
9–10…..Excellent, Superior Total (80 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4….…....Poor _________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Director _____________________________________
POINTS POINTS
FACTORS EVALUATED COMMENTS #1 COMMENTS #2
(4–10) (4–10)
Technique
1. Blend
2. Balance
3. Ensemble
Rhythm
Diction
Interpretation
1. Performance
2. Styling
Part Accuracy
Stage Presence
Selection
1. Difficulty
2. Appropriateness
Point Scale
9–10…..Excellent, Superior Subtotal (80 possible points each) ________ + ________
7–8…….Good, Above Average
5–6…….Fair, Average Total (160 possible points) ____________
4…….....Poor
________________________________________________
Judge’s Signature
Time ___________ {Judges – Circle time if outside limits for category} Instruments ____________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Tone
1. Quality
2. Control
3. Registration
4. Intonation
Articulation
1. Attacks and Releases
2. Note Accuracy
3. Rhythmic Accuracy
4. Slurring
Interpretation
1. Tempo
2. Phrasing
3. Dynamics
4. Fluency
5. Style
Ensemble
1. Blend
2. Balance
3. Togetherness
Musicianship
1. Correctness
2. Mood and Emotion
3. Artistry
Selection
1. Appropriateness
2. Difficulty
Presentation
1. Appearance
2. Poise
3. Stage Presence
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
School __________________________________________________________________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Techniques/Articulation
1. Stopped Sounds (pluck,
martellato, RT, etc.)
2. Non-stopped sounds (legato
ringing, LV, shake, etc.)
Accuracy
1. Note Accuracy
2. Rhythmic Accuracy
Musicianship
1. Tempo
2. Phrasing
3. Dynamics
4. Ensemble
Interpretation
1. Mood
2. Expression
Visual Presentation
1. Stage Presence
2. Uniformity of technical elements
Point Scale
9–10…..Excellent, Superior Total (50 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4….…....Poor _________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Director _____________________________________
POINTS POINTS
FACTORS EVALUATED COMMENTS #1 COMMENTS #2 (4–10) (4–10)
Tone
1. Quality
2. Control
3. Intonation
4. Bowings
5. Vibrato
Articulation
1. Attacks and Releases
2. Note Accuracy
3. Rhythmic Accuracy
4. Slurring
Interpretation
1. Tempo
2. Phrasing
3. Dynamics
4. Fluency
5. Style
Ensemble
1. Blend
2. Balance
3. Precision
Selection
1. Appropriateness
2. Difficulty
Presentation
1. Appearance
2. Poise
3. Stage Presence
Point Scale
9–10…..Excellent, Superior Subtotal (60 possible points each) _______ + ________
7–8…….Good, Above Average
5–6…….Fair, Average Total (120 possible points) _____________
4…….....Poor
________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Director _____________________________________
POINTS POINTS
FACTORS EVALUATED COMMENTS #1 COMMENTS #2
(4–10) (4–10)
Techniques/Articulation
1. Stopped Sounds (pluck,
martellato, RT, etc.)
2. Non-stopped sounds (legato
ringing, LV, shake, etc.)
Accuracy
1. Note Accuracy
2. Rhythmic Accuracy
Musicianship
1. Tempo
2. Phrasing
3. Dynamics
4. Ensemble
Interpretation
1. Mood
2. Expression
Visual Presentation
1. Stage Presence
2. Uniformity of technical
elements
Point Scale
9–10…..Excellent, Superior Subtotal (50 possible points each) ________ + ________
7–8…….Good, Above Average
5–6…….Fair, Average Total (100 possible points) ________________
4…….....Poor
________________________________________________
Judge’s Signature
Time _______________ {Judges – Circle time if outside limits for category} Classical Sacred (Check One)
