E | MAGAZINE

JULY 2016
 © Kylli Sparre

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13 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
 JULY 2016
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer

All images and text published in PhotographizeMag

are the sole property of the featured authors and
15

27

63
39

51

75
the subject copyright.
3
pag

pag

pag

pag

pag

pag

pag
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3

or distributed without the express written permission

of its legal owner.

2010-2014 © PhotographizeMag | all rights reserved

Parvana Photography

Stephen McMennamy
Evelyn Bencicova

Alex Timmermans

Editor,founder,publisher and
Claudia Wycisk

Aydın Büyüktaş

Charlie Davoli

Art Director : Andrea Costantini

Follow me:

web: www.photographize.org
email: [email protected]
Cover : © Claudia Wycisk
 JULY 2016
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer

All images and text published in PhotographizeMag

are the sole property of the featured authors and
15

27

63
39

51

75
the subject copyright.
3
pag

pag

pag

pag

pag

pag

pag
No image or text can be reproduced, edited, copied
3

or distributed without the express written permission

of its legal owner.

2010-2014 © PhotographizeMag | all rights reserved

Parvana Photography

Stephen McMennamy
Evelyn Bencicova

Alex Timmermans

Editor,founder,publisher and
Claudia Wycisk

Aydın Büyüktaş

Charlie Davoli

Art Director : Andrea Costantini

Follow me:

web: www.photographize.org
email: [email protected]
Cover : © Claudia Wycisk
 Natalia Evelyn Bencicova ( 4.12.1992 ) works mostly with digital
photography. Grew up in Bratislava, Slovakia, currently studying
studies at the University of Applied Arts in Vienna.

In her work, she she is trying to pursue a point where the

commercial and the artistic meet, focusing on the conceptual as
well as the visual aspects of photography.

Close series © Evelyn Bencicova

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3 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 4
2010-2014 © PhotographizeMag | all rights reserved
 Natalia Evelyn Bencicova ( 4.12.1992 ) works mostly with digital
photography. Grew up in Bratislava, Slovakia, currently studying
studies at the University of Applied Arts in Vienna.

In her work, she she is trying to pursue a point where the

commercial and the artistic meet, focusing on the conceptual as
well as the visual aspects of photography.

Close series © Evelyn Bencicova

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3 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 4
2010-2014 © PhotographizeMag | all rights reserved
 Close series © Evelyn Bencicova Close series © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 Close series © Evelyn Bencicova Close series © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 Close series © Evelyn Bencicova

Close series © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 Close series © Evelyn Bencicova

Close series © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 Faceless concept © Evelyn Bencicova
Faceless concept © Evelyn Bencicova

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 Faceless concept © Evelyn Bencicova
Faceless concept © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 Ecce Homo series © Evelyn Bencicova

Ecce Homo series © Evelyn Bencicova

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 Ecce Homo series © Evelyn Bencicova

Ecce Homo series © Evelyn Bencicova

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2010-2014 © PhotographizeMag | all rights reserved
 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
13 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. Olymp series © Evelyn Bencicova
2010-2014 © PhotographizeMag | all rights reserved
 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
13 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. Olymp series © Evelyn Bencicova
2010-2014 © PhotographizeMag | all rights reserved
 My grandmother gave me a push into the right direction to buy a
camera while we were having coffee together on a Sunday
afternoon. That was in 2007. From that moment on, photography
has grown into an indispensable part of my life.
Through photography I had the chance to meet a lot of wonderful
people with whom I collaborated on great ideas and spent a
fantastic time. Letting my imagination run wild and working with
people, without being restricted by any external requirements is
motivating me to go on. Photography means a lot to me, not only
because it has changed me as a person, but because it just lifts
me up, even if a day is not going so well. Just switch the
camera on, switch the problems off and find myself again.

I’m autodidact. In 2007 I bought my first SLR camera.

