Blue Cat - Axiom

Blue Cat's Axiom User Manual
"The next generation: your axe beyond the limits"
1
Copyright (c) 2018-2023 Blue Cat Audio
Table Of Content
Introduction
Description
System Requirements
Installation
First Launch
Using Blue Cat's Axiom
Introduction
The User Interface
Operation
Standalone Application Basics
Blue Cat Audio Plug- ins Basics
User Interface Basics
Controls
Keyboard
Mouse
Presets Management
MIDI & Automation Control
More
Plug- in Settings
The Global Settings Window
The Preset Settings Window
About Skins
Changing the Skin
Create a Custom Skin
More
Extra Skins
Tutorials
Updates
Versions History
Note: An online version of this user manual is available here.
2
Introduction
Meet Blue Cat's Axiom: your versatile and open multi effects and amp simulation software for guitar and bass. Derived from
the acclaimed Destructor plugin for amp simulations, Axiom offers an infinite number of exceptional tones to enhance your
musical expression with your axe.
In essence, Axiom caters to a wide range of musical scenarios, from recording and performance to sound design and
experimentation. It empowers musicians, producers, and sound enthusiasts to achieve their sonic aspirations by combining realistic
amp simulations, a wide array of effects, and the freedom to integrate their preferred plug- ins in any format. Whether you are in the
studio crafting a masterpiece or on stage delivering a captivating live performance, Axiom is your go- to solution for pushing the
boundaries of guitar and bass sound.
Axiom indeed offers a world of sonic possibilities thanks to its distinctive structure and signal flow:
Two versatile amp simulation channels, each with pre and post effects, blend seamlessly for a lifelike amp experience.
Discover unique amp simulation, offering exceptional tone, an authentic playing feel, and unrivaled tweaking
capabilities for full control over your sound.
Customize your tone with hundreds of presets or dive into the amp editor for complete control.
Fine- tune your sound with additional input and master sections, boasting 4 effect slots each, and a built- in high- precision
tuner.
Safeguard your output with a brickwall limiter to prevent overshoot.
But that's merely the starting point. Axiom extends further, offering boundless potential for effects and creativity:
Over 100 built- in effects, including creative delays, reverbs, distortion & fuzz pedals, modulation fx, wah and more.
Unleash your inner pedal wizard and create your own: dive into creative delays and reverbs with the built- in version of
Late Replies, sculpt your signature distortions, filters, and compressors with Destructor, and transform your pickups on the fly
or refine acoustic guitar tones effortlessly with Re- Guitar!
Seamless integration with third- party Audio Unit, VST, and VST3 plug- ins, expanding your sonic arsenal indefinitely.
Enhance your performance with virtual instruments in the tools section, like metronomes, drum machines, sequencers,
synthesizers, or the built- in audio player.
Axiom stands as your all- in- one solution, featuring an extensive library of hundreds of full- rig presets for both electric and
acoustic guitar and bass. When used as an application, you can effortlessly play over backing tracks and record your performance
with a single click.
If you are in search of amp simulation software without the effects, check out our Destructor plugin. For a plugin host & multi-
effects processor without amp simulation, explore Blue Cat's PatchWork.
Typical applications: Limitless Guitar & bass amp simulation with effects, VST, VST3 and Audio Unit hosting, live performance,
sound design, recording, creative exploration.
Credits: this plugin includes several factory presets created by Hans Van Even.
3
System Requirements
MacOS Windows
An Intel or Apple Silicon processor. An SSE2- enabled processor (Pentium 4 or newer).
Mac OS 10.9 or newer. Microsoft Windows Vista, Windows 7, 8 or 10.
For the plugin, any VST / Audio Unit / AAX compatible For the plugin, any VST / AAX compatible host software (32 or
application (64- bit) . 64 bit).
For the standalone application, a Core Audio compatible audio For the standalone application, an ASIO, MME or WASAPI
interface. compatible audio interface (ASIO recommended).
For more information about supported platforms, see our Knowledge Base.
Demo Limitations:
5 instances of the plugin allowed per session.
The effect is bypassed for half a second every minute.
4
Installation
The standalone version does not require any host application and can be run without requiring any third party application.
The plug- ins versions cannot be run standalone: they require a host application (see the System Requirements chapter for more
information). Depending on which host application you use, you might need to install the plug- ins in different locations.
Before installing one of the plugin versions, you should close all your host applications.
Windows
Install
All versions of the plugin provide an installation program. Follow the steps of the wizard to install the software on your machine.
During the installation you will be asked where you want the software to be installed. For the VST version, you should install the
plugin inside the VST plug- ins folder used by your host application(s). The default path set in the installer should work for most
applications, but you should check your host software documentation to know where it looks for VST plug- ins. For other plugin
types, you should just use the standard path.
Some applications will not automatically rescan the new plug- ins, so you might have to force a refresh of the plug- ins list.
Upgrade
When a new version of the software is released, just launch the new installer: it will update the current installation.
Uninstall
To uninstall the software, simply launch the "Uninstall" program that is available in the start menu or in the configuration panel. It will
take care of removing all files from your computer.
Mac
Install
On Mac the plug- ins are available as drive images with an installer. After download, double click on the dmg file to open it. You can
then double click on the installer (.pkg file) to install the package.
Note for Mac OS 10.15 Catalina or newer: you may have to right click on the installer and select "Open" instead of double clicking
on the file to launch the installation if your computer is not connected to the Internet.
Upgrade
When a new version of the software is released, just launch the new installer: it will update the current installation.
Uninstall
To uninstall the software, simply remove the component(s) from their install location (move them to the trash):
Standalone applications are installed in the / Applications folder

AAX plug- ins are installed in the / Library/ Application Support/ Avid/ Audio/ Plug- Ins/ folder
Audio Units (AU) are installed in the / Library/ Audio/ Plug- Ins/ Components/ folder
RTAS Plug- ins are installed in the / Library/ Application Support/ Digidesign/ Plug- Ins/ folder
VST plug- ins are installed in the / Library/ Audio/ Plug- Ins/ VST folder
VST3 plug- ins are installed in the / Library/ Audio/ Plug- Ins/ VST3 folder
If you want to completely remove all settings and configuration files, you can also remove these additional directories that may have
been created on your computer:
~/ Library/ Preferences/ Blue Cat Audio/ [Plug- in name and TYPE], where TYPE is VST, AU, RTAS or AAX: global
preferences.
~/ Library/ Preferences/ Blue Cat Audio/ [Plug- in name]: license information
~/ Documents/ Blue Cat Audio/ [Plug- in name]: user data, such as presets, additional skins and user- created plugin data.
Please be aware that these directories may contain user data that you have created. Remove these directories only if you do not
want to reuse this data later.
First Launch
Standalone Application
Once the application has been installed, simply double click on its icon to launch it. On Mac, the application will be located in the
'Applications' folder if using the default install location. On Windows, you will find it in the start menu.
5
The first time you launch the application, it will ask you if you want to configure the audio interface:
It is recommended to configure the audio interface before using the application, but you can still do it later by clicking on the "Edit/
Audio Setup" menu. This opens the Audio/ MIDI Preferences window reproduced below:
If the default setup displayed in the panel does not correspond to your needs, you can do the following:
Choose the appropriate I/ O configuration, if available.

On Windows, choose the type of audio driver (ASIO is recommended. If you do not have an ASIO driver, we recommend
using the ASIO4All driver).
Choose the driver to use for audio input and audio output, if available (with ASIO, you can only choose a single driver for
both).
Select the sample rate and buffer size. Increasing the size of the buffer uses less CPU but adds latency.
Select the audio inputs and outputs to use with the software.
You can also set the tempo and time signature if relevant.
Click on "Tap Tempo Setup" if you want to tap tempo with a MIDI controller.
Changes are applied to the application in real time and saved when closing the preferences window. You can see the status of the
audio engine at the bottom of the window, as well as the estimated i/ o latency (it depends on the sample rate, buffer settings and
selected audio interface(s).
If the status of the engine is 'NOT Running', you may need to change the settings: try to increase the buffer size, change the sample
rate (it might not be supported by the interface) or select another audio interface.
The MIDI In and MIDI Out panes let you select the MIDI devices to be used as input and ouput. You can either use them all, none, or
select from a list:
6
Once the this has been setup, you can close the window and start using the application.
Standalone Application: Network Server

It is also possible to use the applications as a "slave" of another application that sends audio and MIDI with the Connector plugin
locally or over the network. To do this you should select the "Network Audio" driver type and "Connector Slave" driver.
Click on the button with 3 dots at the right of the driver name to access the connection settings (see the Connector Manual for more
details):
Note: in this mode, the application will not process audio unless some data is sent to it by an instance of the connector plugin
loaded into an active audio application.
Audio Plug- Ins

Blue Cat Audio plug- ins cannot be run standalone, they require a host application (see the System Requirements chapter for more
information). Some host applications will require you to scan the plug- ins before they are available in the application.
7
If the plugin is not available in the application, please check that it has been installed in the appropriate directory (with no host
application running), and that the host application has scanned it.
8
Using Blue Cat's Axiom
Introduction
Blue Cat's Axiom is a multi- effects processor for guitar and bass with included amp simulation. It lets you insert third party plug- ins
as well as built- in effects in many locations in the signal path.
Signal Path
Axiom is composed of an input effects section, followed by two parallel amp simulation channels (A/ B), each one including pre
and post effect chains together with an amp simulation module. at the output lies the master channel, with 4 effect slots, a stereo
spread control, post gain and a brickwall limiter.
Three additional "tools" slots to host third party virtual instruments are available. Their output is mixed to the main signal after the
limiter, and before the output gain, as shown above.
Note: despite its position in the Graphical User Interface (GUI), the tuner is not affected by the input effects.
Mono vs Stereo
Blue Cat's Axiom can be used with several audio I/ O configurations, depending on the host application, plugin format or the audio
format of the track it is inserted on: mono, mono to stereo (M2S) or stereo.
When used with regular mono input, it is strongly recommended to use the mono to stereo configuration. In this case, the signal
remains mono until the post effects of each amp channel. So input effects, pre effects and amp simulations only process a mono
signal, which can save a lot of CPU cycles.
The GUI will show a different icon in pre and post effect chains to show if a mono or stereo signal is being processed:
Mono (left) vs stereo (right) effect chain
Amp Simulation
The two amp simulation modules available in channel A and B are based on the Destructor plugin:
9
You can load amp presets and use the built- in controls to adjust the tone, or create your own amp simulation by opening the full
amp editor or the tone maps browser. All amp presets are compatible and shared with the Destructor plugin that also comes as a
built- in effect.
Using the built- in Destructor, you can actually insert additional amp simulations anywhere in the signal path, or split the preamp and
cabinet simulation in different locations (see the tips section later in the manual).
Built- In Effects
Blue Cat's Axiom includes more than 100 top quality built- in effects that can be used in all plugin slots (effect pedals of channel
strip slots), next to third party VST, VST3 or AU plug- ins. They include: distortion pedals, Bit Crusher, Chorus, Comb Filters,
Compressor, Ducker, multiple delays and echoes, Harmonizer, EQ and IR Loader, Multimode Filter, Flanger, Frequency Shifter,
Gain, Gate, Stereo Pan, Phase Shifter, Phaser, Pitch Shifter, Pitch Bender, Reverbs, Stereo Strip, Sweep Filter, Tremolo, Wah,
Waveshaper, Audio file player, looper...
Axiom is also available as a built- in plugin, so that you can load it into itself and share the presets... Built- in versions of the
Destructor and Late Replies plug- ins are also included. They will share their presets and settings with the full versions if you already
own them.
Built- in plug- ins offer the same preset management and control features as the main plugin (MIDI learn, undo/ redo, parameters
range...). For more details about each effect and its controls, please refer to the included documentation ("?" icon in the toolbar of
each plugin).
EZ Mode
Version 2 bring a new "EZ mode", a simplified view perfect for live performances or quick presets exploration and tweaking. This
mode provides easy access to essential controls without delving into intricate editing details.
10
When starting with Axiom, it is recommended to switch to EZ view and browse the numerous factory presets before diving deeper
into the editing capabilities of the software.
Parameters Mapping & Macros

