First Semester, A.Y.

2022-2023
College of Information & Technology Education

3D DESIGNING
IT10/IT10L

Module 12
(Armatures)
 Chapter 17- Armatures
Using Armatures to Deform Meshes
Blender’s animation capabilities are great for most object animation except when you
want to animate something bending like a person in motion or a tree bending in the
breeze. This calls for a mesh to deform which can’t be done with traditional modifiers.
We can deform a mesh in 2 ways in Blender. One way is to create a skeleton and have
it deform a mesh (armatures) and the other method is to move the mesh vertices in edit
mode and create sliders that deform the mesh (vertex keys). This chapter deals with
creating armatures. The armature feature in Blender is constantly under development.
For this discussion, I will stick with the fundamentals. More information can be found at
www.blender.org or at www.blenderartists.org.

The first thing you need to do is create a mesh that has a few groups of
vertices where you would like the object to bend. Any mesh will work and
to get additional vertices you can either extrude or subdivide. Be careful
not to create too many vertices. It may slow your model down
considerably. Let’s use a cylinder to create an arm. I will use a cylinder set
at the default divisions of 32. Next, I will change to a front, ortho view and
box select the top set of vertices and Extrude them up. I prefer to use
extrude rather than subdivide to keep the vertex count down as low as
possible. As I extrude the vertices, I am also using Scale to shape them.

Next, place the 3D cursor directly at the bottom of the

shape you just made. Hit “Shift-A”, to add an “Armature-
Single Bone”. You will immediately see a bone begin to
form at the cursor location. Enter Edit Mode and type “G” to grab the
top of the bone and lengthen it to a desired size. Move your cursor up
to lengthen the bone and click where you would like the joint to be. To
create another bone at the top of the first one, press “E” to extrude
another bone from the first one. If you run out of room to drag the
mouse up, just click wherever and hit “G” again to move the end. To
always adjust bones, you must be in Edit mode. Also, make sure you
have the end of the bone select and not the entire bone. When
finished, press Tab to exit edit mode. Double check the armature to
make sure that the ends and joint are well aligned. To add more bones,
enter edit mode again to extrude with the end bone selected.

Your next step is to create a Child-Parent relationship between

the mesh and the armature with the mesh being the Child and
the armature being the Parent. While holding the “Shift” key,
select the mesh first, then the armature. Press “Ctrl-P” to make
parent. Select the option “Armature Deform” and “With
Automatic Weights” so the computer will figure out which
vertices to deform to which bones. If it's not right, we can fix
this later.

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Chapter 17- Armatures
To test the armature system you just created,
select the armature only and switch from Object
mode to Pose mode. Right-click on the top bone
and rotate it. It should deform the mesh as you
rotate the bone. By rotating the lower bone, you
will rotate the entire mesh.

RoboDude Says:
If you ever need to return to edit mode for the mesh or the
armature after posing, they will temporarily return to their un-
posed states.

Creating Complex Armature Chains:

Extruding bones as we did works well for simple chains, but if

you want to make more complex chains and skeletons, you'll
need to know a few more things then just extruding from the
end of a chain. You will notice that the 1st bone you created
is the master parent for the system and you can also extrude
from the bottom of that bone. The problem is that, in Pose
mode, this bone will not be automatically parented to the
master bone. You can also make entirely different armature
chains, then Join them together using “Ctrl-J”. In pose mode,
these will also not function with the entire system. So how do
you correct these child- parent issues?

First, you need to know the Name of each bone.

In Pose mode, you can RMB click on a bone and
the name will display, but you can have all the
bone names display on the screen if you turning
on an option in the Object Data panel (now
displayed as an armature). The example shown
consists of
Edit Mode for 2 different
Parenting armature
objects
that have
been joined together in Object mode using
“Ctrl-J”. When you enter Pose mode, they do
not move together. In the Display panel, you will
see an option to display the names on the
screen. You will also see some options to
change the way the bones look. To correct the
parenting issue, go to the Bone panel, enter Edit
mode and find the option for Parent. Select the
bone you wish to parent to.

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 Chapter 17- Armatures
Animation Tips:
When animating an armature, there are a few techniques that can make your life
easier and were discussed previously in the animation chapter, but will be reviewed
here. Since you have so many bones to animate, it makes sense to use the Automatic
key-frame feature. It is also helpful to use the Rotation transform manipulator and the
time line to advance through time. It may be helpful to review the chapter on
animation for assistance. Below are some of the basic setting that we use for animating
armatures: Screen Layout: Rotation Widget:
Switch to animation Makes rotation easier

Time Line: Transform Widgets: Automatic Key-frames:

Can move to key- Turned on, set to Rotation and Record button on and set for
frames quickly with Normal alignment. Used to rotate Available. Remember to turn it off
controls bones by grabbing the right axis. when you don't need it!

