Bahrain Design Week Guidelines
Bahrain Design Week Guidelines
2024
Table of About us
Target Audience
Narrative
04
05
Arabic Typeface Overview
Font Family
53
54
Cotents
Tagline 06 Uses, Do’s and Don’ts 56
Brand Approach 07 Billingual Typography Pairing 59
Vocabulary 08 Do’s and Don’ts 60
Brand Promise 11
Typography
Bilingual Typeface Overview 45
Latin Typefaces 46
Font Family 47
Uses, Do’s and Don’ts 50
TM& 2024 Bahrain Design Week. All Rights Reserved. 2
02
Brand Guidelines About Us Introduction
01
About us
Our Target Audience
Our Tagline
Our Rooted Narrative
Brand Approach
Our Vocabulary
Brand Promise
For Our
Dedicated
Designers To our,
Our
Rooted
Narrative
Imagine receiving a warm welcome
and a reassuring greeting that quickly
makes you feel at ease. Imagine now
having the same sense of anticipation
as you enter doors that lead to a place
you can call truly home!
Tag, This is the tagline of our brand representing how we have a lot of
opportunities and a collaborative environment where the people can
You’re It come with all their imaginations, ideas, perspectives and knowledge and
we will provide a platform for them to be able to enhance them and
flourish until they become professionals and a master in their work.
“Where
Imaginations
Meet Mastery”
Our Mission
Brand To offer a united atmosphere that stimulates the
sharing of approaches, perspectives, and imaginative
Approach concepts in order to build relationships and generate
unique design breakthroughs through a collaborative
and professional environment.
Vision
To become the preferred platform for connecting,
inspiring, and amplifying the collective talent of
designers worldwide, bringing about significant
growth in the creative industry.
Values
Fostering a Respectful Collaborative Community.
Encouraging Creativity and Growth.
Embracing Diverse Perspectives.
Providing Exceptional Resources.
Words That These are some of the words crucial to the brand, they define the tone
and emotional connections that the people must feel for our brand. It is
. Friendly
able
Flourish These are some of the verbal identity that has been created utilizing the
words in a creative manner, it can be literally and metaphorically used.
However, the message and emotions that the audience will perceive
Belonging should be exactly the same, that is significant. There is a very thin line
between professionalism and very kind, the words ought to be chosen
Collaborative We care about how positively our brand should impact the audience.
Hence, the phrases created here are for merchandise, stationary and
collaterals that are personal and targetted specially and directly to the
Supportive people, our target audience. There is a careful execution to it, the phrases
should always match the imagery, icons or the theme and where it is
Ticket to creativity.
Step into a community of
designers.
Where ideas get toted, not
forgotten.
Creativity runs through these
threads.
Do use phrases as such for the merchandise and it’s branding, this has been planned
carefully to combine the friendliness and approachbility of the brand with the use of puns as
well as smart and subtle techniques to make the people happier.
Our
Promise
To You Where Creative Hearts Find Home.
We provide a supportive
and professional
environment for all of
you who want to belong!
02
Visual
Identifiers How it come to be?
Primary Logo
Secondary Logo
Favicon Logo
Submark Logo
Black & White Logos
How did The idea was collaboration and building connections among the diversity
that we will have at our event. This is also all about perspectives, it was
also to represent the initials B and D which stands for Bahrain Design. The
the logo end result was something imaginative and it showcases people being
united and waving at everyone, that establishes how approachable,
Collaboration
Our Visual
Identifier
Initials B & D
Connections
Primary Our brands primary logo, the main esscence of everything we are. It
is a billingual design that establishes legibility and readibility for the
typography. It is eyecatching and structured in a manner that all the
Logo elements of the logo would attract viewers, indivisually and altogether. It
is the perfect balance of professionalism with comfort. This will be used in
majority of the elements in the brand.
Primary The logo’s clean, breathing space is achieved through strategic use of
the letter ‘B’ from our chosen typeface. This element with it’s boldness
B
B
Primary Our primary logo scaling options range from large to small; if necessary,
adjustments can be made among them, but they are important for
Logo Sizes printing. They serve as a reference that enables our logo to be easily
recognized and understood in a variety of applications.
(Print)
Largest
Width:- 79mm
Height:- 70mm
Primary Our primary logo scale possibilities varies slightly for digital usage due to
the way our visual identity appears on displays. It’s designed to avoid
Logo Sizes overwhelming the audience by being either extremely big or extremely
little. As long as the guidelines are respected, the range is customizable.
(Digital)
Largest
Width:- 260.78px
Height:- 230.55px
Primary Maintain the exact proportions and color scheme, and make sure there
is enough room for the mark. Don’t enlarge, rotate, or change the logo in
any other way. Use only approved versions and never try to make your
Logo Do’s own version of the logo. Following these recommendations will protect
the uniqueness of the logo and improve brand identification.
