Folklore in The Midst of Social Change
Folklore in The Midst of Social Change
Folklore in The Midst of Social Change
Takanori Shimamura
Executive, Folklore Society of Japan
Kwanseigakuin University
Folkloristics began in the 17th century with the work of Giambattista Vico (1668-1744),
and in the social context of the anti-hegemonic and anti-enlightenment movements of 18th
and 19th century Germany was formed from the confluence of the Philology strongly
promoted by Johann Gottfried von Herder (1744-1803) and the Grimm brothers (Jacob
Ludwig Karl Grimm [1785-863] and Wilhelm Karl Grimm [1786-1859]) with the Local
Studies of Justus Möser (1720-1794). Folkloristics subsequently spread around the world
and uniquely developed as a discipline in each area. It is a scholarly field that engenders
knowledge that―based on subjective understandings which incorporate the relationships
between human life as developing from dimensions different than the social topologies of
authority, the universal, the center and mainstream―overcomes and relativizes bodies of
knowledge composed from the criteria of the latter (Shimamura 2017).
What is most important for an understanding of Folkloristics is that it was first fully
formed in Germany as a form of resistance to the Napoleonic hegemonism which aimed to
control Europe and to the France-centered Enlightenment movement of the 18 th and 19th
centuries. And, it is important to note that, whether having been directly or indirectly
inspired by Germany, folkloristics was independently especially strongly formed in other
societies that like Germany shared an anti-hegemonic context. More concretely, folkloristics
developed in areas such as Finland, Estonia, Norway, Sweden, Ireland, Wales, Scotland,
Japan, China, Korea, the Philippines, and India, as well as in America, Brazil and
Argentina.1
Generally speaking, modern social sciences are bodies of knowledge born of the social
topologies of authority, the universal, the center and the mainstream. However, folkloristics’
powerful originality lies in giving birth to knowledge that relativizes and overcomes this
tendency. Throughout its history, folkloristics has consistently investigated human life in/of
dimensions other than those of the social topologies of authority, the universal, the center
and mainstream, and it has inquired into the knowledge engendered by such a focus. It thus
follows that, while itself also one of the modern social sciences, folkloristics is an alternative
discipline vis-à-vis the wider modern social sciences.
Folkloristics aims to be such a discipline, and thus inclusion of life actors (seikatsuhsa)
themselves as research objects has been one important method in the research process.
Since in addition to researchers affiliated with the academy (universities and other
specialist research institutions) folkloristics includes various other actors as researchers, it
has been referred to with such labels as “the discipline of the folk by the folk” (No no
Gakumon; Suga 2013) or “the intimate Other of the academy” (Noyes 2016:14). This comes
from the historical fact that, as a means to gain a subjective understanding of research
objects, local life-actors (seikatsuhsa) as directly involved agents (tōjisha) have been included as
important actors for folkloristic research. This is something that is true not just of
folkloristics in Japan, but which with some degrees of difference may be seen in the
folkloristics of America and other countries.
The reception of folkloristics in Japan began, as “Dozokugaku (土俗学),” at the end of the
19th century under anthropologist Shōgoro Tsuboi and others. However, after the 1910s, its
development was lead by the scholarly activities of Kunio Yanagita (1875-1962). One
scholarly media that performed an important function for early folkloristics in Japan was
the journal Kyōdo Kenkyū (Local Studies), first published in 1913 by Yanagita and others. In
this journal, Yanagita presented one after the other research findings that became
important in the history of Japanese folkloristics. Through this journal, many people in the
provinces became interested in local studies, and from among these there also arose lay
folklore researchers.
Publication of Kyōdo Kenkyū was stopped in 1917, but afterwards folkloristics related
journals such as Dozoku to Densetsu (Folklore and Legends; 1918-1919), Minzoku (Nation; 1925-
1 For details on the history and current conditions of folkloristic research around the world, see Bendix and
Hasan-Rokem (2012).
Folklore in the Midst of Social Change 193
1929), and Minzokugaku (Folkloristics; 1929-1933) were published. Through such journals,
Japanese Folkloristics grew with the accumulation of resources and the research results
based on these. Furthermore, these journals played a major role in cultivating as folklorists
local intellectuals in the provinces and of organizing them as members of a network with
Yanagita at its center.
