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C5 - Production Phase - Cuts Transitions

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22 views21 pages

C5 - Production Phase - Cuts Transitions

Uploaded by

Adam Hisqandar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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CVMB544 /

CVMB2223
AUDIO VIDEO
PRODUCTION
CHAPTER 5
PRODUCTION PHASE
– CUTS & TRANSITION

Prepared by :

Dr. Nazrita Ibrahim, Masyura Ahmad Faudzi

Updated (2019, 2022) : Ts. T.J. Iskandar Abd. Aziz


Changing from one shot to
another.

Cut is made by the film editor


at the editing stage of a film. CUTS

Reason: changing the


perspective in order to
advance/tell the story.

2
Cutting on Action
Cut away
Cross cut
Jump cut
Match cut
Smash cut
TYPE OF
Invisible cut
L-cut
CUTS AND
J-cut TRANSITION
Fade in/fade out
Dissolve
Iris
Wipe

3
CUTTING ON ACTION

Cut from one shot to Is a way of preserving


another when the continuity and making
subject is still in motion. cuts flow together.

The second shot should Pick a spot in the action


have a level of action that will connect the
equivalent to the first. two shots

4
Cut on Action to Time-Travel: cut on action can also be
used to carry viewer through time.

CUTTING ON For example, a father throwing a baseball to his son.


ACTION

The father winds up and throws the baseball, but instead


of seeing the expected 9-year-old catcher, the viewer sees
a 25-year-old-man in a major league uniform in a big
stadium filled with people.

5
CUT AWAY
• Cut to the insert shot, and back to the original shot

6
CUT AWAY

• Can also be used to get inside to the head of the


character (quick flashback).

7
CROSS CUT

• Cut back and forth between location


– E.g. telephone conversation

8
Can also applied to add suspense
and tension to the scene
• E.g. A scene showing mischievous
students cleaning up the classroom
while the teacher is heading to the
classroom
CROSS CUT
Or to show what is going on
inside a character’s head
• Back and forth scene showing the
character and the scene which visualize
the character’s thinking

9
Cut between the same shot.

This type of edit gives the effect


of jumping forwards in time.
JUMP CUT
Usually to show:
• the passing of time or
• the level of urgency of the scene

10
MATCH CUT
• Cut from one shot, to a similar shot, by either matching the action or the composition.
• Match cut can also be verbal (showing the action of different group at different location, all
talking/referring/addressing the same thing)

Matching composition

Matching action 11
SMASH CUT

Abrupt transition Example of application in film

- Someone waking up from an intense dream or


a nightmare
- Going from something intense to quiet
- Going from something quiet to intense

12
INVISIBLE CUT
• A transition that give the impression of a single take, but the cut is hidden.
– Transition hidden in the blackness
– Transition on the motion of camera movement
– Transition occurs when an object crossing the frame
– Transition occurs when an object leaves the frame

13
L-CUT
• An audio based transition – an audio from the current shot carries over to the
next shot

14
A transition whereby you can hear the
audio from the next scene before you
get to it, you hear what is going on
when you see what is going on.

Create a very smooth and subtle


transition J-CUT

Can be used to add new elements to


the scene.

15
FADE IN/FADE OUT
• Dissolve either to, or from black

16
Blend one shot into another

DISSOLVE
Can represent the passage of
time

17
Used to imitate the camera
effect of opening and closing to
the black

IRIS
Transition is within the scene

18
• One shot replaces another by travelling
WIPE from one side of the frame to another or
with a special shape

19
https://www.youtube.com/watch?v=OAH0MoAv2CI
REFERENCE

• Summary of youtube video:


https://www.youtube.com/watch?v=OAH0MoAv2CI&index=12&list=PLxeszhfRqsVYyoj_9zBnJqFRG8O0ans35

21

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