p

saxophone quartet (SATB)

Barry Cockcroft

reedmusi c .com
 p
written for Continuum Sax This pieces explores the tonal extremes of soft dynamics.
Depending upon the acoustic of the concert venue,
Transposed Score it may be advantageous to amplify the softest sections
to bring out the unique colours that can only be created
at these extreme dynamcics. A stereo microphone
placement may be used to enhance this effect. The
C (centre), L (left) & R (right) symbols indicate
position on an axis or past a stereo microphone. The
arrows show the directional movement of the saxophone.

saxophone quartet (SATB)

Barry Cockcroft
2006

Distantly
10" 8" 6"
t. sax.  
   
C R C L C R


10" 8" 6"
b. sax.    

tenor cue
  
C R C L C R

 bari cue 8vb

t. sax.        
     
R C L C R C L C R C L C R
tenor cue 8vb


     
b. sax.      

R C L C R C L C R sim.


3 Agitato

    
     
sim.

 
     
  

 
4

      
     


     
     
p © 2006 Reed Music Pty Ltd
don’t steal music RM226 ISMN M-720067-06-3
www.reedmusic.com All Rights Reserved
 Transposed Score
3

 
5

     
    


    
    


6

        
    
ppp


  
   
    

A
 Slowly q = 60
   
s. sax.  

        

          
    
a. sax.
pp

t. sax.

    


b. sax.
     


11

    

 

   
    

 

       


     

 
             

pp


    

RM226
www.reedmusic.com
 Transposed Score
4

    
15


p non vib.

       

         
     

     

 
             




   

    
19

 
 
  
     




     

 
             



    


23

    

colour
                   
      
trill

  
p molto espressivo

    



   

RM226
www.reedmusic.com
 Transposed Score
5


27

      

           

    
 

pp

      

   

  

B

30 Samba feel h = 108

     

    
         
      

p

     


    

                                
34


                
           
p

         

 

    



   

RM226
www.reedmusic.com
 Transposed Score
6

                                
38

                                

                  

      

   

p

  
        
  
        
  
 
p

            
 
       

42

                             
   
   
           
            
  
  
      
  
   


   


  
                    

                   

          
46

        
 
 
                         
  
   


  
                     

RM226
www.reedmusic.com
 Transposed Score
7

            
           
50
               
                
 
               
                
            
  

   


  
        
  
        
  
 

                

54                         
  
                
                
 
                
                 
 
                
             
  

       
                            
58


       
        
                               
                   
         
                          


               

           
                      
            
RM226
www.reedmusic.com
 Transposed Score
8

   
62

     
       
  

   
    


 
       


                                


 
66

    

    


    

     
           
 
    
 
    
 
cresc.

 
70

    

       
mp


    

           
  
    
 
    
 
    
 
mp

RM226
www.reedmusic.com
 Transposed Score
9

 
74

    

           


    

           
  
    
 
    
 
    
 

  
  
78  

mp

     
                       


    

       
           
 
    
 
    
 

   
 
     
82

      
             
        


    


                      
       
RM226
www.reedmusic.com
 Transposed Score
10
C Moderato q = 108
                             
86  

mf

  


  

             

            
mf

               
88                


               

 
mf


  

                           

 
90

                                
 
                               



                                 

mf


 
                         
RM226
www.reedmusic.com
 Transposed Score
11

 
92

                                


                 
                                


                                 


 
          
             
  

 
94

  

  


  

                           

 
96

   

   

                           
quasi slap

 
p


             
 

RM226
www.reedmusic.com
 Transposed Score
12
D

t. sax.                             
           
solo
100

                      
               
102

          
           
104
  
                  
    

   
 
109

          
      

   
113

      
       
116
E

 
              
pp
119

  
              
122

 
                         
124

                            
           
 

126

                        
               
 
128

                            
           
 
RM226
www.reedmusic.com
 Transposed Score
13
130

                        
               
 
132

      
                       
134

            
                     

136

     
                           
138

             
                       


140    

     
                   
 
142
  
      
                   
144

       
                          
146

          
                       
148

              
                   

150
 
                    
           
 
RM226
www.reedmusic.com
 Transposed Score
14
152
F
 
      
                       
154

              
                 
156

      
                     
158

                            
           
160

                            
cresc.

    
s. sax.  


a. sax.    


