Lesson Plan
Lesson Plan
III.D.4
III.D.4.a
The authors Robert F. Mager and Kenneth M. Beach describe the lesson
plan as “The pattern of instruction, the model that describes the activities on which
the student must concentrate in order to achieve the objectives of the course.”
Mager and Beach wrote the book “Developing Vocational Instruction” for
professional teachers. They wrote it more than 40 years ago, but their description
is still valid and is as important to those working in the training field as it is to
school teachers.
The design and development of the lesson is the last step in the design
and development of the course, this is described in the Development of
Instructional Systems (DSI), with five basic phases that are:
- Analysis
- Design
- Development
- Execution
- Assessment
which the instructor/facilitator plays an important role. The learning plans are
prepared according to the DSI model of specialization, which is more individual
and focuses on the student.
In this study we will mainly refer to the structure of the conventional DSI
model, which is based on:
- courses, to
- units, to
- lesson plans,
- activities.
The training planner and the instructor/facilitator often play different roles
in the design and development of a lesson, even though it is not unusual for the
same person to develop and present the training program.
The lesson design, like any other element of the DSI, is not static. There is no way
to do it. Good lesson planning generally contains the following phases:
1. Specify the title of the lesson and write a brief description of it.
2. Based on the objectives of the course, state the objectives of the lesson
specifying:
D.4 Lesson Plan 180
- instructions, and
- specific topics to be examined.
- content,
- instructional methods, media and techniques, and
- student activities.
- Subsequent tests will show whether or not the student can carry out
the objective after learning (summative evaluation),
- Feedback during learning will verify the student's progress in this
period (formative evaluation).
Again, not all lesson plans look alike; This is because they depend on the
type of learning, which can be:
- cognitive (knowledge),
- psychomotor (skill),
- affective (attitudes or values).
Once the planner draws up the design steps, you will have a lesson plan
that basically includes the following components:
3. Goals . They are the most important elements in the lesson plan. As
noted above, objectives should specify: what a student should know or do
as a result of the lesson; conditions under which performance will be
carried out; and criteria for judging performance or understanding of the
ability/skill or knowledge.
5. List of Materials and Media. Make a detailed list of the materials and
equipment needed to conduct the lesson, such as: projector, screen,
tools, paper, pens, lights, plugs, extension cords, adapters, spotlights,
flipcharts, films, computers, etc. Include instructor and student guides,
texts, pins, participant logs, and support materials.
of the following:
- lesson objectives,
- content of subsequent tests,
- how the lesson relates to your job, and
- How it relates to your prior knowledge and current skill.
- a brief demonstration,
- a funny story or an interesting anecdote,
- stimulating, provocative questions, or
- background information.
course and lesson planning. Renner shows how to make a plan using “
stickers ,” allowing for maximum creativity and flexibility.
- Unit title,
- Lesson topic,
- Goals,
- Introduction,
- method (technique),
- Learning activity,
- Resources,
- Assessment,
- Summary.
- Unit,
- Lesson,
- Job,
- Purpose (objective or purpose),
- Tools and equipment,
- Materials,
- teaching aids,
- References,
- Method
1. Preparation (of students)
- Aim
- Introduction,
Problem identification (informal)
Statement of the objective (formal)
- Method
Key questions to identify factors
Identification of factors
- Resources (list of resources that students will use to obtain
information necessary to solve the problem)
- Summary (give conclusions to the problem)
- Assessment
- Lesson Content . The techniques and means must be uniform with the
content of the lesson.
The table below links some training techniques and instructional media
with the three categories of learning (knowledge, skill/ability and attitude-CDA).
The table is subjective and serves as a guide only.
INCLUDE EVALUATION
- reaction,
- learning,
- behavior, and - results.
Reading x x x
"Brainstorming" x
Guided discussion x x
Dramatization/acting x x
camping trip x
Field project x x
Demonstration/practice x
Panel x
Assigned Reading and Research x x
Computer instruction x x x
Simulacrum x
Flipchart x x
Distribution Material x x x
Aids x
Video x x x
Manuals x x x
Games x x x
The evaluation format should be developed in a way that allows for short
answers, for example: asking for a rating from 1 (poor) to 10 (excellent). The
format should include space for additional comments.
Include “processing time” – time for participants to reflect and discuss their
experiences during the session.
Try to include the same number of questions about the strengths and
weaknesses of the event.
It allows for quick on-site assessment throughout the course - even if it's just
asking participants: “How are we doing?”