RoboDude Asks: Why doesn't my armature animation start correctly on frame 1?

When working with automatic key-framing, don't forget to move every bone a
little at frame one to set the initial animation keys, then move up through time to
make your next move. A lot of people forget to add keys to frame 1.

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Chapter 17- Armatures
Creating Bone Vertex Groups
Using the Automatic Weights option works great for simple
meshes and armatures, but when bones and mesh vertices
are close together or far from the bone, Blender will have a
difficult time deciding how to join them. In the example to
the right, you can see that some vertices for one finger have
been grouped with the bone beside it. We can alter these
vertex groups.
RoboDude Says: Notice how you can see the
bones through the mesh in solid view in the
hand example?
There is an X-Ray option in the Object Data-
Display panel that makes viewing armatures
easier!

With The bone Names turned on so you can see which ones you need to effect, select
the mesh and enter Edit mode. Editing bone vertex groups is similar to making normal
vertex groups except that Blender already named a vertex group to match every bone
for you when you made the child-parent relationship. If you go to the Object Data
panel (mesh selected in edit mode), you will see the list of groups in the Vertex Groups
panel. You will also see the
standard “Assign” and “Remove”
buttons below the groups.

To fix the problem, you will first

need to select the vertices you
wish to change, then select the
vertex group that they are
wrongly assigned to. Hit the
“Remove” button to remove
them from that vertex group. In
this case, they are wrongly
assigned to “Bone.004”. Now
select the vertex group they need
to be assigned to (Bone.010) and
hit the “Assign” button. Exit edit
mode, select the armature and move the bones in pose mode to test your groups.

For vertices that are close to a joint, they can be shared between multiple groups. You
can also use the “Weight” slider to adjust the bone influence for other effects, but
normally, it is set to 1.000.

Need to take your posed armature back to it's

starting pose? Change it from “Pose Position” to “Rest
Position” in the Object Data.

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 Chapter 17- Armatures
Using Inverse Kinematics (IK) and Constraints
Inverse Kinematics is used when you wish to manipulate a skeleton by simply grabbing
(G key) the end bone of a chain and moving it with all of the connected bones
following along. Inverse Kinematics is constantly under development and has a lot of
options available depending on what you want them to do. Visit www.blender.org for
more details and review the wiki documentation.

To use Inverse Kinematics, select the bone at the

end of a chain, go to Bone Constraints and add an
Inverse Kinematics constraint. You can control the
number of bones in the chain (Chain Length) and
even give it a Target to point to, like an empty. There
are a few other options available including
Influence (amount of effect). Once applied, you
can use the “G” key to move the bone around while
all those in the chain below it move in relationship to
it.
RoboDude Says: Press “Ctrl-A” to reset an
object's rotation and scale. Works with
individual bones in Pose mode. This help's
a lot with these constraints!
Using Rotation Constraints:
When animating an object (like a finger), you
may want to limit the direction and angle the
object can bend or some “unnatural” things
may occur when you try to add animation
keys. Using Limit Rotation constraints can help
with that. For the example to the right, I've
applied a rotation constraint to the top 2
bones of the finger limiting the Y and Z axis to
a limit of 0 degrees while the X axis can
rotate from 0 to -60 degrees. This works because I switched the “Convert” from “World
Space” to “Local Space”.

Copy Rotation:
Copy Rotation can make animating chains
easier. In the example, I've created a single
bone armature (not a bone in the existing
armature) and child-parented it to the hand
armature. This bone can be placed anywhere
you wish. I have mine above the finger that it
will control. Set it's rotation limits with the
Rotation constraint discussed above, then add
a “Copy Rotation” constraint to each bone
that will copy it's movement. Select the control
bone for the Target. In my case, I needed to Invert the motion to work correctly.

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Create a Hand With Armatures
In this exercise, you will be creating a simple hand using meshes and
armatures. Start a new Blender file and call it “Hand”. As discussed at the
beginning of this chapter, make a simple finger using a cylinder or filled
circle. Extrude it to have 2 joints and looks something like this:

Now duplicate (Shift-D) the finger 4 times, scaling

and rotating them into the shape of a hand. Don't
worry if it doesn't look perfect- this is just a simple
exercise. Try for something like the image to the left.