It was a Canon 400D with the Canon 50mm f/1.4. Since 2009 I am
working only on people photography. I photograph only digital.
In 2011 I bought my new baby the Canon 5D Mark II and the Canon
24-70mm f/2.8. The 50mm and the 24-70mm are my favorite
objectives.

I use the Canon 50mm f/1.4 outdoors only. If I work indoors I

use the Canon 24-70mm f/2.8 and the Canon 50mm f/1.4 with a
softbox from Proxistar 60 x 60 cm or a 95cm Phottix Oktagon
Softbox with the Yongnuo YN-560 II speedlite. That’s it!

The only and important thing for me in order to make good

pictures is to create a connection between the model and myself.
If there is no connection I can’t take emotional pictures.
That’s why the communication before every shooting is so
crucial. With some models the connection is great from the first
© Claudia Wycisk moment of meeting each other, but this doesn’t always happen.
But that’s ok, too.

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15 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 16
2010-2014 © PhotographizeMag | all rights reserved
 My grandmother gave me a push into the right direction to buy a
camera while we were having coffee together on a Sunday
afternoon. That was in 2007. From that moment on, photography
has grown into an indispensable part of my life.
Through photography I had the chance to meet a lot of wonderful
people with whom I collaborated on great ideas and spent a
fantastic time. Letting my imagination run wild and working with
people, without being restricted by any external requirements is
motivating me to go on. Photography means a lot to me, not only
because it has changed me as a person, but because it just lifts
me up, even if a day is not going so well. Just switch the
camera on, switch the problems off and find myself again.

I’m autodidact. In 2007 I bought my first SLR camera.

It was a Canon 400D with the Canon 50mm f/1.4. Since 2009 I am
working only on people photography. I photograph only digital.
In 2011 I bought my new baby the Canon 5D Mark II and the Canon
24-70mm f/2.8. The 50mm and the 24-70mm are my favorite
objectives.

I use the Canon 50mm f/1.4 outdoors only. If I work indoors I

use the Canon 24-70mm f/2.8 and the Canon 50mm f/1.4 with a
softbox from Proxistar 60 x 60 cm or a 95cm Phottix Oktagon
Softbox with the Yongnuo YN-560 II speedlite. That’s it!

The only and important thing for me in order to make good

pictures is to create a connection between the model and myself.
If there is no connection I can’t take emotional pictures.
That’s why the communication before every shooting is so
crucial. With some models the connection is great from the first
© Claudia Wycisk moment of meeting each other, but this doesn’t always happen.
But that’s ok, too.

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
15 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 16
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

For me it is very interesting to work with the models until they

trust me enough to let go. You can practically see how they
become more themselves with every picture that I take. Other
than that, I follow no fixed rules to take good pictures. Many
things happen spontaneously. This is great, because from my
experience, spontaneity brings the best results.

Good pictures don’t depend on the equipment, but on the eye to © Claudia Wycisk
see the things in the right moment!

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17 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 18
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

For me it is very interesting to work with the models until they

trust me enough to let go. You can practically see how they
become more themselves with every picture that I take. Other
than that, I follow no fixed rules to take good pictures. Many
things happen spontaneously. This is great, because from my
experience, spontaneity brings the best results.

Good pictures don’t depend on the equipment, but on the eye to © Claudia Wycisk
see the things in the right moment!

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
17 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 18
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

© Claudia Wycisk

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19 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 20
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

© Claudia Wycisk

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19 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 20
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

© Claudia Wycisk

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21 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 22
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

© Claudia Wycisk

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21 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 22
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk © Claudia Wycisk

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23 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 24
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk © Claudia Wycisk

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23 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 24
2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

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w w w. a n d r e a c o s t a n t i n i . o r g
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2010-2014 © PhotographizeMag | all rights reserved
 © Claudia Wycisk

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w w w. a n d r e a c o s t a n t i n i . o r g
25 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
 Aydın Büyüktaş, who was born in Ankara in 1972, dropped out form Bilkent
University Tourism Management Department because it was not his future
dream. After moving to Istanbul in 2000's, he took charge in many
awarded movies and advertising drives, while he is working for
avant-garde companies such as Sinefekt and Makinefx after having
improved himself in the fields of visual effect, 3D, animation and
video.