LEARNING PROCESS
1. Motivation . Students need to see “what's in it for them” – how they can
personally benefit from the learning experience.
4. Self appraisal . Students must evaluate their own learning, either during
the course (formative evaluation) or after it (summative evaluation).
5. Application . Students will be able to apply what they learn when they
return to their jobs.
D.4 Lesson Plan 188
6. Feedback . Students need to know their progress. The lesson design will
provide feedback during the course and at the end of the course.
1. Training time should not exceed six to seven hours per day, excluding
breaks.
Generally two 10-minute breaks are given before lunch and two after lunch. Each
learning period should not exceed one hour.
2. Be clear about your learning objectives and plan your time accordingly.
4. Give students enough time to learn each objective well before moving on
to the next.
5. Take into account the attention span/span of students; For example, the
attention span for a video will be longer than for a recording. Reading periods
should not exceed 10 minutes.
either. Focus on techniques that allow more time for student participation;
Excessive intervention by the instructor exhausts the student's time.
STAKE
Most participants are engaged/focused on their own learning; that is, how
quickly and best they can learn. Listed below are some guidelines to increase your
participation:
- Assign more advanced and longer readings before the course, so there will be
more time for class discussions and group activities.
- Ask participants what their expectations are – either orally or in writing. This
increases the level of interest while indicating to the instructor whether or not
the course meets expectations.
- Depending on the skill level of the facilitator and participants, responsibility for
lesson design will be shared. Working with the basic course or lesson design,
participants can themselves enter activities that they believe can help them
achieve their learning objectives. The text by Philip G. Hanson, “Learning
Through Groups: A Trainer's Basic Guide,” covers a number of processes
involved in group learning.
- goals,
- goals,
- tasks,
- time,
- norms and values, and
- assessment.
- vision
- directed imagination,
D.4 Lesson Plan 190
- drawing,
- keep a diary,
- listen to music and
- training
- Review the material periodically. Periodically using the skills and knowledge
acquired and relating them to something current promotes retention.
Diane M. Gayeski in his work Performance and Instruction, Nov./Dec. 1988, (“Can
– and Should – Training Design Be Automated?”), discusses numerous ways in
which automated instructional design systems can assist in the design and
development of programs (and lessons).
- “Do these systems eliminate creativity?” (It is a risk; the challenge is to develop
systems that increase productivity and creativity).
INDIVIDUAL INSTRUCTION
Features include:
- The course is divided into modules or learning units; Each module contains
reading, study guides, and possibly a programmed text. Learning plans are
included in each module, and are often carried out with the mutual
cooperation of the student and the instructor.
- Pretests are used for the initial diagnosis of the student's knowledge and skills
to determine the efficient use of time and resources.
ADVANTAGES
Students advance at their own speed without interrupting the progress of the
class.
193 IMPROVING OUR ABILITY TO TRAIN
DISADVANTAGES
- The free study will be alone; It doesn't work with people who need
encouragement from others to learn.
- Logistical problems arise, such as what to do with students who finished the
program before others, or with those who cannot handle the material.
- learning goal/objective,
- skill to develop,
- proposed start date,
- proposed completion date, and
- date(s) to be determined.
Goals):
Posttest(s):
Materials:
Comments:
HELP: LESSON PLAN CHECKLIST
The following list will help the planner check for missing elements, applicability
and clarity.
* Teaching and learning techniques relate to the needs of the student and
the area of learning (whether knowledge, skills, or attitudes).
* Students have ample opportunity to participate and apply what they learn.
* Instructional media are appropriate for the student's learning area, budget,
and needs.
experiences.
* The segments within the lesson plan are too large to meet the objective
and too small to stay within the student's attention span.
3. Identify the level of performance you want to obtain from the participant.
6. Identify the teaching methods and techniques to use. Make a list of the
materials and equipment available and needed.
III.D.5
COMMUNICATION SKILLS
III.D.5.a
The questions you ask can cut off or open up the creativity in your students'
minds. Many surveys have been done regarding the types of questions instructors
ask, and how they affect learning. Studies show that most (in some cases 90%) of
questions require students to recall data. Few require consideration, creative
thinking, critical thinking, convergent and analytical thinking. It seems that many
instructors consider that having a good memory is the most important equipment a
student can have.
So analyze the questions you ask your class. Start by asking yourself:
* Do you frequently ask questions that begin with “How” or “Why” instead
of “What is” or “Who is”?