However, as Kazuko Tsurumi (1997) points out, what is important here is that Yanagita
imagined Folkloristics not as research aiming to investigate folk traditions as discrete
resources but rather as a one type of “social change studies.” Yanagita’s study of social
change was not a simplistic application of western “modernization theory” taking western
modernization as a universal standard, and it differed from theories of social change then
prevalent in sociology.2 Instead, Yanagita’s concern was with the human life-world3 and how
the humanistic elements born of it—such as language, arts, emotions, beliefs, the relations
of humans and nature, women’s everyday experience, and the cultural creativity of
children—are related to social change. How, in the midst of structural changes of society, do
these change? Which should be abandoned or kept? Or, what new elements should be
introduced? How should survivals and newly introduced elements be combined in
approaching the future? For Yanagita, furthermore, consideration of such things should be
carried out by the concerned life actors themselves (seikatsu tōjisha jishin).4
This study of social change of Yanagita’s was itself the folkloristics he conceived, and the
primary resources needed for the development of such folkloristics as the study of social
change were the folk traditions born of and surviving in the life-worlds of currently living
people. The folk traditions Yanagita systematically collected became the corpus for the
development of his study of social change.
However, from the second half of the 1930s, the further formalization and manualization
of folkloristics progressed—seen in the 1935 founding of the Folk Tradition Society (Denshō
no Kai), initial publication of the journal Minkan Denshō (Folk Tradition), and the publication of
the introductory book Kyōdo Seikatsu no Kenkyūhō (Research Methods of Homeplace Life). With
2 Kazuko Tsurumi (1997:446) points out that Yanagita’s study of social change assumes the multilineal
development of societies around the world and does not employ the perspective of unilineal development
taking western modernization as standard.
3 The concept of “life-world” here is that (lebenswelt) proposed in the phenomenology of Edmund Gustav
Albrecht Husserl (1859-1938) and as advanced in the field of sociology by Alfred Schütz (1899-1959).
4 Among the concrete works that correspond to Yanagita-style studies of social change, it is possible to
mention the following: focusing on language, Kokugo no Shōrai (1939a); focusing on emotions and the arts in
everyday life, Fukō naru Geijutsu (1953); focusing on belief, Ujigami to Ujiko (1947); focusing on the relation of
humans with nature, Yasō Zakki, Yachō Zakki (1940) and Koen Zuihitsu (1939b); on the women’s everyday
experience, Momen Izen no Koto (1939c); on the cultural creativity of children, Chīsaki Mono no Koe (1942); and,
more broadly touching on various humanistic elements contained in sensibilities and emotion, Meiji Taishō Shi:
Sesōhen (1931). In various places in these works, Yanagita argues that folkloristics is a method for realizing
the importance of the fact that the selection of various old and new humanistic elements is something that
living actors themselves decide in response to societal change.
194 Takanori Shimamura
In contrast to this, Keiko Seki (1949a, 1949b) objected that the goal of folkloristics is not
the reformulation of “folk history” envisioned by Wakamori but the explication of the
contemporary significance of the folk. Shigeru Makita (1951) also criticized Wakamori as
well as Toshijirō Hirayama (1951), who emphasized folkloristics as a kind of historical
research. Makita writes that, foremost, folkloristics should advance regarding its
propositions concerning “Who are the Japanese?” and “What is Japanese culture?” by
employing the resources of folk tradition transmitted to the contemporary period. Wakamori
(1951) responded to these criticisms in his article on “On the Character of Folklore Studies.”
