ReadingAdventuresMagazine G4
ReadingAdventuresMagazine G4
ReadingAdventuresMagazine G4
WONDERS
Mystery of the
MISSING TURTLE
1503619
1503619-LV 4
Welcome, Reader!
In this magazine you will discover that
creepy things can be cool—especially spiders,
frogs, turtles, and pythons. You’ll learn how
John Muir helped to create Yosemite National
Park and how kids like you help to protect their
own local habitats.
You’ll read poems and articles about
museums and nature, and explore even more
in lots of fun activities.
Your path to discovery begins when you
turn the page!
Lesson
26
The Girl Who Loved Spiders . . . . . . . . . . . . . . . . . . . . 4
by Karen Halvorsen Schreck
Web Wise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
by Margaret Hall
Poetry Place
The Spider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
by Jack Prelutsky
Spider Ropes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
by James Berry
Activity Central
Design a Web . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Story Scramble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Your Turn
Cool or Creepy? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Lesson L
27 2
The Frog in the Milk Pail . . . . . . . . . . . . . . . . . . . . . . . 20
Retold by M. C. Hall
Amphibian Alert! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
by Elliott Meiner
Poetry Place
Toad by the Road . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
by Joanne Ryder
The Poison-Dart Frogs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
by Douglas Florian
Activity Central
Match the Moral . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Word Relationships . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Your Turn
Save the Frogs!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Lesson L
28 3
Museums: Worlds of Wonder . . . . . . . . . . . . . . . . . . 34
by Jody Cosson
Making the Most from Trash . . . . . . . . . . . . . . . . . . 40
by H. G. Ellis
Poetry Place
Dinosaur Bone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
by Alice Schertle
Museum Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
by Rebecca Kai Dotlich
Activity Central
Come to the Museum!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Impossible? Not! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Your Turn
Express Yourself!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
29
Save Timber Woods! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
by Lillian Dietrich
Following Muir: A Persuasive Essay . . . . . . . . 56
by Delia Greve
Poetry Place
The Comb of Trees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
by Claudia Lewis
Enjoy the Earth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
from Yoruba, Africa
Activity Central
The Impact of Life’s Events. . . . . . . . . . . . . . . . . . . . . . . . . . 60
Say It with a Sign. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Your Turn
Try to See It My Way! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Lesson
30
Mystery at Reed’s Pond . . . . . . . . . . . . . . . . . . . . . . . . . 64
by Zoe Zolbrod
A Big Python Problem . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
by Trillio DeBernardi
Poetry Place
Naming the Turtle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
by Patricia Hubbell
Greater Flamingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
by Tony Johnston
Activity Central
You Be the Detective. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Choose Your Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Your Turn
Pets Need You! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
4
I find Mom in the kitchen, drink- I gulp. “No thanks.”
ing a glass of orange juice. Great. Venomous spiders and
“You’re awake, Luis? It’s the scorpions.
crack of dawn!” Mom shrugs. “Okay. So what
“Too hot.” are you up to?”
Mom laughs. “It’s summer. “TV?”
Aren’t those winter pajamas?” Mom frowns.
I don’t tell her that flannel is “There’s always the trampo-
better protection from spiders. line,” I mutter.
Over breakfast, Mom discusses Mom bought the trampoline
her plan for the day. It’s the same as the day after we arrived. It’s as big
yesterday’s: unpack and settle in. and bouncy as can be—something
“Oh!” Mom sits up straight in I always wanted that Billy had. I just
her chair. “I found a dead scorpion wish Billy were here now to teach
yesterday. It was in perfect shape— me how to do a flip.
not a leg missing. Fascinating,
really. I saved it in case
you wanted to see.”
5
Not even 8:30 in the morning, I collapse onto the trampoline
and I’m on the trampoline again. and scramble down. This I have to
Every jump takes me higher and see. As I enter her yard, where the
higher. grass is taller, I freeze.