* Do some of your questions allow more than one answer? For example,
have you ever asked questions using “In what ways” or “For what reasons” – to
indicate to students that there may be more than one correct answer?
III.D.5.b
emotions. Some scientists have found that there are more than 40 positions of the
eyebrows alone, although most agree that less than half of those positions are
significant. There is no end to the number of signals we can transmit with our eyes
and the skin around them.
* Organize your own mini-course. One of the new teaching practices for
professors and teachers is the quick (five-minute) session in which the instructor
tries to explain a specific point and his students evaluate his teaching technique.
In an adult education class, you can explain a point for several minutes, and then
ask students to evaluate your teaching by telling you whether they found it weak
and what they need to know that you didn't tell them. You will receive much more
feedback using this innovative procedure than using the common question “Any
questions?”
* Use a suggestion box. Many students may be shy about criticism from
their instructor...even though the instructor may be doing something that hinders
their learning. Place a suggestion box in class and let students know that you want
them to leave any suggestions or criticisms they may have regarding your
teaching style or the general situation in the class, without obligation to sign their
name. .
III.D.5.c
(“non-verbal” behavior)
(Taken from OFDA Course)
III.D.5.d
BARRIERS TO COMMUNICATION
The following list lists 10 of the most common barriers that hinder communication:
2. One-way communication
201 IMPROVING OUR ABILITY TO TRAIN
6. Frustration
7. Disorganization of ideas
8. Rhythm, not the speed or slowness of speaking, but the time taken to discuss
an idea.
9. Redundancy
III.D.5.e
Preparation
1. Review your materials.
Scheme
Equipment
Reference materials
Workbooks and Materials to be distributed to the audience
Visual aids
Presentation
1. Know the material well.
2. Believe in what you teach.
3. Be careful with your gestures, gestures and behavior.
4. Change the tone of your voice to emphasize points.
Harmonic Relationship
1. Guide audience to message (promote self-discovery)
2. Use language that your audience understands (know the nature of
your audience).
3. Maintain eye contact with your audience.
4. Be yourself (make yourself known, use humor, etc.)
Answers
1. Express the same idea using different words (use paraphrases).
2. Get more information (e.g. tell me something else/give me more
information).
3. Respond in an interrogative manner.
4. Admit that you don't have the answer to a question (“What I'm going to
do about it/I'll look for the answer”).
5. Answer the question asked and no other.
Special Suggestions
1. Stay up to date with your audience (How are you?” or “How are you
feeling?”).
III.D.5.f
1.1. You are not the only one who is afraid of speaking in public .
Statistics from various schools show that eighty to ninety percent of students
enrolled in public speaking classes experience panic in front of the audience at the
beginning of the course. I am inclined to believe that the figure is even higher among adults
who begin a public speaking course, I would almost say it reaches one hundred percent.
This is the natural means of preparing ourselves for an unusual confrontation with
our environment. So when you notice your pulse and breathing speed up, don't be alarmed.
Your body, always alert to external stimuli, prepares to take action. If this psychological
preparation is controlled, you will be able to think more lucidly, speak more fluently, and
generally be able to speak with much more intensity than under normal circumstances.
1.3. Many professional speakers have told me that they never completely lost
their fear of the audience.
It is something almost always present before starting to speak and that can persist
during the first moments of the speech. This is the price that these men and women pay for
their triumph. Certain speakers, who claim to be as “fresh as a cucumber”! At all times, they
are usually as rigid as a cucumber and as inspired as a cucumber can be.
1.4. The main cause of your fear of public speaking is simply that you are not
used to public speaking.
“Fear is the child of ignorance and insecurity,” says Professor Robinson in “The
Mind in the Making.” For many people, speaking in public is like an unknown and,
consequently, something loaded with anxiety and fear. For those who are just starting out, it
constitutes a complex series of strange situations, more complex than learning to play
tennis, for example, or to drive a car. To make this difficult situation easy and simple, you
must practice and practice constantly. You will discover, as thousands upon thousands
have, that public speaking can become a pleasure, rather than a terrible agony, as you
achieve a series of successes over the course of your experience.
The way Albert Edward Wiggam, the noted lecturer and popular psychologist,
managed to overcome his fear has always inspired me since I first read the story. Wiggam
recounts how a feeling of terror came over him at the thought of having to stand up at
school and give a five-minute talk.