With Blue Cat's Axiom, it is possible to map sub plug- ins parameters in order to control them with host automation, an external
control surface, or simply within the Axiom's user interface. Thanks to the included "learn mode", simply touching the knobs of your
favorite plug- ins will let you assign parameters for external control (up to 42 controls are available).
Starting with version 1.7, it is possible to map several parameters to a single control and adjust the range of each parameter, to
create macro controls that can adjust multiple parameters at once.
MIDI Preset Loading

It is possible to load presets using MIDI (with Bank Select and Program Change messages). More details about MIDI and presets
loading is available in the presets section.
Multicore Processing
Axiom utilizes a multicore processing engine that can spread processing on separate processor cores for each amp channel and
tools rack elements. It lets you use all your processor cores at the same time and load more effects or instruments at the same time.
Note: effects that are processed in series (one after the other) cannot be parallelized and do not benefit from multicore processing.
Only A/ B channels and tools rack elements can be processed independently.
The multicore engine can be activated or deactivated for each preset independently. When using very few plug- ins with low CPU
usage in parallel, the cost of multicore processing can be higher than the benefits (you can check the CPU usage with the built- in
CPU meter at the bottom right of the user interface).
Performance also depends on the host application and its own multicore processing strategy, so you may want to try and compare
with or without multicore enabled.
11
The User Interface
Note: The main toolbar, menus and basic features available with all our plug- ins are detailed in the Blue Cat Audio Plug- ins Basics
section.
Discovering the EZ Mode

Overview
Axiom V2 brings a new "EZ mode", which offers a simplified user interface with direct access to the main controls of a
preset. You can use it to discover the software and factory presets before editing your own tone, or to play live gigs. To
switch to EZ mode, click on the "EZ" button in the main toolbar.
1. Click on the EZ button to switch back forth between EZ and full mode.
2. Use the presets area to load and save presets. The arrows let you go thru all presets quickly. Use the 2.1 button in the toolbar
to display the advanced presets browser that offers more browsing and searching capabilities.
3. Built- in Tuner. You can also mute the incoming signal when tuning with the mute button next to the power button.
4. Amps Controls. Up to two amps may be displayed when parallel amp channels are used.
5. Assigned Controls (if any) let you control the main parameters of the effects in the current preset. This can be configured
with the macro controls editor.
6. FX Switches: if any effects are loaded in the current presets (see the plugin slots in the full view), they will appear here so
that you can enable or disable them quickly.
7. Audio recorder (application only): click on the red circle to record yourself, and then open the audio file by clicking on the
folder icon.
8. Real time workload meter that measures CPU load (becomes red when CPU load is too high).
Configuring the EZ View
Clicking on the knobs icon in the toolbar opens a menu to configure what is displayed in the EZ view:
12
You can choose to display the amp(s), macro controls and footswitches (pedalboard) for the current preset. You can also launch the
params map editor to modify or create new macro controls.
MIDI Control in EZ Mode
You can quickly access MIDI control settings in the EZ mode by clicking on the gear icon (there is also a separate gear icon for each
amp):
Clicking the green arrows under each control gives access to MIDI learn and other MIDI control settings. Once MIDI setup is
complete, you can select "Lock Control Settings" so that MIDI control settings are not changed when switching presets.
Note: control settings lock is a separate setting for the amps (it can be accessed in amps edit mode using the same gear icon).
For more details about MIDI control capabilities in Axiom, check out the MIDI and automation section.
Full View - Overview

Switching back out of EZ mode shows the full user interface, with full access to all Axiom capabilities to craft you own tone in details.
The complete user interface mostly follows the signal flow described in the previous chapter from left to right and top to bottom:
13
Main Components
1. The main toolbar, with from left to right: the bypass button, in and out gain controls, the main toolbar buttons, the presets
manager and text display LCD.
2. The input section, with effect slots, tuner and pre- gain.
3. The Amp channels.
4. The output section, with effect slots, stereo spread, gain and limiter controls.
5. The tools rack, to host third party virtual instruments.
6. Real time workload meter that measures CPU load (becomes red when CPU load is too high).
7. Transport & tempo controls, audio recorder (app only).
Meters
Level meters are available to monitor the audio level at many stages of the processor. Please note that no clipping happens
between modules, so it is not a necessity to keep levels below 0 dB. It is however a good practice, as some built- in effects and
third party plug- ins may be sensitive to the absolute audio level (dynamics processors, distortions...)
The reverse blue meter next to the output level meters displays the gain reduction performed by the brickwall limiter. Metering can
be disabled in the main toolbar.
The main toolbar
1. Main plugin menu (access presets, global settings, ...).

2. Show/ Hide controls settings menu (MIDI learn, response curve, lock, effects bypass lock...).
3. Undo/ Redo.
4. User manual.
5. Open the about box.
14
5. Open the about box.
6. Global GUI zoom control.
7. Show/ hide level meters.
8. Activate multicore support.
9. Show/ hide the presets browser.
10. Show/ hide controls for pre- fx pedals.
11. Show/ hide controls for post- fx pedals.
12. Show/ hide the tools rack.
13. Assignable controls menu: show/ hide assignable controls (controls mapped from hosted effects or amp sims), open the
params map editor, or select the style of assigned controls.
14. Activate tail spillover for Axiom, A/ B channels or pre & post FX.
15. Switch between "EZ" and full edit modes.
16. GUI settings lock (to prevent GUI layout changes when loading presets).
17. Show the preferences pane for plug- ins hosting.
Note: some controls may display additional information in the preset LCD (below the name of the current preset) when hovering the
mouse on them, so you may want to keep an eye on this area!
Locks
Several locks are available to prevent changes while loading presets: when the lock is active, loading presets will not
change the settings of a locked section. A general UI lock is also available in the toolbar, if you want to keep the same user interface
settings (GUI layout, opacity, plugin windows...) while browsing presets.
The Input Section

The signal enters the input section right after the main input gain. The lock located at the top of the input
column locks the entire input section (including plugin settings), so that they are not changed while
loading global presets.
On the right you have access to a menu that manages the input effects chain: you can load/ save presets
or copy the entire chain to paste it in another instance or at another location in Axiom (pre or post fx,
master fx...).
The tuner (disabled by default) can be enabled by clicking on it. You may want to disable it once in tune, to
save CPU and avoid being distracted while playing.
Note: by saving the current state of the plugin using the "Save as User Default" function, you can
override the default state of the tuner.
At the bottom of the section, the slider adjusts the gain at the output of the section, with a level meter for
monitoring.
A and B Channels
At the top of the middle section you will find the main controls for the A and B amp simulation channels:
Each channel can be enabled independently, with its own volume and pan controls. Clicking in the rectangular area around each
channel selects the corresponding channel and displays its controls in the area below.
The mix knob lets you blend channels together, or smoothly switch between them. You can also click on the "A" and "B" letters to
quickly switch between channels, or on "MIX" to switch between A, B and A +B.
The menu buttons for each channel let you load and save sub- presets that contain the settings of each channel separately. You can
also copy/ paste between channels.
Channels Details
Channels A and B are identical and offer the exact same user interface.
Pre and Post FX
Pre effects are applied before the amp simulation, whereas post effects are applied after, but they offer the same capabilities
dedicated at chaining effects.
15
The entire section can be locked to keep its settings unchanged when loading global or channel presets. The power button next to
the title can be used to disable the entire chain.
Each pedal slot can host a built- in or third party effect plugin (more details later in the manual). Despite their different aspect, pedal
slots have the exact same behavior and features as the other plugin slots that can be found in the input and master sections.
At the top right of the section you will find a presets menu to manage sub- presets for the section. The settings can also be copied
and pasted from and to other effect chains.
When enabled in the main toolbar, individual controls from hosted plug- ins can be displayed below the chain for direct access. It
also works for third party plug- ins that expose their parameters.
Amp Simulation
At the core of Axiom you will find the amp simulator (one per channel):
Using the presets manager at the top of the amp, you can select an amp model from hundreds of presets (shared with the ) and then
tweak the sounds with the knobs. Their behavior depend on the selected amp preset (they may have different range and the bass,
mid and treble controls may affect different frequencies depending on the selected amp preset).
Like other sections, the amp simulator has a lock control and a bypass button.
At the top right of the amp module, you will find in order, from left to right:
A menu button to access parameters mapping options, MIDI I/ O assignments and presets.
The gear icon to display the MIDI control settings buttons for the amp simulation module.
The tone maps button to launch the tones explorer for the amp simulation: browse amp tones and create new amps in 2D
with tone maps.
The amp editor button to launch the amp simulation editor and access the "guts" of the amp simulation.
The amp simulator behaves like a built- in plugin that is fully integrated into the user interface of Axiom. So in the first menu, you
will find the same options as for plug- ins slots (except that you cannot load plug- ins).
When launching the amp editor, Axiom opens the GUI of the Destructor plugin to give you full control over the simulation:
16
You can also customize the graphical user interface so that the look and feel of the amp matches the tone you have created: the
look and feel selected in the amp editor is reflected in the main Axiom screen.
For more details about the amp editor and how to build your own amp tone, please refer to the Destructor user manual that is also
available from the toolbar of the amp editor user interface (question mark icon).
Another option to browse and create new amp tones is to use tone maps: they let you browse existing amp presets in two
dimensions and morph between them.
17
You can find your own tone without having to deal with the amp simulator and its parameters: just follow the presets, and find the
right spot on the map.
The Master Section

Like with the input section, the master section has its own lock and effect chain sub- presets controls,
accessible next to the title.
Right before the brickwall limiter (that can be disabled with the icon at the top of the level meters), the stereo
spread control can reduce the stereo width.
The post gain control lets you adjust the level before the brickwall limiter that protects the output of the plugin
(and your ears...).
The Tools Section

