VISUAL ARTS

Quarter 4 Learning Resource Material

9
Postmodern Art: New Media, Forms, and Technology

In this quarter, we will explore new art forms that

tackle issues in contemporary art while
understanding the application of new media
in Postmodern art movements and its relevance to the modern society.

LEARNING RESOURCE MATERIAL for VISUAL ARTS

1
POSTMODERN ART: NEW MEDIA, FORMS, AND TECHNOLOGY

Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the
Government of the Philippines. However, prior approval of the government agency or office wherein
the work is created shall be necessary for exploitation of such work for profit. Such agency or office
may, among other things, impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks,
etc.) included in this Learning Resource are owned by their respective copyright holders. Reasonable
efforts have been exerted to locate and seek permission to use these materials from their respective
copyright owners. The publisher and authors do not represent nor claim ownership over them.

Published by the National Commission for Culture and the Arts

Development Team of the Learning Resource

Writer: Mylo Suarez Leo Gerardo C. Leonardo

Editor: Jose Francisco B. Victoriano
Content Developer/Researcher: Leo Gerardo C. Leonardo
Layout Artist: Marc Vincent P. Cosico
Management Team: Marichu Tellano and Henrietta Kangleon (NCCA), Tanya P. Lopez
(PerfLab)

For inquiries or feedback, please write or call:

NATIONAL COMMISSION FOR CULTURE AND THE ARTS

633 General Luna Street, Intramuros, Manila
E-mail: [email protected]
Trunkline: (02) 85272192 8527-2202 8527-2210 8527-2195 to 97 8527-2217 to 18

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FOREWORD

Welcome to this Learning Resource for VISUAL ARTS

This Learning Resource was developed by experts from the National Commission for Culture and the
Arts as a reference to aid you in developing rich, meaningful, and empowering learning in the creative
fields. Every effort has been exerted to produce a Self-Learning Resource that incorporates the most
fundamental elements and principles of each discipline, while providing a spiraled, scaffolded, and
multi-sensory approach to allow you to explore your innate creativity while building discipline and rigor
in your chosen discipline.

Each lecture, activity, or reflection here is designed to be meaningful. Each one designed to build
from the previous one, and each one with the objective of building up for the next skill or competence.
We hope that you will find these activities challenging but empowering, and that your potential as a
Filipino artist and Creative is further enhanced and inspired.

These Learning Resources take into consideration the various limitations and challenges brought
about by the current situation, and provides you with the flexibility to manage content and pace to
your individual needs while maintaining standards for creativity, embodying 21 st Century skills, and
aspiring towards artistic excellence. Beyond compilations of dry information, these Learning
Resources seek to develop Higher Order Thinking Skills of Analysis, Evaluation, and Creation.

If you are planning to use this Resource as a facilitator or teacher, you are expected to guide and
orient your learners in the proper and efficient use of this Learning Resource. Most, if not all activities,
will entail exploration, investigation, and experimentation, as such it is imperative that you, as the
facilitator, establish the guidelines which will allow your students to be creative but within responsible,
safe, and academically-sound limits. Your guidance and mentorship is expected and encouraged
throughout the learning process.

We look forward to your journey as an artist, MABUHAY!

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Hello Learner!

Do you remember having fun moments like this with your classmates? Well, we would have
wanted to meet with you in a regular classroom and work together in this exciting endeavour of
honing your talents and building your knowledge in the visual arts.

However, because of the current health crisis, you will be staying at home and studying through
this learning resource material instead.

This does not mean that you will be learning less about the fascinating world of the visual arts.
Self-learning has its own merits and will develop skills that you may not learn so much about in
regular classrooms. This may also improve your reading skills and develop self-discipline!

This material is designed to help you make artworks, read, reflect and do your own research at
the same time. Read the instructions slowly and carefully. And don’t hesitate to ask your parents
or siblings or any person within your home for help if there are things here that you find hard to
understand. You can also contact me, your teacher, for any advice or guide through mobile
number ____________.