He explains that his argument in his prior article regarding historical character and
meaning was not a rejection of the contemporaneous character of folkloristics but rather was
a statement regarding the historical character and meaning that may be discovered in folk
traditions transmitted into the contemporary era. He further notes that the meaning of
5 Further, in addition to this movement, there arose from the 1920s a movement―centering on a string of
graduates from the History Department in the School of Literature at Kyoto Imperial University including
Kazuo Higo, Akihide Mishina, Toshijirō Hirayama and Kenichi Yokota―to designate folk traditions as
historical resources and to include these in historical research. Referred to as “culture history,” it is possible
to locate this current as one part of “history.” However, at the same time, if this is something that “engenders
knowledge that―based on subjective understandings which incorporate the relationships between human life
as developing from dimensions different than the social topologies of authority, the universal, the center and
mainstream―overcomes and relativizes bodies of knowledge composed from the criteria of the latter,” then it
is possible to locate that current as part of folkloristics as “historical folkloristics.” And, again from the 1920s,
beginning with a line of research begun by literary scholar Shinobu Orikuchi, there arose a movement to view
folk traditions as resources for literary research and to incorporate these within Japanese literary research. If
such is the case, it is also possible to locate this literary studies movement as part of folkloristics.
6 Even now, the understanding of folkloristics in general society is often an extension of this kind of line.
Folklore in the Midst of Social Change 195
(Japanese) folkloristics is, thus, “Within comparative research on contemporary folk culture,
the search for the original nature of the Japanese people”(1951:35).
In the history of Japanese folkloristics, the above debate is referred to as the “Folkloristics
Character Debate” (Minzokugaku Seikaku Ronsō). This debate began with arguments as to
whether Japanese folkloristics was a science of the contemporary or an historical science.
And, it may be said in summation that Wakamori, who at first emphasized that folkloristics
is an historical science, later revised his position to that of seeing folkloristics as a
contemporary science which pays careful attention to the historicity of things.
However, Keigo Seki has aptly criticized this, writing: “How are we to grasp this Ethnos?
Even though one may be able to contemplate this at one’s desk, how are we to capture just
what should be abstracted as this Ethnos from our actual folklore surveys and social
research? Given the current stage of our research techniques, it is surely impossible to grasp
even a glimpse of it. The posing of Ethnos may provide researchers with a sense of security,
but Folkloristics is a positivist science the results of which must be knowable by anyone”
(1958:154). The theories of Japan (Nippon-ron), as theories of Ethnos which were seen in
Japanese Folkloristics at this time were nothing other than essentialistic culture theories
and it goes without saying that they fundamentally differed from the problem consciousness
in folkloristic studies of social change pointed to in the preceding section of this paper.
196 Takanori Shimamura
“Peripheral Zone Theory” is the theory that cultural elements diffuse from geographic
centers to peripheries in concentric circles and that older conditions are thus distributed
(survive) in peripheral zones. Kunio Yanagita (1930) first pointed this out regarding spoken
dialects, and afterwards other folklorists attempted to generalize this as applicable to
particular aspects of general folk traditions. Five articles in the special issue examined the
validity of this theory, those by: Fukuta (1969), Hirayama (1969a), Ogawa (1969), Ono
(1969) and Inokuchi (1969b).
There were seven essays in the 1969 special issue concerning the theme of “archival
resources and folk resources.” As many of the “folk resources” that Folkloristics deals with
are those of tradition obtained through field interviews, these essays addressed the issues of
how to incorporate archival resources (mainly historical writings) and of how to balance the
use of these different kinds of written and unwritten resources. Essays included those by:
Kameyama (1969), Inokuchi (1969c), (Kazuhiko) Hirayama (1969b, 1969c), Miyata (1969),
Makita (1969), and (Toshijiro) Hirayama (1969).
As seen above, this special issue on methodology included numerous articles, but almost
all stopped at discussing the handling or interpretation of folk tradition resources and
materials. The one exception to this was an essay by Kazuhiko Hirayama (1969c), in which
he argues that, regarding methodology, discussion must be held concerning the scholarly
Folklore in the Midst of Social Change 197
4. Omens of Change
This sort of functionalist research also influenced researchers from Japanese folkloristics
proper. In such cases, it was characteristic that they were not simply doing synchronic
functionalist analyses, but reformulating methodologies that articulated these with analyses
of historicity. Ajio Fukuta (1984) argued that a methodological change should be made from
research based on the prior perspective of nationwide comparisons using the notions of
“proof by re-citation” and “peripheral zone theory.” He instead advocated surveys and
research that could grasp the organic links among folk traditions occurring in “regional
7 “Keisei-saimin” (経世済民) is the principle that folkloristics should ultimately be of some practical “help to the
world, help to the people.” It may be thought of as a call to do what might be termed “public folkloristics” in
the same sense as “public anthropology.”