He started to give priority to freelance works after his

character, which was designed by him in the form of 3D in 2008, gained
international popularity. While he interested in Photography, he also
has been continuing his academic education at the department of
photography of Mimar Sinan Fine Arts University since 2012.

© Aydın Büyüktaş
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27 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 28
2010-2014 © PhotographizeMag | all rights reserved
 Aydın Büyüktaş, who was born in Ankara in 1972, dropped out form Bilkent
University Tourism Management Department because it was not his future
dream. After moving to Istanbul in 2000's, he took charge in many
awarded movies and advertising drives, while he is working for
avant-garde companies such as Sinefekt and Makinefx after having
improved himself in the fields of visual effect, 3D, animation and
video.

He started to give priority to freelance works after his

character, which was designed by him in the form of 3D in 2008, gained
international popularity. While he interested in Photography, he also
has been continuing his academic education at the department of
photography of Mimar Sinan Fine Arts University since 2012.

© Aydın Büyüktaş
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27 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 28
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

FLATLAND
Aydın Büyüktaş, inspired by the book of Edwin Abbat “Flatland:
A Romance of Many Dimensions” created his series called “Flatland”, in
which he sets the foundations of a dimension where a space of surprises
creates a space that creates suprises. We live in places that most of
the times don’t draw our attention, places that transform our memories,
places that the artist gives another dimension; where the perceptions
that generally crosses our minds will be demolished and new ones will
arise. These works aims to leave the viewer alone with a surprising
visuality ironic as well,multidimensional romantic point of view.
© Aydın Büyüktaş
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29 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 30
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

FLATLAND
Aydın Büyüktaş, inspired by the book of Edwin Abbat “Flatland:
A Romance of Many Dimensions” created his series called “Flatland”, in
which he sets the foundations of a dimension where a space of surprises
creates a space that creates suprises. We live in places that most of
the times don’t draw our attention, places that transform our memories,
places that the artist gives another dimension; where the perceptions
that generally crosses our minds will be demolished and new ones will
arise. These works aims to leave the viewer alone with a surprising
visuality ironic as well,multidimensional romantic point of view.
© Aydın Büyüktaş
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29 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 30
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

-At the begining I want also each photo could be analog collage. So
planed in 3D software very carefully, I create a 3D city to find cameras
position. Planning take 2 month to create smooth curves in the photos.
Thousands of 3D renders taken also need to rephotograpyh many times.
-I crete one analog collage but I didnt like feeling its give me than I
start to create it digitally. In photoshop it takes many days to create
an image how i want to.
© Aydın Büyüktaş
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31 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 32
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

-At the begining I want also each photo could be analog collage. So
planed in 3D software very carefully, I create a 3D city to find cameras
position. Planning take 2 month to create smooth curves in the photos.
Thousands of 3D renders taken also need to rephotograpyh many times.
-I crete one analog collage but I didnt like feeling its give me than I
start to create it digitally. In photoshop it takes many days to create
an image how i want to.
© Aydın Büyüktaş
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31 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 32
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

-Waiting for right weather was challanging. So many times I have to turn
back without a pics cause of bad weather, technical problems, birds that
attacks drone and permition problems to fly that are.
- It was the year 2006. While I was reading “Hyperspace” the book of
Michio Kaku, he was using examples from “Flatland: A Romance of Many
Dimensions” of Edwin Abbot. I discovered the book like this. I was very
impressed by the book written in 1884 exemplifying the difficulties in
comprehending the way of interconnecting the dimensions and the
inter-dimensional transition. The fact that the book tried to tell the
inter-dimensional transition and the third dimension in second dimension
corresponded to my inquiry about the third dimension. © Aydın Büyüktaş
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33 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 34
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