In mid-air, I see her—two yards The ball in the girl’s hands is a
over—a girl about my age. I keep rolled-up sock. A camera dangles
jumping. The girl kneels before a from a strap around her neck. She
bush, in tall grass where all kinds of carefully settles the sock on the
biting and stinging things might be. grass. Then she raises the camera
She stays very still. and peers through it. I look where
Next jump, I see something in she’s looking, at a delicate shape
her hands . . . a pink ball? against the bush’s leaves, like lace
Jump higher! against green velvet.
The girl claps the ball. Poof! A The shape is a gigantic spider
white cloud explodes from between web, whitened by whatever the girl
her fingers. clapped from the sock.
Photographers sometimes
make spider webs more
visible by dusting them
with cornstarch.
6
Not all spiders make
their homes in webs.
Some dig burrows.
“Yikes!” I yell at the sight of right.” The girl glares. “It sure was
the web. pretty—until you came along. Who
The girl cries out, surprised, are you, anyway?”
and falls into the web. She springs “Luis. I just moved here.”
up, web clinging to her. “What’s “My name is Ashanti. Welcome
the big idea?” she shouts. to the neighborhood.” She still
“Um . . . I was warning you! sounds mad.
Guess you don’t know about brown I cross my arms over my chest.
recluse spiders?” “So you’re on a spider safari. Why?”
“Of course I do. I’ve been “This summer my goal is to
trying to find one. They’re shy, like photograph one hundred spiders.
most arachnids. I’ve found rarer I’ve always loved folktales about
breeds, even the burrowing wolf Anansi, a true spider-man. Spiders
spider. Still haven’t tracked down are cool.”
a brown recluse.” She points at the I don’t think before I say, “No,
bush. “That was a common orb they aren’t. Spiders are disgusting.”
weaver. I’ve been watching her At that, Ashanti stalks away.
for days, until she got her web just
7
That afternoon Mom drives Ashanti’s mom, hit it off. Mrs. Smith
me to a park. “Never mind the teaches at the university, too.
heat,” she says. “There’ll be boys Mr. Smith works for the alumni
your age.” office. Ashanti and I might be in the
There’s a decent playground, same fifth-grade class!
but a sign reads: BEWARE OF “Ashanti just found her first
SNAKES! Where there are snakes, colorful crab spider,” Mrs. Smith
there must be spiders. Ashanti says. “It’s the fiftieth spider she’s
would be in heaven. As for me . . . photographed for her collection.”
There are no boys my age. Mom and Mrs. Smith keep
Two little girls sweat it out on the talking. Ashanti photographs her
slide. Mom wilts on a bench. We spider. I trace circles in the dirt.
drive home. Then Mrs. Smith asks Mom and me
As we turn onto our street, we over for dinner. Mom agrees.
see Ashanti crouching by a flower Yippee.
pot in her front yard. A woman Ashanti rolls her eyes. She’s not
kneels beside her. exactly thrilled, either.
To my horror, Mom stops the car
and gets out. Mom and Mrs. Smith,
8
At six o’clock we’re standing Ashanti smiles a little.
on the Smiths’ front porch. Ashanti “Come on.”
opens the door, and soon we sit We go into the family room.
down to dinner. The Smiths and African artifacts cover three of the
Mom talk and laugh; Ashanti and I walls: masks, instruments, weav-
dig into our lasagna. Soon my plate ings, and paintings. A large bulletin
is empty; so is Ashanti’s. board hangs on the fourth wall.
She gives me a cautious look. About fifty photographs of spiders
“Want to see Anansi?” she asks are mounted there. I take a deep
quietly, so as not to interrupt the breath and go over to the board.
grownups. I’ve got to admit, some of the
I shrug. “I guess.” spiders look pretty cool.
9
Ashanti points at a painting and also could be tricky and greedy.
says, “That’s Anansi.” I move closer In one story, he tries to keep all
to see a powerful-looking spider, wisdom for himself.”
standing upright, flexing six of its Suddenly, Mrs. Smith calls from
eight legs. The spider has a man’s the kitchen, “Ashanti! Quick! You’ve
face . . . and eight eyes. got to see this!”