8 In Japan, together with the minzokugaku (民俗学) meaning Folkloristics, there is also a minzokugaku (民族学)
meaning Ethnology (Social-Cultural Anthropology). Though written with different Chinese characters, since
both share the same pronunciation as “minzokugaku”, it is customary to refer their relationship as the two
minzokugaku. It is possible to summarize the relationship between these two minzokugaku in Japan as follows:
Until the first half of the 1930s, the “two minzokugaku” were in a nearly undifferentiated condition. However, in
1934, The Japanese Society of Ethnology ( 日 本 民 族 学 会 ; now called the Japanese Society of Cultural
Anthropology, 日本文化人類学会) was established and the next year, 1935, The Folk Tradition Society (民間伝
承の会, Minkan Denshō no Kai; the current Folklore Society of Japan, 日本民俗学会) was established. From this
time, the division between the two gradually progressed, with Ethnology conducting research abroad and
Folkloristics conducting research domestically. However, even after this, not a few researchers have been
active in both Societies, and this continued into the 1980s. With the exception of a small number of
researchers, the tendency to participate in both has since declined. Kuwayama (2004) provides details on the
relationships of these two minzokugaku.
198 Takanori Shimamura
social contexts” (denshō botai) comprised of a single community (shūraku) and the related
regional folk histories incorporating these. This methodology was labelled “individual
analysis” (kobetsu bunseki-hō; Fukuta 1984) or “regional folkloristics” (chiiki minzokugaku;
Miyata 1985). Fukuta and others strongly criticized the elementism of research based on
“proof by re-citation” and “peripheral zone theory” as failing to pay attention to regional
social contexts. At this time, debates thus developed concerning folkloristic ethnographies
and the recording of folk traditions using the methods of “individual analysis”and “regional
folkloristics” (see: Chiba 1977; Ebara 1977; Hashimoto 1977; Inokuchi 1977; Iwasaki, et al.
1977; Moriyama 1977; Ohba 1977; Sakuma 1977; Takeda 1977; Takizawa 1977; and
Yamaguchi 1977).
From the latter half of the 1970s and into the 1980s, work related to structuralism and
symbolic theory appeared, including that by Kawada (1987), Nozawa (1982, 1983), and
Suzuki (1979, 1982, 1984).
Such urban research was has been further deepened by work by Miyata (1982) and Tano
(2008) dealing with the Tokyo and Osaka metropolitan areas. However, such urban research
was not necessarily carried out using methodologies clearly different than those of prior
folkloristic research taking rural farming, mountain and fishing villages as field sites, and
there was not a little urban research that stopped at investigating folk traditions surviving
in the cities.
Takahiro Ōtsuki criticized this situation and, using the debates about folkloristics as
material, he attempted to fundamentally reconsider both urban and rural folkloristic
methodological approaches. Around the time of the publication of his essay on “The
Essential Characteristics of ‘Urban Folklore Studies’” (Ōtsuki 1985), he and other younger
researchers of the same generation began a movement to rethink folkloristics from its very
roots. Based on an examination of Kunio Yanagita’s folkloristics thought, Ōtsuki clarified
that for Yanagita “folkloristics” was a movement to create “a database accessible by anyone
Folklore in the Midst of Social Change 199
in [Japanese] society―at a time when [Japan] had established itself in a modern form and a
real popular society at begun to arise―in oreder to find answers to the various doubts,
distress and difficulties that, without any way to be clearly comprehended, were emerging
one after the other and accumulating before their eyes” (Ōtsuki 2004:171). According to
Yanagita, this movement would have as members citizens living outside of academics and it
would be a type of civic education cultivating critical abilities regarding knowledge and
information—and, based on this, it would provide people with the ability to choose their own
futures (Ōtsuki 2004).
Upon entering the 1990s, Japanese Folkloristics began to fundamentally change. Research
that probed for the roots of and historical changes in folk traditions as such, as well as
research that explored for essentialistic meanings, receded into the background. Meanwhile,
research that placed in its field of vision engagement with contemporary society, and
particularly with changes in society, became central to folkloristics. This change in
folkloristics may be thought to have been the outgrowth of the trend from the 1970s toward
urban research, in which researchers were groping for new methods and issues or concerns
that differed from the framework of prior research on the folk traditions of rural (farming,
mountain and fishing) villages.