 
                             
t. sax.

p
 

   
        
      
             
b. sax.
tenor cue  p

  
164

     


     

     
      
                   
      
growl  
            

    
          

 
RM226
www.reedmusic.com
 Transposed Score
15
G
   
166

   

 
    

       
   
        
      
            

 
 
    
  
 
norm.

   
       


  
168

  
      
  
             
    
tenor cue  
  
    

         
    
                
           

   
            
          

H
                               
170

    
3 3
p

 
    

 
                          
     

 
  
 

RM226
www.reedmusic.com
 Transposed Score
16

                 
172

     
3

    
3
cresc.


   

 
                  
 
     
cresc.

      
  
            
cresc.

          
  
                       
174

  
mp

     
        
           

sop. cue 
         
       
       
mp

       
             
mp


                
     
          
176

 
cresc.

                                
 
mp cresc.

        
            
         
cresc.

      
  
            
cresc.

RM226
www.reedmusic.com
 Transposed Score
17
     
      
178

 
mf

                  
                                 
mf


                          
   
mf

      
                       
mf

 
                  
180

 

 
                               

 


                          
   

    
                          

                                 
182 
 
              
        
  
   
          
      


                      
       

    
  
                      

RM226
www.reedmusic.com
 Transposed Score
18

             
   
        
 
184
 

  
 

          

                  
           
  

 
                    
        

    
              

           
         
186

 
sfz

         
                 


            
   

  
              

        


187

 
sfz sfz

            

     

        
  
           6
     
 
6

  
             

RM226
www.reedmusic.com
 Transposed Score
19

      

        
188

 
sfz sfz sfz sfz

         
                 


            
   

   
            

            

189 
        
 
sfz sfz sfz sfz sfz sfz

         
                  

    
                 
   

  
              

      
            
 
190

 
cresc. 9

                

 
cresc.


            
   
cresc.

  
  
          
cresc.

RM226
www.reedmusic.com
 Transposed Score
20
    
        
191

 
f

 
 
f

     
   
       
 
f

   
            
f


  
192

 

 
 
    
      
6

               

       
  
9 7 6 6 6


   

  
193

    


 
    

     
                   
       

 
 
  

RM226
www.reedmusic.com
 Transposed Score
21
I
   
195

                     
      
mp

          
              
     
sop. cue 

 
                             
               
f 

slap

    
                       
f 

  
196

                                 

    
      
 
mp


   


   

  
197

                                 


   
         

                                
  
soprano cue



 


RM226
www.reedmusic.com
 Transposed Score
22

  
198

                                 


cresc.

   
         

    

      
  
mp

  


                            

soprano cue 

                     
199

              
mf


             


             


  
          
mp

                               
200   
 

                                
 
sop. cue



   


   
 
    
mf
  
RM226
www.reedmusic.com
 Transposed Score
23
                   
  

          
201

 

                                
 
mf

                
 
   
   
soprano cue 
       


   
 



 


 

                             
   
202

 

                    
           
 

                                

 
mf


  
 
 
 
   


                   
  
  
        
203

 

                     
          
 

      
                            

                     
            

RM226
www.reedmusic.com
 Transposed Score
24

                               
204   
 
f

                                
 
f

         
          
              
f

                                
 

f

                     
205

              

                                


                               

  

                               
  


  
206

                                 

    
                             

                               

  

                                



RM226
www.reedmusic.com
 Transposed Score
25

                                  
207

 

    
                             


                                 



 
             
 
               

    
208
3 3 3 3 3 3
                                    
 
alto cue 
          
                       
3 3 3 3 3
mp 3
3 3 3 3 3

3
                                 
      
alto cue 
3
 
3 3 3 3 3

                                  
    
 alto cue 

    3      3    3     3    3  
209

3

    

3

     
mp
      3      
3
              
3 3
        
3 3

    
3 sop cue. 