“As the date approached, he writes, I was getting really sick. Whenever the
terrible thought came to my mind, the blood rushed to my head and my cheeks turned red, I
experienced such a painful sensation that I had to leave the school and press my face
D.5 Communication Skills 204
2.1. The keynote speaker at a luncheon at the Rotary Club of New York several
years ago was a prominent government official. We were looking forward to hearing you
describe your department's activities.
Almost immediately it became clear that he had not prepared his speech. At first
he tried to speak improvising. Unsuccessful in his attempt, he searched in his pocket for a
sheaf of notes that were evidently no more organized than a pile of scrap metal inside a
car. He manipulated them for a few moments; He became increasingly confused and
showed greater inability to deliver his speech. Minute by minute his situation was more
205 IMPROVING OUR ABILITY TO TRAIN
unsustainable and his daze more evident. But he continued his talk in fits and starts, he
continued rambling, trying to extract something from his notes that made a hint of sense;
With his trembling hand he raised, from time to time, a glass of water to his dry lips. He
presented the pitiful appearance of a man completely overcome by panic, due to his almost
total lack of preparation. Finally he sat down. He was one of the most humbled speakers I
have ever seen in my life. He had given his talk as Rousseau says a love letter should be
written: he began without knowing what he would say and ended without knowing what he
had said.
Since 1912, it has been my professional duty to critique five thousand talks a year,
from this experience emerges a great teaching that stands like Mount Everest above all
others. Only the prepared speaker deserves to have confidence. How is it possible that
someone intends to assault the fortress of fear if they go into battle armed with defective
weapons, or without any kind of ammunition? “I believe,” says Lincoln, “that I will never
have grown old enough to speak without being embarrassed when I have nothing to say.”
If you want to gain confidence, why don't you do the one thing that can give you
confidence as a speaker? “Perfect love, wrote the apostle John, banishes fear, “that makes
perfect preparation. Daniel Webster says that he would find it as inappropriate to appear
before an audience half-dressed as it would be to appear half-prepared.
mechanical way. Because? Because it does not arise from our hearts, but from our
memories. When we talk in private, we always think of something we want to say: words.
We have been doing the same thing our entire lives. Why should we insist on changing
this? If we write and memorize what to say, we can suffer the same experience as Vance
Bushnell. Vance had graduated from the School of Fine Arts in Paris and later became vice
president of one of the most important insurance companies in the world: The Equitable
Life Assurance Society. Years ago, he was asked to speak to two thousand Equitable Life
representatives from all over America at a meeting in White Sulfur Springs, Virginia. At the
time, he had only two years of experience in the insurance business, but he had performed
so successfully that he was chosen for a twenty-minute talk. Vance was delighted. He felt
that his conference was going to give him prestige. But, unfortunately, he wrote it down and
learned it by heart. He rehearsed forty times in front of a mirror. Everything was perfectly
calculated: every phrase, every gesture, every facial expression. There was no fault, Vance
thought. However, when he stood up to speak, he was overcome with terror. He began:
“My part in this program is…” His mind went blank. In the midst of his confusion, he took
two steps back and tried to start again by all means. Once again there was a void in his
mind. Again, he took two steps back and tried to start. He repeated the scene three times.
The stand was one and a half meters high, at the back it had no railing, and from there to
the wall there was a space about two meters wide. Thus, in his fourth retreat, he fell
backwards from the platform and disappeared into the open space. The auditorium burst
into laughter. A man fell from his chair and rolled down the hallway. Never before, nor again
since, in the history of The Equitable Life Assurance Society, has anyone given such a
comical spectacle. The most amazing part of the event is that the audience thought it was
actually a prepared act. The older folks at The Equitable Life still talk about that scene.
But what happened to the speaker, Vance Bushnell? He himself confessed to me
that that had been the occasion in which he was most disturbed in his entire life. He was so
dissatisfied that he resigned.
His superiors persuaded him to break his resignation. They tried to get him to
regain his self-confidence. Years later, Vance Bushnell became one of the most effective
speakers in his organization. But he never learned a speech by heart again. Let's take
advantage of your experience.
I have heard countless reasons why men and women try to deliver learned
speeches, but I do not remember a single speaker who was not more efficient, more full of
life, more human, after throwing his learned speech into the wastebasket. . By doing this,
you may forget some points of the talk. He may ramble a little, but at least his words will be
more human.
Abraham Lincoln once said, “I don't like to listen to a well-prepared sermon. When
I hear preaching, I like to see the speaker act as if he were fighting a swarm of bees.”
Lincoln said that he liked to hear people speak with ease and enthusiasm in a speech. No
speaker acts as if he is wrestling with a beehive when trying to remember words learned by
heart.