Also, remember to keep all your artworks and notes. You might be asked to send them to your
school so that we can see them and give you feedback. When we can safely meet again in
person, we will mount a fascinating exhibition for everyone to see and enjoy!

So, happy learning and hope to see your work soon!

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How to Use this Learning Resource for VISUAL ARTS

You will be using this learning resource in the next eight weeks – or the equivalent of one quarter
of the present school year. This material contains several lessons for Grade 9 that will help you
understand and develop skills related to Pre-Colonial Art and its Design Characteristics, Forms,
and Function.

We wrote our suggestions regarding the amount of time you should spend with each lesson. But
you can spend as much time on each lesson as you want – just make sure you complete all the
lessons before the end of the quarter.

To make your learning experience easier, we think you should know about how each lesson goes.
You will be guided through the lessons with a combination of activities, readings, projects and
reflections.

1. ACTIVITIES
An activity will serve as an INTRODUCTION to a subject matter or a skill that you will be learning,
or sometimes it is a REVIEW of things that you have learned in previous school years.

You will be writing your answers to most of these activities in this material or in your VISUAL
ARTS JOURNAL. But for other activities, you may have to find other materials.

Visual arts student Nicole Manzanero tackles the issue of Filipino “diaspora” through an art installation
of balikbayan boxes.

2. REFLECTIONS
To help you REFLECT on activities and projects, you will be asked to share your thoughts and
feelings in your VISUAL ARTS JOURNAL.

Your VISUAL ARTS JOURNAL can be a regular notebook, a sketchbook, or loose sheets of paper.
Just be sure to keep these and put the dates on your notes. Just like a regular journal.

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You can choose your own style of writing in your journal. It can be formal or informal. You can
even make drawings about your thoughts and feelings. Or even paste images you cut out from
old newspapers and magazines.

Don’t worry about what you write in your journal – there are no correct or wrong entries here.
Just write as honestly as you can. The purpose of the journal is for you to explore your thoughts
and feelings as you go through the lessons.

After writing in your journal, you are encouraged to discuss your lessons with your parent, a
sibling, a friend, or someone you feel sharing your thoughts with.

3. READINGS
You may also be asked to READ an essay or two that will tell you about things that are related to
your activity. Read them slowly and try to understand them very
well.
You will also be asked to answer some questions, we shall call them
“Guide Questions.” This will help you remember and understand
better what you just read. Write your answers
and reactions to these questions in your JOURNAL.

4. PROJECTS
At the end of each lesson, you will be asked to make a PROJECT. This
project will give you a chance to apply what you have learned.

Make sure to keep all of your projects. At the end of the quarter, you may be asked to send these
to school, so that we can see them and give feedback to help you learn better.

That’s it! You’re ready to go!

Teacher Nilo Parilla teaches new media and technology to aspiring graphic design students.

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LESSON POSTMODERN ART: NEW MEDIA, FORMS, AND
LESSON TECHNOLOGY
2

Picture Visual
Form
A. Content Standards
1. Demonstrate understanding of the application of new media in postmodern art
movements and its relevance to the modern society.

B. Performance Standards
1. Exhibit artworks utilizing the various media like high quality photographic
images using digital technology, computer aided images, 3D, installation arts.
2. Prepare designs for various activities and events using the modern visual
media.
C. Module Objectives
1. Characterize the different visual forms
2. Evaluate art functions
3. Develop installation art ideas using varied mediums and materials
4. Compose varied installation art
5. Produce artworks combining the different visual forms reflecting its functions.

Pre-Assessment:
Directions: What are the different art forms that were developed by artists (and in collaboration with
scientists too!) after World War II that ushered in the Postmodern era? Identify the
different contemporary visual art forms pictured below. Choose your answer provided
inside the box and write it in the space under Visual Art Form.