The tools section offers three additional plugin slots for virtual instruments:
You can load the built- in audio file player or third party instruments (Axiom does not include built- in instruments) such as a drum
machine, a metronome, synths, a sequencer... They will be mixed with the guitar signal at the output of the application or the plug-
in. They can be controlled via MIDI or play in sync with the tempo if they support it.
The volume of each instrument can be adjusted using the knob next to it, and the section has a lock and presets menu as usual.
Workload Meter
The workload meter on the bottom right of the user interface gives an idea of the amount of cpu used by the plugin to process
audio frames:
18
It measures the realtime workload, which corresponds to the time spent processing an audio buffer compared to its duration. This
value may be impacted by other tasks running on the system.
In general the average value gives a good idea of the cpu usage of the plugin, while the peak value is an indication of potential
audio dropouts (if larger than 100% for too long), that may be caused by overall system load (not just the plugin's audio
processing).
The workload meter becomes orange then red when the peak load grows. Hover the mouse on the meter to see numerical values in
a tooltip.
Browsing Presets
In order to browse both factory and user presets, you can either use the simple presets menu or open the full featured
presets browser from the toolbar that remains visible until you close it:
Click on preset files and folders to open them, or use the arrows to navigate between displayed presets. You can navigate upward in
the folders tree by clicking on the current folder at the top. Type in the search box to find presets by name (it also searches in folder
names). The search is performed recursively in the currently selected folder (displayed at the top).
Search Tips: you can search for multiple terms by separating them with commas. Wildcards are also supported (with * and ?
characters), but they are applied to the full path of the preset. For example, to search for all presets containing the word "phase",
type *phase* in the search box. To look for these presets only in the factory presets, you can type Factory Presets/ *phase*.
Both global plugin presets (main) and sub- presets for each section can be found in the presets browser - just click on the
appropriate category to find them. The main tabs let you choose between main presets, channel A or B and "more":
For each channel, you can browse channel presets (containing settings for all subsections), or individual pre or post effect chains
presets, or amp models:
19
Input, master and tools racks settings can be found in the "more" tab ("..."):
Using Built- in Effects, VST, VST3 or Audio Unit Plug- Ins

Note: before inserting VST plug- ins, it is strongly recommended that you setup your main VST plug- ins directory in the preferences
pane, as detailed later in this manual (this setting does not affect VST3 plug- ins).
Warning: in a 64- bit application you can only load 64- bit plug- ins, and in a 32- bit application you can only load 32- bit plug- ins,
unless your are using a third party bridging application.
Each plugin slot lets you insert a plugin. When clicking on an empty slot, the following menu appears:
The "Select" item lets you load built- in effects, or choose a favorite third party plugin directly from the menu if you have saved any.
Selecting "Load VST" will open a standard system window where you can select the VST plugin you want to load. If the
preferences have been properly set, the window should open the appropriate location where you can find the VST plug- ins.
Selecting "Load VST3" will open a standard system window where you can select the VST3 plugin to be loaded.
On Mac, an additional "Load AU" menu item is available to load Audio Units. It opens a file open dialog in the standard location for
Audio Units on your system. Note: if you want to load the system Audio Units provided by Apple, you will need to open the
CoreAudio component located in the / System/ Library directory (/ System/ Library/ Components/ CoreAudio.Component).
You can also choose to paste an existing VST, VST3 or AU plugin if previously copied into the system clipboard from another slot.
When using the "Paste with Map" command, if the plugin in the source slot had mapped parameters, these parameters will be
added to the map until no more assignable parameters are available.
Once a plugin has been loaded into a slot, a mouse click will display the following plugin menu that offers various controls over
the plugin:
20
Show (Hide) Editor: display or hide the plugin's user interface.
Bypass: toggle bypass for the plugin.
Presets: access the plugin's factory presets if any, and load/ save presets files in the plugin's native format (fxb/ fxp,
vstpreset or aupreset).
Cut: copy the plugin and its settings into the system clipboard and remove it from the slot.
Copy: copy the plugin and its settings into the system clipboard. Once copied, it can be pasted to any other slot, in any
instance of the Axiom plugin (even in a different application).
Save As: save the plugin in the slot and its settings as a favorite. Favorites are saved in the plugin documents folder and
can be organized using folders to appear later in sub menus.
Center Editor: bring back the editor of the plugin to the center of the screen, in case you cannot find it.
Select: select a plugin and its settings from the favorites list.
Load VST: load another VST plugin in the slot (will replace the existing plugin if any).
Load VST3: load another VST3 plugin in the slot (will replace the existing plugin if any).
Load AU (Mac only): load another Audio Unit plugin in the slot (will replace the existing plugin if any).
Paste: paste a plugin and its settings from the system clipboard into the slot.
Paste with Map: paste a plugin, its settings and mapped parameters from the system clipboard into the slot. Parameters are
re- mapped in order, until no more assignable parameter is available.
Params Map: lists the plugin's parameters that can be mapped for automation, and lets you assign them to external controls
(see the next paragraph).
MIDI In: select the MIDI port(s) this plugin is receiving data from (see below).
MIDI Out: select the MIDI port(s) this plugin is sending MIDI data to (see below).
Audio I/ O: opens the audio i/ o routing window for this plugin (see below).
Remove Plug- in: remove the plugin.
Oversampling: select oversampling ratio and quality for the plugin (see below).
Rename: rename the instance of the plugin. Setting an empty name reverts back to the plugin's default name.
Set Color: open the system color dialog to select the color for the plugin slot (the color will also be dislpayed with the
footswitches in EZ Mode).
Track Undo: toggle undo tracking for the slot. If enabled, inserted plug- ins changes will be inspected and added to the Axiom
plugin undo history when possible. Please note that some plug- ins may not work properly when this feature is enabled. It is
also recommended to disable this feature when controlling a plugin with MIDI events generators such as Blue Cat's DP
Meter Pro or Remote Control.
Once a plugin has been loaded into a slot, the following buttons are available:
21
Clicking on the power button on the left will bypass/ unbypass the plugin in the slot. The button on the right can be used to show/
hide the plugin's editor.
Missing Plug- Ins

In some cases, it may happen that you are working on a workstation that does not have all plug- ins that were previously loaded into
your Axiom session. In this case, the Axiom plugin will display a "Missing Plug- in" message on corresponding slots. You can still
continue working on your session: the Axiom plugin will retain the state of the missing plug- ins as if they were here. The session
can be saved later: the data for missing plug- ins will be saved as well, and the session can be restored later without losing data.
For VST and VST3 plug- ins, if the plugin is missing because of a path issue (the plugin is located in another directory, or the 64-
bit version has a different name from the 32- bit version...), you can choose to relocate the plugin:
This lets you find the plugin on your workstation and re- link to it. The state of the plugin that was previously saved in the preset or
the session will be restored, making sure all data is kept.
Note: the plugin chosen with the relocate function has to be compatible with the plugin that was originally loaded in this slot.
Relocation will fail otherwise.
Mapping Parameters (one To One Quick Mapping)

The "Params Map" item in the plugin menu lets you map sub plugin parameters so that they can be automated or controlled with
an external control surface. It also lets you view existing mapping for this plugin if any:
Map All Params: assign all parameters of this plugin to remaining controls (in the same order as exposed by the plugin).
The maximum number of parameters that can be mapped is 40.
Learn Mode (on/ off): when learn mode is on, touching a control in your plugin's user interface will automatically add it to the
parameters map (if the plugin supports it). Once you are done with parameters assignment, you may want to disable learn
mode to avoid mapping unwanted parameters.
Reset All Assignments: removes all assigned parameters from the params map, for this plugin. This frees all controls used
by previously assigned parameters (for this plugin only).
All parameters available for assignment are then displayed in the menu. Clicking on a parameter toggles mapping on or off.
When a parameter is mapped, the name of the external control (as displayed in the host application) appears next to it, inside
parentheses.
22
Parameters Mapping works the following way: 44 parameters are available for mapping in Blue Cat's Axiom. They are named
"Control 01" to "Control 44". When a sub plugin parameter is selected for mapping, the first control available within Blue Cat's
Axiom is used. Once mapped, the sub plugin parameter and this control are linked together, so that any change to either of them is
reported to the other.
This enables the sub- plug- in to expose its parameters to the outside of the Axiom plugin. You can for example use these external
controls for automation, MIDI control, control surface assignment etc.
If assigned controls are shown in Blue Cat's Axiom ("Show Assigned Controls" button), new knobs will appear when new
parameters are mapped, until the maximum number of 44 controls is reached.
Macro Controls: The Parameters Map Editor

It is possible to access more advanced options for parameters mapping and create macro controls assigned to multiple parameters
from multiple plug- ins by launching the Params Map Editor from the toolbar (assignable knobs icon).
The Map Editor is displayed in a separate window that you can resize at your convenience:
Available controls are displayed on the left (you can add or remove them with the icons on at the top), and when a control is selected
you can see the parameters that have been assigned in the pane on the right.
Assignments can either be created manually (using the "Add" icon and then selecting the plugin and parameter in the menus), or
automatically with the learn button at the top right of the pane. When this assignment learn function is engaged, clicking or moving a
knob of a plugin should add the corresponding parameter to the list. Do not forget to disengage it when you are done or unwanted
parameters might be added when touching the plug- ins later!
It is also possible to learn parameters individually using the learn button on the left of each line.
Once parameters have been added, their range can be adjusted using the knobs on the right (or by double clicking on the value). To
reverse the range, simply invert the min and max values (using a min value that is larger than the max value).
You can also change the name of the controls by double clicking on them in the list displayed in the left pane.
It is also possible to change the order / add parameters by dragging and dropping items in the left column (it works between different
instances too).
Internal MIDI Routing

Blue Cat's Axiom lets you build your own MIDI connections between inserted plug- ins and the host application. Each slot can be
connected to multiple ports to receive and send MIDI events:
23
Host: this port connects to the host application to send (MIDI Out) and receive (MIDI In) events. By default, all slots have their
MIDI input connected to the Host.
Port A to Port P: these are virtual ports that can be used to connect sub plug- ins together.
For the MIDI input of a plugin you can additionaly choose to filter events by channel so that it receives all events for one or several
selected channels only. If you just want the plugin to receive all events without any filter, choose "All Channels" for the selected
port.
Using virtual internal ports is simple: connect the output of a plugin to a port, and the input of another plugin to the same port. The
two plug- ins will then be able to exchange MIDI data (from sender to receiver). Multiple plug- ins can be connected to the same port
(as input or output). MIDI events will be gathered from MIDI Outs and redistributed to to all connected MIDI Ins.
However, there is a limitation in which plug- ins can be connected together:
it is not possible to create feedback loops.