& Don’ts
Do keep the background in it’s originality. Do use this variation of the logo when needed.
Don’t squish the logo. Don’t stretch the logo. Don’t tilt it in any direction.
Don’t change the colors at all. Don’t cut off any part of the Don’t keep the strokes thick on
logo, it should be whole. smaller sizes, keep it legible.
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Brand Guidelines Visual Identifiers Primary Logo Do’s & Don’ts
Primary With its “Pure Canvas” background, our primary logo appears beautifully
since it draws attention to it, emphasizes it, and enhances its appeal.
However, if it becomes necessary to have it engraved on a piece of
Logo Do’s wood or board, it is acceptable as long as the colors and sizing remain
consistent and the guidelines for logo dos (see page 18) are followed.
Secondary The ideal amount of clean space surrounding the logo is established by
consistently using the ‘B’ letter from our unique typeface. This thoughtful
strategy gives the wordmark plenty of space to breathe, making the
Logo design feel spacious and well-balanced. It also ensures readibility and
legibility without creating a strain on the viewers eyes.
Clearspace
B
B
Secondary Our secondary logo scaling options range from large to small;
modifications can be made if needed. However, because they highlight
Logo Sizes the typography and are significant in readability and legibility, they are
vital for printing accurately.
(Print)
Largest
Width:- 130mm
Height:- 41mm
Medium Smallest
Width:- 73mm Width:- 45mm
Height:- 23mm Height:- 14mm
Secondary Our secondary logo scale varies slightly for digital usage due to the way
our visual identity appears on displays in regards to typography. It’s
Logo Sizes designed to avoid overwhelming the audience by being either extremely
big or extremely little. As long as the guidelines, readability and legibility
are respected, the range is customizable.
(Digital)
Largest
Width:- 437.29px
Height:- 139.83px
Medium Smallest
Width:- 245.34px Width:- 97.58px
Height:- 77.25px Height:- 32.23px
Secondary Remember to stick to the exact creation of and precision while exhibiting
the secondary wordmark logo. Do not resize, rotate, or otherwise modify
the visual elements of the logo. Never try to replicate the wordmark from
Logo Do’s scratch; as it has been created carefully already. Respecting these rules
will protect the brand consistency.
& Don’ts
Do keep the background in it’s originality. Do use this variation of the logo when needed.
Don’t reduce the spacings and cause elements Don’t tilt it in any direction.
to be in proximity, allow there them to breathe.
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Brand Guidelines Visual Identifiers Secondary Logo Do’s & Don’ts
Secondary Our secondary logo was created with the idea that it would be most
useful when the application has less vertical space but more horizontal
space. It is easier to read, readable, and better when viewed due to it
Logo Do’s being larger and suitable for such situtaions.
Favicon Consisting of the ‘B’ letters proportions, a consistent clean space idea has
been applied to the favicon logo designs with ease. No matter where the
logos are presented, this method guarantees that each one has the ideal
Logo amount of breathing area to look professional and balanced. The well-
considered negative space strengthens a cohesive visual identity system
Clearspace while letting the unique brand aspects stand out.
B
B
B
Logo Sizes to small. Even though we don’t often use them, each of our elements has
guidelines and a cushion of protection in usage.
(Print)
Favicon It’s necessary to use our favicon logo digitally, as it may be altered if
needed, unlike with print. There are several sizes available for the logo.
Logo Sizes They will be utilized on search bars as well as in extremely subtle and
tiny specialized applications.
(Digital)
Favicon When it comes to small digital applications, the favicon logo should be
utilized sparingly and only when a minimalist style is appropriate. Do
not modify the favicon in any way, including stretching or tilting it. It is
Logo Do’s designed for small-screen viewing which must be maintained for brand
familiarity by regularly following these guides.
& Don’ts
Do keep the background in it’s originality. Do use this variation of the logo when needed.
Don’t stretch the logo. Don’t squish the logo. Don’t make the strokes thicker.
Don’t change the perspective. Don’t make the circles bigger Don’t compile any part of the
than the rest of the logo. logo to each other.
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Brand Guidelines Visual Identifiers Our Submark Logo
Submark The submark logo successfully conveys the core characteristics of our
brand through initials and visual elements. This logo is quite expressive
as the visual elements are perfectly blended with the bilingual initials B,
Logo D and W. It acts as a flexible and particular representative of our brand
promise, the submark logo portrays inspiration, passion and support.
Submark The area of clear space surrounding the submark logo has been carefully
considered. This logo can be placed on all digital touchpoints, where a
simple, easily identifiable icon can have a powerful effect, such as our
Logo social network accounts, and app interfaces. It can also be essential for
the merchandise of our brand, hence requires the consistent clearspace.
Clearspace
B
B
B
B
Submark Our submark logo scaling options range from large to small;
modifications can be made if needed. However, because they highlight
Logo Sizes the typography and initials and are significant in readability and legibility,
they are vital for printing accurately.