Installation Art Conceptual Art Community-Based Art

Comics Graphic Design Performance Art Protest Art

Picture Visual Art Form

1.
Installation Art Conceptual Art Community-Based Art Comics

Graphic Design Performance Art Protest Art

_____________________

Pundasyon (Ang Supremo at ang Rajah), 2013

Gerilya

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2.

_______________________

Cold Dark Matter: An Exploded View 1991

Cornelia Parker

3.

________________________

Kenkoy, 1928
Tony Velasquez

4.

________________________

Mebuyan Subsisting Sustenance, 2006

Racquel de Loyola Cruz

5.

________________________

Untitled Computer Drawing 1982

Harold Cohen

6.

________________________

https://www.etsy.com/market/protest_art

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7

________________________

One and Three Chairs, 1965

Joseph Kosuth

________________________

Pinoy Rangers, 2011

Gerilya,

9.

________________________

Pugad Baboy, 2009

Pol Medina Jr.

10.

________________________

Fluids, 1967
Allan Kaprow

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Introduction: Installation Art as a Postmodern Visual art
form
"The Cry of the Dead Whale," is an installation art by Biboy Royong consisting of a 78 by 10
foot whale sculpture made from plastic bags, bottles, and other kinds of waste collected from beaches
around the Philippines. Installed at the Cultural Center of the Philippines front lawn in Manila Bay, it is
a grim reminder of the notoriety of human behavior and carelessness in plastic waste management
and its impact on the ocean’s living organisms.
An estimated 14 billion pounds of trash—most of it plastic—is dumped in the world's oceans
every year, killing off 100,000 marine creatures and over a million sea birds. The Philippines sadly
ranks third on the list of countries responsible for this plastic and waste pollution.

The purpose of this artwork is to raise awareness about environmental degradation. To quote
the artist in an interview with Earth Island Institute Philippines “to achieve this, we needed to
effectively visualize the worsening case of plastic pollution,"

"The Cry of the Dead Whale," is a 78 x 10 foot installation art by Biboy Royong that consists
of a whale sculpture made from plastic bags, bottles, and other kinds of waste collected
from beaches around the Philippines.
foot whale sculpture made from plastic bags, bottles, and other kinds of waste collected
Lookfrom
at the picture
beaches carefully.
around Answer the following questions.
the Philippine

1. What materials were used in this art installation? Why did the artist use these for his sculpture
installation?
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
2. What message is the artist trying to convey in this work?
___________________________________________________________________________
___________________________________________________________________________
______________________________________________________
3. What do you think is the important issue that requires our attention when you study this
artwork?
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 _____________________________________________________________

Let’s Read!
What is an Installation Art? Why and how did this kind of Visual art form emerged during the
Post World War II period? What are the other art forms and art movements flourished during
Postmodernism?

Let’s discuss Postmodernism first. Then let’s tackle the different Postmodern Art Movements
and the different Visual Art Forms that emerged after the war and still continues today. In this module,
you will recognize the development of arts as one of the mediums for communication and opinion -
making brought about by advances in new technology and changes in ideology that resulted in new
art movement and styles.

Postmodernism describes movements which both arise from, and react against or reject,
trends in Modernism that you learned last 3rd Quarter. Postmodern artists believed that art is for
everybody and that they are not obliged or are compelled to follow or be dictated by prevailing art
styles. Postmodernist artworks then can be made of anything. Common examples of art forms used
in postmodern art are installation art, performance art, photorealism, video art, among others.
Also, the postmodernism refers to the confused state of cultural developments that came into
existence after modernism. As a matter of fact, the period after 1960s is generally considered
postmodern in nature.
To be precise, postmodernism is construed as begun after 1968. There is a strong belief that
modernism paved the way for postmodernism. In other words, it can be said that postmodernism was
triggered by the developments made in modernism and its advocates.
However, postmodernism, when compared to modernism, is more complex to understand and
appreciate. It is interesting to note that the period after the World War II is normally considered
postmodernism oriented in the sense that there were complex developments in the economic, cultural
and social conditions around the globe.
Contemporary artists often address social, religious, political and cultural issues, providing a
framework for exploring challenging and difficult subjects through the use of other visual forms

1. Installation Art

Installation art is a modern

movement characterized by
immersive, larger-than-life works of
art. Usually, installation artists create
these pieces for specific locations,
enabling them to expertly transform
any space into a customized,
interactive environment.