Charles Reynold Brown said several years ago in a memorable series of lectures at Yale
University: “Reflect on your own subject until it matures...then record your ideas, in a few
words, the necessary to fix the idea...record them on pieces of paper: you will find that it is
easier to organize these fragments when you go to put your material in order.” Does this
seem like a very difficult program? No, and it is not. It just requires a certain concentration,
thinking carefully about a specific purpose.
Should you rehearse your speech after you have given it a certain order? Without
a doubt. This is a foolproof, simple and effective method. Use the ideas you have selected
for your speech in daily conversation with your friends, with your partners. Instead of
ignoring the difficulty, lean across the table and say something like this: “You know, Joe,
something really strange happened to me once. “I would like to talk to you about that.” Joe
will probably love hearing the story. Observe your reactions. Pay attention to your answer.
Joe may have some interesting ideas that are of value. He doesn't have to know that you
are rehearsing a speech, and it really doesn't matter. But he will probably say later that he
enjoyed the conversation.
Allan Nevins, the distinguished historian, gives a similar warning to writers: “Pick a
friend who is interested in the subject and talk to him at length about what you have
learned. In this way you will discover that some of your interpretations may be wrong, that
some aspects of your arguments are not well determined and you will find what is the most
appropriate way to write the story that you must tell.”
In the first chapter, you will remember, this phrase was used in relation to
developing the correct attitude that should be taken in the training period. The same rule
can be applied to the specific task we now face, that of transforming every opportunity to
speak into a fortunate experience. There are three ways to achieve this goal:
After you have chosen the topic of your dissertation, and arranged it according to
a plan, after having discussed it with your friends, your preparation is not finished. You
must convince yourself of the importance of your topic.
He must acquire the attitude that has inspired all the truly great people of History:
belief in his own cause. How can you fan the fire of faith in the message you must deliver?
Investigating all aspects of his topic, taking hold of its deepest meaning, and searching
within himself for the most appropriate way for his speech to help his listeners to be better
after they have heard it.
For example, thinking that you may make grammatical errors or stopping suddenly
D.5 Communication Skills 208
in the middle of your dissertation are negative attitudes that can make you lose confidence
before you start. In particular, it is very important that you turn your attention away from
yourself immediately when it is your turn to speak. Focus on what the other speakers are
saying, give them your full attention, without reservation, and you will not be able to
accumulate excessive fear of the audience.
Unless he is dedicated to a great cause to which he has dedicated his life, every
speaker will have moments of doubt about his topic. He will ask himself if the topic chosen
is the most appropriate for him, if it will be of interest to the audience. You will experience a
painful temptation to change the subject. On these occasions, when the negative spirit is
most on the verge of completely destroying your own confidence, you should talk to
yourself, with enthusiasm. In clear and sincere words tell yourself that your speech is the
most suitable for you, because it comes from your own experience, from what you think
about life. Tell yourself that you are better suited than any other member of the audience to
speak on the topic of your lecture and that you will do your best to express it as best as
possible. Is this an old-fashioned doctrine? It is possible, but contemporary experimental
psychologists agree that motivation based on autosuggestion constitutes one of the most
powerful incentives for rapid learning, even when simulated. How much more powerful then
will be the effect of a sincere talk with oneself based on the truth!
The most famous American psychologist, Professor William James, has written
the following:
“Action seems to be a consequence of feeling, but in reality, action and feeling are
inseparable; By regulating action, which is more directly under the control of the will, we
can indirectly regulate feeling, which is not.”
“Therefore, the sovereign voluntary path to happiness, if we have lost our
happiness, is to take happy attitudes, act and express ourselves as if happiness were
already ours. If this behavior does not bring with it a feeling of bliss, nothing can achieve it.
“So to feel brave, we must act as if we were, use all our will to that end, and a
feeling of courage will most likely replace our feeling of fear.”
Put Professor James' advice into practice. To gain courage when facing an
audience, act as if you already have it. Of course, as long as you are prepared; Otherwise,
all the actions in the world will be of little use to you. But assuming you know what you're
going to say, introduce yourself boldly and take a deep breath. In fact, whenever you have
to face an audience, breathe deeply for thirty seconds before you begin. The extra oxygen
supplement will help it maintain and increase its value. The great tenor Jean de Reszke
used to say that when you achieved a breath that you could “sit on,” your nervousness
vanished.