In order to add the palm of the hand, I used a UV

Sphere and scaled it in the “Y” direction to make it
narrow and used Proportional
Editing to shape it to fit the
fingers. Try shaping yours into
something like this.

After shaping, select all of the

meshes and Join them
together (Ctrl-J).

It's now time to add the

Armature. We will only be
animating the fingers opening and closing for this
exercise so we only need bones in the fingers. Place your 3D Cursor at the base of one
finger. As discussed in the chapter, add an Armature, then enter Edit Mode and pull the
top end of the bone to align with a joint. Extrude (E) 2 more bones to
fill the finger. Exit Edit Mode and return to Object Mode.

Now Duplicate the armature (Shift-

D) and place it in the next finger.
Enter Edit Mode and move the bone
joints to match the mesh finger
joints. Exit Edit Mode and continue
duplicating and adjusting armatures
until all fingers are finished. When
finished, use Ctrl-J to joint all the
armatures together.

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 Create a Hand With Armatures
It's now time to create the
child-parent relationship for
the mesh to the armature.
Use “Armature Deform”
and “Automatic Weights”
as discussed in the chapter
when using “Ctrl-P” to
make the relationship.
Remember to select the
Mesh first. It will also be
helpful to turn on “Names”
and “X-Ray” in the Object
Data panel. Feel free to
change the display type in
that panel as well if you
wish.

Enter Pose Mode and test your armature out to see if it works well or if you need to
adjust vertex groups. If it needs adjustment, follow the steps of re-assigning vertices to
the various bone groups discussed in the chapter.

When everything looks good, create a simple 200

frame movie of the hand moving.

Challenge Exercise:

Add constraints to limit rotation or control armatures

with rotation copy constraints.

** Call the instructor when finished**

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Challenge Task- Flubber Character
In 1997, Robin Williams starred in a remake of the 1961 movie “The
Absent-Minded Professor” called “Flubber”. In the remake, Flubber is a
green gelatinous material with a mind of it's own.

Search YouTube for some video clips of the Flubber character to get a
sense of this project. Some possible video clips could be:

• https://youtu.be/HJT2QOpnYb8 Discovering “Flubber”

• https://youtu.be/KyPqOt_Pgiw MAMBO!" Of Walt Disney's FLUBBER Movie
Note: These links were active at the time of publishing and have been active for years. You may
need to search for other links.

For this challenge task, you will create a

Flubber character with armatures and
create a short 200 frame animation with
appropriate background, objects, and
lighting of your choice.

Back in Chapter 12 you were introduced

to Meta Shapes. Meta Shapes are the
perfect element to use to create the
body of your Flubber character since
they act like fluids and “pull” together. By applying appropriate materials with
reflection, refraction, and transparency, you can achieve a very convincing Flubber.
For a refresher on Meta Shapes, refer back to Chapter 12.

Creating the Character:

Start with a new Blender scene

and create a Meta Ball from
the Add Object- Add Metaball-
Ball in the Front view. This will
act as the belly of the Flubber
character.

Duplicate the Meta ball

and continue to shape
a character of your
choice. It may be best
to keep the character
simple, with only 10-15
Meta shapes.

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 Challenge Task- Flubber Character
Adding an Armature:

After you finish shaping the character, add an Armature- Single

Bone to the character's belly. Continue to extrude and shape
the skeleton of your character, using the information provided in
the chapter, until you have something similar to the image
below.

With the armature selected, enter

Pose Mode, select a Meta Shape,
then the bone you wish to control
it. Child-parent the Meta Shape
to the bone using the Bone
option.

Continue until all Meta Shapes

are Child-parented to the bones.
Test your rigging to make sure
everything works.

Create your scene and animations using the key frame techniques discussed earlier.

** Call the instructor when finished**

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 This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
License.

© 2004, 2006, 2009, 2011, 2017 fifth edition by James Chronister. This document may be reproduced in
whole or in part without permission from the author. Feel free to use this manual for any and all
educational applications. I enjoy emails from other educators, so please let me know how you’re using
the book. You may not bundle this tutorial with any software or documentation that is intended for
commercial applications (marketing for a profit) without expressed written approval from the author.
Inquiries and comments can be directed to [email protected]. This document, and other
information, can be found at http://www.cdschools.org/blenderbasics . At this site, look under
“Academics” in “Technology Education”.

Information regarding the Blender program and development can be found at www.blender.org. Blender
users can also find information on how to use the program at www.blenderartists.org. Daily Blender
news and tutorial links can be found at www.blendernation.com.

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