The term installation art is

used to describe large-scale, mixed-
media constructions, often designed
Oscar Villamiel's Payatas at the Singapore Biennale 2013. for a specific place or for a
Photo: Singapore Art Museum. temporary period of time. The
installation is mainly three-

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dimensional. This is of utmost importance considering that the installation is the creation of an
environment

The bullhorn installation was made to look like a terrain of weeds when viewed at a certain
angle. Villamiel’s work reflects the current socio-political situation in the country, highlighting elements
of poverty, consumerism, and religion. His massive installation Payatas, which features thousands of
doll heads, was chosen to represent the Philippines in the Singapore Biennale exhibition in 2013. It
took him two-and-a-half years to finish this work.

2. Conceptual Art

An art in which the idea or concept presented by the

artist is considered more important than its appearance
or execution. Conceptual art is sometimes labelled as
postmodern because it is expressly involved
in deconstruction of what makes a work of art, "art".

One of the conceptual artists, Frank Stella

attempted to drain any external meaning or symbolism
from painting, reducing his images to geometric form
and eliminating illusionistic effects. His goal was to https://www.artsy.net/artwork/frank-stella-
make paintings in which pictorial force came from coral-gables
materiality, not from symbolic meaning. He famously
quipped, “What you see is what you see,” a statement that became the unofficial credo of
Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a
more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs
and sculptures.

3. Community-Based Art

An art is any art created with the purpose of

engaging a particular community (defined by any
geographical or demographic boundaries you see fit)
into a larger dialogue with the purpose of generating
https://gvisionaries.wordpress.com/2011/03/09/com positive change.
munity-based-art-can-be-a-significant-force-for- This Community-Based Arts shows the Great
social-change/
Wall of Los Angeles depicts the history of LA, with
special emphasis on Native Americans and minorities.
In the Philippines, Gerilya is an artist collective formed in 2008. Its three original
members - Jano, Kube, and Zap - hail from the College of Fine Arts at the University of the
Philippines Diliman. Gerilya is involved in various art related activities and experimental
ventures such as comics, street art, graffiti animation, fine art exhibitions, and illustration
commissions. They classify their
works as falling into three main
categories: political, socio-
cultural, and historical.
These are some artworks of
Gerilya.

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 Pinoy Rangers, Gerilya, 2011, From the collection of: Filipino Street Art Project
Pinoy Rangers, 2011. Gerilya believes that Filipinos should idolize their own impressive
folk heros, and so created a comic book series called the Pinoy Rangers, a riff on the Power
Rangers.

Lupa, Gerilya, 2013, From the collection of: Filipino Street Art Project

Lupa, 2013. A tribute to the oppressed farmers of Hacienda Luisita and a

reference to the often-violent ongoing land disputes there.

4. Comics (Manga)

A series of adjacent drawn images, usually arranged

horizontally, that are designed to be read as a narrative or a
chronological sequence. The story is usually original in this
form. Words may be introduced within or near each image, or
they may be dispensed with altogether. If words functionally
dominate the image, it then becomes merely illustration to a
text. The comic strip is essentially a mass medium, printed in
a magazine, a newspaper, or a book.