Two theoretical articles that clearly show the changes in folkloristics during this period
are those by Yukihiko Shigenobu (1989) and Michiya Iwamoto (1998). Shigenobu―who
together with Takahiro Ōtsuki, mentioned above, led the movement to reform Japanese
folkloristics―notes that originally folkloristics was “an intellectual tactic with which to,
while simultaneously relativizing oneself, talk about oneself from the ground up, and that it
was a method to weave words narrating the self as relativized against one’s ‘everyday’”
(1989:2). He argues that from this, for example, it becomes possible to understand the
contrivance of “the modern”—itself constituted by changes in the nature of daily life due to
the transcendence of everyday life beyond an embodied human scale—as a shared space of
“listening-writing” in which “listeners” and “narrators” as people mutually living “the now”
reconcile their queries (1989:2,29.9
9 This claim was afterwards argued in more detail (Shigenobu 2012, 2015).
200 Takanori Shimamura
folklore, as “knowledge of/from the past” was to be used as resources in addressing social
issues. Iwamoto argues that it is necessary to turn from being a discipline that studies
folklore and return to being a discipline that studies using folklore.10
While neither Shigenobu or Iwamoto used the word “study of social change” (shakai
hendōron) as such, it is possible to say that the content of their discussions clearly aspire to
Yanagita-style social change studies, and that in this aimed for the re-departure of Japanese
folkloristics as the study of social change. I label Japanese folkloristics as seen from the
1990s as “Contemporary Folkloristics,” and below introduce a number of examples of
research that relatively clearly display the special characteristics of this (a more
comprehensive introduction of work based on fields of research will be included in the next
volume of JRCA).
The research taken up below shares the point of attempting to clarify how people’s life-
worlds are adjusting within and to changes in social structures, through analyses of the
concrete dynamics of experience, understanding and expression—that is, of
folklore―occurring in life-worlds. Much of this research, that interprets social change from
within the life-worlds of the people undergoing it, also holds the potential to develop
discussions which consider how it is possible for people in the midst of social change to
imagine better life-worlds; and in this, it possible to see the folkloristic studies of social
change initiated by Kunio Yanagita.
Regarding illness and medical treatment, the work of Noriyuki Kondō (1992) considers
how “the culture of death” has changed with the introduction of modern medicine. He argues
that folkloristic research on hospitals should expand to include “hospital ethnographies.”
The work of cultural anthropologist Emiko Namihira (2001) is also rich in suggestion for the
future of the folkloristics of medical treatment. Namihira takes as forms of folklore, and thus
as new themes for folkloristic medical research, such things as: “the meanings and values
attached to doctors, nurses and other medical specialists, to medical institutions and the
treatment practiced there, and to relationships between medical patients and practitioners;”
“the customs and systems that have become established in medical institutions, regardless
of their not being included in the formal educational curricula for doctors or nurses, or in the
internal rules of hospitals or of the medical association;” “the private decisions regarding the
use of purchased or household drugs;” “daily customs and foods believed to be effective in
maintaining health or preventing illness;” and, “‘medicines’ which while not modern medical
pharmaceuticals are treated as such by the people using them.”(2001:243-244). Regarding
death, funerals and burials in contemporary times, in addition to Kondō’s (1992) work,
which also dealt with death while in hospital, there is folkloristic work dealing with
funerary changes such as the introduction of funeral companies or of cremation
(Yamada1995, 1996; Hara 1999; Hata 2002; Katō 2002), or with changes in burial systems
(Maeda 2001).