-Waiting for right weather was challanging. So many times I have to turn
back without a pics cause of bad weather, technical problems, birds that
attacks drone and permition problems to fly that are.
- It was the year 2006. While I was reading “Hyperspace” the book of
Michio Kaku, he was using examples from “Flatland: A Romance of Many
Dimensions” of Edwin Abbot. I discovered the book like this. I was very
impressed by the book written in 1884 exemplifying the difficulties in
comprehending the way of interconnecting the dimensions and the
inter-dimensional transition. The fact that the book tried to tell the
inter-dimensional transition and the third dimension in second dimension
corresponded to my inquiry about the third dimension. © Aydın Büyüktaş
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
33 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 34
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

© Aydın Büyüktaş -When I became concerned with visual effect and animation in 2003-2004,
the idea that I could perform surreal places that I saw in my dreams and
-While the “sphere” coming from three-dimensional space raised the
I thought as of my childhood gradually started to occur on my mind.
“square” the character of the book “Flatland” for comprehending the
During my childhood and adolescence, I read science fiction series of
third dimension, the “square” saw the two-dimensional place that he
writers such as Isaac Asimov and H.G. Wells and Scientific and Technical
lived from the three-dimensional space for the first time. The idea of
journals. These books made me question the issues such as wormholes,
bending the space on image and the thought that I could see Istanbul
black holes, parallel universes, gravitation, bending of space and time.
with this logic met up that time. The name of the book corresponding to
I was obsessed by the question if a black hole occurred on the place we
my project as such was ironically very proper for studies.
live, how it would bent the space, time and place.
The Bridge © Antonio Mora
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35 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 36
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

© Aydın Büyüktaş -When I became concerned with visual effect and animation in 2003-2004,
the idea that I could perform surreal places that I saw in my dreams and
-While the “sphere” coming from three-dimensional space raised the
I thought as of my childhood gradually started to occur on my mind.
“square” the character of the book “Flatland” for comprehending the
During my childhood and adolescence, I read science fiction series of
third dimension, the “square” saw the two-dimensional place that he
writers such as Isaac Asimov and H.G. Wells and Scientific and Technical
lived from the three-dimensional space for the first time. The idea of
journals. These books made me question the issues such as wormholes,
bending the space on image and the thought that I could see Istanbul
black holes, parallel universes, gravitation, bending of space and time.
with this logic met up that time. The name of the book corresponding to
I was obsessed by the question if a black hole occurred on the place we
my project as such was ironically very proper for studies.
live, how it would bent the space, time and place.
The Bridge © Antonio Mora
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35 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 36
2010-2014 © PhotographizeMag | all rights reserved
 © Aydın Büyüktaş

37
 © Aydın Büyüktaş

37
 Playing with paradoxes and mixing-up real environments with surreal
interferences is the most fun during my ordinary day life.
When I walk down the street, I shoot anything that catches my attention,
creating an immense archive of photos. The creation of a new dreamscape
happens at a later stage in the concept: thanks to my pool of images, the
editing process is then almost immediate through the use of iPhone apps
like PsTouch, iDesign, Superimpose, MatterApp e Mextures.

My influences are a chimerical blend of the metaphysical imagery in De

Chirico with a love for Bauhaus geometry and the pop culture of Warhol and
Lichtenstein all with the addition of some sci-fi retro.
I love that anyone can enjoy a ride in my amusement park. Just like going
on a roller-coaster!

© Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
39 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 40
2010-2014 © PhotographizeMag | all rights reserved
 Playing with paradoxes and mixing-up real environments with surreal
interferences is the most fun during my ordinary day life.
When I walk down the street, I shoot anything that catches my attention,
creating an immense archive of photos. The creation of a new dreamscape
happens at a later stage in the concept: thanks to my pool of images, the
editing process is then almost immediate through the use of iPhone apps
like PsTouch, iDesign, Superimpose, MatterApp e Mextures.