   

     
                 
3
     
3 3 3


 
3 3 3

 
      
sop. cue 
RM226
www.reedmusic.com
 Transposed Score
26

    3  3    3  3     3  3 3 3 3
210

          

mf

            
 
mf

        
                   
3 3 3 3 3 3 3 3 3
     


         
soprano cue 
  3  3  3
               
  
3 3 3 3 3 3
      
    
mf

   3  3  3   3   3
211
   
3
   
3 3 3 3 3

           


           

 

                     


  
mf

 3  3  3  3
    
3 3 3 3 3 3 3

   
   

    3  3  3  3       3  3    3  3  3     3  3
212

            
  
        

 
                 
           
  

 3  3   3


3 3 3 3 3 3 3 3

    

 
RM226
www.reedmusic.com
 Transposed Score
27

   3  3 3  3 3  3  3 3 3  3  3  3 3  3  3  3
213

            


  
      
  
 
                             
  
  


                                                 

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

   3   3    3      3   3    3      3   3    3
214

                     


p sub.
 3  3   3  3  3   3  3
      
3

3

        
     

sop cue. 
      
  
3 3 3 3 3 3 3 3 3
    
     
   
bari cue 8vb. 
 3      
      
3 3 3 3 3 3 3 3
                                   
p sub.

    
215

   
cresc.

 
         
     
p cresc.

     





 
p cresc. mp

 
              
cresc.

RM226
www.reedmusic.com
 Transposed Score
28
J
                                      
216 
              
mp



                   

  
mp

 
    

    

         

      
  
mp

                                       
217     
       
6 6 6 
mf
 
           
      
  
mf


   
  

                 
  
          
mf

     6  6  6  6        
218 6 6 6 6

                  
    
    
     
 

 
    

  
              
  
RM226
www.reedmusic.com
 Transposed Score
29

    6
219 6 6 6 6

  
6 6 6

          
               
       


   


     
       
    

 
220

                                                   
6 6 6 6 6 6 6 6

cresc.

                     
  
   
cresc.

 
 
   
mf cresc.

 
  


 



 



 



 

cresc.

           
221 6 6

                 
f
6 6
       
 
                  
6 6 6 6
f

         
6 6


                 
f
6 6

  
6 6
   
 

6 6
      
           
f

RM226
www.reedmusic.com
 Transposed Score
30

         
222

                  
6 6 6 6
 
              
         
6 6 6 6

   

 

 

  
           
6 6 6 6

   
6 6 6 6
 
                    

       
223 6 6 6 6
 
                 

       
                
 
6 6 6 6

   
6 6 6 6
    
                  

 
6 6


 
6 6
                     

        
224

                   
6 6 6 6

     
               
    
6 6 6 6

      
                   
6 6 6 6

    
6 6 6 6
 
                
 


RM226
www.reedmusic.com
 Transposed Score
31

       
225

       
 
  
 
  
 

6 6 6 6
   
            
         
6 6 6 6

   
                    
 
6 6 6 6

    
6 6 6 6

                       

                          
226

 
6 6 6 6

                
         
6 6 6 6

               

         
6 6 6 6

               

         
6 6 6 6

  
       
               
227

 
6 6 6 6

                        

6 6 6 6

           
            
  
6 6 6 6

               
          
6 6 6 6

RM226
www.reedmusic.com
 Transposed Score
32

  
       
                
228

  
cresc. 6 6 6 6

            
               
cresc. 6 6 6 6

           

               

cresc. 6 6 6 6

                  
          
cresc. 6 6 6 6

q = 60
 
     bend gliss  

229 .

  


ff ppp
  
 
bend gliss
     
.


ff ppp
 

       
ff

ppp
 
  
      
ff ppp

RM226
www.reedmusic.com
 p
written for Continuum Sax
Bb Soprano Saxophone

saxophone quartet (SATB)

Barry Cockcroft
2006
Distantly
 Agitato
 A Slowly q = 60

  

15
     

p non vib.
21   

    

B Samba feel h = 108

30                                 
    
p

                               
38

                                

  
                           

42

                                 
   

  
                           
                  
46

              
   
           
 
               

50

                              
   
                
54                         


                                 

   
58

         
62
 
       
      
  
p © 2006 Reed Music Pty Ltd
don’t steal music RM226 ISMN M-720067-06-3
www.reedmusic.com All Rights Reserved
 Bb Soprano Saxophone


2

   
78
 

mp

     
82
   


C Moderato q = 108
86
                            

mf

                       
   
88
 


90

                                 
 

92

                                 


94
  D  
  

116

E   F 
       

166

G 
      
      

                  
tenor cue  
H
                        
170
 
         
3 3
p
RM226
www.reedmusic.com
 Bb Soprano Saxophone
3

            
172
              

3

    
3
cresc.

