How Baking Works: Exploring The Fundamentals of Baking Science. ISBN 0471747238, 978-0471747239
How Baking Works: Exploring The Fundamentals of Baking Science. ISBN 0471747238, 978-0471747239
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HOW
BAKING
WORKS
Exploring the Fundamentals of Baking Science
Paula Figoni
Copyright © 2008 by John Wiley & Sons, Inc. All rights reserved.
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10 9 8 7 6 5 4 3 2 1
Introduction 323
How Fruit Is Purchased 323
BIBLIOGRAPHY 387
Common Fruits 329
Fruit Ripening 333 INDEX 389
Storage and Handling 334
ix
The actual temperature at which yeast cells die depends on these and other
factors, and that temperature is not necessarily 140°F (60°C). For this reason, many
temperatures provided in this text are converted from Fahrenheit to Celsius in
ranges of five degrees. While this may appear inexact, it best reflects the reality of
the situation.
Other times, however, temperatures are meant to be precise. For example, it mat-
ters when proofing yeast dough whether the temperature is 81°F (27°C) or 85°F (29°C).
In this case, temperatures are converted from Fahrenheit to Celsius to the nearest
whole degree.
Likewise, weight and volume conversions are not necessarily given to the precise
gram or milliliter. In most cases, U.S./imperial units are provided in increments of
.25 ounce, while metric units are converted in increments of 5 grams or 5 milliliters.
This reflects the reality of the bakeshop, where most equipment reads down to these
increments.
to reinforce material from the text in a way that shows rather than tells. Some of
the exercises are exclusively paper exercises, with a few involving math. Many more
involve the sensory evaluation of ingredients. There are several reasons for including
these sensory exercises in the text. First is the narrow objective of learning to identify
characterizing traits of ingredients, to better understand the effects that they will have
on finished products. Second is the even narrower but very practical objective of learn-
ing to identify ingredients that may be unlabeled or accidentally mislabeled. Third is
the broad objective of increasing awareness of all the tastes, textures, and sights in the
bakeshop, no matter how small or mundane. There is much to be learned in a bake-
shop, even when the same items are prepped and baked day after day. The first step to
learning is learning to be aware.
An Instructor’s Manual (ISBN 978-0470-04512-1) accompanies this book. It can
be obtained by contacting your Wiley sales representative. An electronic version of the
Instructor’s Manual is available to qualified instructors on the companion Web site, at
www.wiley.com/college/figoni.
ACKNOWLEDGMENTS
I would like to thank the administration of the College of Culinary Arts at
Johnson & Wales University (J&W), who first suggested that I write this text. Without
their prodding and support, I would not have known that I could really do it.
The faculty in the International Baking and Pastry Institute at J&W deserve a
special thanks. They let me into their bakeshops, answered my questions, presented
me with practical problems, and made me feel like I was one of them. They demon-
strated firsthand to the students through their own knowledge and understanding of
science that science does indeed belong in the bakeshop. They have made my years at
J&W immensely rewarding, challenging, and fun, and that has made all the difference
to me.
In particular, I would like to thank my friend Chef Martha Crawford, whose
presence is felt in the classrooms and halls at J&W, even as she has moved on. Chef
Crawford taught me many things, including how to begin to think like a pastry chef.
She has a knack for getting to the core of any problem and laying out a path to its solu-
tion. Whenever I strayed, she firmly and wisely placed me back on track. For this, and
for much more, I am grateful.
I would also like to pay a debt of gratitude to Chef Joseph Amendola, who pio-
neered the education of bakers and pastry chefs in this country. Chef Amendola had
the vision to see where education should head, and he placed us on that path.
I would like to thank the reviewers of the manuscript. Their helpful comments and
suggestions strengthened the manuscript. They are Dr. Bill Atwell of Cargill, Inc.; Gloria
M. Cabral of Bristol Community College; Kelli Dever of Boise State University; Kathryn
Gordon of The Art Institute of New York City; Catherine M. Hallman of Walker State
Community College; Monica J. Lanczak of Pennsylvania College of Technology; Simon
Stevenson of Connecticut Culinary Institute; and Scott Weiss of Carteret Community
College.