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Technique
1. Position (hands, body, fingers)
2. Articulation (staccato, legato, etc.)
3. Accuracy
4. Facility
5. Tone quality and production
6. Accurate use of pedals
Interpretation
1. Correctness of style
2. Appropriate/Accurate tempo
3. Rhythm (even, steady)
4. Dynamics (accuracy)
5. Clarity of motives, phrases, form
Expression
1. Contrast in tempo/dynamics
2. Phrasing
3. Contrast in sections form
4. Balance between instruments
Performance
1. Stage Presence/Poise
2. Overall Effect
3. Ensemble
4. Difficulty of selection
5. Appropriateness of selection
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor _________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Memorization
1. Knowledge of Material
2. Hesitation or Confusion
3. Necessity for Prompting
Selection
1. Tasteful
2. Proper Identification of Author
3. Meets Category Requirements
4. Literary Value
Diction
1. Fluency/Articulation
2. Pronunciation
3. Enunciation
4. Voice Projection
5. General Pitch Level
6. Quality of Voice
Communication
1. Mental Rapport with Audience
2. Eye Contact
3. Ability to Hold Attention
Use of Body
1. Posture
2. Bodily Movement
3. Gestures
4. Facial Expressions
5. Stage Presence
6. Distracting Mannerisms
Interpretation
1. Style
2. Comprehension and Proper Emphasis
3. Creation of Mood
4. Phrasing
5. Contrast
6. Expression
7. Spiritual or Emotional Effect
Overall Effectiveness
1. Proficiency of Delivery
2. Personal Appearance
3. Poise
4. Organization of Thought
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Memorization
“The largely memorized oral presentation…”
(See AACS manual)
1. Knowledge of Material
2. Hesitation or Confusion
3. Necessity for Prompting
Selection
1. Originality
a. Positive Approach
b. Use of Imagination
c. Individualistic Approach
d. Human Interest Appeal
2. Content
a. Relates to Subject
b. Logical Development of Ideas
c. Clarity of Ideas
d. Tasteful
e. Meets Category
Diction
1. Fluency/Articulation 4. Voice Projection
2. Pronunciation 5. General Pitch
Level
3. Enunciation 6. Quality of Voice
Communication
1. Mental Rapport with Audience
2. Eye Contact
3. Ability to Hold Attention
Use of Body
1. Posture 4. Facial Expressions
2. Bodily Movement 5. Stage Presence
3. Gestures 6. Distracting
Mannerisms
Interpretation
1. Style 5. Expressiveness
2. Proper Emphasis 6. Creation of Mood
3. Phrasing 7. Sincerity of Tone
4. Contrast
Overall Effectiveness
1. Proficiency of Delivery
2. Personal Appearance
3. Poise
4. Organization of Thought
Point Scale
9–10…..Excellent, Superior Total (70 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Introduction
Organizational Structure
1. Clear
2. Orderly
Pacing
1. Phrasing
2. Pausing
3. Inflection
Language
Bodily Action
1. Poise
2. Gesture
3. Eye Contact
4. Posture
Vocal Delivery
1. Variety
2. Quality
3. Diction
Conclusion
Point Scale
9–10…..Excellent, Superior Total (100 possible points) ______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
School __________________________________________________________________________________________________
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Interpretation
1. Grasp of the Line Meaning
2. Comprehension
Characterization
1. Action–Reaction
2. Interplay
3. Believability
Poise
Bodily Control Action
Blocking
1. Motivated, Balanced Movement
2. Energy
Diction
Clarity
Timing
Tempo/Build to Climax
Memorization
Selection
1. Literary Value
2. Tasteful
3. Appropriate
4. Judicious Editing
5. Difficulty
Piece and performance adhere to
rules as stated in manual
(specifically one character per
person limit with narration)
Point Scale
9–10…..Excellent, Superior Total (100 possible points) ______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
School __________________________________________________________________________________________________
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Staging
1. Interesting Composition
2. Composition Clarifies the Literature
Movement
1. Posture 4. Facial Expressions
2. Purpose 5. Stage Presence
3. Gestures 6. Distracting Mannerisms
Originality of Arrangement
1. Creative Visualization of Setting using
allowed objects and actors
2. Effective use of group speaking and group
movement (if utilized)
Characterization
1. Voices
2. Movement
3. Facial Expression
4. Intensity
Quality of Selection
1. Literary Value
2. Tasteful
3. Appropriate for the Occasion
4. Judicious Editing