In addition, folkloristic research with the clear character of being studies of social change
included other work such as Shunichi Horie’s (1991) discussion, based on articles in women’s
magazine, of early 20th century “Yamanote Life; ” Akira Nakamura’s (1990, 1991, 1994)
analyses, based on “life advice” articles, of contemporary family consciousness; and, Michiya
Iwamoto’s (2002) analyses, using case studies of parent-child double-suicide (oya-ko shinjū)
and of reproductive medical technologies, the conditions in which the until then not
seriously considered consciousness of “blood relations” (ketsu-en) had in the modern period
expanded, become taken-for-granted and regulated the consciousness and behavior of
contemporary people.
but was “folklorism” formed through the intervention of the media. In the background to the
formation of “folklorism” was the nostalgic gaze that takes “folklore” as something “nostalgic”
(natsukashī). This gaze is intimately related to city dwellers’ views of “homeplace” (furusato),
which has been analyzed by Tōru Yagi (1996), Keiichi Yano (1997), Manami Yasui (1997),
and others.
Upon entering the 21st century, some “folklore” items have been designated Intangible
Cultural Heritage by UNESCO. Michael Dylan Foster (2013) clarifies how the practitioners
of “folklore” designated as intangible cultural heritage understand the fact of this
designation and insert their own subjectivities it into. And, research by Shinya Morita (1997,
2003), and Naoko Andō (2002) analyzes how the directly concerned parties (tōjisha) of folklore
act when folklore becomes inserted into tourist contexts. Here as well, these authors portray
the conditions in which the directly concerned parties incorporate tourism into their own
life-worlds and subjectively use it.
5.6 War
Folkloristics research on war was also something begun from the 1990s. Kunimitsu
Kawamura (1998) analyzes reports and editorials published during the Second World War in
Folk Tradition, the official journal of The Folk Tradition Society. He shows that while on the
one hand these aided the heightening of wartime morale, the reality of a degree of control
could also be seen. And, he notes that although based on Society members’ case-study
reports there was an accumulation of records of the wartime creation of war folklore by the
common people, these reports were cut short due to the direction of the editorial board.
Yasuaki Maruyama (2004), incorporating also the existence of suppressed memories,
discusses the politics regarding the monument built to remember and console the spirits of
the 120 soldiers who died in 1902 during training in the snowbound mountains of Aomori
Prefecture. Riko Kitamura (2006), meanwhile, while reviewing the literature on war and
folklore, and while drawing on her own fieldwork, makes sharp points regarding the problem
of the emotions of those directly concerned parties who debunk the fictitiousness of the “war
dead” (senbotsusha) and “spirits of the war dead” (literally, hero-spirits, eirei) and the problem
of the consoling of spirits not contained/able in the Yasukuni Shrine.
As can be seen above, it may be said that the folkloristics of social change as widely
defined has become a nearly commonly held stance in contemporary Folkloristics. However,
on this common base, there are also a number of discussions and debates that inquire into
yet more radical methodologies. These include, for example: the reformulation of
understandings of “oral tradition,” long a key concept in folkloristics, as more individually-
oriented via research using narrative approaches (Kadota 2007); the positive evaluation of
204 Takanori Shimamura
individual creative performance that transcends set narratives (Kawamori 2007); the call for
collaborative ethnographies between folklorists and concerned parties (tōjisha) that actively
incorporate “concerned party’s narratives” (tōjisha no katari; Kawamori 2012); and the
proposal of viewpoints that do not take “oral tradition” and “literate culture” as opposites but
that employ grounded analyses of their mutual influence and coalescence (Koike 2013;
Watanabe 2013).
As one form of the participatory academics (shimin sanka-kei no gakumon) now being
demanded by contemporary society, there is a growing movement to re-evaluate the
character of Folkloristics as a “grassroots discipline, or discipline of the folk by the folk (no no
gakumon),” which describes one line of the academism of Folkloristics (Shinno 2006). And,
also appearing are movements to debate, based on concrete examples of practice, the social
practice of folklorists as research methodology. Thus, for example, Morikuri (2005) discusses
the roles to be played by folklorists as facilitators of town (re)development in cases of natural
disaster recovery, while Suzuki (2012) argues that interviews and dialogues with disaster
victims function as a kind of “attentive listening” (keitoku). Such achievements, which may be
called “public folkloristcs” (kōkyō minzokugaku; see Suga 2010; Baron 2013), are important as
methodologically substantive instantiations of the “keisei-saimin” (for the world, for the
people) orientation of Yanagita Folklorisitcs that has been investigated by Takashi Fujii
(1993).
