Processes
Processes
representation
Metafunctions:
Ideational (construes human experience) – Transitivity
Interpersonal (enacts human relationships) – Mood
Textual (creates discourse) – Theme/Rheme
BABY
PRAM
FATHER
PUSH
WALK
HAIR
AWAKE
Processes
Michael looked at her for a moment. Then he began to laugh. 'I'm so sorry,' said
Michael, 'but it did sound comic, the way you said it! Cheer up, there's no tragedy. I
have to go to the village this evening, and I'll fetch your suitcase then. It'll be quite
safe at the White Lion. Did you have any lunch by the way? We were wondering
about you.
Thompson, p 79:
Three questions that can be asked about any process and the clause of which it forms
a nucleus:
Material processes
Mental processes
Relational processes
Identified Identifier
Token Value
This sentence is an example of an identifying clause.
Identified Identifier
Token Process Value
Each structure expresses one kind of semantic organization.
Identified Identifier
Token Process Value
The course comprises two years of full-time study.
Verbal processes
Associated participants: Sayer and Verbiage (+ Receiver)
Existential processes
Associated participant: Existent (+Circumstance)
Behavioural processes
Associated participant: Behaver (+Range)
1. He was laughing.
2. They hummed a little tune.
3. We were watching the news.
Halliday 138:
behavioural sharing characteristics of material and mental
verbal sharing characteristics of mental and relational
existential sharing characteristics of relational and material
‘Circumstantial-like’:
They have walked several miles. (material)
I climbed that mountain because it was there. (material)
They reached the North Pole. (material)
We spent the whole morning in town. (material)
Circumstances
CIRCUMSTANTIATION
(clipped from http://minerva.ling.mq.edu.au/Resources/VirtualClassroom/classroom.htm)
Each type of circumstance is realized by a particular set of prepositional phrases and/
or adverbial groups; prepositions include:
Location: at, by, on, in, to, towards, from, onto, into, out of, through; above, below, in
front of, behind, over, under; after, before, since, ago ['post-position': ten years ago]
Extent: for, along, across, throughout
Manner: by, with; like, unlike, as; in [a ... way/manner/fashion] (Note that certain
prepositional phrases which appear to be locative serve as Manner: how did he walk?
– he walked on all fours. How did he leave? – He left in a huff.)
Cause: for, for the sake of, on behalf of; through, of, because of, as a result of, thanks
to, for want of
Matter: about, on, of, regarding, concerning
Accompaniment: with, without; as well as, besides, instead of, except [for]
Role: as, by way of, in the role/ shape/ guise/ form of
Spatial Temporal
Extent Distance Duration
(including interval) stay (for) two hours
walk (for) seven miles pause every ten minutes
stop every ten yards
Frequency
knock three times
Location Place Rest Time Rest
work in the kitchen lecture at noon
eat out in Sydney leave on Tuesday
Motion Motion
get out of the kitchen wait until Tuesday
go to Sydney have worked since Tuesday
1. They must have gone a good two miles before they met another car.
2. After a couple of miles he turned right into a network of lanes.
3. Passengers are regularly forced to stand for up to 70 miles.
On the edge of a jutting pinnacle, three or four hundred feet above him, there
stood a creature somewhat resembling a sheep in appearance, but armed with a
pair of gigantic horns. The big-horn – for so it is called – was acting, probably,
as a guardian over a flock which were invisible to the hunter; but fortunately it
was heading in the opposite direction, and had not perceived him. Lying on his
face, he rested his rifle upon a rock, and took a long and steady aim before
drawing the trigger. The animal sprang into the air, tottered for a moment
upon the edge of the precipice, and then came crashing down into the valley
beneath.
Possessor,
Possessed
existential Existent There was a madwoman in
the attic.
Ergativity
Central concepts:
Process
Medium: Participant, typically the subject of the sentence (‘the entity through
the medium of which the process comes into existence’ – Halliday p 164)
Agent: ‘Doer of the action’ corresponding to Actor (‘the participant
functioning as an external cause’ – Halliday)
Range: covers all ‘object’ roles
Tasks:
Supply the transitivity (experiential analysis) of these sentences
Mary has written a letter
(experiential)
Mood Residue (interpersonal)
Subject | Finite Predicator | Complement
Theme Rheme (textual)
Mood Residue
Subject | Finite Predicator | Complement
Theme Rheme
Mary is taller than me.
Mood Residue
Theme Rheme
Identify the process types used in these two advertisements for cars.
Concentrate on the main clauses. What can the process types reveal about the
general style of the text?
What matters is what car you're in. In the new Renault Mégane, prior to impact, our
anti-lock braking system helps you maintain control. Collision sensors then fire tiny,
explosively-charged clasp pre-tensioners to tug any slack out of your safety belt –
binding you into your seat. 10 milliseconds later, a two-stage front airbag inflates,
holding your chest and had in place far more gently than conventional systems.
(Lateral airbags do the same in a side impact and are seat-mounted to be in the right
position whatever your height.) After 70 milliseconds, seatbelt tension transfers to steel
shock-absorbing belt mounts. They deform with pressure, taking the strain in place
of your chest and shoulders. Close protection head rests cradle your head and neck
against 'whiplash'. That's in the first tenth of a second. You've hardly realised you're
going to crash. Yet already everything vital for your safety has happened. So far this
year, our Systems for Restraint and Protection, or SRP, as we call it, has won the
Mégane 'Safest Car in its Class' rating at the official Euro NCAP crash tests and What
Car? magazine's coveted Safety Award. By all means invest effort and discipline
looking and feeling a young as you can. But do it thankful that our concerns have been
the opposite. We want you to get old.
Stay beautiful
Sports cars are beautiful. Small cars are practical. That's the conventional wisdom.
Here's the unconventional. The new Toyota Yaris is both. It has a stylish innovative
shape which is also the most aerodynamic in its class. Making it both easy on the eye
and on the pocket. Inside it's the same. A beautifully-designed holographic instrument
panel, angled towards the driver, makes keeping your eyes on the road and on your
instruments less of a strain. It's also very spacious (2.5 cubic metres) with a rear seat
that moves forward up to 15 cm to increase the size of the boot, or folds down
completely for when you really need more room. Available in 3 and 5 door versions,
prices range from £7,495 to £11,245 and there's a choice of payment schemes to
make ownership even easier. What could be more practical?