Finally, I would like to thank my family. My mother, who taught me how to bake,
my father, who taught me to love food, and both my parents, as well as my sisters,
who years ago encouraged me to continue even as they ate my first experiments in
baking. They helped shape me, and in doing so, they helped to shape this book. Bob
deserves a special thanks, because he was on the front line, tolerating my late nights at
the computer and steadying my mood as it changed with each day. This book is yours
as well as mine.
Paula Figoni
Providence, Rhode Island
INTRODUCTION
Those who enter the fields of baking and pastry arts do so for a variety of rea-
sons. For some, it is the joy of working with their hands, of creating edible works of art
from a few basic ingredients. For others, it is the rush they get from the fast pace of
the bakeshop, or from its satisfying sights and smells. Still others like the challenge of
pleasing and surprising customers. No matter the reason, the decision to work in the
field is usually grounded in a love of food, and maybe past experience in a bakeshop or
a home kitchen.
Working in a professional bakeshop is different from baking at home, however.
Production in a bakeshop is on a larger scale. It takes place day in and day out, some-
times under severe time pressures, in uncomfortably hot and humid conditions, and
over long hours. Despite the discomforts and pressures, product quality must remain
consistently high, because that is what the customer expects.
It takes specialized knowledge and practiced skills to accomplish these goals suc-
cessfully. It helps to be attentive to the sights, sounds, and smells of the bakeshop.
Experienced bakers and pastry chefs, for example, listen to the sound of cake batter
being beaten in a bowl, knowing that changes in sound accompany changes to the bat-
ter itself. They push and pummel bread dough to feel how it responds. They use smells
from the oven to judge when baking is nearly complete, and they sample their finished
products before presenting them to the customer.
Experienced bakers and pastry chefs rely, too, on tools like timers and thermom-
eters, because they know how time and temperature affect product quality. They also
rely heavily on accurate scales.
THE IMPORTANCE OF
ACCURACY IN THE BAKESHOP
Most bakery items are made of the same ingredients: flour, water, sugar, eggs,
leavening agents, and fat. Sometimes the difference between two products is simply the
method of preparation used in assembling the ingredients. Other times the difference is
the proportion or amount of each ingredient in a formula. Because small differences in
method and in proportion of ingredients can have a large effect on the quality of baked
goods, it is crucial that bakers and pastry chefs follow methods of preparation carefully
and measure ingredients properly. Otherwise, a product may turn out unexpectedly, or
worse, it may turn out unacceptable or inedible.
For example, if too much shortening and too few eggs are added to a formula for
moist, chewy oatmeal cookies, the cookies will likely turn out crisp and dry. If the same
error is made with cake batter, the result will likely be a complete failure, since eggs
provide structure and volume. In fact, bakers and pastry chefs require a higher degree
of accuracy when measuring ingredients than do culinary chefs in the kitchen.
When the kitchen chef prepares a pot of soup, it doesn’t really matter if a little less
celery is added or an extra onion is included. The chef still has a pot of soup, and if the
flavor is off, adjustments can be made along the way. Bakers and pastry chefs cannot
make adjustments along the way. If too little salt is added to bread dough, it will do
no good to sprinkle salt onto the bread once it is baked. Instead, ingredients must be
weighed and measured accurately at the beginning.
This means that, more so than kitchen chefs, bakers and pastry chefs are chemists
in the kitchen. As with chemists, creativity and skill are important for success, but so is
accuracy. If a formula calls for two pounds of flour, it doesn’t mean around two pounds,
more or less. It means two pounds.
UNITS OF MEASURE
Digital and baker’s scales measure in either standard U.S. common units
(pounds and ounces; imperial units in Canada) or in metric units (kilograms and
grams). Some versatile digital scales switch at the touch of a button from U.S./imperial
units to metric units. Most countries throughout the world have adopted the metric
TABLE 1.1 ■ system. This provides a means of sharing formulas more easily across national borders.