(Print)
Largest
Width:- 55mm
Height:- 65mm
Medium Smallest
Width:- 40mm Width:- 21mm
Height:- 46mm Height:- 25mm
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Brand Guidelines Visual Identifiers Submark Logo Sizes
Submark Our submark logo scale varies slightly for digital usage due to the way
our visual identity appears on displays in regards to typography. It’s
Logo Sizes designed to be used on social media profiles, app design and have
the right amount of spacing and placement. As long as the guidelines,
readability and legibility are respected, the range is customizable.
(Digital)
Largest
Width:- 179.72px
Height:- 212.49px
Medium Smallest
Width:- 102.79px Width:- 38.02px
Height:- 125.62px Height:-45.68px
Submark The guide is to not change the logo in any way, including by extending or
tilting it. Apply the submark consistently as a unified aspect of our brand;
do not reduce the spacings among the elements at all. Following these
Logo Do’s recommendations will guarantee that the submark maintains its visual
impact and upholds our established brand’s identity over all touchpoints.
& Don’ts
Do keep the background in it’s originality. Do use this variation of the logo when needed.
Don’t reduce the spacings. Don’t squish the logo. Don’t stretch the logo.
Don’t make the strokes of the Don’t interchange any of the Don’t add any strokes of any
logo thicker. colors even within the logo. color to the typography.
TM& 2024 Bahrain Design Week. All Rights Reserved. 35
Brand Guidelines Visual Identifiers Submark Logo Do’s & Don’ts
Submark The use of the Submark logo is essential for incredibly tiny digital
applications like widgets and app icons on mobile devices, particularly
watches. Because it is intended to be visible at very small sizes, it must
Logo Do’s use the guidelines of the don’ts (see page 31) before being used.
Secondary Logo
03
Color Palettes
Aesthetic of our Colors
Primary Color Palette
Secondary Color Palette
Color Combinations
Color Palette Don’ts
Aesthetic The carefully chosen color scheme for our brand is a significant visual
representation of who we are. This is a mood board that we used to
portray the colors, feelings and community-focused vision where we
Of Our created mood board as a guide to ensure that the audience immediately
feels comfort and a welcoming environment that is what the brand has
Colors promised to be.
Primary Our brand’s carefully chosen main color palette serves as a powerful
expression of our brand identity, establishing a deep connection with
our target audience while faithfully capturing our purpose promise. It is
Color of utmost importance that these colors are implemented flawlessly, as
we never want our audience to feel disconnected from their sense of
Palette belonging within our community.
Secondary Our target audience connection is strengthened and our brand identity
is further enhanced by our carefully chosen secondary palette, featuring
complimentary colors. These colors create a unified and harmonic visual
Color experience since they were thoughtfully selected to go well with our
primary palette. It is crucial that these colors may be used in support of
Palette BDW colors only, and should not be used prominently in application.
Color Our color combinations have been carefully organized and planned
keeping visibility, legibility and readability in mind for typography but
also for the visual elements and imagery that will be a significant part of
Combination our brand, it is preferred that these guides be followed.
Don’t Don’t Do Do
Color We have maintained our visual identity requires using these colors
consistently, whether in print or digital media. To change any part of
our colors can be harmful and weaken the bond we have built with our
Palette audience. These color palette guides will guarantee that our brand is
expressed consistently and effectively across all platforms.
Don’ts
Don’t use the color palettes, primary or
secondary for a gradient of any sort. It does not
align with the visual aesthetic of the brand.
Do Don’t
04
Typography
Billingual Typograhy Overview
Latin Typeface
Arabic Typeface
Billingual Pairings
Billingual Do’s and Don’ts
دحtمrوخDس ه
use of the bilingual typefaces which reflects our dedication to creating a
feeling where our brand feels like home, to come to it for your creativity.
Overview
ط
Aفب اp عB
Wml viH ر
؛ل.
Peachi & Mirza
Typeface The choice of Latin typefaces for our brand was a deliberate decision
that aligns seamlessly with our brand persona. They provide a clear
Primary The foundation of our brand’s typographic identity is the Peachi font
family. Peachi exudes originality and approachability with its organic
Font Family impact. These are the guides on which font can be applicable in what
context, it is necessary to maintain these throughout the brand.
(Latin)
Peachi Black
Used for the logo and it’s variations only.
Peachi Bold
For large headlines only.
Peachi Medium
For large subheadings only.
Peachi Light
Decorative, to enhance the other family members.
Tertiary Our brand has beautifully used the Pangram typeface family to go
with the eye-catching Peachi typeface. The stronger Peachi is elegantly
Pangram Black
To highlight subtle and significant details.
Pangram Bold
In body paragraphs, as subheading.
Pangram Medium
For body paragraphs only.
Pangram Regular
Another option for body paragraphs.
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Brand Guidelines Typography Why these typefaces?