“Some legends say that Anansi Ashanti turns and runs from the
created the sun, stars, and moon. room with me at her heels.
Nice guy, huh?” Ashanti smiles. “He
10
Mr. and Mrs. Smith are peer- trap, Ashanti tells me that there’s
ing at a baseboard. Ashanti presses an interesting-looking web woven
close. through my trampoline’s net.
“Brown recluse!” Mrs. Smith “I spotted it today on one of my
whispers. safaris,” she says, grinning. “I want
Ashanti gasps in excitement. to photograph it.”
She grabs her camera and adjusts “Stop by tomorrow, if you
the settings. Mom holds me back, want,” I say.
although Mrs. Smith reassures her “It’ll be early in the morning.
that the spider won’t hurt you if That’s the best time.”
you don’t hurt the spider. Just don’t “I’ll probably be awake.”
brush up against it. “Just don’t be bouncing, OK?
“Ashanti knows what to do, You might wreck it.”
Mom,” I say. “I don’t want to do that,” I say. “I
Ashanti glances at me, sur- want to know which spiders live in
prised, and smiles. Then she my yard.”
adjusts the zoom on her camera and Boy, won’t Billy be surprised.
snaps the picture. “Fifty-one!” she I’ll be able to teach him a thing or
exclaims. two about spiders when he comes
Later, after Mr. Smith has caught to visit!
the venomous spider on a glue
11
WEB WISE
Part of what makes spiders fascinating is
that they weave amazing webs. Here are
a few facts to make you web wise.
Web Shots
Although it can be difficult to photograph a spider web,
scientists and photographers know a few tricks to make it easier.
Some use cornstarch. The white powder coats the strands of
the web and makes them easier to see. However, scientists know
that this can sometimes damage the web. They always remove the
spider before dusting the web.
Another method
doesn’t harm the web at
all. Photographers spray
a mist of water onto a
web. Drops of water cling
to the web’s strands. Then
sunshine turns an ordinary
web into a sparkling jewel!
12
A Sticky Situation
Have you ever wondered why
spiders don’t get stuck in their own webs?
The answer is simple: They know where
they’re going.
Most webs are made from two kinds
of silk. An orb spider’s web, for example, has
long, straight strands that start at the middle
and go out to the edges, like the spokes of a
wheel. Then the web has a network of spiral
strands in the center. The spiral strands are
sticky, but the straight strands are not.
When an insect flies or crawls into the
web, it gets stuck in the sticky strands. Then
the spider hurries across the long, straight
strands to enjoy its next meal!
An orb spider’s web is made of
straight strands and spiral strands.
The spiral strands are sticky.
13
The Spider by Jack Prelutsky
The spider, sly and talented,
weaves silver webs of silken thread,
then waits for unobservant flies
… to whom she’ll not apologize!
14
Spider
Ropes
by James Berry
15
Design a IWeb! f you were a spider, what
kind of web would you weave?
Look at the spider webs shown on
this page, and then create your own
design for a spider web.
16
Story Scramble
Stories have a structure with a beginning, middle, and end.
Events happen in an order that makes sense.
The story events below are scrambled. Put the letters in
order so that the story makes sense. Then discuss how each event
influences what happens next.
A. Despite the advice, Anansi threw down
the pot, shouting, “The pot of wisdom is
mine! I should know more than you!”
Two Tricksters
Compare and contrast Anansi’s
actions with those of Coyote in
“The Sticky Coyote,” Lesson 17,
Student Book page 442.
Answers: B, D, E, A, C
17
Cool or
In “The Girl Who Loved Spiders,” Luis thinks spiders
are creepy until he meets Ashanti. Then he discovers
that spiders are cool. Think about an animal that you
really like or dislike. What is it about the animal that
makes you feel the way you do? What details about
the animal come to mind?