EQUIVALENCIES BETWEEN More importantly, the metric system is simpler to use once you become familiar with
U.S. COMMON (IMPERIAL)
it. With the metric system, for example, fewer math calculations are needed when con-
AND METRIC UNITS
verting a formula to a new batch size. Since 1 kilogram in metric equals 1,000 grams,
WEIGHT you simply move decimal points to convert from one size unit to another. For example,
1 ounce = 28.4 grams 1.48 kilograms is equal to 1,480 grams, and 343 grams is equal to 0.343 kilograms. Try
converting as quickly from pounds to ounces, or ounces to pounds! This ease of use
1 pound = 454 grams
is probably the main reason why more bakers and pastry chefs in North America are
VOLUME adopting the metric system for use in the bakeshop.
1 teaspoon = 4.9 milliliters Using the metric system, for the most part, does not require tedious math conver-
sions from ounces to grams or pounds to kilograms. This makes it much easier to use
1 quart = 0.95 liters
the metric system than most people believe. Table 1.1 lists the metric equivalents of a
few U.S. common (imperial) units, for those times when you do need to convert from
one system to another.
It is a common misconception that metric units provide better precision than U.S./
imperial units. In fact, metric units are not necessarily more precise, although they are
simpler to use. Once again, the precision of measurements depends on the design and
construction of the scale, not on the units used.
WEIGHT AND
VOLUME MEASUREMENTS
Home cooks in North America use volumetric measurements—measuring
containers and measuring spoons—for all ingredients, including dry ingredients.
This is a problem when measuring certain ingredients. For example, flour settles over
time. When flour settles, there is less air between particles. Density increases, and
more flour is needed to fill a container. On the other hand, if flour is sifted before it
is measured, there is more air between particles. Density decreases, and less flour is
needed to fill a cup.
To avoid these inconsistencies, pastry chefs and bakers do not use volumetric mea-
surements for flour and other dry ingredients. Instead, they weigh dry ingredients—and
most liquid ingredients—for accuracy. Density does not affect weight measurements
the way it affects volume measurements. A pound of sifted flour weighs the same as a
pound of unsifted flour, regardless of the density. They both weigh 1 pound!
TABLE 1.2 ■ A COMPARISON OF THE APPROXIMATE WEIGHTS OF 1 PINT AND 1 HALF LITER
(500 MILLILITERS) OF VARIOUS INGREDIENTS
While some pastry chefs and bakers weigh all ingredients using a scale, others
measure some liquids volumetrically. They use measuring containers for water and for
liquids that have about the same density as water. While practices vary from bakeshop
to bakeshop, ingredients that are often measured volumetrically include milk, cream,
and eggs. Table 1.2 indicates why. Notice that the weights per pint (or per half liter) of
milk, cream, and eggs are around the same as that of water. Measuring 1 pint of each
of these ingredients yields about a pound or so (while these ingredients do not weigh
exactly 1 pound per pint, they are approximately so; notice, however, that in the metric
system, 1 half liter—500 milliliters—of water at room temperature does weigh exactly
500 grams. This is not a coincidence). Many other liquids, including honey, corn syrup,
and oil, have densities much different from water. These liquids must be weighed,
because 1 pint will not weigh 1 pound.
TABLE 1.3 ■ VOLUMETRIC with each other, the liquid will not flow easily and is thick. This is the case with fruit
CONVERSIONS FOR U.S. purees. Tiny pulp pieces in fruit purees bump and tangle with one another, prevent-
COMMON UNITS
ing water and pulp particles from flowing easily past one another. This makes the
1 tablespoon ⫽ 3 teaspoons puree thick.
⫽ 0.5 fluid Some common liquids—honey and molasses, for example—are both dense
ounce and thick. The molecules are close together, making these liquids dense, and the
molecules do not slide easily past each other, making the liquids thick. But consider
1 cup ⫽ 48 teaspoons
vegetable oil. Vegetable oil is thicker than water, yet it is less dense than water (that
⫽ 16 tablespoons is why oil floats). Notice how the density of a liquid cannot be judged by looking at
⫽ 8 fluid ounces its thickness.