Peachi & utilized the advantages of both Peachi and Pangram to create a unified
typographic system that improves readability, enhances the essence of
our brand and builds a relationship that is everlasting with our audience.
Pangram?
Peachi is contemporary
memorable
inviting
friendly
versatile
Pangram is accomodating
organized
flexible
reliable
TM& 2024 Bahrain Design Week. All Rights Reserved. 49
Brand Guidelines Typography Latin Typeface Usage
Usages important to use the fonts chosen for their particular role. It is perfectly
okay to move the elements around based on the hierarchy, but it is not
possible to use Peachi medium as a heading, for instance.
(Latin)
Embrace Headlines
Peachi Bold
Possibilities,
Flourish and Innovate! Subheads
Peachi Medium
Typeface Size To have a smooth hierarchy, it is important to implement all the typefaces
with the right size differences when they are displayed together in a
composition. This should be achieved by calculating the sizes according
Comparison to this; The headline size is flexible and can vary, the subheading
however has to be more than 13pt lesser to the headline. Then, the body
(Latin) copy can be 14pt lesser to the subheading.
Headlines 50pt
Peachi Bold
Subheading 35pt
Peachi Medium
Pangram Medium
Do’s & Don’ts and that we do not modify them or use them in ways that might effect
readability, legibility or the representation of our brand.
(Latin)
Amplify Amplify Amplify
Talent Talent Talent
Do calculate the leading Do keep the tracking at 20 in Do keep the tracking at -10
by using a line of 4.45mm all sizes to allow the letters to leading to be at 25 for body
between two uppercases. breathe a little. paragraphs.
Typeface Our Arabic typeface pairing “Mirza” was chosen with the intention
of reflecting the Latin typeface’s boldness, friendliness and warmth.
Overview Given that the majority of Bahraini people prefer Arabic, a useful and
aesthetically beautiful design is ensured by the typeface’s balanced
proportions and legibility, which highlight our brand’s dedication to
(Arabic) inclusive design and global inspirations.
Primary The foundation of our brand’s typographic identity is to make sure the
Arabic and Latin typefaces were used in the same manner. These are the
Font Family guides on which Mirza font family can be applicable in what context, it
is necessary to maintain these throughout the brand. That would ensure
that the billingual designs have the same visuals and emotion.
(Arabic)
م ي�رزا ب�ولد
Used for the logo and it’s variations only. Mirza Bold
الم�وسطة
رزا�مي
ت
For large subheading only.
م ي�رزاعادي
Mirza Medium
Tertiary The legible of the Janna LT typeface is ensured by it’s geomertic and no
contrast strokes. It matches the Pangram typeface perfectly to create a
Font Uses consistent, genuine voice in written communications. This preserves the
unique visual style while supporting the brand identity and enabling
clear messaging in bilingual versions.
(Arabic)
جانا لت بالك
To highlight subtle and significant details. Janna LT Black
جانا لت جريئة
In body paragraphs, as subheading. Janna LT Bold
لمتوسطة لت جنا
For body paragraphs only. Janna LT Medium
العادية لت جنا
Another option for body paragraphs. Janna LT Regular
Typeface This is an example of the Arabic typefaces are used in the same way as
Latin and how the different fonts compliment each other. It is important
Usages to use the fonts chosen for their particular role. It is perfectly okay to
move the elements around based on the hierarchy, but it is not possible
to use Mirza Semibold as a subheaading, for instance.
(Arabic)
ع� ن�ق ي
�
ت
Headlines
,االح�ماالت
Mirza Semi-bold
ت
! ت� ز�دهر واال ب� ت�اكر Subheads
Mirza Medium
Typeface Size To have a the same method of implementing all the Arabic typefaces
with the right sizes as well is to calculate it according to this; The headline
Comparison size is flexible and can vary, the subheading however has to be 18pt
lesser to the headline. Then, the body copy can be 17pt lesser to the
subheading. The size of headers can be used to calculate the rest.
(Arabic)
��الع�او ي
ن
ن
54pt
Mirza SemiBold
�رع
ع�وان ف� ي
ن
36pt
Mirza Medium
Janna LT Medium
Do’s & Don’ts take care not to alter or utilize them in any way that could compromise
their readability, legibility, or brand representation. Because of its lettering,
Arabic typography requires more careful consideration.
(Arabic)
ت� ض� خ� ي�م ت� ض� خ� ي�م تضخيم
المواهب المواهب المواهب
Do calculate the leading by Do keep the tracking at 20 in Do keep the tracking at 16 and
using a line of 3.5mm between all sizes to allow the letters to leading to be at 20 for body
the letters for all sizes. breathe a little. paragraphs.
Typeface other and how our typeface choices, font pairings and their usages
complement one another.
Pairings
Embrace Possibilities
Flourish and Innovate
Introduction
Our design hub promotes open communication, respect, and creativity, fostering
a community where designers can reach their full potential and contribute to the
growth of the creative industry.