Write a poem about the animal you chose, or
about an animal shown on these pages. Your
poem may rhyme or use rhythm, like the
poems on pages 14 and 15.
18
Creepy?
Use descriptive details that create a vivid picture.
19
Lesson
27
“I’m tired of sitting on this log,” croaked a frog one sunny morning.
So he jumped out of his pond and hopped off to explore.
Before long, the frog reached a fence. “How curious,” he said. “I won-
der if it tastes good.” He flicked out his long tongue.
“Ugh!” he said.
The frog hopped along until he reached a brick path. “How curious,”
he said. “I wonder if it tastes good.” He flicked out his long tongue.
“Ick!” he said.
The frog kept hopping until he saw a barn. “How curious,” he said as
he hopped up to the door. Just then he heard a loud BZZZZ.
“It’s a fly!” cried the frog. “And after all this hopping, I’m hungry. “
The frog squeezed under the barn door. A big, fat
fly was flying overhead. “Yum!” said the frog as
he leaped into the air, but the fly
was fast and flew away.
20
The frog, though, didn’t land where he expected to.
“How curious,” said the frog. “I’ve landed in a pond with
white water and shiny silver banks.” Of course, it wasn’t
really a pond. It was a metal pail half-full of fresh milk.
The frog tried to climb out of the pail. But he just
kept sliding back into the milk. He swam and
splashed and kicked. He went faster and faster.
Then the frog noticed yellow globs floating
in the milk. “How curious,” he said. He went
on swimming and splashing and kicking. He
saw more yellow globs.
Before long there was a yellow hill in
the middle of the pail. All that kicking and
splashing and swimming had churned the
milk into butter!
The frog climbed up the butter hill and
jumped out of the pail. He hopped all the
way home.
21
o a d
T by t h
e
R oa d
by Joanne Ryder
28
The
Poison-Dart
Frogs
by Douglas Florian
29
The Frogs
and the Well
Two frogs lived in a small
MORAL
Three short frog fables follow,
“This looks like a cool, wet
place to live. Let’s dive in,” said
one frog.
“Not so fast, my friend. What
but the moral for each has if this well dries up like the
gotten separated from its pond? How would we
story. Match the moral get out?” replied the
to the fable it fits. Morals other frog.
• Look before you leap.
• Choose your friends wisely.
• Beauty is in the eye
of the beholder.
30
Word Relationships
An analogy is a comparison of two sets of words. Each set
of words has a similar relationship. Sometimes the words are
synonyms, with similar meanings. Sometimes they are
antonyms, with opposite meanings. The words in the example
analogy have opposite meanings.
Example: good is to bad as clean is to polluted
Hint:
Think about the
relationship of the
words to help you pick
the right answer.
31
and other amphibians
In “Amphibian Alert!” you learned about some of
the problems that amphibians are facing in the world
START today. Create a board game about amphibians that
are losing their home for one of the reasons given in
the article. Have the amphibians look for a new home.
After you have drawn up the plan for your
board game, write a set of instructions for how to
play the game.
Pond is
too small.
Lose one
turn.
32
Frog finds safe home
with clean water!
ISH
FIN
Deadly
fungus in
the area.
Pond is polluted
by chemicals. Return
Go back to start.
3 spaces.
African clawed
frogs live here.
Go back
2 spaces.
33
Lesson
28
M u s e u m s
Worlds of Wonder
Portland
Chicago
Washington, D.C.
St. Louis
Houston
Museum locations
34
Sue Carlson
609 971 6828
The first thing you should know about the City Museum
of St. Louis is that it is located in an old shoe factory. It’s no
surprise, then, that this museum believes in preserving the
past and recycling—making something new out of something
old. There’s also an amazing playground called MonstroCity
that’s made mostly of recycled materials from the city of St.
Louis, including giant metal springs, a castle turret, and the
body of a jet plane.