Try to stand as tall as you can and hold the audience's gaze; Start talking with the
same confidence you would feel if each of them owed you money. Imagine that they owe
you. Think that they have met there to ask you for an extension of your credit. The
psychological effect it will have will be beneficial for you.
209 IMPROVING OUR ABILITY TO TRAIN
If you doubt what this philosophy means, I would change your mind after talking
for a few minutes with some of the members of my classes who have preceded you in
applying the notions on which this book is based.
Since you can't talk to them, listen to the words of an American who will always be
a symbol of courage. He was once the most fearful of men; By putting self-conviction into
practice, he became one of the most daring; He was the symbol of hope, the man who
dominated the auditoriums, the ruler who brandished the club, the president of the United
States, Theodore Roosevelt.
“He had been a rather sickly and clumsy boy,” he writes in his autobiography. In
the early years of my youth, I felt nervous and distrustful of my abilities. I had to make
painful efforts not only in terms of my physique, but also in terms of my soul and my spirit.”
Fortunately, Roosevelt has revealed to us how he carried out his transformation.
“As a child,” Roosevelt writes, “I read a passage from one of Marryat's books that always
impressed me. The captain of a small British warship explains to the hero how to acquire
the virtue of fearlessness. He says that at first almost all men are terrified when they are
going to take action, but what they must do, then, is to deceive themselves so that they can
act as if they were not afraid. After a while, fantasy becomes reality and man becomes
brave by practicing fearlessness without feeling it.
“This is the theory that I applied from now on. There were plenty of things that
scared me at first, from grizzly bears to unruly horses to gun fighting; but acting as if I had
no fear, I gradually ceased to be. “Most men can experience the same thing if they choose
this path.”
Defeating the fear of public speaking causes a tremendous change in value in
everything we do. Those who accept this challenge later find that they are better
individuals. They discover that their victory over the fear of people has given them a richer
and more intense life.
A salesperson writes: “After standing up a few times in front of the class I felt able
to confront whoever I needed to. One morning I went to the office of a particularly tenacious
sales agent; Before he could say 'no', I had spread my samples on his desk. I signed one of
the largest orders
purchase that I have received in my life.”
A housewife told one of our representatives: “I was afraid to invite my neighbors to
my house, thinking that I would not be able to carry the conversation forward. After taking a
few lessons that required me to stand up, I made my decision and held my first evening. It
was all a success. “I did not feel any difficulty in stimulating the group towards interesting
conversations.”
In a graduation class, a sales employee expressed: “I was afraid of customers, I
spoke to them in a tone that seemed like excuses. After speaking to the class a few times, I
realized that I spoke with greater confidence and poise, and I began to respond to
objections with authority. “My sales increased by forty-five percent in the month after I
started the course.”
They all discovered that it was easy to overcome other fears and anxieties and
succeed - where before they might have failed. You will also find that public speaking will
help you deal with the problems that arise every day, thanks to the particular attitude that
confidence brings. You will be able to consider life's problems and conflicts with a new
sense of competence. What has been a series of insoluble situations can become a
luminous invitation to increase the pleasure of living.
D.6 Visual Aids 210
III.D.6
VISUAL AIDS
This section presents guidelines on the use of visual aids. Other materials on this
topic are presented in Volume II, Interpretation Module, topics 6 and 9.
III.D.6.a
1. When difficult concepts are presented . There are certain things that are
difficult to explain but are clear if they can be shown - a heliographic plan,
national.
D.6 Visual Aids 212
1. Ideal for the subject - in theme and seriousness. Avoid cartoons or jokes
that are not related to the topic.
3. Visible from a Distance - Lighting must be adequate for the aid selected.
Help should be appropriate for the size of the room and group. Lines of sight
must not be obstructed.
5. They contain only one main idea - Don't try to compress too much
information into a visual aid. Give each help a title and a topic.
6. Simple and functional - The simpler the help, the better your chances of the
help working correctly.
7. Good physical condition - If your visual aid is becoming worn, stained, etc.
replace it. Poor or poor quality visual aids can have a negative effect on your
credibility and on the degree of student engagement and retention.
Flipchart
Transparencies (Acetates)
213 IMPROVING OUR ABILITY TO TRAIN
PAPELOGRAPHS: NOTES
Letter:
Size: Three centimeters minimum
Style: Without serif, simple.
Upper case
lower case: Use them both
Feathers
Color: Alternate colors. do not use yellow. red to highlight.
