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Repet: I ION

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21 views22 pages

Repet: I ION

Uploaded by

arorasyna
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Rhythm

• REPETITION
Simplest way to develop rhythm in an arrangement
Accompl1shed by repeating the Jeadmg color, strongest
line, the dominant form or texture
• The simplest form of repetition 1s the regular placement
of the same element in a linear path - a border

~
( I
. •-t,
---

G
1 -
• Repetition-a des ign tool (usually one of the
elements of design) is repeated
REPETITION
1fi

• Gradat,on-moves the eye from light to dark


or from small lo large with one or more of the
elements
Op osition- n r pt
keeps mo
trans,tron

Making a gradual change


0
Blend1ng colors, lme patt dt
• Progression and transrt,o r c
and progression ,s often used to crea ea
trans1t1on
• Don't section the de rgn- use of one color or
texture ,n one area and d1ff rent ,nano her
0
Blend colors textures and shap g er to
urnfy the design
• Trans1t1on- how one part of the design
chan ges to another part Usually a d1st1nct
curved llne will guide the eye
R ythm

• RADIATION
The atten1pt to rnake all obJects a p rt
from one central axis
ad1a t1on-m oves your eye out from a
• R
central po,nt

r
Rhythm
• PROGRESSION
Gradual change by increasmg or decreasmg
one or more quallties Such as size color to
texture of the matenal usedf or space
between obJects.
- Progression develops movement ma certain
d1rect1on
- Using obJects of increasing size
- Increase the space between flowers at the
eclgPs and decreasrng at the center
Emphasis

• Emphasis 1s the method used to draw attentron ton I r


of the design by making ,t the focaf pornt or the mam ,d
There are common techniques that are used to add
emphasis m a design
- Use contrasting elements, (big small, thick, thin
negative, pos,t,ve)
- Use color for the most important element
- Reverse an element orr! of the bcickgroundl
Examples of Emphasis
Emphasi

• The foca I point of a


room
° Focuses your attention
• There should be only
one pomt of emt has10
mo room
• Arcl11tectur<.1I emphas1
(usmg wmdow
ota11 cnses, fo epl 1c ,
etc) 1s cl fJFeat way tll
c 1e~ te a fo 11 point 111 c1
roorn ,_
0
Unity
II
Unity is the completeness and harmony of a design Unity
1s achieved when all the elements belong together
Several methods of organization are used to produce unity
m the design.
- Grouping
- Using a gnd (sub.d1v1s1on of space)
- Repetition - means repeating certain elements
throughout the entire design Using repet1t1on can pull
the design together (usmg a theme or squares then
usmg different sizes and shapes of squares and
rectangles) Example usmg a repeated background on
a PowerPoint presentation
The Methods of Design
I
i- ~ I
A GUIDELINE: IF AN ELEMENT CAN BE REMOVED
WITHOUT AFFECTING THE DESIGN IT WASN'T
IN.EEDED ANWAY,
G
Unity

• The harmony of all


the visual elements in
a compos,t,on
• The fee/,ng of
completeness or
wholeness of a
balance and
organized
composrtion of the
elements and
principles
Unity

• When all the parts of the design suggest a


single idea or impression.
• Repeating co/ors throughout the des,gn

E- ➔
Contrast

· Contrast in art and design


occurs when two re/atea
elements are different The
greater the d1fference the
greater the contrast
Contrast adds vanety to the
total design and creates
un,ty It 1s what draws the
viewer's eye into the
painting and helps to guide
the viewer around the art
pieceh

• thtck/ thm Imes,


0
ltght/ dark
Movement

• When the elements


are put together to
have the 1//us,on of
movement and action.
It invites the eye to go
from one area to the
next Mobiles, video,
film, and d1g1tal 3-D
1llustrat10n have
actual movement.
Focar Point

There should be only a single focal point 111 ,1


design
• arrangements with more than one create
restless movement of the eye.
• Unity in the nrrangement Is destroyed
Focal Pomt

0
Place the darkest color or the brightest color
there
• Place strongly contrastrng co lors or textures at
this point
• Place an unusually shaped obJect/forrn there
ARCH[TECTS.- MOSHIE SAFDIE ASHOK OHAWAN
EXHIBITON DESIGN- AlvlARDEEP BEi-iL (INDI/\S
fORl::MOS T EXPERIENCE DESIGNERS)

LOCATION-NEAR OILAANANDGARH KHALSA


HERITAGE 1.AEMOAIAL COMPLEX AMANDPUR SAHIB
PUNJAB

CLIMATE HUMID SUBTROPICAL

SITE AREA J035 I 4 SQM ( 75 ACRE}


BUILT lJPAREA 80937 I SQM (20 ACRE)

CLIENT PUNJAB GOVT

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