only a plugin that processes audio data before another can send MIDI data to this plugin. It means that a plugin can
receive MIDI data from plug- ins that are located earlier in the audio processing chain only (see the signal flow above). If the
plugin is located in a parallel chain, it can also receive MIDI data from plug- ins that are located in parallel chains above it.
These limitations ensure causality and perfect synchronization of MIDI data exchanged between plug- ins, without latency.
Note: when connecting a plugin to control its parameters via MIDI, you may want to disable undo tracking on this plugin, to avoid
that to many undo steps are recorded by Blue Cat's Axiom and reduce CPU usage.
Audio I/ O Routing
Using the "Audio I/ O" command in the plugin menu, it is possible to manually change which audio channels are processed by
each plugin.
Automatic Selection
By default, Blue Cat's Axiom will automatically detect the number of channels to use for each plugin depending on its own
configuration.
About mono plug- ins: in automatic mode, mono plug- ins will process only the first audio channel, and the wet mono output will be
copied to all channels. If you want to only apply the plugin to one of the incoming audio channels instead, you can use the manual
configuration.
Manual Selection
24
Automatic detection may however not work properly for some plug- ins, and you may want to change which channels the effect
applies to (for multi- mono effects for example) That's what the audio I/ O window is for:
By default, audio i/ o selection is automatic
When selecting a specific number of inputs and/ or outputs instead of using "automatic", you can choose which channels are
connected to each i/ o for this particular plugin:
manual audio i/ o configuration
Notes:
if the same channel is selected for multiple outputs, only the last selected plugin output will be audible (plugin outputs are
not summed).
By default, all channels that are not used as outputs by the plugin remain unchanged (copied from the same channels
before the plugin). For example, on a stereo configuration, if a mono plugin is set to process only channel 1 and use
channel 1 as output, channel 2 will remain unaffected. Select "mute unused audio channels" to mute these unprocessed
channels instead.
Auto vs Manual
In automatic mode, Blue Cat's Axiom will automatically choose the best configuration according to its own audio layout. This is very
useful if you are saving your plugin chains to reuse them with different audio i/ o configurations.
In manual mode, the number of inputs and outputs of the selected plugin is selected and will not change. It means that you may not
be able to use this particular configuration later with another number of audio channels.
Oversampling
Starting with Axiom V2, it is possible to have a plugin process audio (and MIDI) at higher samplerates. You can select the
oversampling ratio and resampling quality with the oversampling menu:
25
Oversampling can be useful for plug- ins doing non- linear processing (distortion, compression...) which do not have built- in
oversampling capabilities and cause artefacts (aliasing). It may also benefit EQs (you can get smoother curves in the upper
frequencies).
Oversampling may however result in other types of artefacts and will require more CPU to process the same amount of data. With
high quality resampling, additional latency may also apply.
Warning: please note that some third party plug- ins may not support higher sample rates. Save your work before trying this feature
on new plug- ins!
Tip: If you want to oversample an entire chain of plug- ins, you can load the built- in version of PatchWork in a slot, load your plug-
ins inside, and choose to oversample the Patchwork plugin containing the entire chain.
Note: The oversampling settings are saved when using the "Save As..." command to save the plugin as a favorite.
The Preferences Pane
In the preferences pane, you can set the default VST plug- ins path by clicking on it or on the button labeled "...". This VST plug- ins
directory is used for several purposes:
It is the default directory that is opened when you want to load a VST plugin.
It is used as the root path when saving/ loading presets that include VST effects: the path of VST plug- ins is saved relatively
to this root path, so that you can reopen your sessions on different machines that may have different VST paths (typically on a
Mac and a PC).
If you happen to have your VST plug- ins installed in several paths, we advise you to choose the VST path that contains most of
your plug- ins. You can then use the "User VST plug- ins directory" to define an extra location for plug- ins. This extra path will be
used by the Axiom plugin as an alternative root path to load and save the plug- ins.
Please note that these paths are used for VST2 plug- ins only - they do not affect the location of VST3 plug- ins.
If the "Restore plug- ins editors on open" option is checked (default), when the Axiom plugin is opened, inserted plug- ins user
interfaces will be restored at the same position as when the Axiom plugin was last closed. If the option is unchecked, all plug- ins
user interfaces will be kept closed when re- opening the Axiom plugin, and their position on screen will not be saved.
When the "plug- ins editors always on top" option is checked, the windows of the hosted plug- ins will be kept on top of all other
windows. It can be useful when you want to make sure the hosted plug- ins remain visible all the time. Also, if you are using Cubase
on Windows, you may want to check this option to fix the erratic behavior of Cubase's own "always on top" option.
Drag and drop support

The user interface supports drag and drop to manipulate plug- ins easily:
drag and drop plug- ins between slots (copy or move).

hold the alt key on Mac and Ctrl key on windows to copy (duplicate) a plugin instead of moving it.
drop the plugin before another to insert it in the chain
drag and drop plug- ins between several instances of Axiom or accross plug- ins (compatible with the latest preview of Late
Replies, MB-7 Mixer and PatchWork).
drag and drop .dll, .vst, .vst3, or .component files directly from the Finder or Explorer onto plugin slots.
drag and drop .plgnfo files (previously saved from the software) directly from the Finder or Explorer onto plugin slots.
drag the amp simulator, and drop it on any slot, like any other plugin.
drop the amp simulator onto channel A or B to copy the amp model to the other channel.
Drag and drop amp channel (A or B) to copy the full channel to the other channel.
26
You can also drag and drop impulse response files (wav, aiff or flac) onto the amp simulator: they will be loaded into the post filter
module of the amp (you may need to adjust the EQ or the filters if a built- in simulation was already loaded).
Using the Controls

The various elements of the user interface (knobs, sliders, buttons...) are simple and intuitive to operate, but more information about
how to interact with them is available in the "Plug- ins Basics" chapter of this manual.
27
Operation
This section explores several common use cases for Axiom. A complete list of the parameters exposed by the plugin is available in
the next section.
Exploring the Presets

With its modular architecture, Blue Cat's Axiom offers a wide range of possibilities, so you may want to browse the presets first and
progressively dive into each section: adjusting parameters, loading sub presets, etc.
This is especially true for the amp simulation module that also offers many sub- presets for each section, when opened in the amp
editor (please refer to the Destructor user manual for more details).
Also, the built- in Late Replies plugin is delivered with hundreds of presets for creative delays and reverbs to enrich your tone:
check them out! You also can use it for classic spring reverb emulations or vintage tape delays or unbelievable harmony effects.
The EZ Mode is a good way to get started with Axiom and only access the main parameters of each preset. All factory presets are
built as full guitar rigs with amps and pedals (even clean tone presets may have additional distortion pedals that you can activate).
Macro parameters are also provided in each factory preset to quickly tweak the effects straight from the EZ view.
Creating Your Own Tone

If you want to create your own tone from scratch, we recommend starting like this:
1. Adjust the input gain so that input signal peaks are close to 0 dB, without exceeding
it.
2. Choose an amp preset, or create your own with the amp editor or the tones map
browser (more details in the Destructor user manual).
3. Adjust the drive and equalizer (bass, mid, treble) to your taste.
4. Add pre and post effects, starting with reverb first and continuing with more
"creative" effects.
Note: reverb settings usually have an impact on the spectral balance of the amp simulation, so you may want to adjust the equalizer
of the amp simulation after adding the reverb. You can also set the reverb first before choosing your amp simulation preset.
Tip: mixing two amp tones using channels A and B can produce very interesting effects, but it is quite difficult to predict the result:
unless you pan them left and right, the different responses of the amp simulations will deeply interact with each other. So if you
know what you are looking for, you will often get the best results more quickly by adjusting a single amp simulation in details using
the editor, rather than using both at the same time.
Controlling Axiom with MIDI