My influences are a chimerical blend of the metaphysical imagery in De

Chirico with a love for Bauhaus geometry and the pop culture of Warhol and
Lichtenstein all with the addition of some sci-fi retro.
I love that anyone can enjoy a ride in my amusement park. Just like going
on a roller-coaster!

© Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
39 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 40
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

© Charlie Davoli © Charlie Davoli

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41 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 42
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

© Charlie Davoli © Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
41 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 42
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli

© Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
43 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 44
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli

© Charlie Davoli

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43 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 44
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli © Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
45 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 46
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli © Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
45 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 46
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

© Charlie Davoli
© Charlie Davoli

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47 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 48
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

© Charlie Davoli
© Charlie Davoli

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47 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 48
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
49 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 © Charlie Davoli

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
49 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 “I always have been fascinated by photography.
But with the introduction of the digital camera it all became too easy,
too predictable …to me.
So I forced myself to go back to the roots of real analog photography.
Not just by making the photograph itself, but by controlling the entire
photographic process.
This brought me back to the middle of the 19th century, to the amazing
Collodion wet plate process.
And every single day I feel challenged to refine and improve myself”.

Timmermans started out shooting film and as the photographic world turned
"digital", so did he. However, Timmermans claims that the digital
approach to creating imagery was "too predictable". Anything can happen
when you're creating a photograph with the wet plate collodion process:
dust, light leeks, chemical malfunctions... not to mention, a digital
photograph can be taken in an instant whereas a photograph created by
shooting a plate can take up to an hour or longer. "So - to make just one
single picture - you will have to go through the whole process: cleaning
the glass, pouring the plate with collodion, sensitize, exposure,
Addicted to selfies © Alex Timmermans developing, washing, fixing, washing it again and finally, varnishing"

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51 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 52
2010-2014 © PhotographizeMag | all rights reserved
 “I always have been fascinated by photography.
But with the introduction of the digital camera it all became too easy,
too predictable …to me.
So I forced myself to go back to the roots of real analog photography.
Not just by making the photograph itself, but by controlling the entire
photographic process.
This brought me back to the middle of the 19th century, to the amazing
Collodion wet plate process.
And every single day I feel challenged to refine and improve myself”.

Timmermans started out shooting film and as the photographic world turned
"digital", so did he. However, Timmermans claims that the digital
approach to creating imagery was "too predictable". Anything can happen
when you're creating a photograph with the wet plate collodion process:
dust, light leeks, chemical malfunctions... not to mention, a digital
photograph can be taken in an instant whereas a photograph created by
shooting a plate can take up to an hour or longer. "So - to make just one
single picture - you will have to go through the whole process: cleaning
the glass, pouring the plate with collodion, sensitize, exposure,
Addicted to selfies © Alex Timmermans developing, washing, fixing, washing it again and finally, varnishing"

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51 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 52
2010-2014 © PhotographizeMag | all rights reserved
 Twins © Alex Timmermans Tea time © Alex Timmermans

As can be seen in his photographs, Timmermans shoots on location and Technique aside, what is even more fascinating about his series titled
brings his large camera with him, which was specially made to hold a 20x20 Story Telling is his uncanny ability to incorporate "old world" props into
inch plates. Along with the camera and plates, he also brings all the a scene in order to really set the mood.
necessary chemicals and gear he needs to develop the images: a traveling The viewer is automatically transported back in time while looking at his
darkroom or as Timmermans calls it "a fully loaded wagon". photographs. Bowler hats, old trunks, violins, and petticoats.