االح�ماالت
ت ان �ض �اح
ت
� ز�دهر و ا ب� ت�كر
ت
مقدمة
ً
مجتمعا حيث ويعزز،يعزز مركز التصميم الخاص بنا التواصل المفتوح واالحترام واإلبداع
يمكن للمصممين تحقيق إمكاناتهم الكاملة والمساهمة في نمو الصناعة اإلبداعية.
TM& 2024 Bahrain Design Week. All Rights Reserved. 59
Brand Guidelines Typography Billingual Typeface Do’s & Don’ts
Typography This is a guide for bilingual typography that are necessary to maintain
a consistent visual identity. Respecting these guidelines encourages
Do’s & Don’ts readability and establishes trust and diversity. Our brand familiarity,
professionalism and trust are increased when typographic hierarchy,
space, alignment are consistent and appropiate.
(Bilingual)
Amplify Amplify Amplify
Talent Talent Talent
ت� ض� خ� ي�م ت� ض� خ� ي�م ت� ض� خ� ي�م
المواهب المواهب المواهب
Do align both of the billingual Do align the Arabic typeface to Do keep the sizes the same in
typefaces flush left when the rigid right when appropriate apperance, so one is not larger/
suitable to the implementation. while Latin is on the left. smaller than the other.
& Don’ts
05
Iconography
& Patterns Our Patterns
Iconography
Iconography in signage
Iconography in wayfindings
Our Main The most important aspect of our overall brand identity is our brand
pattern. It has been created to perfection of our collobrative nature,
Pattern alignment of perspectives despite the despite the diversity of ideas and
individuals, everyone will be able to discover something with us that
resonates with their creativiity. It is comfortable, flexible and supportive.
Our Main Other than “Pure Canvas,” our pattern can only be used on the
“Belonged Elegance” color. The colors of the elements may not be altered
Pattern or applied in a way that would harm the pattern’s uniqueness or our
brand identity.
Variation
Our Patterns In order to further distinguish our brand and give it a more appealing
aspect that would inspire visitors to be involved in our community, we
have also designed a limited-edition pattern. This design represents
Limited Edition both curtains that open to reveal our people’s creative abilities and
doors that open and invite all perspectives and imaginations.
Iconography A key element of our brand identity is the iconography, which represents
our brands in an eye-catching manner and makes it instantly identifiable
due to the color application and design. These unique symbols combine
Of Our Brand form and function, they are aesthetically pleasing, distinctive and have
been created for the use of both digital and print. The social media icons
have been changed only in color to make it specific to our brand.
Iconography As we are never sure of the architecture and the colors of the doors. It is
allowed to change the change the color of the letters M and W based on
the color palette to make the sign prominent. However, the icons should
In Various never change in design as it actually portrays a women in her dress
happily with her arms in the air while for men they are down and more
Iconography As our brand is centered around our target audience, their comfort and
ease. It is important to use the icons that were created appropiately
In Signages with the right hierarchy. They would be then placed appropiately, it is
important to be consistent in how easy the information is to absorb as
people look for these signs and want to be informed quickly. These have
& Wayfindings been designed to do just that, make them happy and be informed.
Iconography Some more applications of the icons placed all around the event, it also
consists of a map that is very friendly and a perfect guide that does not
In Signages complicate the directions at all. Everything in these way findings have
been designed to be as suitable for the brand and also to make the
people explore and discover what they are looking for. It is a necessity to
& Wayfindings use the same scaling and placements for the best outcomes.
06
Photography
Our Creative Community
Our Stimulating Environment
Our Designers Exhibitions
community
Photography: Our brand is also about the platform we provide, how it feels like
home and is comforting and at the same time, innovative. To get that in
pictures is the most significant thing. Every image must be unique and yet
Our stimulating consistent with professionalism and belonging.
Settings:- ISO- 125, 25mm, F1.8, 1/100s.
environment
Photography: Our brand is also about the platform we provide, how it feels like
home and is comforting and at the same time, innovative. To get that in
pictures is the most significant thing.
Our stimulating Settings (Image 4):- ISO- 64, 13mm, F2.2, 1/50s.
Settings (Image 25):- ISO-50, 25mm, F1.8, 1/20s.
environment
Photography: Our brand not only promotes but also achieves results that will change
the creative industry. Because the exhibits are the creations of our
creative individuals, it is especially important to pay close attention to
Our designers how they are displayed and developed.
Settings (Image 1 & 2) :- ISO- 50, 25mm, -1.2ev, F1.8, 1/100s.
1. Close Up Shot
Details, no matter how subtle are always
beautiful, observe and capture them in works.
Photography: Our brand consists of diversity, in people and what they do. Hence,
the exhibitions also vary, it is important to capture that variety, from
contemporary designs to traditional handicrafts, everything must be
Our designers captured and portrayed.