Axiom and built- in effects can all be controlled via MIDI (see the MIDI and Automation chapter) in several ways, as shown in this
getting started tutorial.
Program Change
You can load global presets for Axiom using MIDI Program Change messages, when the feature is activated in the main presets
menu. It also works for individual built- in plug- ins - and some third party plug- ins may also support it.
Next / Previous Program
For controllers that do not support program change and bank select protocols, starting with version 1.6 you can also navigate thru
presets by assigning the next and previous preset commands to MIDI CC messages:
28
FX Bypass
Individual FX bypass can be controlled via MIDI: you can quickly assign the controller via MIDI learn, like for any other parameter.
You can either assign your controller to physical slots bypass controls (in the edit view), or to logical footswitches in the EZ view
(pedalboard section) that follow effects, wherever they have been loaded:
When adding/ removing effects, the assignments in the EZ view will automatically switch to the effects loaded in order (wherever
they are), whereas with the full edit view assignments, the MIDI controller is linked to the physical location (the plugin slot). So for
example when removing an effect in slot, the associated controller will not control any effect at all anymore (switching an empt slot),
whereas if it had been assigned to footswitches in the EZ View, it would now control the effect in the next non- empty slot (if any).
Individual Parameters
Individual parameters inside Axiom (and each built- in plugin) can be controlled via MIDI CC. Some third party plug- ins may also
support this feature.
However, it is recommended to use mapped parameters to control the effects loaded into Axiom instead: with this method, you can
change presets for these plug- ins independently from MIDI control settings. There parameters will also be available for automation
control when using Axiom as a plugin in your favorite DAW, and they will be dislpayed in the EZ Mode too. It is also easier to see
which parameters are actually in use for MIDI control when reloading a session later... It also applies to the amp simulation modules.
29
Here is the full procedure:
1. Map the parameters you want to control via MIDI with the "Params Map" plugin menu item (more details in the previous
chapter).
2. Display mapped parameters and MIDI controls using the appropriate toolbar icons.
3. For each parameter, click on the green arrow below the knob to perform MIDI learn or manually set the MIDI configuration
(including parameter range, response curve etc.).
Typical use cases: control the bypass switch for each pedal with footswitches (no mapping required - it is an Axiom parameter), the
position of the Wah or Pitch Bender with an expression pedal (mapping recommended).
Locking Control Settings
When using a foot controller to load Axiom presets, if you are not using global MIDI settings (shared accross the system), you may
want to lock MIDI control settings, so that they are not modified when loading presets:
It may also be convenient to lock the state of all effects bypass buttons (as shown above), so that they are not affected by preset
changes, and match the state of your foot controller. This lets you both load presets and activate/ deactivate pedals individually with
a controller and keep the software and the on/ off state of each footswitch in sync.
Note: the state of these locks can be saved in the default preset, using the Save As User Default command.
Dual Input
Sometimes you may want to use channel A and B separately, each one processing a different audio input: for example, if your
instrument has a stereo output (piezo and magnetic guitar pickups, Chapman stick...), or if you want to play with two instruments at
the same time (remember when you plugged two guitars in the same amp back in the days?).
Using plug- ins audio I/ O routing, it is fairly easy to to do this in Axiom: check the "dual input" factory presets. they use a simple gain
plugin in the first pre- slot of each channel. For channel A, it is configured to receive only channel 1 (left), whereas the gain plugin
in channel B processes only the second channel (right). Here you go! You have two separate signal chains, each one processing a
different input!
30
Note: this requires a stereo audio input.
Mono Effects
When using a stereo configuration, with the audio I/ O panel, you can apply different effects to the left and right channels:
It is strongly recommended to rename the plug- ins according to the channel they apply to, as shiwn in the above example.
Additional Tips
Lock the Gate
You may want to lock the gate in the amp simulation editor so that it does not change when loading amp simulation presets: once it
has been setup properly (or disabled), you may want to keep the settings that work for you regardless of the select amp.
Pan Amp Sim Channels
You can hard- pan amp sim channels left and right and then adjust the stereo width to blend both sounds in the middle using the
master spread control.
Switch between Channels A and B
You can use channels A and B like amp channels in the real world, but with different effect pedals if you want. Assign the A/ B mix
parameter to a MIDI footswitch, and use channel B when taking the lead, reserving channel A for rhythm parts!
Save Presets
It is recommended to save your favorite effect chains, amp simulations and channel configuration as presets: this will save you a lot
of time when creating new tones. Axiom was designed to help you reuse your work: don't re- invent the wheel everytime!
Also, you should save your favorite third party plug- ins configurations with the "Save As..." menu item: they will appear in the plug-
in menu so that you can load them faster.
Use Destructor for More Amp Sims / Distortion Pedals / Cabs
You can instantiate the built- in Destructor plugin anywhere in the signal chain to create more advanced routings: you can for
example use ony the "preamp" section of the plugin in the input slots, and enable only the destruction and post filters of both built-
in amp sims. Just like plugging a preamp into two different power amps and cabinets in the real life!
31
The post- filter section can also be used alone as separate cabinet simulations.
Additional instances of Destructor will also let you add more distortion pedals to your arsenal: check out the included pedal presets
and build your own from there!
Load Cabinets or Reverb Impulse Responses with the built- in EQ
The built- in EQ plugin can load and manipulate impulse responses (IR), just like the built- in IR loader in Destructor. So if you just
want to use an impulse response for a cab simulation anywhere in the signal chain, just load the built- in EQ and drag and drop the
IR onto it!
32
Change the Tone of Your Guitar With the Input Strip
Using the input strip, it is possile to change the tone of your guitar before it reaches the amp channels. So you can use this section
to adapt the signal of your guitar before applying other effects. Check out the "Re- Guitaring" presets or the other included input strip
presets, such as "Humbuckerizer", "Single Coilizer", "12 String Acoustic" and tweak them to your taste!
Once you like the new tone of your guitar, you can lock the input section and browse the presets!
Multiband Amps and Effects
You can also use the two parallel channels to perform multiband distortion (use different amps and/ or effects for bass and treble):
Just insert an EQ as the first pedal in the pre- fx section for both channels. Set up the first one as a lowpass filter (to process only
bass) and the other one as a high pass filter (to process only treble). You can then adjust the filters depending on how you want to
split the signal. Check the "Dual Band" factory presets to get an idea!
If you want more bands, you can load the PatchWork plugin inside Axiom, woth the same approach, just more different filters (it
has up to 8 parallel chains). Or you can try the MB-7 Mixer plugin, that provides a complete multiband infrastructure with perfect
split and reconstruction of the signal.
33
Standalone Application Basics
Main Features
The standalone application will let you process audio data coming from the inputs of the audio interface and stream it to its output, in
real time, without the need for a third party host application. The application also receives MIDI events from all MIDI input interfaces
available on the machine, without any particular configuration required.
The core features of the application are the same as the plug- ins versions, except that the application can run on its own.
It is worth noting that user presets are shared between the standalone application and the plug- ins versions, so that presets can be
reused between standlone and plugin sessions.
Application Preferences
The audio/ MIDI setup for the application is decribed in details in the first launch chapter.
The configuration window above can be displayed using the Edit/ Audio Setup menu item. More information about the various fields
can be found in the first launch chapter.
Application Menu
The application menu gives you access to the following commands:
Edit/ Undo: undo last change.

Edit/ Redo: redo last undone change.
Edit/ Audio Setup: open the preferences window.
Keyboard Shortcuts
To speed up operation, several keyboard shortcuts are available in the standalone application:
On Windows
CTRL +Z: undo.
Shift CTRL +Z: redo.
CTRL +P: open the preferences window.
34
CTRL +P: open the preferences window.
ALT +F4: quit the application.
On Mac
CMD +Z: undo.
Shift CMD +Z: redo.
CMD +, or CMD +P: open the preferences window.
CMD +Q: quit the application.
Troubleshooting
No Sound
if you cannot hear anything coming out of the software, you need to check the audio configuration: open the preferences window
(Edit Menu / Audio Setup command), and check that the audio engine is running. If it is not running, you may need to select another
audio interface or change the buffer and sample rate settings. If it is running, you may want to select another audio interface or
differnt audio inputs and outputs.
Cracks and Pops

If you can hear unwanted "cracks" and "pops" during the performance, you may be experiencing audio dropouts, because the
application is using too much CPU. You can try to increase the buffer size in the preferences window to reduce CPU usage, and
close other applications that are currently running.
35
Blue Cat Audio Plug- Ins Basics
This chapter describes the basic features that are common to all our plug- ins. If you are already familiar with our products, you can
skip this part.
User Interface Basics

About Skins
Like all Blue Cat Audio plug- ins, Blue Cat's Axiom uses a skinnable user interface. It means that the appearance and behavior of
the user interface can be entirely customized.
Especially with third party skins, the experience may be quite different from the one offered by the default skins that we provide.
However, our plug- ins and our skinning engine have several standard features that will be available whatever your favorite skin.
More information about custom skins can be found in the skins section.
The Main Toolbar

In most skins, an optional toolbar at the top of the user interface gives you access to the main options and settings of the plugin:
Smooth Bypass
On the left, the power button can be used to smoothly bypass the plugin.
Presets Area
At the center of the toolbar, you can see the current preset area (the "Default Settings" box). It displays the name of the current
preset, with a "*" at the end if it has been modified since loaded.
The arrows on the left and right let you navigate thru the (factory and user) presets available for the plugin.
Clicking on the preset name opens the presets menu which lets you manage the presets of the plugin.
Using the knob on the bottom right of this area, you can reduce the opacity of the window, and make it transparent (the actual result
may depend on the host application). Additional messages may appear in the area next to this knob, depending on the plugin.
Some plug- ins may also propose you to manually select the audio I/ O inside the plugin (bottom left of the presets area),
regardless of the host configuration. It can be useful for example to save CPU by selecting mono to stereo configurations (instead of
full stereo sometimes chosen by default by the host), or add extra channels to manage side chain internally, when the host does not
provides any side chain input. Please note that this does not change the number of I/ O seen by the host application.
Commands
The icons in the toolbar give you access the to the following commands that are detailed in the next paragraph:
Icon Name Function
Menu Open the main menu
Control Display the controls settings menu (to manage automation and MIDI control, as described
Settings here).
Undo Undo
Redo Redo
Manual User Manual
About About
Zoom Scale the user interface (from 70% to 200%).
The Main Menu

36
The main menu is available from the main toolbar, or if you right click anywhere on the background of the plugin:
Presets: opens the presets menu to manage presets.

Preset Skin: opens the skins menu to choose the skin for the current preset and manage alternative skins for the software.
Undo/ Redo: undo or redo the latest modifications. This includes all changes made to the current preset settings such as
MIDI or automation preferences.
Presets Settings: open the presets settings window. It lets you change the skin, MIDI and automation settings for the current
preset.
Global Settings: open the global settings window. It lets you change the skin, MIDI and automation settings that are used by
default in all instances of the plugin (if not overridden by the current preset).
User Manual: open this user manual.
Check for Updates: opens up our website to let you check if any update for this software is available.
Get More Skins: get more skins for this software.
Legal Information: browse licensing and misc legal documents.
About: displays the “about” dialog box.
Controls
Examples
Here are a few examples of typical controls you will encounter in the user interface of our plug- ins:
slider slider knob button Text control
Interacting with Controls

You can interact with the controls of the plugin interface either with the mouse or the keyboard.
Setting the keyboard focus on a control (so that it responds to key strokes) may be automatic (when you pass the mouse over it it
gets focus) or manual (you have to click on the control to set the focus on it). Note that all host applications behave differently
regarding keyboard handling. In some applications you may not be able to use all keys described later in this manual to interact with
our plug- ins. It is usually made obvious to you to know the active surfaces of the skin (the places where you can click with the
mouse): the mouse cursor usually changes when you can do something on a control. In the default skins delivered with the plugin,
the cursor changes to a small hand or an arrow to tell you when your mouse is over an active control.
37
Mouse
Various mouse movements will let you interact with the controls:
Mouse Interaction Action
Left Click Acquire focus and start dragging or push (button)
Left Click + Alt Key Set the value to default
Acquire focus and launch the “fine tuning” edit box (except button):
Left Double Click
Right Click Set the value to default
Mouse Wheel Increment or decrement the position (focus required)
Mouse Drag Change the control position depending on mouse movement (except button)
Keyboard
All control widgets support the following keys (note that some of them are caught by the host and thus never forwarded to the
control. For example in Steinberg Cubase SX you cannot use the arrow keys to control the plugin):
Keys Common to All Controls
Key Action
Up Arrow Small increment of the position (up or right)
Down Arrow Small increment of the position (down or left)
Left Arrow Same as Down Arrow
Right Arrow Same as Up Arrow
Page Up Large increment of the position (up or right)
Page Down Large decrement of the position (down or left)
+ Small increment of the value of the control
- Small decrement of the value of the control
d Set to default value (same as mouse right click)
Opens the 'fine tuning' window to precisely set the parameter:
When the key is down, the fine tuning mode is on, and you can modify the value with
SHIFT better precision when moving the mouse, the mouse wheel or using the keyboard.
Just release the key to get back to the normal mode.
Keys Specific to Buttons
Key Action
Enter Pushes the button
Presets
To get started with the plugin and discover its capabilities, a couple of factory presets are provided. You can also save your own
presets and recall them later for other projects. Our plug- ins propose a full- featured preset manager to let you save, browse,
organize and recall its presets.
The Presets Menu
38
The presets menu can be opened from the main menu or the main toolbar. It displays the list of presets available for the plugin as
well as commands to load, save or organize presets:
Factory Presets: shows the list of factory presets delivered with the plugin.
"Folder A" to "User Preset Z": user presets and categories.
MIDI Program Change: activate MIDI Program Change support (see below).
Load: load preset from file.
Save: save current state to last loaded user preset.
Save As: save current preset to a file.
Copy copy preset to the system clipboard.
Paste paste preset from the system clipboard, if available.
Save As User Default: save the current state as the default preset. This preset is used every time a new instance of the plug-
in is created.
Clear User Default: reset the default preset to its factory state: this makes the plugin forgets the custom settings you might
have saved as a default preset.
More about Presets
There are two types of presets: factory presets (read only) that are provided with the plugin, and user presets that can be created
and stored by the user.
The user presets are stored in a subdirectory of the documents folders of your profile ("Documents" on Mac, and "My Documents"
on Windows): Blue Cat Audio/ [Plug- in Name]/ Presets. Each preset is stored as an individual file. You can create folders and
subfolders in the Presets directory to classify your presets, as shown in the example below:
If you save a preset named "Default" in the root Presets directory, it will override the factory default preset (that's what "Save As
Default" does). To restore the factory default preset, you can just remove this file or use the "Reset Default" command.
MIDI Program Change
It is possible to load presets remotely using MIDI "Bank Select" and "Program Change" messages. To enable this feature, select a
MIDI channel to receive the events from in the MIDI Program Change menu item from the presets menu:
39
This setting is saved for each plugin istance with your session but not in presets (except for the default preset, using the "Save as
User Default command"). Once activated, the plugin menu will display the bank number followed by the preset number for each
preset:
Every root folder is considered as a new bank, starting with the factory presets (bank 0). Program and bank numbers may change
while you add folders and presets, so you should be careful when naming them if bank and program numbers matter to you. It is
recommended to use folders to make this task simpler. As a side note, sub folders do not define additional banks (all presets
contained in sub folders are associated with the current bank.
As specified by MIDI, bank select messages are not used until a program is actually selected.
MIDI Implementation note: the software supports all types of Bank Select methods. You can use either MIDI CC 0 or MIDI CC 32
to select banks. If both are used simultaneously, they are combined together so that you can use more banks (in this case CC0 is
LSB and CC32 is MSB, and actual bank number is 128*CC0+CC32).
MIDI and Automation Control