Pugad Baboy, one of the longest running and most

Cover of Katorse!, the 14th compilation
successful comic strips in the Philippines, is an affectionate of the comic strip series Pugad
satire of the idiosyncrasies and eccentricities of Filipino Baboy | © Nanami
society and culture. Its continued popularity can be attributed Kamimura/WikiCommons

to its ability to reflect the political and social issues of the day
in an ironic, yet humorous way.
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5. Performance Art

Performance is a genre in which art

is presented "live," usually by the artist but
sometimes with collaborators or
performers. It has had a role in avant-garde
art throughout the 20th century, playing an
important part in anarchic movements such
as Futurism and Dada. Indeed, whenever
artists have become discontented with
conventional forms of art, such as painting
and traditional modes of sculpture, they
Self-Obliteration by Ron Athey have often turned to performance as a
https://theculturetrip.com/north-america/usa/articles/14-of-the-most-
extreme-performance-art-pieces/
means to rejuvenate their work.

One of the good examples of performance art was the Self Obliteration by Ron Athey.
It shows the ideas of masculinity, sexual desire, and trauma are picked apart in Ron
Athey’s extreme body art and performance art. His controversial work focuses on performing
physical acts to his body as a way of transcending bodily pain.

Filipino Performance Artists:

Racquel de Loyola Cruz is a Manila-based performance artist whose

work addresses migration, displacement, identity, and globalization in the
post-modern and post- colonial Philippines.

The performance-installation, “mound” is rendered

powerfully, with an in-your-face, no sugar-coating attitude by Manila-
based performance and visual artist Racquel de Loyola in which, half
of her body was buried in a mound of debris. On one of the walls of
the performance-installation space, an image of high-rise buildings in
the city was projected. The image of demolition comes to mind, a
current phenomenon experienced by the urban poor of Manila, to
make way for ‘development projects. On the other hand, the
installation is lifted from de Loyola’s own personal experience.

Danny Sillada is a noted cultural performance artist, bringing with

him the inflections and the rhythms of Mindanao, combining poetry, song,
images and even hip-hop and martial arts: crossing modern and old,
urban and indigenous. He is also a visual artist, recognized for his
paintings and installations, a literary writer who is into prose and poetry.

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 “Juramentado” is one of Danny C. Sillada's acclaimed live
art performances - a satirical narrative of live actions mimicking
the cultural deviant behavior in Mindanao, Philippines, on running
amok. An allusion to the early native Muslims in Mindanao, who
fought against the American soldiers during the World War II, by
using “Kris” (wavy double-edged sword), they would take an oath
to Allah by surrendering (jurar) themselves to death in defending
their lands against the invaders. In present time, “Juramentado”
has evolved into a cultural deviant behavior when a person, out
of helplessness and despair, would kill anyone in sight before
killing himself.

6. Protest Art
It is the creative works
produced by activists and social
movements. It is a traditional
means of communication, utilized
by a cross section of collectives
and the state to inform and
persuade citizens. Protest art
helps arouse base emotions in
their audiences, and in return may
increase the climate of tension
and create new opportunities to
dissent.
Diego Rivera was one of
“Gloriosa Victoria” (Glorious Victory) by Diego Rivera. Oil on linen. 1954.
the leaders of the Mexican Mural
Movement of the 1920s. He created popular political murals entitled “Gloriosa Victoria” throughout
Mexico that included attacks on the ruling class, the church and capitalism. Instead, he promoted
communism and socialism, and wanted to protect workers’ rights.

Activity 1: Let’s Do Something

Protest art acts as an important tool to form social consciousness, create networks,
operate accessibly, and be cost-effective. Social movements produce such works as the
signs, banners, posters, and other printed materials used to convey a particular cause or
message.

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Make a Protest Poster
Instructions:
a. Prepare the Materials Needed:
- Pencils
- Pens or paint
- Thick ¼ illustration board
- Cardboard tube
b. Observe what is happening around you. With the present situation, think of any current social
issue that might be a subject for creating your poster protest. Keep in mind that your poster must
convey a message to your target audience.

c. Get your ¼ illustration board and draw your words in pencil on it. Remember it has to be a
short, bold sentence to fit onto your card!
d. Paint your poster or sign.

e. Put your poster up. Take a photo of your poster for the documentation and send it to your
teacher.

Outstanding Highly Successful Not Yet

5 pts. Successful 3 pts. Successful
4 pts. 2 pts.