5. Difficulty
Performance
1. Diction
2. Eye Contact
3. Distracting Elements
4. Word Color
5. Attacks and Releases
Memorization
1. Recall
2. Hesitation or Confusion
3. Need for Prompting
Overall Effectiveness
1. Delivery
2. Poise
3. Organization of Thought
4. Group Appearance
Point Scale
9–10…..Excellent, Superior Total (90 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4…….....Poor _________________________________________________
Judge’s Signature
School __________________________________________________________________________________________________
Time ____________ {Judges – Circle time if outside limits for category} Title _________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(4–10)
Use of Voices
1. Pitch
2. Pace
3. Word Color
4. Attacks and Releases
5. Vocal Variety
Diction
1. Fluency 4. Enunciation
2. Articulation 5. Voice Projection
3. Pronunciation 6. Vocal Quality
Movement
1. Posture 4. Facial Expressions
2. Purpose 5. Stage Presence
3. Gestures 6. Distracting Mannerisms
Communication
1. Mental Rapport with Audience
2. Eye Contact
3. Mental and Emotional Grasp of Material
Interpretation
1. Style
2. Expression
3. Mood
4. Contrast
5. Spiritual or Emotional Effect
Quality of Selection
1. Literary Value
2. Tasteful
3. Appropriate for the Occasion
4. Judicious Editing
5. Difficulty
Memorization
1. Recall
2. Hesitation or Confusion
3. Need for Prompting
Overall Effectiveness
1. Delivery
2. Poise
3. Organization of Thought
4. Group Appearance
Point Scale
9–10…..Excellent, Superior Total (90 possible points) _______________
7–8…….Good, Above Average
5–6…….Fair, Average
4….…....Poor _________________________________________________
Judge’s Signature
Check the column on each item which best describes your evaluation of the speaker’s effectiveness (5 = superior).
COMMENTS: COMMENTS:
First Affirmative...Rank __________________ First Negative...Rank ____________
______________________________________________________________________________________________________
_____________________________________________
Judge’s Signature
1. How or why did you choose your subject? Where did you get the idea? List any website used as source material.
2. The following question applies to all categories except photography categories and digital media.
Did you use a photograph as a reference or source?
Yes – personal photograph (taken by the artist) *If you marked yes, you must attach a copy of the photograph to this
Artist’s Idea Statement.
Yes – non-personal photograph (taken by someone else) *If you marked yes, you must attach a copy of the photograph
along with written permission from the owner of the photograph (see Art General Rule 4.a.) to this Artist’s Idea
Statement.
No
3. Explain the process you used in making your entry. How was your idea developed? Be specific! If printmaking, what type of ink
did you use (water-based, oil, etc.); what matrix did you use (wood, linoleum, etc.)?
4. How long did it take to do this artwork? On what date was it completed?
5. What help did you receive from other people (friends, parents, teachers):
a. In planning the piece?
STATEMENT OF ORIGINALITY
I certify that this project is my own original and authentic work and that I received no help in completing this
project other than general instruction and supervision.
_________________________________________________ __________________________________________________
Student’s Signature Date
This idea statement must be signed and must be attached to one of the three judging forms accompanying the artwork. Three
points will be deducted if it is missing or incomplete. Use the back of this sheet if you need more space. Type if possible!
2. How or why did you choose your subject? Where did you get the idea?
5. What help did you receive from other people (friends, parents, teachers):
a. In planning the piece?
STATEMENT OF ORIGINALITY
I certify that this project is my own original and authentic work and that I received no help in completing this
project other than general instruction and supervision.
_________________________________________________ __________________________________________________
Student’s Signature Date
This idea statement must be signed and must be attached to one of the three judging forms accompanying the artwork. Three
points will be deducted if it is missing or incomplete. Use the back of this sheet if you need more space. Type if possible!