Timmermans shutter speed for these images was 3 seconds and used a 300mm
lens with an aperture of f/4.
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53 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 54
2010-2014 © PhotographizeMag | all rights reserved
 Twins © Alex Timmermans Tea time © Alex Timmermans

As can be seen in his photographs, Timmermans shoots on location and Technique aside, what is even more fascinating about his series titled
brings his large camera with him, which was specially made to hold a 20x20 Story Telling is his uncanny ability to incorporate "old world" props into
inch plates. Along with the camera and plates, he also brings all the a scene in order to really set the mood.
necessary chemicals and gear he needs to develop the images: a traveling The viewer is automatically transported back in time while looking at his
darkroom or as Timmermans calls it "a fully loaded wagon". photographs. Bowler hats, old trunks, violins, and petticoats.

Timmermans shutter speed for these images was 3 seconds and used a 300mm
lens with an aperture of f/4.
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
53 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 54
2010-2014 © PhotographizeMag | all rights reserved
 The rain maker © Alex Timmermans

The image maker © Alex Timmermans

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55 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 56
2010-2014 © PhotographizeMag | all rights reserved
 The rain maker © Alex Timmermans

The image maker © Alex Timmermans

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55 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 56
2010-2014 © PhotographizeMag | all rights reserved
 To the end of nowhere © Alex Timmermans

Springtime © Alex Timmermans

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57 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 58
2010-2014 © PhotographizeMag | all rights reserved
 To the end of nowhere © Alex Timmermans

Springtime © Alex Timmermans

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57 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 58
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 Laundry day © Alex Timmermans

Fisherman’s friends © Alex Timmermans

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59 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
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 Laundry day © Alex Timmermans

Fisherman’s friends © Alex Timmermans

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59 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
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 Lost © Alex Timmermans

Stockify © Flora Borsi

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61 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 62
2010-2014 © PhotographizeMag | all rights reserved
 Lost © Alex Timmermans

Stockify © Flora Borsi

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61 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 62
2010-2014 © PhotographizeMag | all rights reserved
 Nicole Erfan was born in Palo Alto, California to a father from Iran and a
mother from El Salvador. With a multicultural background and introverted
disposition, Nicole always felt out of place in her surroundings. Left to
her own devise, her imagination would take over, fostering her intense
love and obsession with fairy tales and everything magical.

Currently living in Northern California, Nicole is inspired by not only

her lush and beautiful surroundings, but by the shadows of her own
thoughts and fears she has overcome in life. Using her growth and struggle
as a muse, Nicole aims to evoke emotion and empower individuals to face
their fears and see the beauty in the struggle.

The Trail Of Red © Parvana Photography

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63 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 64
2010-2013 © PhotographizeMag | all rights reserved
 Nicole Erfan was born in Palo Alto, California to a father from Iran and a
mother from El Salvador. With a multicultural background and introverted
disposition, Nicole always felt out of place in her surroundings. Left to
her own devise, her imagination would take over, fostering her intense
love and obsession with fairy tales and everything magical.

Currently living in Northern California, Nicole is inspired by not only

her lush and beautiful surroundings, but by the shadows of her own
thoughts and fears she has overcome in life. Using her growth and struggle
as a muse, Nicole aims to evoke emotion and empower individuals to face
their fears and see the beauty in the struggle.

The Trail Of Red © Parvana Photography

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63 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 64
2010-2013 © PhotographizeMag | all rights reserved
 © Eduard Gordeev

The Strong That Go © Parvana Photography

Far-off Realms © Parvana Photography

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65 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 66
2010-2014 © PhotographizeMag | all rights reserved
 © Eduard Gordeev

The Strong That Go © Parvana Photography

Far-off Realms © Parvana Photography

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65 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 66
2010-2014 © PhotographizeMag | all rights reserved
 The Reinvention of Mother Goose © Parvana Photography

To Be Caged and To Be Free © Parvana Photography

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67 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 68
2010-2014 © PhotographizeMag | all rights reserved
 The Reinvention of Mother Goose © Parvana Photography

To Be Caged and To Be Free © Parvana Photography

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67 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 68
2010-2014 © PhotographizeMag | all rights reserved
 The Seeker © Parvana Photography