1 pint ⫽ 16 fluid
ounces
⫽ 2 cups
1 quart ⫽ 32 fluid ounces THE DIFFERENCE BETWEEN WEIGHT
⫽ 4 cups OUNCES AND FLUID OUNCES
⫽ 2 pints
Refer to Table 1.3, which lists conversions between U.S. common volumetric
1 gallon ⫽ 128 fluid
measurements. Notice that there are 16 ounces in a pint (2 cups). Recall that there are
ounces
16 ounces in a pound. Why, then, did we see from Table 1.1 that a pint does not weigh
⫽ 16 cups 1 pound for all ingredients? Likewise, how can there be 16 tablespoons in a cup and
⫽ 8 pints 8 ounces in a cup, but 16 tablespoons does not necessarily weigh 8 ounces? These are
⫽ 4 quarts the problems that result when one word—ounce—is used to represent two different
concepts.
The term ounce represents a unit of weight or mass. It can also represent vol-
ume or capacity. That is, there are weight ounces that measure weight, and there are
fluid ounces that measure volume. Notice that Table 1.3 specifies fluid ounces, not
weight ounces, in each conversion. While 1 fluid ounce
sometimes does weigh 1 ounce, it is not necessarily so.
H E L P F U L HINT Consider feathers and bullets. No one expects
If a formula includes measurements in ounces, 1 cup of feathers to weigh the same as 1 cup of bul-
be sure to check carefully to determine for each lets. Likewise, food ingredients vary in how much they
ingredient whether it is to be measured using fluid weigh per cup. Refer back to Table 1.2, which lists several
or weight ounces. Unless you know the density of an ingredients—arranged from less dense to more dense—
ingredient, do not interchange weight measurements and their weights per pint (2 cups) and per half liter (500
with volumetric measurements, or vice versa. milliliters). Notice the large range in values. This shows
that the expression “a pint’s a pound the world ‘round” is
not only false for feathers and bullets, but it is also false
for many common bakeshop ingredients. It is approximately true for water and for
ingredients with the same density as water. Because 1 fluid ounce of water (and ingre-
dients with the same density as water) weighs about 1 ounce, and 1 milliliter of water
weighs 1 gram, for practical purposes it doesn’t matter whether water is weighed on a
scale or measured volumetrically.
BAKER’S PERCENTAGES
Formulas, especially bread formulas, are sometimes expressed in percentages
called baker’s percentages. With baker’s percentages, each ingredient is expressed as a
certain ratio or percent of the total amount of flour in the formula. Flour is used as the
basis for baker’s percentages because it is typically the predominant ingredient in most
baked goods. Since the total amount of flour is designated as 100 percent, the percent-
ages of all ingredients add up to more than 100 percent. Table 1.4 provides an example
of a bread formula expressed in weight and in baker’s percentages. Notice that more
than one type of flour is included in this formula, but that together the weight of the
flours adds up to 100 percent.
For formulas that do not contain flour, each ingredient is expressed as a percentage of
the predominant and characteristic ingredient. In the case of a date filling, for example, each
ingredient is expressed as a percentage of the amount of dates (Table 1.5). For baked cus-
tard, each ingredient is expressed as a percentage of dairy ingredients—milk and cream.
Baker’s percentage—sometimes called formula percentage or indicated as “on flour
weight basis”—is different than the percentages commonly taught in math classes. In
the more common type of percentage, each ingredient is expressed as a certain percent-
age of the total batch size. In this case, ingredient percentages add up to 100 percent.
Table 1.6 shows the bread formula from Table 1.4, this time expressed as a percentage
of the total batch.
TABLE 1.5 ■ DATE FILLING FORMULA EXPRESSED IN WEIGHT AND IN BAKER’S PERCENTAGES