Craftmanship The Poster is The Poster is The Poster is The Poster is

exceptionally attractive in terms acceptably distractingly
attractive in terms of of neatness. Good attractive though messy.
neatness. Well- construction and it may be a bit
constructed and not not very messy. messy.
messy.

Creativity Poster is Poster is creative Poster is The Poster does

exceptionally and a good creative and not reflect any
creative. A lot of amount of thought some thought degree of
thought and effort was put into was put into creativity.
was used to make decorating it. decorating it.
the banner.

Originality Exceptional use of Good use of new Average use of No use of new
new ideas and ideas and new ideas and ideas and
originality to create originality to create originality to originality to
a poster protest. a poster protest. create a poster create a poster
protest. protest.

Message Message is clear, Message is Message is Message does

original and logical. effective. somewhat clear. not have a
purpose, is
incomplete or
not present.

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Activity 2
The picture (left side) is an installation artwork by Imelda
Cajipe Endaya entitled “Ang Asawa ko ay DH” (My wife is a Domestic
Helper), executed in her installation the female body which is shaped
by materiality and objects of domesticity, labor and migration. The
body of installation is made out of an open suitcase that contains
personal objects. Cajipe Endaya renders the body of the woman as a
contentious site of global mobility. She critiques the apparent global
feminization of labor. Cajipe Endaya’s work signifies how the Filipina /
Pinay body is “ikinakasangkapan” (being used and devised) as the
Philippine’s major global export, the servant of the world.

Direction: Analyze the artwork of Imelda Cajipe Endava entitled “Ang Asawa ko ay DH” (My wife is a
Domestic Helper) by answering the following questions.

1. What materials did the artist use to convey the message?

____________________________________________________________________________
____________________________________________________________________________
__________________________________________________________

2. What important current issue or message is tackled by this artwork?

____________________________________________________________________________
____________________________________________________________________________
__________________________________________________________

3. Do you think that the artwork is successful in conveying an issue that affects the Filipinos?
Explain your answer.
____________________________________________________________________________
____________________________________________________________________________
__________________________________________________________

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Activity 3
Comic (Community Pantry)

This modern bayanihan is a remarkable phenomenon for us today, as a sense of

community is being forged and manifested in community pantries. The motto, “Magbigay ayon sa
kakayahan; kumuha batay sa pangangailangan," has inspired many individuals and groups to
contribute to those who are in need.

Instructions:
a. In this activity you will create a Comic strip with 8-10 panels that inspired in the scene of
Community Pantry.
b. Use oslo paper or short bond paper.
c. Use hardware-based acri-paint or use any coloring material in doing your artwork.
d. Take a photo of your artwork when done.
RUBRIC

Excellent Good Satisfactory Poor

5 4 3 2

Craftsmanship/ The artwork shows The artwork shows The artwork shows The artwork shows
Skill excellent average craftsmanship below average poor craftsmanship
craftsmanship, and and attention to detail. craftsmanship and and no attention to
attention to detail. little attention to detail.
detail.

Creativity/ The artwork clearly The artwork The artwork The artwork lacks
Originality demonstrates demonstrates an demonstrates little evidence of personal
personal expression. average amount of personal expression expression and
Solution is very personal expression. and inventiveness. inventiveness.
inventive. Demonstrates some
inventiveness.

Design The artwork The artwork The artwork The artwork lacks
demonstrates demonstrates good use demonstrates poor thoughtful design.
excellent use of color. of color. The design choice of color. The
The design easy to relatively easy to design is difficult to
understand and is understand and is understand and is
visually compelling. somewhat visually confusing.
compelling.

Use of Time The student put forth The student put forth The student put forth The student put forth
the effort required and effort and used class little effort; during no effort or the
used class time well. time adequately. class time worked project was not
partially on project. completed; class
time was not used
well.

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REFLECT!