Blue Cat's Axiom can also be remotely controlled via MIDI using MIDI CC ("Control Change") messages or automation curves, if
your host application supports it. It is possible to customize the channel, control numbers, range and response curve used for each
parameter in the settings panel available from the main menu (see the Plug- in Settings chapter for more details).
MIDI and Automation Settings Menu

The main menu
Most skins also provide the ability to change MIDI and automation settings directly in the main user interface. Clicking on the control
settings icon in the main toolbar opens the following menu:
40
Show Control Settings: show direct access to individual control settings for each parameter in the user interface (see next
paragraph).
Lock Control Settings: lock the current controls settings for MIDI and automation so that they remain unchanged when
loading presets.
Use Global Control Settings: ignore the current MIDI/ automation settings and use the global settings instead.
Control Settings Window: display the control settings window, to change control settings for all parameters.
Save As Global Control Settings: save the current settings as global settings (used by default, when no specific MIDI/
Automation setting has been set for the cuirrent preset).
Individual Control Settings
When this feature is activated using the "Show Control Settings" item in the MIDI and Automation Settings menu, dropdown menu
buttons appears next to the main controls displayed by the plugin:
Clicking on this button shows the MIDI/ Automation settings menu:
MIDI Learn: launches MIDI learn mode for the control: touch your MIDI controller and the control will learn from it the MIDI
channel and CC number. To end the learn mode, reopen this menu and deselect the option.
MIDI Unlearn: deactivates MIDI control for this parameter.
Control Settings: launches the advanced settings panel described below. This controls the settings for the current preset.
All Control Settings: display the control settings window, with access to all parameters.
Advanced MIDI and Automation Settings

You can completely customize the way the plugin is controlled by automation and MIDI. For a global view of all parameters at a
time, you can use the Plug- in Settings window for the current preset which is available from the main menu.
MIDI Settings:
Enable MIDI: enable/ disable the MIDI control of the parameter.

Channel: MIDI Channel for the parameter control. If set to 0, the plug- ins will accept Control Change Messages from all MIDI
Channels (MIDI Omni mode).
CC: Control Change Number.
Learn: click on this button to activate the MIDI learn functionality. When it is activated, you can move your MIDI controller,
and the plugin will automatically set the MIDI Channel and CC Number.
MIDI and automation settings:
Response: response curve of the MIDI or automation control: from very fast to slow control.
Min: minimal value of the parameter when MIDI controlled or automated.
Max: Maximum value of the parameter when MIDI controlled or automated.
Note: if the Min value is higher than the Max value, the response curve will be reversed: increasing the control value will decrease
the parameter value.
Note: if you double click on the parameter text control boxes for the max and min values, a “fine tuning” edit box will appear and let
you change the min and max values with more precision:
41
More
Check our online tutorial for more screenshots and more examples of our plug- ins user interfaces.
42
Blue Cat's Axiom Parameters
All parameters described below can be automated and controlled via MIDI if your host application supports it. You can precisely
define this behavior in the settings panels described later in this manual.
The parameters of this plugin exposed for automation and MIDI control are described below:
Name Unit Description
General
Bypass Bypass the effect.
Meters On Enable or Disable level meters.
Input Section
In Gain dB Input gain, right at the input of the plugin, before any processing occurs.
Tuner On Enable or disable the tuner.
In Bypass 1-4 Bypass input plugin slots 1 to 4.
Pre Gain dB Gain at the end of the input section.
Channel A
A Enabled Enable or disable channel A.
A Pre Enable or disable the Pre effects section of channel A.
A Pre Bypass 1-6 Bypass pre fx plugin slots 1 to 6 for channel A.
A Amp Bypass Bypass the amp simulation module for channel A.
A Post Enable or disable the post effects section of channel A.
A Post Bypass 1-6 Bypass post fx plugin slots 1 to 6 for channel A.
A Pan % Pan pot (left- right panning) for channel A.
A Gain dB Output gain for channel A.
Channel B
Same as Channel A
A/ B
A- B Mix % Relative mix of A and B channels (-100% is A only, 0% is A +B, and 100% is B
only).
Master
Mast Bypass 1-4 Bypass master plugin slots 1 to 4.
Mast Gain dB Master gain at the end of the guitar signal chain, before the brickwall limiter.
Limiter On/ Enable or disable the 0 dB brickwall limiter.

Off
Tools Slots
T1-3 Bypass Bypass tools instrument slots 1 to 3.
T1-3 Gain Output gain for tools instrument slots 1 to 3.
Out Gain
Out Gain Gain at the output of Axiom, after the master signal and tools instruments have
been mixed together.
43
Assignable Controls
Control 01-44 Extra controls for assigned parameters (aka "Macro" parameters).
Additional Parameters
Spillover Anable/ disabled spillover for Axiom sections (playing effect tails when
bypassed).
Multicore Enable/ disable multicore processing.
Mute Mute Axiom's audio input.
Assignable Footswitches
FW 01-35 EZ View footswitches controls. Enable/ disable loaded plug- ins (dynamically
affected in order, only for slots containing a plugin).
44
Plug- in Settings
In addition to the controls offered in the main user interface, Blue Cat's Axiom has various settings that let you fine tune the behavior
of the plugin. You can choose to change these settings either for the current preset or globally for all instances of the plugin.
The Global Settings Window

The settings available in this window apply to all instances of the plugin, for all presets, if not overridden in the presets settings
. Consider these settings as “default” settings.
General
You can change the default skin for all instances of the plugin: write the skin file path in the text edit box or click on the button to
open a file chooser dialog. If you have several instances of the plugin opened in your session, you will have to reopen the user
interfaces of these plug- ins to see the skin change.
The output data refresh rate can also be customized for all instances of the plugin. It controls the refresh rate of non- audio data
produced by the plugin (parameters, curves...). It also controls the refresh rate of output MIDI CC messages or output automation
data. The higher the refresh rate, the better precision, but also the higher cpu usage (some host applications may also have trouble
recording MIDI data at high refresh rates). The default value is 50 Hz.
Global Control Input Settings (MIDI and Automation)

The plugin offers a couple of settings that affect the way it is controlled by MIDI messages or automation. While the first settings
only apply to MIDI control, the "Control Response", "Min" and "Max" settings apply to both automation and MIDI control.
For each parameter you can define a default MIDI channel and CC number. You can then control the plugin with an external MIDI
controller or one of our plug- ins that generate MIDI messages.
The settings below are available for each plugin parameter.
MIDI Settings:
Enable MIDI: enable/ disable the MIDI control of the parameter.

Channel: MIDI Channel for the parameter control. If set to 0, the plug- ins will accept Control Change Messages from all MIDI
Channels (MIDI Omni mode).
CC: Control Change Number.
Learn: click on this button to activate the MIDI learn functionality. When it is activated, you can move your MIDI controller,
and the plugin will automatically set the MIDI Channel and CC Number.
45
MIDI and automation settings:
Response: response curve of the MIDI or automation control: from very fast to slow control.
Min: minimal value of the parameter when MIDI controlled or automated.
Max: Maximum value of the parameter when MIDI controlled or automated.
(generic screen shot, does not correspond to the actual plugin parameters)
Note: if the Min value is higher than the Max value, the response curve will be reversed: increasing the control value will decrease
the parameter value.
Note: if you double click on the parameter text control boxes for the max and min values, a “fine tuning” edit box will appear and let
you change the min and max values with more precision:
"Send MIDI events when parameters values change": activate this option when using a control surface that accepts MIDI events
as input. MIDI messages will be sent to the output of the plugin when the user change the parameters values in the user interface,
to keep the software and the controller in sync. MIDI is only sent for parameters that are activated for MIDI control.
The Current Preset Settings Window

In this window you can change the settings for the current preset of the current instance of the plugin only.
Preset Skin
You can choose to use the global skin setting or to change the skin for the current preset. This way you can have different skins for
different instances of the plugin in the same session in order to differentiate them.
46
Preset Control Input Settings (MIDI and Automation)
Use the global settings or override them for the current preset. The parameters are the same as for the global input settings.
(generic screen shot, does not correspond to the actual plugin parameters)
47
About Skins
Blue Cat's Axiom integrates Blue Cat's skinning engine that allows you to customize the user interface. You can download alternate
skins for your plugin at the following address:
http:// www.bluecataudio.com/ Skins/ Product_Axiom

If you don't find a skin that fits your need or if you want a custom one, you can choose to create your own skin.
Choosing the Skin

There are two ways to select the skin of your plugin: you can change the default (or 'global') skin, or change the skin for the current
preset only (either in the preset settings page or from the main menu). The global skin applies to all plugin instances (choose this
one if you want to use the skin used by default, regardless of the session or preset), whereas the current preset skin only applies to
the current preset of the current plugin instance (use this one if you want to change only the skin for the current session/ preset).
Note: in some host applications, the plugin window won't resize automatically when you choose a skin with a different size. In this
case, just close the window and reopen it: it will be displayed with the right size.
The Skins Menu

The skins menu can be opened from the main menu. It displays the list of skins available for the plugin as well as commands to
manage the skin used by default when no preset skin has been selected:
First Section - Factory Skins: shows the list of factory skins delivered with the plugin ("Default" and "Light" in this
example).
Second Section - User Skins: shows the list of user skins that have been installed in the Documents Skins folder for the
plugin (see below).
Use Global Skin: use the global skin for the current preset/ session (unloads any custom skin previously selected for the
current preset).
Load: opens a file browser dialog to manually select the skin from the file system.
Save As Global Skin: use the current preset skin as the global skin (loaded by default if no preset skin has been defined).
Installing User Skins