Guy: From water or oil
Paper :
Guys: Newspaper, lined, squared, white, plastic (erasable-
reusable).
Size: Sheet
Peel It vs Stick It :
It can be used, taken off and used again or simply thrown away.
Content :
Only the key points, use simple graphics, other alternatives can be used,
participant manual, distribution material.
Tricks :
Prepare the pages first with a pencil, then in class with a marker, prepare
the page with previously drawn lines as a guide for texts, separate pages
with blank sheets. use adhesive tape as a separator, relevel gradually.
D.6 Visual Aids 214
9. Incorporate reminder cues into your notes to remind yourself of key aspects of
the sheet.
10. When you finish writing... wait 20 to 30 seconds before changing the sheet.
12. Once you have finished writing, do not cover the flipchart with your body.
III.D.6.c
Minimum Size:
Style:
Letter :
Uppercase/lowercase: Use them together
Color :
215 IMPROVING OUR ABILITY TO TRAIN
Movie:
Transparent. Colors for transparency and chemical burner.
Feathers:
For thick and thin transparent paper and for chemical.
Illustrations :
Simple to be easy to understand, illustrations or graphics instead of
words.
Content :
A single concept or idea, the minimum of words.
Construction :
Original:
Of a book. of a text or composition.
Movie:
It will depend on the transparencies available.
Mounting:
The film in contact with the glass, the arc over it.
Alternatives:
Different types of frames, reinforced edges thereof.
Tricks :
Use of drawing books, use of texts, compositions, enlargement using a
photocopier, elaboration with markers, elaboration with a photocopier,
mixtures of use.
Setting: Body with bulb, fan and screen. Arm, lens and mirror.
3. The light beam coming from the projector lamp must form a 90-degree angle
with the screen and must coincide with its center.
4. The distance between the screen and the first row of seats must be equal to 2
x A (A=width of the screen).
5. The distance between the screen and the last row of seats must be equal to 6
x A.
9. Use upper and lower case letters to write most of the text, write few words in
capital letters to highlight their importance.
10. Preferably use illustrations, cartoons, graphs and diagrams instead of words.
III.D.7
ROOM MANAGEMENT
Codes Atmosphere Size Best Uses
This section presents a series of drawings and figures that will help you view and I
= Informal P = Small 4-15 Inf. = Meetings of
i Int s e t ra u c c c t i o r n a determ F in = a F r o la rm m at best organ Miz = ac M io en dia d n
eo l 1 m 5 o - 4 b 0 iliary available In i f b o l r e m e a n tio n the room that Gr v u a po a s to use.
Small Group
Diamond b M B.E. Yo CP-SP
Round table AND M AND Yo CP-SP
Circle (without tables) AND M AND Yo CP-SP
Triangle b M B.E. Yo SP
Rectangle R.B. Q R.B. I or F CP-SP
Oval b Q b I or F CP-SP
Trapezoid b Q B.E. Yo CP-SP
Audience
Square R g Q F Info.
Semicircular b g Q F Info.
V-shaped R.B. g Q F Info.
Classroom
T-Square PR g Q F Inf.-CP
Perpendicular Q g Q F Inf.-CP
V-Common b M R.B. Yo CP
Inverted V R.B. M R.B. Yo CP
D.7 Room Management 218
III.D.7.a
ANALYSIS OF ACCOMMODATIONS
2.
Width of hallways along side walls ...... 0.60
5.
Allowed for chair space from table ......
0.90
6.
Between lines of tables when people sit
back to back ........................................
1.50
7. Back of the room: distance from the
table to the wall (includes space for
chair) ...................................................
2.40
8.
Writing space on the table (per person)
0.75 or 0.90 •
219 IMPROVING OUR ABILITY TO TRAIN
III.D.7.b
TYPES OF
ACCOMMODATIONS
FOR CONFERENCES
U-SHAPED
IN ROWS
ROUND TABLE
ei
t
h
e
r
ei
t
CIRCLE
h
(Without TRIANGLE
e
Tables)
r
SQUARE RECTANGLE OVAL TRAPEZOID
□□
□□□
□□□
221 IMPROVING OUR ABILITY TO TRAIN
□ □ □ □ □
□ □ □ □ □
□ □ □ □ □
□ □ □ □ □
□ □ □ □ □
□ □ □ □ □
□ □ □ □ □
SQUARE SEMICIRCULAR
V-SHAPED
222 IMPROVING OUR ABILITY TO TRAIN
SQUARE (Traditional)
PERPENDICULAR
(Common (Inverted V)
V)
V-SHAPED
D.8 Evaluation and Testing 223
III.D.7.c
TYPES OF ACCOMMODATIONS
III.D.8
EVALUATION AND TESTING
III.D.8.a
CONTENTS
I. INTRODUCTION
II. GOALS
III. ASSESSMENT
A. Informal evaluation
B. Formal evaluation
X. BIBLIOGRAPHY
D.8 Evaluation and Testing 229
D.8 Evaluation and Testing 230
I. INTRODUCTION
II. GOALS
SPIRAL OF THE
EDUCATION
- Explain the concept of evaluation and the formal and informal process.