Settings :- ISO- 50, 25mm, -1.2ev, F1.8, 1/100s.
exhibitions
Photography: Our brand consists of diversity, in people and what they do. Hence,
the exhibitions also vary, it is important to capture that variety, from
contemporary designs to traditional handicrafts.
Our designers Settings (Image 6):- ISO- 200, 25mm, F1.8, 1/50s.
Settings (Image 7):- ISO- 200, 20mm, F10, 1/80s.
07
Stationary
Letterhead Buisness Cards
Notebook Envelopes
Notepad Complimentary slips
Binders All Stationary
Folders Badges
Letterhead, Letterheads are more than just a plain piece of paper with some
information on it; they are also one of the most important components of
never ordinary our brand and must reflect our core values through design elements. The
paper must be memorable to our consumers everywhere it is used and
distributed, not only through the logo but also through our patterns.
Brand Since our brand inspires our designers and creative thinkers to be
imaginative and embrace every perspective, our notebooks were
NoteBook designed with their needs in mind. It is essential that they have
notebooks for their ideation that will support their greatest potential of
creativity. It needs to have the feel of a mature but personal diary.
Notepad for your In order to make creative thinkers more at ease, our notepad—which
is used for organizing and drawing the many ideas that our community
Binders & Our brand binders and the application form that participants must
complete, is assembled collectively in accordance with our brands’ visual
Form identities are all contained in this design of binder and form that has
been created to be easy for all.
Folder & Since it should be very easy for consumers to find their way to us
through our logo or pattern, something simple and frequently used as
Invoice an invoice must also comply to our brands design. For this reason, we
included both in our invoices, considering ease of use into consideration
for a variety of scenarios. Consistency is required so that the folder look
like the binder as well.
Regular & Our regular cards will have a horizontal layout that reflects the
professional and collaborative spirit of our brands while yet providing
Executive Cards our staff with easy access to the information. We designed the executive
cards to be vertical in order to stand out and make them extremely
memorable. It will have individualized barcodes and information and has
been developed with the elegance of our brand in mind.
Eyecatching Our brand visuals feature patterns, and our A4-sized envelopes are no
exception. Nothing on our stationary should be taken out of character or
A4 Envelope used to represent who we are not. The atmosphere we have needs to
be consistent—supportive, contemporary, and motivating.
DL & A3 In order for our DL and A3 sized envelopes to be visually appealing and
sophisticated, they need buttons and strings to be able to be opened to
Envelopes introduce the contents. They beautifully capture the uniqueness of our
brand due to this design.
From us, The language on our complimentary slips is significant; it is not enough
to say “thank you,” as that is not genuine nor appropriate for who we
Complimentary are. When it comes to involving our audience and giving them a sense
of belonging, we must be consistent in our approach. Therefore, the
complimentary slip is also a personal expression of appreciation.
Slip
representation one of our stationary pieces has a consistent yet unique appearance,
each with unique features that all work together to form the same
overall design. througout.
Badges: The word “visitor” on the visitor’s badge is unsuitable; it conveys hostility
and lacks emotion. When the badge is seen, it will show that the guests
Participants, are introducing themselves and the reason they are there, which fosters
comfort and a sense of participation. Both the staff and participant
badges must have the same design but color-coded. To aid with
Staff & Vistors recognition, they must have both information and imagery.
08
Collaterals
Giveaways
Merchandise
Beanie & Socks
Phone Cases
Pillows
Apparels
Limited Edition Bag
Memorable Our brand features a unique bag that holds all of the giveaways and
has a goodie bag inside of it which contains the ename pins and
Beanie & Socks we provide two different styles of socks to suit each person’s tastes. It is
essential to use our phrases that are especially created for the purpose
of socks; they have a lighthearted and engaging tone that encourages
people to buy them.
Remarkable We offer our pattern-adorned phone cases in two distinct color options.
The casing is made of leather and has a matte, textured appearance,
Phone Cases thus it is highly important to preserve the material. Since our brand
has a connection to individuality and that this is more impressive and
professional, it must be displayed on this high-quality product.
Feels like home? If you refer to our brand narrative and promise (pages 7 and 12), we
promise to have an environment that makes our target audience feel at
Throw Pillows home and like they belong. This is for everyone who love throw pillows
and would like to preserve the feeling of community they get from our
brand to be with them in their own cozy space.
Our Unique These are apparel items that represent our brand; they combine
elegance, simplicity, originality, and lightheartedness while using language
Apparels that is appropriate (refer to pages 9–11). To broaden and diversify our
brand, we have also used our secondary logos and submark. Our tote
bags will be available in two distinct styles and fabrics, allowing our
people to select the one that best suits their personal preferences.
Limited Edition This is our unique, limited-edition tote bag, made only for special
occasions and available in a small amount. It is not a major aspect of
Totebag our brand identity; rather, it is a subtle support. Although occasionally, it’s
nice to have something fresh, which is why we made this.