Congratulations! You are almost done with the activities in this module. Now, it is time for you
to reflect on the significant learnings that you have gained in this lesson. Share what you have
learned by completing the “thought prompts” below:

1. After doing all the activities in this module, I learned that….

_________________________________________________________________________
_________________________________________________________________________
_________________________________________________________________________
_________________________________________________

2. I realized that I need to improve my….

_________________________________________________________________________
_________________________________________________________________________
_________________________________________________________________________
_________________________________________________________________________
______________________________________________

GENERALIZE:

People have different definitions and function of the visual forms. There are many
reasons why artists create. Trying to classify function depends on context (where, when, and
why it was made). The contextual equation also includes you, the viewer, in thinking about what
the work may mean.

The postmodern art movements are used today in making different arts form. It allows
individual’s personal expression through painting, sculpture, architecture and other visual forms.

Contemporary artists often address social, religious, political and cultural issues,
providing a framework for exploring challenging and difficult subjects.

Integrated Assessment: Activity 4

Cut and Paste!

Instructions:
1. Look around and cut at least one photo of the different visual forms from the old newspapers,
magazines, pamphlets and other old reading materials.
2. Paste the photo on a short bond paper.
3. With each visual form photo, explain briefly the message you observed from it?
4. Send your output to your teacher via Virtual Vlog..

Virtual Art Exhibit Vlog

Instructions:
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1. Make a Vlog of all your artworks this 4th quarter explaining the message involved in them. Your
Vlog must be 3 to 5 minutes long.
2. Document your artworks.
3. Write your blog or article on a sheet of paper.
4. Send your Vlog to your teacher via Messenger or to any social platforms available.
5. Be guided by the rubrics below.

Category 4 3 2 1
Content The blog is 90% The blog is 75% The blog is 50% Less than 50% in
or 100% in the in the author’s in the author’s the author’s
author’s own own words and words and taken words and taken
words and not not from other from others. from others.
taken from other people.
people.
Accuracy The information Most information Few inaccurate Most information
stated is accurate is accurate and details or is inaccurate.
and true. true. information is
presented.
Presentation The blog/article is The blog/article is The blog/article is The blog/article is
very clear and pretty clear to the somewhat clear. unjustifiable. Lack
understandable. reader. of evidences.

AnswerKey

10. Happenings
9. Comic
8. Community-Based Art
7. Conceptual Art
6. Protest Art
5. Graphic Arts
4. Performance Art
3. Comic
2. Installation
1. Community-Base Arts
Review

20
References
1. Artist, Biboy Royong Presents "The Cry of the Dead Whale"
May 22, 2019 | BY MATTIE NAYTHONS
https://savedolphins.eii.org/news/in-the-philippines-artist-biboy-royong-presents-the-
cry-of-the-dead-whale
2.
https://philnews.ph/2019/07/15/forms-visual-art/
http://www.visual-arts-cork.com/art-evaluation.htm
https://www.english-online.at/art-architecture/visual-arts/visual-art-forms.htm
http://www.phmc.state.pa.us/portal/communities/architecture/styles/modern-movements.html
https://www.kooness.com/posts/magazine/a-brief-art-history-guide-on-ceramics-use-in-contemporary-
art
https://www.canva.com/learn/10-influential-art-movements-still-used-today/
http://www.visual-arts-cork.com/modern-art.htm
https://lucian.uchicago.edu/blogs/mediatheory/keywords/installation-2/
https://mymodernmet.com/what-is-installation-art-history-artists/3/
https://www.theartstory.org/movement/happenings/
https://gvisionaries.wordpress.com/2011/03/09/community-based-art-can-be-a-significant-force-for-
social-change/
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https://www.britannica.com/art/comic-strip
Gerilya - Filipino Street Art Project — Google Arts & Culture
The 25 Best Performance Art Pieces of All Time | Complex

Photo Images:

1. “The Cry of the Dead Whale”

https://www.spot.ph/arts-culture/art-exhibits/77678/dead-whale-cultural-center-of-the-
philippines-a833-20190425

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