- Determine the characteristics of the evaluation.
- Distinguish between evaluation approaches and criteria.
- Describe why, what, when and how it is evaluated.
231 IMPROVING OUR ABILITY TO TRAIN
III. ASSESSMENT
“Evaluation refers to the total context of an educational situation, its causes and
its results.”
(Lawton, 1980)
One can then distinguish between evaluation as an informal process and a formal
process.
A. INFORMAL EVALUATION
This informal evaluation solves the problems that arise every day,
informs, reviews and evaluates at all hours, ensuring continuous regulation of the
activity; However, this informal evaluation, when carried out daily, with subjective
criteria and on immediate events, neglects those general and transcendent
aspects that are also important in the organization.
B. FORMAL EVALUATION
techniques and methods, tends to unify the point of view of the evaluators and
those evaluated and, ultimately, adheres to a set of known rules.” (Bazinet, 1984)
The evaluation criteria constitute the basic elements, they are the
starting points in matters of evaluation, they have a normative value, they are the
guide for the assessment and they must be capable of providing information that
can be measured, for this reason their selection must be careful and sensible
WHY IS IT EVALUATED ?
elements.
WHAT IS EVALUATED?
- Acquired knowledge
- Skills achieved
- Developed attitudes
- Scope of a program
- Dimension or number of people covered.
- Duration of the program
- Program complexity
WHEN IS IT EVALUATED?
If you apply formative evaluation, you must evaluate at all times during
the process.
HOW IS IT EVALUATED?
TO. MEASUREMENT
8. TESTS
The test must consider the group of people to whom it will be applied:
age, intellectual level, environmental conditions and circumstances of its
application.
The written test is the one that requires a written response from the
student and can be used individually or in groups. The written or pencil and paper
test “requires some type of response to a base of inquiry that ranges from the
unstructured to the highly structured.” (Lafourcade, 1969)
This is...
The classification of these tests is very varied, but can be generalized by
the form of response: essay tests and objective tests.
237 IMPROVING OUR ABILITY TO TRAIN
The essay test refers to questions that require the person who answers
them, time, organization and expression in their own words to provide the
answers. The question requires long answers, with creativity and thought from the
person answering. They offer the opportunity to express the individuality of both
the person asking the question and the person answering. The essay test is easy
to prepare but difficult to correct and measure.
KIND OF QUESTIONS
It is called single selection when only one of the options is correct and
the others act as distractors. It is called multiple selection when more
than one option is selected or when all the options are correct but one of
them is the best (that is, due to multiple difficulty). These selection
questions serve to measure recognition, exercise reasoning and
evocation. It serves to evaluate the proposed cognitive objectives in all
hierarchies.
The oral test is one that requires a voice response to questions asked in
the same way. Lafourcade classifies oral tests into formal and informal.
Formal Tests :
They are those in which the person responding has complete freedom to
focus on the topic proposed without interruptions and without strict time
limitations. There are appropriate situations for the evaluation of this type of
test: lectures, participation in group discussions, oral reports and
Informal tests:
They are those in which questions with specific content are asked, which
require answers on what is requested by the evaluator, which may be on a
topic, different topics, opinion and personal reflection.
Every test must bring together a series of qualities that, to the extent that
they are achieved, will be exponents of its quality. These qualities include validity,
reliability, objectivity, representativeness and practicability.
A. VALIDITY
B. RELIABILITY
C. OBJECTIVITY
CH. REPRESENTATIVENESS
D. PRACTICABILITY
A. Congruence between the question with the content and with the objective
241 IMPROVING OUR ABILITY TO TRAIN
to be evaluated.
B. Technical quality of the question
C. Question difficulty level
A. Congruence
B. Technical Quality
Structure :
Drafting:
Score:
C. Difficulty level
The judge will validate the question by assigning the level of difficulty of
each one according to his criteria.