  
                                
174

   
mp

              
             
176
   
  
cresc.

      

   
178

 
mf

181
                
 
                                

              

 
         
184

 


186
                        
 

  
sfz sfz sfz

      

    
                    
188

  
sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz

               
             
190
 
   
cresc. 9 f

RM226
www.reedmusic.com
 Bb Soprano Saxophone
4
195 I
      
                              
mp

196
   
                              

197

                                


198

                                  
cresc.

                               
199

  
mf

200                                

 

                    
          
201

  

                             
 
202

  

                    
          
203

  

RM226
www.reedmusic.com
 Bb Soprano Saxophone
5
204                                

 
f

                               
205

  

206
 
                                

                                
207


 

208

    
3 3 3 3 3 3
                                 
 
alto cue 

RM226
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 Bb Soprano Saxophone
6

   3
209
         
3
      
3 3 3 3 3

      
mp

 
  3  3    3      3      3      
210 3 3 3 3

          
mf

211   3 3 3 3 3
 
             
   
3 3 3 3 3 3
      

212
  3   3
   
3 3

                 

3 3 3 3 3 3 3

 

213

                                        
   
3 3 3 3
     
3 3 3 3 3 3 3 3 3 3 3 3

  3    3     3      3    3     3      3    3     3     
214

           
p sub.

215

   
 
cresc.

     
216

J
     
 
                                    
 
mp

217                       

        
    
mf 6 6 6

RM226
www.reedmusic.com
 Bb Soprano Saxophone
7
218
 
6 6 6 6
   
6 6 6 6

                                              

219

6 6 6 6
   
6 6 6 6

                                             

220
 
                                                   
6 6 6 6 6 6 6 6

cresc.

221
 
  
6

6
     
                      

f
6 6 6 6 6 6

   
 
223 6 6 6 6
  
                    

6 6 6 6

  
225        
                
6 6 6 6
6 6 6 6

227          

          
 
6 6 6 6 cresc. 6 6 6 6

q = 60
 bend   gliss.  

229
  
    
ff ppp
RM226
www.reedmusic.com
 Eb alto saxophone

p
saxophone quartet (SATB)

Barry Cockcroft

reedmusi c .com
 p
written for Continuum Sax
Eb Alto Saxophone

saxophone quartet (SATB)

Barry Cockcroft
2006
 
Distantly Agitato

 

A Slowly q = 60
  

   
       

 


 
   

pp

 

  
 
 
  

11


      

 

  
 
 
  

15


      

      

  
colour trill
19


        

p © 2006 Reed Music Pty Ltd

don’t steal music RM226 ISMN M-720067-06-3
www.reedmusic.com All Rights Reserved
 Eb Alto Saxophone

       
2

           
       

24

p molto espressivo

             

  
 
27


pp

B Samba feel h = 108

                  
30

   
p

                
34
                      


                    

38

  

                        
             
      
42

   

 
                        
46

                        
              
         
50

  

    

54                     
 

                                 

        
58

        
RM226
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 Eb Alto Saxophone
3

 
62 
     
     
 mp

74

          

      
78

                      

      
82

       
               

C Moderato q = 108
86                 

mf

                               
90



                 
92

                                


94  D   E  
    

152

F  G 
        

RM226
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 Eb Alto Saxophone
4
170

H      
                    

sop. cue 

176
                                
 
mp cresc.

                 
178
                                
 
mf

   
                                
180

 

    
            
182
      
         
   
            



                   
184
           
          

                 
186

                                 

188
                                
 

190
                  
   


cresc. f

I
                               
195

   

sop. cue 

    
                 
196

     
mp

RM226
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 Eb Alto Saxophone
5

   
      
198
            
 

                               
200

 
sop. cue  

                                
201


 
mf

202
                     
 
          

203                   
             
 

204
                          
       
f

                                
205

 

206
    
                             

207
    
                             

      
208
   
                       
3 3 3 3 3 3
mp

      3      
3
            
209 3 3
 
3 3
  
           
3 sop cue. 
RM226
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 
Eb Alto Saxophone

         
6

 
            
210


 

           
mf

    
212       

 

   3  3   3  3

 
214 3 3 3
    
3 3

 
       

sop cue. 