Artist Bob Cassilly designed the City Museum as a huge
work of art. Take the Enchanted Caves. Where shoes once
moved on conveyor belts through tunnels, children now run
into petrified dragons and climb spiral staircases. In Art City,
you can watch glass blowers at work, and make your own
work of art, too. Then there’s the museum inside the museum.
It’s called The Museum of Mirth, Mystery, and Mayhem and
it’s like an old-fashioned carnival. Finally, let’s not forget the
World Aquarium, home to more than 10,000 sea creatures,
from stingrays to seahorses.
35
39
TR H
A S
Trash is a huge problem. We make mountains of it every day.
But there are three things we can do to help fix the
problem. First, we can REDUCE what we use.
Second, we can REUSE things, rather than just
throw them away. Third, we can RECYCLE.
Often one thing can be recycled into
something entirely different.
Flakes to Fleece
Did you know that plastic bottles can
have a second life as a fleece jacket?
Here’s how. The plastic bottles are
cleaned and chopped into flakes.
Later, the flakes are melted down
and squeezed into threads. Like
wool, the threads are spun into yarn
and woven into fleece. The fleece
can be sewn into a jacket, hat, or
a warm pair of socks. It takes
about twenty-five two-liter
plastic soda bottles to make
a jacket.
40
41
42
Lights out.
Doors close
on the cool quiet
of museum spaces;
echoing hallways,
locked cases—
room upon room
all silent now.
Amazing how
museums hold
an ancient secret,
a whispered spell.
Lights out.
Farewell.
43
44
45
46
47
Scene I
Laura: Boring!
48
Laura: Why did you yell at that deer, Gina? It was so cute.
Gina (Outraged) : Cute? Maybe, if you only see them once in a while;
but they’ve started to show up in our yard every day. They are
eating the tree we planted when my little sister was born!
Narrator: Gina points at a small tree on the lawn. Its branches are
nearly bare.
49
Lucas: What about the animals who live there? More animals will
get kicked out of their homes.
50
Gina: Let’s get all the facts. That way we’ll have a good report
for class and good ideas for the council meeting.
Narrator: The group presents its current events report and the
whole class gets excited. The class decides to ask the town’s
leaders to buy Timber Woods and preserve the land for both
animals and people.
51
Narrator: The four friends are making signs for the meeting.
Gina and Lucas are working on a large sign.
52
53
54
Hector: That’s a good idea, but we’ll need to do more than that.
55
56
our local newspapers about nature’s beauty and 1903 Camps with President
tell people how to help care Theodore Roosevelt in
for it. We can all follow in Yosemite
57
58
Pleas
room
seen.
detail
NOTE
Pleas
up the
grass
place
poem
right n
59
1 st
shows important events that shaped
who he was. It also shows the
dates for when he was born and
when he died.
Create a timeline about
your life. Include the year of
your birth and four important
events in your life.
60
w i th a wa re h
NO TS!
S i g n Preserve
our
Picnic
W OO D
Place!
62
63
Once a week, Ms. Cabrera’s had streaks of red near each eye.
science class spent an afternoon “Brownie? Are you wearing
outside, working in teams to observe makeup?” From what Adrian could see,
different habitats. Adrian, Mara, and the turtle’s shell looked different, too.
Nicole were assigned pond patrol. Today it was green with yellow stripes.
Adrian wondered if his team had gotten
the best assignment because of his
extra-sharp eyes.
Reed’s Pond lay at the end of a
shady, sloping path. Pine trees towered
overhead. Bushes and moss-covered
rocks rimmed the shore. Adrian had been
the first one in class to spot the turtle at
the pond—even though its brown shell
and wrinkled skin blended in perfectly
with its surroundings.
“Here, Brownie . . . here, Brownie,”
Adrian whispered as he approached the
water’s edge. But today, the turtle that
peeked from the water looked different.
Instead of a little brown face, this one
64
65
66
67
68
69
70
71
72
73
Slowpod, Clicktoe
Weightlifter, and Stare-eye,
Housemover, Budhead
Homelover. and Stemneck.
