Mermikides Bibliography
Mermikides Bibliography
Mermikides Bibliography
Bibliography
Anku, Willie. “Circles and Time: A Theory of Structural on Music Perception and Cognition, Montreal, edited
Organization of Rhythm in African Music.” Music by B. Pennycook and E. Costa-Giomi, 477–80.
Theory Online 6 (2000). https://mtosmt.org/issues/ Montreal: McGill University.
mto.00.6.1/mto.00.6.1.anku.html. Cooper, Colin. Guitar Interviews: The Best from Classical
Ashley, Richard. “Do[n’t] Change a Hair for Me: The Guitar Magazine, vol. 1 (Pacific, MO: Mel Bay,
Art of Jazz Rubato.” Music Perception 19, no. 3 2016), 27.
(March 2002): 311–32. Crook, Hal. How to Improvise: An Approach to Practicing
https://doi.org/10.1525/mp.2002.19.3.311. Improvisation. Rottenburg, Tübingen: Advance
Beavers, Sam. Homage in the Solo Guitar Music of Roland Music, 1991.
Dyens. PhD diss., Florida State University, 2016. Danielsen, Anne, ed. Musical Rhythm in the Age of
Benadon, Fernando. “Slicing the Beat: Jazz Digital Reproduction. Ashgate Popular and Folk
Eighth-Notes as Expressive Microrhythm.” Music Series. Farnham, UK; Burlington, VT: Ashgate,
Ethnomusicology 50, no. 1 (2006): 73–98. 2010.
https://www.jstor.org/stable/20174424. Dittmar, Christian, Martin Pfleiderer, Stefan Balke, and
———. “A Circular Plot for Rhythm Visualization Meinard Müller. “A Swingogram Representation
and Analysis.” Music Theory Online 13, no. 3 (2007). for Tracking Micro-Rhythmic Variation in Jazz
https://doi.org/10.30535/mto.13.3.1. Performances.” Journal of New Music Research 47,
———. “Gridless Beats.” Perspectives of New Music 47, no. 2 (2017): 97–113.
no. 1 (2009): 135–64. Dunn, Michael. Django’s Rhythm. Solos performed by
Bergsagel, John. “Cordier’s Circular Canon.” Musical Don Ogilvie. Missouri: Mel Bay, 2000. DVD.
Times 113, no. 1558 (December 1972): 1175–77. Ellis, Mark C. “An Analysis of ‘Swing’ Subdivision
https://doi.org/10.2307/956587. and Asynchronization in Three Jazz Saxophonists.”
Berkowitz, Aaron. The Improvising Mind: Cognition and Perceptual and Motor Skills 73, no. 3
Creativity in the Musical Moment. New York: Oxford (December 1991): 707–13. https://doi.org/10.2466/
University Press, 2010. pms.1991.73.3.707.
Berliner, Paul. Thinking in Jazz: The Infinite Art of Friberg, Anders, and Andreas Sundström. “Swing
Improvisation. Chicago Studies in Ethnomusicology. Ratios and Ensemble Timing in Jazz Performance:
Chicago: University of Chicago Press, 1994. Evidence for a Common Rhythmic Pattern.” Music
Birch, Michelle. “Jazz Mind and Classical Hands— Perception 19, no. 3 (March 2002): 333–49. https://
Roland Dyens and his Style of Arranging and doi.org/10.1525/mp.2002.19.3.333.
Performing.” Research Paper, Massey University, Huron, David. Sweet Anticipation: Music and the
2005. https://www.rolanddyens.com/download/ Psychology of Expectation. Cambridge, MA: MIT Press,
research.pdf. 2007.
Chang, Denis. “The Secrets of Authentic Gypsy Jazz London, Justin. Hearing in Time: Psychological Aspects of
Rhythm!” Posted August 11, 2015. https://denischang. Musical Meter. 2nd ed. New York: Oxford University
com/index.php/2015/08/11/the-secrets-of-authentic- Press, 2012.
gypsy-jazz-rhythm/. Lougheed, Benjamin Walter Poliner. A Performance
Collier, G.L. and J.L. Collier. “The Swing Rhythm in Guide to Selected Jazz Arrangements of Roland Dyens.
Jazz.” In Proceedings of the International Conference PhD diss., Florida State University, 2019.
Monitored Freedom
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