Surrender © Parvana Photography

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69 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 70
2010-2014 © PhotographizeMag | all rights reserved
 The Seeker © Parvana Photography

Surrender © Parvana Photography

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69 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 70
2010-2014 © PhotographizeMag | all rights reserved
 The Ghost of a Girl © Parvana Photography

Self Preservation © Parvana Photography

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71 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 72
2010-2014 © PhotographizeMag | all rights reserved
 The Ghost of a Girl © Parvana Photography

Self Preservation © Parvana Photography

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71 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 72
2010-2014 © PhotographizeMag | all rights reserved
 The Great Mother © Parvana Photography

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73 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 74
2010-2014 © PhotographizeMag | all rights reserved
 The Great Mother © Parvana Photography

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73 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 74
2010-2014 © PhotographizeMag | all rights reserved
 Stephen is based in Atlanta working as an art director for a large
advertising company. In October 2012 he was introduced to Instagram.
from there his interest in photography grew and that interest evolved
into an ongoing project he refers to as combo photo's. Due to the
popularity of his Instagram page it has allowed him to connect to all
sorts of artists and afforded him some wonderful opportunities.
He looks forward to continuing with many different creative projects.

© Stephen McMennamy

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75 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 76
2010-2014 © PhotographizeMag | all rights reserved
 Stephen is based in Atlanta working as an art director for a large
advertising company. In October 2012 he was introduced to Instagram.
from there his interest in photography grew and that interest evolved
into an ongoing project he refers to as combo photo's. Due to the
popularity of his Instagram page it has allowed him to connect to all
sorts of artists and afforded him some wonderful opportunities.
He looks forward to continuing with many different creative projects.

© Stephen McMennamy

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
75 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 76
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy © Stephen McMennamy

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77 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 78
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy © Stephen McMennamy

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77 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 78
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy
© Stephen McMennamy

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79 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 80
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy
© Stephen McMennamy

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79 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 80
2010-2014 © PhotographizeMag | all rights reserved
 © Carla DLM
© Loïc Remy - ELREM © Carla DLM

The Green Room [Carnavalet] © Karen Knorr

Corridor [Carnavalet] © Karen Knorr

© Stephen McMennamy

© Stephen McMennamy

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81 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 82
2010-2014 © PhotographizeMag | all rights reserved
 © Carla DLM
© Loïc Remy - ELREM © Carla DLM

The Green Room [Carnavalet] © Karen Knorr

Corridor [Carnavalet] © Karen Knorr

© Stephen McMennamy

© Stephen McMennamy

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81 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 82
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy © Stephen McMennamy

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83 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 84
2010-2014 © PhotographizeMag | all rights reserved
 © Stephen McMennamy © Stephen McMennamy

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83 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 84
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 Evelyn Bencicova 3

www.evelynbencicova.com

Claudia Wycisk
www.cwphoto.de

Aydın Büyüktaş
www.aydinbuyuktas.com

Charlie Davoli
www.instagram.com/charlie_davoli

Alex Timmermans
www.alextimmermans.com

Parvana Photography
www.parvanaphotography.com

Stephen McMennamy
www.instagram.com/smcmennamy

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©85Stephen McMennamy
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2010-2014 © PhotographizeMag | all rights reserved
 Evelyn Bencicova 3

www.evelynbencicova.com

Claudia Wycisk
www.cwphoto.de

Aydın Büyüktaş
www.aydinbuyuktas.com

Charlie Davoli
www.instagram.com/charlie_davoli

Alex Timmermans
www.alextimmermans.com

Parvana Photography
www.parvanaphotography.com

Stephen McMennamy
www.instagram.com/smcmennamy

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
©85Stephen McMennamy
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2010-2014 © PhotographizeMag | all rights reserved
All images and text published in PhotographizeMag
are the sole property of the featured authors and
the subject copyright.

No image or text can be reproduced, edited, copied

or distributed without the express written permission
of its legal owner.

2016 © PhotographizeMag
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