09
Grid Systems
Presentation Slides
Websites
Social Media
Posters
Digital Grids For our presentations, we have chosen to create a modular grid. It has
6 columns and 6 rows, hence a 6x6 grid with 4mm gutter and 12.7mm
(Presentations) margins. Modular grids are extremely flexible in terms of layout and how
we can place the elements in it. Additionally, this grid’s modular design
enables us to organize imagery and typography in a unified, responsive
style for print, mobile, and desktop applications.
Our Grid
Digital Grids This is the cover page layout for our presentation. It is informative in
terms of displaying the imagery on the top creating a visual satisfaction
(Presentations) for the viewers and then combined with the typography that has been
planned and organized to have hierarchy. We also chose to have our
logo in the middle end so it would uphold our brands visual identitiy.
Digital Grids If there is an important typography element to add, such as the taglines,
mission, vision and values. This is the layout of the slide, there are no
Digital Grids It is always better to start the presentations and introduce the audience
to the topic gently and slowly instead of displaying a lot of information
(Presentations) at once. It would also not be appropriate to our brand to make the
information complex and heavy on the eyes or a hierarchy that is
difficult to navigate, hence this layout with its white space and scaling is
perfect for the audience to go through.
Digital Grids A perfectly organized layout that has typography and some more
images, it is an easy way to make the audience understand the
(Presentations) presentation when they see the images. Presentations are more effective
through images than to make the viewers read a lot, hence this is quite
suitable for our brand. It is also balanced and pleasing to look at which
will capture the attention better of our audience.
Digital Grids This is the final outcome of the presentation slides layout that will
be repeated throughout the presentation, it is minimal and modern.
Digital Grids For desktop websites, the 12-column grid system with 15px gutters
maximizes responsiveness and content arrangement. It allows flexible
(Dekstop layouts and aesthetic harmony while 15px gutters promote legibility and
de-clutter. The header has open space that creates the sophisticated
and approachable look our brand has. The entire screen will be covered
Website) with imagery that has a significant role in displaying our brand.
Our Homepage
Digital Grids The imagery that must be used should encourage designers to
participate, discover themselves, and connect with people of diverse
Digital Grids To make the website more dynamic and visually appealing, upon
scrolling the image will get smaller, this will increase the legibility and
(Dekstop readability of the header, make the logo more prominent and make the
website more comfortable for exploring. It is crucial to implement this as
the rest as the layout is in accordance to this interactive element of the
Website) imagery getting into a frame, as it is after all a design event.
Our Homepage
Digital Grids This is the final symmetrical outcome of how the homepage must be,
everything is prominent in the header and there is a lot of space around
(Dekstop the imagery that emphasizes the visuals and header more. It makes
the homepage easier to navigate hence increasing user experience. It is
notable that the image should have rounded corners for friendliness and
Website) to not have sharp edges that would seem hostile.
Digital Grids As there would be reading material on this page, we chose left alignment
as that is the most natural form of reading in Latin. This would make the
(Dekstop information easier to absorb and increase readability while the imagery
on the right displays the mood of the typography elements through
visuals. That would create a combination where words and images both
Website) match each other and the message displayed..
Digital Grids This is how the elements will come together with the typography that
has been used according to the given guides (refer to page 44) that
(Dekstop are aligned to the header. There is also a design for call to action
(CTA) button if someone is interesting in reading more. The design and
placement is to make it eye catching. On the right, round cornered image
Website) on the right that creates a comfortable and consistent visual appeal.
Digital Grids An imagery based layout that is asymmetrically balanced and still
consists of space and room to breath. It is important to understand
(Dekstop how the typography here has used pangram because it is a body text
and peachi will not be appropiate in this size for digital applications,
especially websites. To make sure the content is readible, we insist that
Website) Pangram be used (refer to page 47).
Digital Grids As our design event is diverse and welcomes all variations of design
including artworks, handicrafts and even architectural elements, it is
(Dekstop helpful to showcase our brand strategy and what we stand for through
imagery that shows what we say. This page is the most important
because it shows instead of telling, it is how we portray who we are
Website) visually which is captivating,
Digital Grids This is how the website should look when viewed on a laptop:
beautifully centered, with expressive spaces on all sides to highlight our
Website)
Digital Grids For mobiles, it is a 8-column grid system with 20px gutters that maintains
the legibility and de-clutter. The header has shifted now to a hamburger
(Mobile menu so there isn’t an intense amount of elements on the screen. The
layout still has to represent our brand in the same manner as dekstop.
Website)
Our Homepage
Digital Grids The final result is appropriate given that the website is centered and
has a lot of empty space because the artwork goes smaller but is now
(Mobile vertical rather than horizontal. Because mobile devices have smaller
displays, it is more important to ensure that the layout is easy to use, so
we made sure to take that into account when designing the layout.
