First Quarter Handouts
First Quarter Handouts
First Quarter Handouts
QUARTER 1
Cambodia is one of the most beautiful countries in Southeast Asia. It is known as Kampuchea. It was the center of Khmer (Cambodian)
Kingdom of Angkor, a great empire dominated the Southeast Asia. Art music is highly influenced by ancient forms as well as Hindu forms.
Cambodian court music features choruses with large orchestras based on struck keys and gongs. The pinpeat is a Cambodian musical
ensemble or an orchestra that usually accompanies ceremonial music of the royal courts and temples. This group is similar to the piphat
ensemble of Thailand.
Malaysia is a constitutional monarchy in Southeast Asia. West Malaysia known as Peninsular Malaysia and East Malaysia which consist of
thirteen states and three territories. Music of Malaysia maybe categorized into two types 1. The Classical and Folk music emerge during the
pre-colonial period, exist in the form of vocal, dance, and theatrical music. 2. Syncretic and acculturated music developed during the post
Portuguese period (16th century). Contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese, and
Western musical and theatrical sources.
Musical Ensembles and Types of Performances in Malaysia
Laos is an independent state of Southeast Asia and officially known as Lao’s People’s Democratic Republic. The classical music and dance of
Laos is highly influenced by India, Cambodia, and Thailand. Themes are drawn form Hindu mythology, the Buddhist Jakata tales and local
legends. The royal entourage of Lao kings traditionally included musicians, and a typical orchestra improvised songs with sets of tuned gongs,
xylophones, a bamboo flute, and other wind instruments.
The Lao orchestra can be divided into two categories:
Sep Nyai – This is Sep Noi – This is also known
similar to the piphat as the mahori of Thailand.
of Thailand with However, it incorporates the
instruments that are use of several khene.
strictly percussion
but also integrates
the use of an oboe.
Lao’s traditional music is called Mor lam, is largely based around the khene.
Khene – is a large bamboo mouth organ and is the most popular folk music
instrument of Laos.
Activity 2: Write the country which is associated with the following words. (10 points)
Activity 3: Describe the element of music mentioned in each song from Southeast Asia (16 points.)
Element Rasa Sayang (Malaysia) Chan Mali Chan (Singapore) Loi Krathong (Thailand)
of Music https://www.youtube.com/watch? https://www.youtube.com/watch?v=nvnbKS9GJQI https://www.youtube.com/watch?v=NC6HTsYjh6k
v=MQnSM7_kssM
Rhythm
Melody
Texture
CRITERIA 10 9 8 7 6 5
Correct expression and style
Accurate rhythm
Appropriateness of accompaniment and movement
Correct Pitch
Creativity
TOTAL SCORE
Thai silk is produced from the cocoons of Thai silkworms. It is produced in Khorat
which is the center of silk industry in Thailand. Thai silk making is considered to
be the finest arts in the world, a product of unique patterns and colors. Modern
textiles have traces of motifs imitating clothing details on ancient stone
sculptures.
There are two main types of Cambodian weaving;
Ikat technique - to create patterns, weavers tie and dye portions of weft yarn before weaving begins. Common motifs include lattice,
stars, and spots.
Uneven twill – it yields single or two-color fabrics, which are produced by weaving three so that the color of one thread dominates
on one side of the fabric, while the two others determine the color on the reverse side.
Cambodian silk is generally sold domestically, where it is used in sampot (wrap skits), furnishings, and pidan (pictoral tapestries)
Rural Cambodian women often weave homemade cotton fabrics, which is used in garments and for household purposes. Krama, the
traditional check scarves worn almost universally by Cambodian.
Golden thread silk was
born in Vietnam. Many
of our Vietnamese
fabric originated from
Ha Dong the center of
weaving and
sericulture (silk worm
production).
The Sihn is a Lao women’s ankle-long skirt whose forms
are unique to each skirt. Though the skirt looks simple
and elegant, it is traditional that every woman in Laos
weaves all the sihns she wears throughout her lifetime.
She uses folk icons to express personal views. This often
accomplished by symbolic totems from the inanimate
or animate world, crabs for resourcefulness, snakes for
fertility, butterflies for beauty and birds for success.
The fabric most common to both countries is the batik. There are two categories of batik designs:
The term batik is an Indonesian -Malay word, believed Geometric motifs
to be related to the Malay word titik, which means Free form designs
“point,” “dot,” or “drop.” The “drop” action refers to
the process of dying the fabric by making use of a resist
technique, covering areas of cloth with dye-resistant
substance (usually hot wax) to prevent them from
Geometric motif Free form design
absorbing colors.
In Malaysia, the states of Kelantan and Terengganu are considered the
cradle where batik first flourished, reaching even Singapore’s shores.
There are two main types of batik that are produced there:
Hand painted – the artist uses the canting, a small copper
container with one or more different-sized pipes.
Block printed – is done by welding together strips of metal to
form a metal block. The metal block is then dipped into molten
was and pressed against the fabric in order to make a patter.
Leaves and flowers in Malaysian batiks are incorporated to avoid
Hand painted Block printed interpretation of human and animal images as idolatry.
Flying lanterns are made out of rice paper with bamboo frame, which contain fuel
cell or small candle. When the fuel is lit, the flame heats the air inside the lantern,
causing the lantern to rise. In Thailand, flying lanterns or wish lanterns are used
during the year for festivals, the most popular being the Loy Krathong Festival. This
festival is held on the 12th full moon, usually in November, with Chang Mai believed
Cambodian population was represented by 1.4 percent of indigenous
to have the brightest and most spectacular celebrations.
people, majority of them lived I remote rural areas they were referred
as highlanders.
Handicrafts are part of their traditional culture and their livelihood as
they produce textiles, baskets, jars, pottery, and other tools for daily
use. Many indigenous groups have established small enterprises and
produce traditional products to generate supplementary income in
order to support their livelihood.
Lesson 3: Sculpture
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Stone carving has been both a The Sentosa Merlion is the biggest replica,
passion and a livelihood for standing at 37 meters and made from glass-
many Cambodian sculptures. reinforced concrete. A fabricated icon, which
From small statues to the could tap into the particular myths and
breathtaking carvings found at folklore of the area, which features sea-beast
Angkor Wat, this art medium and magical fish creature. The Merlion is also
has become one of the partly inspired by the story of how Singapore
country’s most cherished art got its name or “The Singapura Story”.
form.