To select user skins directly from the skins menu, install them in the "Skins" directory available in the plugin's documents folder:
[Your Documents Folder]/ Blue Cat Audio/ [Plugin Name]/ Skins/
The skin engine will scan this folder for new skins (xml files) and display them in the menu. The skin files should be in the root skins
folder or in a subdirectory inside this folder: subdirectories are not scanned recursively.
Other Methods to Select Skins

You can also select the skins in the settings panels available from the main menu:
The global skin (used by default if no preset skin has been selected) can be changed in the global settings pane. The current preset
skin can be changed in the preset settings page.
Create a Custom Skin

You can create custom skins for your plugin in order to adapt it to your exact needs. You can change its look and feel and make it
completely integrated in your virtual studio!
48
Just read the Blue Cat's Skinning Language manual and download the samples for the tutorial on http:// www.bluecataudio.com/
Skins. You can get ready to create your own skins in a few minutes. You can then share your skins on our website.
More...
This manual only covers the basics of Blue Cat's Axiom. Our website offers many additional resources for your Blue Cat's Axiom
plugin and is constantly updated, so keep an eye on it! You will find below a few examples of available resources.
Tutorials
Many Tutorials are available on our website. They cover a wide range of topics and host applications.
You can find here a list of tutorials related to the Blue Cat's Axiom plugin.
Extra Skins
We encourage our customers to propose their own skins for our products and we often propose alternative skins to let you choose
the one that best suits your needs. You can check Blue Cat's Axiom skins page to get the latest skins.
Updates
As you can see in the history log below, we care about constantly updating our products in order to give you the latest technology
available. Please visit our website often to check if Blue Cat's Axiom has been updated, or subscribe to our Newsletter to be
informed of the latest news about our products.
Note: minor version updates are available from the same location as the original full version download (link received by email
upon purchase). The demo version publicly available on our website will not let you register.
You can also follow us on twitter, facebook and instagram for almost real time updates notification, and subscribe to our YouTube
channel to watch the latest videos about our software.
Versions History
V2.05 (2023/11/07)
Added 15 extra knobs to customize amps, pedals and the Axiom pedalboard.
Updated several Axiom and built- in Destructor factory presets.
Fixed Audio Unit validation in Logic Pro.
Fixed VST plugin crashing Ableton Live 11 upon load.
Fixed random crashes when unloading the plugin in several hosts (Pro Tools, Live).
Fixed crash when unloading the VST3 plugin Reason 12.
Fixed Audio Unit validation issues in Logic when a user default preset has been defined before upgrading to V2.
Fixed preset sometimes flagged as modified when browsing presets in EZ mode.
Fixed style of the amp simulator post filter not always updated with tone maps.
V2.0 (2023/09/12)
Axiom V2 represents a major leap forward in our guitar software, bridging the gap between beginners seeking user- friendly
features and advanced users craving expanded capabilities.
Redesigned User Interface:
Introducing "EZ mode", a customizable view that streamlines access to main controls, ideal for live gigs and quick tone
adjustments.
New 3D HD graphics offer a plethora of styles for amps, pedals, and custom macro controls.
Create your unique amps and pedals with the new rack designer, offering a vast selection of knobs, backgrounds,
faceplates, and handles. (over 200 000 styles available).
Assign specific colors to each pedal/ plugin (also visible on the EZ View footswitches).
Simplified macro control editing, featuring drag- and- drop reordering, file- based load/ save assignments, and copy/ paste
functionality.
Each Axiom preset now forms a complete rig with multiple pedals and easily controllable macro parameters for the EZ view.
New built- in input mute control (no need for a plugin anymore).
Direct to Disk Recording & Playback:
One- click recording of the application's output to a file.
Seamlessly play over backing tracks with the new built- in audio player, supporting wav, mp3, and flac formats.
Drag and drop audio files directly into plugin slots to open the audio player.
Improved DSP Engine for More Realistic Tones:
Incorporates the Destructor 2.0 non- linear processing engine, featuring enhanced simulations, new filters, and precise
control over drive parameter behavior.
Complete redesign of all guitar and bass amps or pedal models based on the new Destructor V2 engine.
Brand new high gain guitar tones, rebuilt from the ground up.
Adjusted EQ frequencies and bandwidth for all guitar and bass amps to emulate real world amps behavior.
Select amps and pedals EQ position in the signal chain (before or after distortion), and simulate a wider range of gear.
Access a multitude of new effects, including over 100 shortcuts to built- in effects and presets.
49
Access a multitude of new effects, including over 100 shortcuts to built- in effects and presets.
Plug- ins oversampling now available, reducing aliasing (up to 16x). Warning: some third party plug- ins may not support
higher sampling rates properly.
Tailored for Acoustic Guitars and Piezo Pickups:
Includes Re- Guitar 1.3 with piezo input support.
New factory presets for acoustic guitars and piezo- equipped electric guitars.
New amp and preamp models for acoustic guitars.
Enhanced MIDI control:
New EZ View pedalboard footswitches that automatically map to loaded plug- ins in order, regardless of the slots used.
New BASS, MID, TREBLE controls for Destructor EQ following whichever EQ is selected (Pre or Post)
Axiom can now use its own parameters in macro controls, mixed together with loaded plug- ins parameters.
Synchronize multiple MIDI controllers: when "all channels" (0) is used for MIDI input control and "send MIDI events when
parameters values change" is active, the plugin now sends MIDI events to all other channels to update other controllers.
Locking MIDI control in Axiom (preventing MIDI control settings to be changed when loading presets) now also preserves
MIDI control locks for the amps when set.
Other New Features and Improvements:
Improved graphical user interface performance, particularly on Mac.
Enhanced resampling when the plugin starts streaming audio as a network server with Connector.
Several undo/ redo issues resolved.
Macro LEARN mode is now disabled automatically when the Params Map Editor is closed.
AAX plugin now reports the recording status to hosted plug- ins (in recent versions of Pro Tools that support it).
Updated parameters layout for GUI- less plug- ins, accommodating those with multiple parameters.
GUI- less plug- ins generic editor now follows Axiom's zoom level.
Reduced plugin loading time.
Fixed a crash when opening the editor of a VST2 GUI- less plugin that uses non- unicode encoding in its parameters (piz-
midi plug- ins).
Fixed plugin slot menu issues when loading plug- ins with over 22380 parameters on Windows.
Ableton Live 11: Fixed VST3 MIDI input not detected.
Fixed stuck notes with some VST3 instruments.
Fixed some VST3 instruments producing no sound (e.g. Toontrack instruments).
Fixed VST plugin version crash upon load when user default preset uses an impulse response in the amp simulator.
Fully compatible with Axiom V1.
V1.65 (2022/12/12)
New macro controls editor to edit plugin parameters mapping.
Assign multiple parameters from multiple plug- ins to a single macro control, and adjust the range for each parameter.
Assign a name to each macro control, that is now displayed in automation lanes in most host applications (may require a
session reload in some cases).
Parameters names for existing sessions will be automatically updated upon load.
Select macro knobs appearance among 18 predefined styles.
New learn modes to quickly assign plugin parameters.
MIDI output is now enabled in standalone application.
Select individual MIDI I/ O in standalone application.
Added an option in global & preset input settings to send MIDI events when MIDI- enabled parameters are modified in the
plugin (to update control surfaces accordingly).
In most plugin formats, internal audio I/ O configuration can now be selected regardless of the configuration defined by the
host (you can for example force "mono to stereo" instead of full stereo to save CPU).
Axiom App now uses Apple's Hardened Runtime and the installer has been notarized to avoid security warnings on Mac.
New transport toolbar in Axiom app, including pause, rewind and tempo selection (with tap tempo).
Improved performance to load the user interface.
Improved VST parameter value display in some host applications.
Fixed bypass that did not let MIDI messages go thru for some MIDI plug- ins.
Fixed some GUI resizing issues with some VST3 plug- ins.
Includes Late Replies 1.6 and updated presets.
Includes Hot Tuna 1.2 with improved tuning precision.
Built- in Late Replies delay/ reverb plugin now opens in guitarist- friendly "EZ" mode by default.
Added Apple Silicon support for AAX Plug- in Format.
Mac: installers and plug- ins have been notarized to avoid security warnings on Mac OS Catalina and newer.
V1.62 (2022/03/28)
Native Apple Silicon (M1) version can now load 64- bit Audio Units that are not compatible with Apple Silicon (via the
MacOS bridge).
New "network slave" mode to run as an audio/ MIDI processing server for the Connector plugin.
Presets can now be loaded via MIDI even when the user interface is closed.
Improved MIDI events timing precision in the application.
Windows: ASIO Control panel can now be launched from the audio settings window in the application.
Audio engine can now be restarted from the audio settings window in the application.
Fixed MPC Beat plugin not loading.
Fixed VST3 version not always loading properly in Ableton Live 11.
Fixed latency compensation changes not always picked up by host applications.
VST3: Fixed parameters update issues in Studio One when bouncing tracks.
V1.61 (2021/11/02)
Single Installer on Mac (App and all plug- ins formats).
Fixed issue with amp volume knob and Destructor pedals in EZ mode not using the right parameter in some cases.
Fixed issues with Wah and Pitch Bender effects when using cheap MIDI controllers not updating values fast enough.
VST3: fixed random crash in Ableton Live 11 upon load.
Fixed a crash when loading some VST3 plug- ins that define a bypass parameter beyond the last automatable parameter.
Fixed an issue with built- in Looper which saved audio loops only as mono.
50
V1.6 (2021/06/29)
New Features & Improvements:
Up to 5 times more processing power with the new multicore engine that processes each channel and each tool on a
separate core.
Multicore engine also available for the built- in Late Replies plugin (Pattern module).
Improved Tone Maps navigation, with updated user interface (for amp simulation and 9 built- in effects).
Includes Destructor 1.6 and Late Replies 1.5.
Updated all 452 factory presets with appropriate drive range for all simulated amps.
New built- in looper plugin (in the "Utils" category).
New built- in distortion and dynamics pedals based on Destructor with new pedal GUI.
New built- in delay models based on Late Replies 1.5 with new "EZ mode" GUI.
New DSP workload meter that displays the DSP activity and CPU load.
Added MIDI control support (MIDI CC messages) for Next and Previous Preset commands, with MIDI learn.
Improved MIDI & automation control settings with lock, reset and "save as global setting" capabilities.
Tap Tempo with MIDI CC to set BPM in the application with a footswitch.
Lock effects bypass switches to match the state of MIDI foot controllers when changing presets.
Preset files can now be dropped onto the preset LCD area to be loaded.
Improved buffer management in standalone application on Mac, reducing both latency and CPU usage.
Level meters, spectrum analyzers and tuner stop processing when the user interface is closed, reducing CPU usage.
reverted default preset to empty preset to improv performance upon load (the preset is still available as "Default Clean")
Reduced time to load Axiom or any built- in plugin.
Multiple DSP performance improvements.
Reduced the number of threads used by the plugin.
Improved global and preset settings window loading time on Windows.
Added ability to select the plugin to load when a shell plugin file is dragged and dropped onto a slot.
Full unicode support.
Compatibility:
Native Apple Silicon (M1 processor) support.
Dropped 32- bit support on Mac.
Now requires MacOS 10.9 and newer.
Fixes:
Fixed standalone app not always asking for Microphone access on most recent MacOS systems.
Fixed host loop end value not properly passed to hosted plug- ins, for the VST2 version.
Fixed several crashes upon load for multiple third party plug- ins (mostly VST3).
Fixed display issues with Waves plug- ins V12 in Mac standalone application.
Fixed MIDI control for hosted plug- ins not always working when fed with silence.
Fixed VST3 (and sometimes VST) version freezing Ableton Live upon save on Windows.
Fixed harmonizer and Pitch Shifter built- in plug- ins that did not always flush their buffer upon bypass (short sounds could
be heard when getting out of bypass)
V1.5 (2020/10/05)
Tail spillover: activate tail spillover from the toolbar to play effects tail when bypassed (available for Axiom itself or built- in
delays and reverbs such as Late Replies). Also applies to sub sections (channel A/ B, Pre or Post FX etc.).
Revamped Guitar & Bass Factory presets:
New hi hain presets using custom impulse responses (IR).
New responsive clean and crunch presets.
Reduced loudness and spectral balance discrepencies between presets.
Adjusted effects levels to preserve loudness when bypassed.
Adjusted reverb levels on all presets.
Most presets now support input overload gracefully (like "real world" amps): feel free to push the input gain by a few
dBs!
New default preset to get started quickly with the software.
Arrow keys can now be used to navigate presets, in the main view or in the presets browser.
The opacity of the tone map window can now be adjusted for amp simulation and built- in effects.
Smoother presets switching.
Improved smooth plugin bypass (faster and smoother transition).
Fixes:
Fixed: built- in Late Replies sometimes cut delay tail when using plug- ins in the feedback loops.
Fixed: output was mono when both A and B are off and I/ O configuration is mono to stereo.
Fixed: the state of some VST2 plug- ins (which do not save their state as chunks) were not be restored properly if their
number of parameters had been changed (e.g. FabFilter Pro- Q's latest update).
Mac: fixed GUI performance issues on native P3 displays and improved performance on other displays.
Mac: fixed mouse wheel that required large movements to change parameter values.
Mac: fixed mouse cursor flickering issues.
Mac: fixed Esc key not closing fine edit parameter dialog.
Mac Audio Unit: fixed plugin listing in some host applications (Plogue Bidule...).
V1.41 (2020/05/28)
New high resolution graphics for knobs and sliders.
Updated Re- Guitar built- in plugin to version 1.1.
Reduced disk footprint.
Fixed several issues with hosted plug- ins bypass (graphical glitches, untriggered bypass...).
Mac: Fixed keyboard not responding in registration panel in some host applications (LUNA, Garage Band...).
Mac: Fixed demo version that could hang Logic when reloading projects using the plugin.
V1.4 (2020/02/03)
51
New "stomp box" look & feel for built- in effects.
New built- in effect: Hot Tuna high performance tuner.
The tone maps explorer for the amp simulation is now accessible directly from the main user interface.
Mac application now fully supports dark mode on Mac OS Mojave and newer.
V1.32 (2020/01/06)
Navigate presets and create new tones easily with "Tone Maps" for 9 built- in effects: Chorus, Flanger, Phaser, Wah, Sweep
Filter, EQ, Freq Shifter, Reverb and Waveshaper.
New presets for the built- in wah plugin.
Built- in EQ & Amp Sim: improved impulse response convolution performance (long reverb tails are now supported, with low
CPU usage).
Mac: faster GUI rendering on recent Mac OS systems (up to 5x faster for level meters).
Improved built- in tuner performance.
Fixes:
Mac: fixed user interface not properly shown on retina displays in some applications built with the 10.14 Mac OS SDK
(Cubase 10.5 for example).
Mac: fixed settings panel rendering issues in dark mode on Mac OS Mojave and newer.
Fixed issue with some VST3 plug- ins that failed to initialize when loaded (Roland Cloud VST3)
Fixed built- in Wah plugin that could exceed selected range in reverse mode.
V1.31 (2019/09/25)
Fixed tone maps presets morphing that did not work on Mac.
Fixed tone maps "reload from presets" when the map was created on another platform (Mac vs PC).
Fixed persistency of tools rack display setting.
V1.3 (2019/09/23)
New features:
New amp tones explorer with amp models morphing: explore and morph amps in 2 dimensions to create unique new
tones easily.
New presets (and sub- presets) browser with built- in search: find factory or user amp models and effect chains to create
new patches.
Added hundreds of new presets, sub- presets, new amp models (from Destructor 1.5) and new reverbs, delays and
modulation effects from Late Replies 1.4.
MIDI Program Change preference is now saved into session instead of global preferences, so each instance can now use
different MIDI channels. It is also saved in the user default preset.
VST3: added program change support for VST3 plugin format.
VST3: added MIDI output support for VST3 plugin format.
Built- in effects:
New "Overdrive" and "Overgrind" distortion pedals.
New Level (volume control) and Micro EQ built- in plug- ins.
Added a gain parameter to several built- in plug- ins to avoid volume changes when switched on/ off (pitch and frequency
shifters, modulation effects, delays).
Increased knobs precision for pitch shifter and waveshaper built- in plug- ins for smoother control.
Increased gain control range for distortion pedals.
Third party plug- ins host:
VST and VST3 plug- ins previously displayed as missing because of name changes are now relocated automatically
(Waves major updates, 32 and 64- bit plug- ins with different names etc.)
Improved auto- relocation performance when a large number of plug- ins have moved.
VST3 Host: added MIDI output and program change support for recenlty updated VST3 plug- ins.
Other fixes and improvements:
Hovering the mouse on the current preset name now displays a tooltip with the full path of the last loaded preset file.
Enlarged the area to click on plug- ins bypass and "Show Editor" buttons.
Improved plugin and app listing in Windows 10 start menu.
Fixed an issue with hosted plug- ins editors not always restored in the right position in Cubase on Windows.
VST: the user interface is now properly resized in Cubase on Windows.
Mac: fixed issue with Magic Mouse that could trigger drag and drop instead of mouse click.
Mac: faster GUI rendering on recent Mac OS systems (up to 5x faster on level meters).
Mac: fixed user interface not properly shown on retina displays in some applications built with the 10.14 Mac OS SDK.
Spectrum analyzer display of built- in EQ will not take priority over DAW or other plug- ins user interfaces.
Changing the slope of lowpass and highpass filters in the built- in EQ is now smoother.
V1.2 (2019/03/12)
New Re- Guitar built- in plugin.
New "Re- Guitaring" presets using the new plugin.
Fixed issues with Pitch Shifter, Harmonizer and Pitch Bender plug- ins when changing mode (there could be an audible
delay).
V1.12 (2018/12/06)
Spectrum analysis (Amp sim & built- in EQ plugin) is now performed in the background and does not affect audio
performance.
Audio analysis for the tuner is now performed in the background and does not affect audio performance.
Improved convolution performance for the impulse response loader on multicore processors.
Fixed modulation plug- ins that did not always properly set rate when used in host sync mode (sweep filter, flanger, tremolo).
V1.11 (2018/10/19)
Fixed built- in Late Replies delay plugin that produced digital distortion when loaded in Axiom presets.
Fixed built- in multitap delay plugin that could get out of sync in some host applications.
52
V1.1 (2018/10/09)
Load impulse responses (IR) in pre or post filters of the amp simulator. The frequency response of IRs can be shifted and
mixed together with the usual filter settings.
The built- in EQ plugin can also load and manipulate impulse responses.
Drag and drop support:
drag and drop plug- ins between slots (copy or move).
drop the plugin before another to insert it in the chain
drag and drop plug- ins between several instances of Axiom or across plug- ins (compatible with the latest preview of
Late Replies, MB-7 Mixer and PatchWork).
drag and drop .dll, .vst, .vst3, or .component files directly from the Finder or Explorer onto plugin slots.
drag and drop .plgnfo files (previously saved from the software) directly from the Finder or Explorer onto plugin slots.
drag the amp simulator, and drop it on any slot, like any other plugin.
drop the amp simulator onto channel A or B to copy the amp model to the other channel.
Drag and drop amp channel (A or B) to copy the entire channel settings to the other channel.
Fixed Joe's Bowl factory preset that included an instance of PatchWork.
V1.0 (2018/04/19)
First release.
Thanks again for choosing our software!
See you soon on www.bluecataudio.com!
53

