Creating Store Windows Alive With Promise 1. I am a nerdy American researcher. No one has ever thought of me as fashionable. What I do know about is shops and shopping. I’ve always been good at watching people. Because I grew up with a terrible stutter and was not comfortable talking, I learned to observe as a good way of understanding social rules. I’ve turned this coping mechanism into a profession. 2. What I have done for the past twenty-five years is research shopping behavior: I simply walk around malls and shopping streets and figure out what motivates people to buy things. What makes someone stop and look at a store window? What makes someone go into a store? What makes someone buy something? 3. As I stroll around, I look closely at store windows, since they are an essential part of the shopping experience. In his delightful book Made in America, Bill Bryson writes about the history of stores and shopping in America. 4. He describes the big store windows that were an important feature of most retail stores in the past century. When I look out my office window in New York City, I see many of those windows. They remain the same today as they were some 120 years ago. 5. A century ago, people took the time to stop and look into store windows. I imagine them walking along slowly, stopping at a tall window, and peering through the glass to see the latest fashions and newest products. Today, strolling, window-shopping pedestrians are an old- fashioned concept. Most people look straight ahead and walk with a quick, determined gait. Everyone seems to be in a hurry. They walk a lot faster now than they did in the old days. 6. Throughout modern times, different factors have changed the way pedestrians walk in busy urban areas. One of the most significant of these factors is traffic lights. William H. Whyte, the American author and urbanist, wrote about the pattern and movement of pedestrians on the sidewalk. He observed that because traffic lights are timed for the speed of cars, people pile up on street corners as they wait for the light to change. 7. When the light changes, that “pile” of people will cross and stay crowded together as they continue down the street. Behind them, there will be a “gap” of fewer people, but then another crowd will form when the traffic light changes again. This creates a pattern of crowds and gaps on urban shopping streets. 8. Now, think about how individuals behave when walking in these crowds of people. Some people will speed up to get out of the crowd, and then the entire group will begin to walk more quickly. This behavior affects how people view the store windows that they pass by. Even if you wanted to slow down or stop to look in a window, you couldn’t. You have to keep walking quickly so that you won’t be in the way of other people. 9. That’s why window displays need to instantly grab attention. But many don’t. Take the drugstores in my neighborhood, for example. The windows are filled with boxes of bleach and detergent, packages of razors and soap, and whatever else can be squeezed into the space. With the window so crowded, it is impossible to focus on any single product. 10. Often, it’s difficult to even see clearly what is really being promoted! Maybe in 1928, it was important for a store to advertise the large selection of products offered. Maybe then, shoppers had the time to really take a look at a window and examine the display. But these days, retailers are lucky if pedestrians just glance at their store windows. 11. The way our eyes and brain handle information has become more sophisticated. Thanks to television and computers, our ability to process images is faster. We no longer read letter by letter but rather in groups of words at a time. TV programs have evolved so that we see the stories of years―or even lifetimes―in just a few hours. 12. A billboard can tell a more sophisticated joke today than it could 20 years ago. A 15-second commercial can allude to a full story. Likewise, when it comes to window displays, shoppers today can understand information more quickly. 13. Store windows today must be quick reads. They must be simple enough so that the products can be clearly identified, and they must be creative enough to catch the busy pedestrian’s eye. Just a quick look at a store window should answer many questions for savvy shoppers: Who is the core market of the store? Does the store fit their personal style or not? How long will a typical trip into the store take? 14. Especially since today’s retail market is so competitive, if done right, windows can function as an important brand-identity tool. As retailers, you must know who your customers are, and you must create windows that they will understand. For instance, Kiehl’s, which sells all- natural bath and body products, uses its windows as a place for highlighting social issues, which fits with the priorities of its customers. 15. My favorite windows are in France. A man who runs his family’s boutique off the main square in Strasbourg takes enormous pleasure in his windows. They tell jokes. Some are related to history. Sometimes his windows make me chuckle. The clothes are part of a larger story. 16. His store always distinguishes itself from the other shops on the crowded square because his windows always make an impression. As busy as I might be as I walk down the street, his windows make me stop. Even more, they almost always tempt me to come inside the shop and take a good look around. 17. So what can stores do with their “dead space”? How can windows come alive? To modern retailers, I propose the following: Let’s liberate our design teams. Stop filling windows with products. Tell a story. Make us laugh. Make us think. 18. Learn from advertisers like Calvin Klein or Benetton who think outside the box with ads that catch our attention and motivate a response. Windows can be like literature. It’s OK if not everybody understands the story you’re telling. What is important is that the target customer gets it, and stops to look.