Website)
Our Homepage
Digital Grids We came to the decision that it would be preferable to show the
photographs one at a time because the screen featured vertical scrolling.
Digital Grids This page’s typography and visual elements has completely shifted from
flush left to centered, making it suitable for right-handed thumb and left
(Mobile handed thumb scrolling and preventing accidental taps on the call to
action (CTA) button. Everything is easily navigable and accessible to suit
the needs and preferences of the our viewers.
Website)
Digital Grids The homepage of the website looks like this on an iPhone; it is really
focused and elegant, yet it is also practical and consistent with our
(Mobile brand. We want to reach out to our target audience, their emotions and
help them reach their potential with our event and that is our goal.
Website)
Digital Grids The rest of the website layouts on an iPhone; it portrays the openness,
unity and collective talent that our brand has and mainly; professional.
(Mobile
Website)
Digital Grids Our Instagram feed design features a geometric pattern layout to provide
a memorable experience. Our Instagram feed features carefully selected
Layout)
Digital Grids Our primary logo’s intricate design may cause visibility issues, so we
need to use the submark logo as the profile image for clarity and for it
(Social Media to be memorable. Our official Instagram page engages with our audience
by inviting, educating, and sharing news through the stories feature. It is
important to always have consistency in the instagram feed.
Layout)
Digital Grids The mock-ups for our brand’s Instagram where all the posts, visuals and
profile picture is clear and can be viewed without any issues in regards
Layout)
Print Layouts We used the same grid to guide two alternate element placements
for our poster advertisement. Its 8 columns and 11 rows that provide
(Posters) designers more creative freedom, and both posters have the same
structure for total consistency—even when the parts are arranged
differently, they still relate to one another.
Poster 1 Poster 2
Print Layouts This serves as a guide for the arrangement and blending of
typographic and visual elements. It was thoughtfully designed to be
Poster 1 Poster 2
10
Branding &
Advertising Print Advertisement
Brochure
Magazine
Tickets
Vehicles Branding
Online Advertisements
Outdoor Advertisements
Print Our elegant and visually appealing posters serve a practical purpose
while softly yet effectively promoting our brand. We place a strong
Advertising emphasis on using the right vocabulary and encourage users to stick
with it because it is important to how we communicate with those we
serve.If the posters have frames, they should match our color palettes.
(Posters)
Print Advertising People should want to hold and explore our signature brochure because
it so delicately combines everything of our persona, emotions, and
(Signature thoughts. In order to build our brand, we included the shapes of our logo
into the covers and outside. The content within has carefully blended
photography with informative typography that follows a hierarchy to
Brochure) guide the viewers without intimidating them.
Print Our brand’s magazine stands out from ordinary rectangular layouts
because to its square format which must be used as it draws attention
Print Our brand’s roots are in helping designers realize their potential by
allowing them to flourish with their imaginations and ideas. Therefore,
Advertising our magazine must also feature some amazing designs and artwork, we
need to highlight how they were successful using our platform and will
receive the resources and opportunities they hoped for.
(Magazine)
Our Printed & This shape and size must be used for our printed tickets that vary in
color based on the type of ticket. This is distinct and exclusive to our
Digital Tickets brand since we want each item we make to be remarkable and stand
out from others. In order to improve our visitors’ experience, verbal
language must also be used consistently. We also provide digitally
readable and usable online tickets that follow the same design.
Vehicle The primary logo must be used on cars, regardless of their models,
shapes, or sizes, and it must be placed on the door on the left side of
Branding: the vehicle. It must be centered on the vehicle and have a delicate,
professional-looking pattern on the back that is toward the back tire.
Cars
Branding: campers alike, displaying the professionalism and versatility of our brand
across all mediums and interpretations.
Website pop up & We made the choice to add pop-up advertisements to our website,
which provide a better user experience and improve interaction rates
Advertising Video by introducing our merchandise and offering a discount to visitors who
sign up. In addition, we created a video combining imagery and our
appropiate verbal language to describe our brand and what we do, it
will be uploaded to YouTube.
Advertisement on One of the greatest and most efficient ways to advertise is through
Instagram’s stories feature, which is quick and effective. We choose to
Instagram Stories maintain the element of surprise and curiosity by using hinting close-ups
and zoomed-in photographs, followed by an announcement of what will
be offered with a visually appealing and informative text.
Banners & These are some of the banners and screens that are outside, promoting
our brand and extending an invitation to everyone to come and take
Screens part. In order to swiftly and properly reach the audience, the goal was to
keep it simple, rely on imagery that is shaped like our logo, and perfectly
deliver the verbal language. We also insist on using secondary logo for
the banners and patterns as an additional banner.
Window our event, they should still find our advertising and design fascinating
and remarkable. It is important to remember us for our uniqueness,
compassion and attractiveness.
Banners
To our innovators,
We hope your
imaginations has no
limits and you flourish
with uniqueness.
Until we meet again.
[email protected] @designsby.min