Platepacker, Plod-plod
Boneback, and Plopplop,
Hardshell
Logloving
and Softhat.
Rockstone.
74
75
76
Found House
Snake For
Rent Yard
Sale
24 Oak St.
77
78
79
Cover (cl) Peter Hvizdak/The Image Work; (bg) Chad Ehlers/Alamy; (bl) Juniors Bildarchiv/photolibrary; Title Page
(cr) Chad Ehlers/Alamy; (b) Tina Manley/Alamy; 1 (br) Getty Images/PhotoDisc; 2 (tl) Angelo Cavalli/AGE Fotostock;
2 (cl) Angela Hampton Picture Library/Alamy; 3 (cr) Martin Harvey/Getty Images; (tr) Tony Fagan/Alamy; 7 (bc)
Jason Edwards/National Geographic Image Collection; 8 (b) SuperStock; 11 (b) David M. Dennis/Oxford Scientific/
photolibrary; 12 (bl) Johnny Greig/Alamy; 13 (bl) Tom Pennington/Newscom; (tr) Georgette Douwma/Getty Images; 16
(b) Chad Ehlers/Alamy; (bc) Mauritius/SuperStock; 18 (br) Getty Images/PhotoDisc; 19 (cr) Getty Images/PhotoDisc;
(bl) Getty Images/PhotoDisc; 22 (bg) Siede Preis/Getty Images; (t) Angelo Cavalli/AGE Fotostock; (bl) Siede Preis/Getty
Images; (br) Siede Preis/Getty Images; 23 (b) Brand X Pictures/AGE Fotostock; (t) Klaus Honal/AGE Fotostock; 24
(bg) Siede Preis/Getty Images; (bl) Siede Preis/Getty Images; (t) Paul Oomen/Getty Images; 25 (b) George Grall /Getty
Images; (br) Siede Preis/Getty Images; (t) Stan Osolinski/Corbis; 26 (t) Ian Waldie/Getty Images; (bl) Siede Preis/Getty
Images; (bg) Siede Preis/Getty Images; 27 (r) Ian Waldie/Getty Images; (l) Ian Waldie/Getty Images; 30 (cr) Stockbyte/
Getty Images; (b) Stockbyte/Getty Images; (bl) Stockbyte/Getty Images; (c) Stockbyte/Getty Images; 31 MedioImages/
Corbis; 35 (t) AP Photo/James A. Finley; 36 (b) William S. Kuta/Alamy; 37 (t) Stephen McBrady/PhotoEdit; 38 (t) Andre
Jenny/Alamy; 39 (bc) William Manning/Corbis; (bl) Andre Jenny/Alamy; 40 (b) Angela Hampton Picture Library/Alamy;
41 (b) Bill Freeman / PhotoEdit; (t) Tina Minale/Alamy; 44 (b) Tannen Maury/The Image Works Image; 45 (tr) Bettmann/
Corbis; (br) Corbis SYGMA; (cr) Oliver Maire/Keystone/Corbis; 46 (b) Park Street / PhotoEdit; 56 (b) Tina Manley/
Alamy; (cr) Bettmann/Corbis; 57 (bl) AP Photo/Rich Pedroncelli; 62 (bl) Gary Vestal/Getty Images; 63 (cl) Comstock
Images/Getty Images; (cr) Tony Fagan/Alamy; (br) Joe McDonald/Corbis; 66 (b) Juniors Bildarchiv/photolibrary; 69 (t)
Leszczynski, Zigmund / Animals Animals - Earth Scenes; 70 (b) Mike Dobel / Alamy; 72 (t) Martin Harvey/Getty Images;
72 (br) Alistair Berg/Digital Vision/Getty Images; 73 (b) AP Photo/J. Carter; 77 (b) Artville/Getty Images
80
Mystery of the
MISSING TURTLE
1503619
1503619-LV 4