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Technique
1. Is the medium used appropriate?
2. Is skillfulness displayed?
3. Is there consistency?
Originality
1. Does this work possess creativity?
2. Does this work possess individuality?
3. Does this work show imagination?
Composition
1. Is there harmony of composition?
2. Is there visual balance?
3. Is there form and color coordination?
Communication
1. Does this work reflect both knowledge of and
experience with the subject?
2. Does this work portray or convey a message?
3. Does this work repeatedly stimulate or
satisfy?
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor ________________________________________________
Judge’s Signature
Title ______________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Technique
1. Was appropriate fabric chosen?
2. Is skillful construction displayed?
3. Is construction consistent?
Originality
1. Does this work possess creativity?
2. Does this work possess individuality?
3. Does this work show imagination?
Effectiveness
1. Is there harmony of composition?
2. Is there visual balance?
3. Is there form and color coordination?
4. Communication:
a. Does this work portray or convey a message?
b. Does this work repeatedly stimulate or satisfy?
Difficulty
1. Does the garment display knowledge and
experience with the construction techniques?
2. Does the garment display appropriate detail
work?
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor ________________________________________________
Judge’s Signature
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Originality
1. Does the composition show original design and good
planning?
2. Does the project display the personality/individuality of
the artist?
3. Does the method of idea development show student
involvement, good planning and skill? (Refer to Idea
Statement)
Technique
1. Is the general appearance pleasing and well-
proportioned?
2. Is skillfulness and knowledge of medium displayed?
3. Are the techniques/skills used appropriate for this
medium?
4. Does the artwork display form?
Details
1. Is the artwork printed on an appropriate surface?
2. Consider the use of perspective, compositional harmony
and visual balance.
3. Are art techniques such as shading and highlights used?
Appearance
1. Is the piece properly protected?
2. Is the piece free from smudges and fingerprints?
3. Are erasures neatly done? Without damage to paper?
4. Is the piece balanced?
5. Does the composition command attention?
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor ________________________________________________
Judge’s Signature
Title ______________________________________________
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Craftsmanship
1. Is the general appearance pleasing and well-
proportioned?
2. Is the piece assembled well? (Joints fit properly, legs set
level on floor, corners square, etc.)
Detailing
1. Is grain direction properly used to enhance appearance?
2. Are there design elements that add to the overall
aesthetics?
Finish
1. Is the piece properly sanded?
2. Is there any residual glue showing?
3. Is the stain and/or finish properly applied and enhancing
to the work?
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor ________________________________________________
Judge’s Signature
POINTS
FACTORS EVALUATED COMMENTS
(6–20)
Originality
1. Does the composition show original design, creativity,
imagination and good planning?
2. Does the photo show original thought, angle,
composition, etc.?
Content/Technique
1. Is the subject matter appealing?
2. Is the composition pleasing and well-balanced?
3. Is there a center of interest/focus?
4. Were special lighting, filters, special effects or other
techniques/tools used?
Details
1. Focus: Is the center of interest sharp? Is the
background muted, blurred or made not to distract?
2. Contrast: Is there a pleasing contrast of light and dark
areas?
3. Did the student have input in the development and
exposure of photo? (Refer to Idea Statement)
4. Do experimental techniques work well?
Appearance
1. Is the piece properly exposed?
2. Is there sufficient and appropriate lighting?
3. Is the photo enlarged to an appropriate size to enhance
the image justly?
4. Does this photo command attention?
5. Digital photos printed properly?
Point Scale
17–20…..Excellent, Superior Total (80 possible points) _______________
13–16…..Good, Above Average
9–12…....Fair, Average
6–8…......Poor ________________________________________________
Judge’s Signature
Title ______________________________________________
________________________________________________
Judge’s Signature
Title ______________________________________________
________________________________________________
Judge’s Signature
STATEMENT OF ORIGINALITY
I certify that this project is my own original and authentic Total (100 possible points) _____________
work and that I received no help in completing this
project other than general instruction and supervision.
______________________________________________ __________________________________________________
Student’s Signature Judge’s Signature