REFERENCES
Funerals and Graves: The Disintegration of the Two-Graves System and the Acceptance of
Cremation in Himaka Island, Aichi Prefecture)『日本民俗学』(Nihon Minzokugaku, The Bulletin
of the Folklore Society Japan) 231: 97-110.
Herlyn, Gerrit ヘアリン,ゲリット
2010 「人生記録研究・日常文化研究のテーマとしての科学技術」(Science and Technology as Themes
for Research on Human Documentation and Everyday Culture) ( 池 松 瑠 美 訳 , Rumi
Ikematsu, trans.) 『 日本 民俗学 』 (Nihon Minzokugaku, The Bulletin of the Folklore Society
Japan) 263: 57-74.
Higa, Masao 比嘉政夫
1965 「村落の祭祀組織と<ハラ>の祭祀組織―沖縄南部における事例から―」(Village and “Hara”
Kinship Group Ritual Organizations: Case Studies from Southern Okinawa)『日本民俗学会報』
(Nihon Minzokugaku-Kaihō, Bulletin of Folklore Society Japan) 39: 20-28.
Hirayama, Kazuhiko 平山和彦
1969a 「周圏論をめぐる諸問題」(Problems Regarding Peripheral Zone Theory)『日本民俗学会報』
(Nihon Minzokugaku-Kaihō, The Bulletin of the Folklore Society Japan) 60: 15-21.
1969b「民俗学と「歴史」の問題」(The Problem of Folklore Studies and “History”)『日本民俗学会報』
(Nihon Minzokugaku-Kaihō, The Bulletin of the Folklore Society Japan) 60: 36-37.
1969c 「方法論および問題意識ということ」(Regarding Methodologies and Problem Consciousness)
『日本民俗学会報』(Nihon Minzokugaku-Kaihō, The Bulletin of the Folklore Society Japan) 60:
42-44.
Hirayama, Toshijirō 平山敏治郎
1951 「史料としての伝承」(Oral Traditions as Historical Materials)『民間伝承』(Folk Tradition)
154: 2-9.
1969 「亀山慶一氏の文章を読んで」(On Reading Keiichi Kameyama)『日本民俗学会報』(Nihon
Minzokugaku-Kaihō, The Bulletin of the Folklore Society Japan) 60: 41-42.
Hokkyō, Hakaru 法橋量
2003 「ドイツにおけるフォークロリスムス議論のゆくえ―発露する分野と限界性―」(The
Folklorism Controversy in German Volkskunde: The Emergent Field and Its Limitations)『日
本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 236: 49-71.
2010 「現代ドイツ民俗学のプルーラリズム―越境する文化科学への展開―」(Pluralism in
Current German Folklore: The Development of an Interdisciplinary Culture Studies)『日本民
俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 263: 5-30.
Horie, Shunichi 堀江俊一
1991 「明治末期から大正初期の『近代的家族像』―婦人雑誌からみた『山の手生活』の研究―」
(The Image of Modern Family from the Late Meiji Period to the Early Taishō Period: A Study
of “Yamanote Life” as Seen from a Women’s Magazine)『日本民俗学』(Nihon Minzokugaku, The
Bulletin of the Folklore Society Japan) 186: 39-73.
Hotta, Yoshio 堀田吉雄
1980 「 城 下 町 の 民 俗 試 論 」 (An Essay on the Folklore of a Castle Town [Matsuzaka, Mie
Prefecture])『日本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 129:
1-10.
Huang, Lie-Yun 黄麗雲
208 Takanori Shimamura
(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 125: 1-17.
1982 「対馬・木坂の祭祀と村落空問」(The Rites and Village Space in Kisaka, Tsushima Island)
『日本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 140: 35-43.
1984 「対馬・仁位の祭祀と村落空間」(Rituals and Village Cosmology in Nii, Tsushima Island)『日
本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 151: 1-24.
Suzuki, Iwayumi 鈴木岩弓
2012 「いま、震災被災地で民俗学者ができること」(Now, What Folklorists can do in Earthquake
Disaster Areas)『日本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan)
270: 232-237.