               
215 J
 
   
         
   
      mp
p cresc.
     
                 
  
217
       
   
mf

                 
        
219

    
 
cresc.

       
221
                                   

 
6 6 6 6 6 6 6 6
f

       
223
                         
        
6 6 6 6 6 6 6 6

   
225
          

 
6 6 6 6 6 6 6 6

                                             
227

    
6 6 6 6 cresc. 6 6 6 6


q = 60
  

229

bend gliss

  
.

ff

ppp
RM226
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 p
written for Continuum Sax This pieces explores the tonal extremes of soft dynamics.
Depending upon the acoustic of the concert venue,
Bb Tenor Saxophone it may be advantageous to amplify the softest sections
to bring out the unique colours that can only be created
at these extreme dynamcics. A stereo microphone
placement may be used to enhance this effect. The
C (centre), L (left) & R (right) symbols indicate
position on an axis or past a stereo microphone. The
arrows show the directional movement of the saxophone.

saxophone quartet (SATB)

Barry Cockcroft
Distantly 2006
10" 8" 6"


   
C R C L C R

bari cue 8vb

      
     
R C L C R C L C R C L C R

3 Agitato

    
     
sim.

      
     

     
    

Bb Bb

       
C C


    
ppp

A Slowly q = 60

 

p © 2006 Reed Music Pty Ltd
don’t steal music RM226 ISMN M-720067-06-3
www.reedmusic.com All Rights Reserved
 Bb Tenor Saxophone
2

     

      
11

       


pp

     

         
15

    



     

         
19

    



23 

    

B Samba feel h = 108

30   
    
p

44      


 
50

   

                
55                         


RM226
www.reedmusic.com
 Bb Tenor Saxophone
3

                

   
59

        
      

62

  
    



C Moderato q = 108
86



90

                                 
 
mf

92

                                 


94
    
quasi slap
        
                           
p

Bb

D

C

                            
           
solo

100

                      
               

102

           
           
RM226
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 Bb Tenor Saxophone
4
104
  
           
 
      
Bb

107

              
C

     

        
110
  
          
          

  
113

      
       

116 E

 
              
pp

119

  
              

122

  
                         

124

                            
           
 

126

                        
               
 
128

                            
           
 
RM226
www.reedmusic.com
 Bb Tenor Saxophone
5
130

                       
               
 
132

     
                       

134

            
                     

136

     
                           

138

            
                       
C1

B

 
C

140
  
     
                   

 
142
  
     
                   

144

       
                          

146

          
                       

148

              
                   

RM226
www.reedmusic.com
 Bb Tenor Saxophone
6
150
 
                   
           
 
152 F
 
      
                       
154

              
                 
156

     
                     
158

                            
           
160

                            
cresc.


 
                             
p
 

164
      
   


                


          
 
166 G
      
    
                     
 

168
        
  
                 
          
H
            
170

             
     

           
172

      
     
   
   
cresc.
174
          
            
       
mp

RM226
www.reedmusic.com
 Bb Tenor Saxophone
7


                
176
  
 
         
cresc. mf

179
      
 
     

182

              
           


185
             
   

   
      

       
      
187
    
6
   
       
     
6

    
189
 
             
                    
       
cresc. f
        
 
6
192
    
            

       

9 7 6
 
6 6

193
     
                   
       

195 I
 
                               
               
f 

                             
196

     
soprano cue 
RM226
www.reedmusic.com
 Bb Tenor Saxophone
8


          
198

            
mp

200
              
         
   



     
soprano cue 

202                                

  
mf

                     
203


            

                               
204

  
f

205
                               

 

206                                

  

207

                                  

3 3 3 3 3
                
208 3
 
      
alto cue 

        
210

  
3 3  3

3 3

3 3

3
 
3
      
  

               
soprano cue 
RM226
www.reedmusic.com
 Bb Tenor Saxophone
9
211                                

 
mf

                  
212
             
 

                           
213
    
 

214
      
 
3 3 3 3 3 3 3 3 3
               
        
bari cue 8vb. 