Blue Cat - Axiom

Uploaded by

Copyright:

Available Formats

Blue Cat - Axiom

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Blue Cat - Axiom

Uploaded by

Copyright:

Available Formats

Blue Cat's Axiom User Manual

"The next generation: your axe beyond the limits"

Note: An online version of this user manual is available here.

Standalone applications are installed in the / Applications folder

Choose the appropriate I/ O configuration, if available.

Standalone Application: Network Server

Audio Plug- Ins

Mono (left) vs stereo (right) effect chain

Parameters Mapping & Macros

MIDI Preset Loading

Discovering the EZ Mode

Configuring the EZ View

MIDI Control in EZ Mode

Full View - Overview

The main toolbar

1. Main plug- in menu (access presets, global settings, ...).

The Input Section

Pre and Post FX

The Master Section

The Tools Section

Using Built- in Effects, VST, VST3 or Audio Unit Plug- Ins

Missing Plug- Ins

Mapping Parameters (one To One Quick Mapping)

Macro Controls: The Parameters Map Editor

Internal MIDI Routing

However, there is a limitation in which plug- ins can be connected together:

it is not possible to create feedback loops.

By default, audio i/ o selection is automatic

manual audio i/ o configuration

The Preferences Pane

Drag and drop support

drag and drop plug- ins between slots (copy or move).

Using the Controls

Exploring the Presets

Creating Your Own Tone

Controlling Axiom with MIDI

Next / Previous Program

Locking Control Settings

Pan Amp Sim Channels

Switch between Channels A and B

Use Destructor for More Amp Sims / Distortion Pedals / Cabs

Load Cabinets or Reverb Impulse Responses with the built- in EQ

Multiband Amps and Effects

Edit/ Undo: undo last change.

Cracks and Pops

User Interface Basics

The Main Toolbar

Icon Name Function

Menu Open the main menu

Manual User Manual

Zoom Scale the user interface (from 70% to 200%).

The Main Menu

Presets: opens the presets menu to manage presets.

slider slider knob button Text control

Interacting with Controls

Mouse Interaction Action

Left Click Acquire focus and start dragging or push (button)

Left Click + Alt Key Set the value to default

Left Double Click

Right Click Set the value to default