Tadenuma, Yasuko 蓼沼康子
1998 「日本民俗学における老いと老人―家族の側面から―」(Aging and the Elderly in Japanese
Folklore: From a Side View of the Family)『日本民俗学』(Nihon Minzokugaku, The Bulletin of
the Folklore Society Japan) 214: 87-90.
Takahashi, Tōichi 高橋統一
1978 「宮座の構造とその周辺」(The Structure and Surroundings of Parish Guilds)『日本民俗学』
(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 115: 1-7.
Takeda, Akira 竹田旦
1977 「民俗誌と民俗学」(Ethnography and Folklore Studies)『日本民俗学』(Nihon Minzokugaku, The
Bulletin of the Folklore Society Japan) 113: 68-73.
Takizawa, Shūichi 滝沢秀一
1977 「地域住民の手で綴る民俗誌を」(Toward Ethnographies Composed by Local Inhabitants)『日
本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 113: 47-51.
Tamura, Kazuhiko 田村和彦
2009 「中国民俗学の現在―現地調査と民俗志を中心に―」(Contemporary Chinese Folklore
Studies: Focusing on Fieldwork and Ethnographies)『日本民俗学』(Nihon Minzokugaku, The
Bulletin of the Folklore Society Japan) 259: 28-56.
Tanaka, Senichi 田中宣一
1969 「重出立証法の歴史」(History of the Method of Proof by Re-citation)『日本民俗学会報』(Nihon
Minzokugaku-Kaihō, The Bulletin of the Folklore Society Japan) 60: 2-3.
Taniguchi, Yōko 谷口陽子
2008 「女性の奉公経験と家族および地域共同体における評価―山口県豊北地方の漁業集落矢玉を事
例として―」(The Valuation of Family and Community Based on Women’s Experiences as
Hōkōnin [Live-in Servants])『日本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore
Society Japan) 253: 1-26.
Tano, Noboru 田野登
2008 『水都大阪の民俗誌』(The Ethnography of Water Metropolis Osaka) 大阪:和泉書院 (Osaka:
Izumi Shoten).
Tsurumi, Kazuko 鶴見和子
1997 「社会変動論のパラダイム―柳田國男の仕事を軸として―」(Paradigms of Social Change
Theory: With the Work of Yanagita Kunio as Axis)『鶴見和子曼荼羅Ⅰ、基の巻』(In Tsurumi
Kazuko Mandala I: Basics) 東京:藤原書店 (Tokyo: Fujiwara Shoten) pp. 442-483.
Uesugi, Tomiyuki 上杉富之
218 Takanori Shimamura
Sangoku Shobō).
1947 『 氏 神 と 氏 子 』 (Ujigami to Ujiko Local Shrines and Parishioners) 東 京 : 小 山 書 店 (Tokyo:
Koyama Shoten).
1953 『不幸なる芸術』(Fukō naru Geijutsu The Unhappy Art) 東京:筑摩書房 (Tokyo: Chikuma
Shobō).
Yano, Keiichi 矢野敬一
1997 「『ふるさとの味』の形成に見る家族の戦後―菖蒲の節句の行事食・笹団子の名産品化を通し
て―」(The Postwar Period of the Family as Seen in the Evolution of “Hometown Taste”: The
Iris Festival’s Ritual Food and Changes in its Speciality, the Sasa-Dango)『日本民俗学』
(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 209: 1-32.
2003 「ノスタルジー/フォークロリズム/ナショナリズム―写真家・童画家・熊谷元一の作品の受
容をめぐって―」(Nostalgia, Folklorism and Nationalism: In Connection with the Works of
the Photographer and Painter for Children, Motoichi Kumagai) 『 日 本 民 俗 学 』 (Nihon
Minzokugaku, The Bulletin of the Folklore Society Japan) 236: 147-154.
Yasui, Manami 安井眞奈美
1997 「「ふるさと」研究の分析視角」(The Analytical Vision of Furusato [Hometown] Research)『日
本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 209: 66-88.
Yukawa, Yōji 湯川洋司
1998 「伝承母体論とムラの現在」(The Theory of the Traditional Unit of Folkways and the Village)
『日本民俗学』(Nihon Minzokugaku, The Bulletin of the Folklore Society Japan) 216: 15-25.