215
        J 
           
   
   
p cresc. mp
mf cresc.

221

  
6

6
     

               

f
6 6 6 6 6 6

223
 
6

6
   
6
  6
         

         

6 6 6 6

225         

             
     
6 6 6 6
6 6 6 6

227          

          
 
6 6 6 6 cresc. 6 6 6 6

q = 60
 
  
229

     
ff ppp

RM226
www.reedmusic.com
 Eb baritone saxophone

p
saxophone quartet (SATB)

Barry Cockcroft

reedmusi c .com
 p
written for Continuum Sax This pieces explores the tonal extremes of soft dynamics.
Depending upon the acoustic of the concert venue,
Eb Baritone Saxophone it may be advantageous to amplify the softest sections
to bring out the unique colours that can only be created
at these extreme dynamcics. A stereo microphone
placement may be used to enhance this effect. The
C (centre), L (left) & R (right) symbols indicate
position on an axis or past a stereo microphone. The
arrows show the directional movement of the saxophone.

saxophone quartet (SATB)

Barry Cockcroft
Distantly 2006
10" 8" 6"

    

tenor cue
  
C R C L C R

tenor cue 8vb

     
      

R C L C R C L C R sim.

3 Agitato


     
   

4
     
      

5
    
     


6


   
      

A Slowly q = 60
  
 
    

p © 2006 Reed Music Pty Ltd

don’t steal music RM226 ISMN M-720067-06-3
www.reedmusic.com All Rights Reserved
 Eb Baritone Saxophone
2
30

B Samba feel h = 108

 


38
 
       
  
        
  
 
p


42
 
       
  
        
  
 


46
 
                    


50
 
       
  
        
  
 

    
54
                  
  

                            
         
58

                
   

62

                                 
           

66

            
              
       
cresc.

70

      
     
              
       
mp
RM226
www.reedmusic.com
 Eb Baritone Saxophone
3
74

        
    
 
    
 
    
       

78

        
    
 
    
 
    
       

82

                       
       
C Moderato q = 108
86

                             

                   
mf

90

                             

                   

94 D 
                         
               

104

 E  
    

152

F 
         
       
tenor cue 


growl

 
163

     


                   
             
p    
 
G
166
  norm.

  
 
                            
   
RM226
www.reedmusic.com
 Eb Baritone Saxophone
4
170

H

     
    

 
 
    

 
cresc.

174
            
                             
mp cresc.

178

                                                  
mf

182

                                                  

186

                                                  

190
 
   
                         



cresc. f


I
195
 
slap
                                  
f 
  
198
                             
 
soprano cue 


199

   
                       
mp mf

 
201

     
         
       

203

                                 

RM226
www.reedmusic.com
 Eb Baritone Saxophone
5

                                
204


 
f

                                
205


 

                                
206


 

207

   
                             

208 3

3 3 3 3 3
                                 
      
alto cue 
      3
3  
               
209 3 3
   
3 3 3
   
         
sop. cue 

 3 3 3
210

 3 3

3

3
 3 3 
        
mf

 3  3  3
211

 3 3 3 3
 
3

3

3
 
3
     

 3
212

 3 3 3 3
 3 3
 3 3

3
 
3
      

213

 3 3 3 3 3  3 3 3 3 3  3 3 3  3 3  3
     

214
 3 
                                 

3
  3
  3 3
  3
  3 3 3

p sub.
RM226
www.reedmusic.com
 Eb Baritone Saxophone
6
215 J

   
                           

     
cresc. mp

                    
217


                    
mf

  
219
 
                   
              
cresc.

221
   6  6   
6 6 6 6 6 6
   
                 

f
      

223
   
6 6 6 6 6 6

      

 
6 6

  

        
225 6 6 6 6

                                         
6 6 6 6

                                                 
227

  
6 6 6 6 cresc. 6 6 6 6

229  
 
q = 60
      
ff ppp

RM226
www.reedmusic.com