CONTEMPORARY PERSPECTIVE OF MANAGEMENT

END OF SEMESTER REPORT

(PRACTICALS)

A STUDY ON OTT MEDIA SERVICES IN INDIA

BY

NAME: KHUSHI RAI

REG. NO: 2001721096017

CLASS: 3rd Year B.B.A - A Section

MADRAS CHRISTIAN COLLEGE (AUTONOMOUS)

DEPARTMENT OF BUSINESS ADMINISTRATION

NOVEMBER 2022

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 TABLE OF CONTENTS

S.No CHAPTERS Page No

1 INTRODUCTION

2 OBJECTIVES OF THE
STUDY

3 CONCEPTUAL
FRAMEWORK / SCOPE
OF STUDY

4 CURRENT SCENARIO /
BEST PRACTICES

5 DATA ANALYSIS AND

INTERPRETATION

6 FUTURE DIRECTIONS

7 MAJOR FINDINGS

8 CONCLUSION

9 REFERENCES

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OVER-THE-TOP MEDIA SERVICES IN INDIA

ABSTRACT
Over-the-top (OTT) video services that once were seen to be a luxury, have now
become a basic commodity. Its consumerism is growing rapidly in the Indian market
and the adaptability have been beyond expectations. While Indian streaming services
like Hotstar and Jio Cinema has gained a stronger foothold, global players like Netflix
and Amazon Prime have steadily grown their market share in India. This paper
explores the emergence, advantage, and future of streaming service in India through
analytical research. Presenting various OTT services, their growth factors, technology
background, audience characteristics, content and future developments expected in
the industry.

OBJECTIVES OF THE STUDY

 To track the emergence of OTT services in India
 Scope and advantages of the industry
 Examine the growth factors of OTT services in India
 Current condition in the Indian market
 To understand the audience characteristics
 Future developments expected in the industry

INTRODUCTION\

Traditionally, the consumption of movies and other audio and video content has
always been in the form of mediums like theatre and television. As the technology
developed, it was easily accessible at home and whenever required with the
introduction of VHS, DVDs, Blu-rays and disc rental services. Further, cable
television brought the content through Co-axial cables and fiber optic cables. Another

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better service emerged as Direct-to-home (DTH) technology through satellite and dish
connectivity that brought high-quality broadcast and on-demand content directly to
the consumer. Recently, technological advancements have made the movie or TV
watching more convenient through online streaming or Video on Demand (VOD)
services. VOD refers to streaming of video content over the Internet, through
applications typically referred to as Over-The-Top (OTT). Viewers can access video
content through OTT apps in any Internet connected device like a Smartphone, smart
TV, tablet, desktop computer, laptop, etc. It gives a viewing experience with greatly
improved sound and visual quality, provided the consumers have a stable Internet.

Once considered a luxury, an increasingly growing number of Indians are shifting

towards cord-cutting or online streaming. While the figures show that the VoD
industry is still at its nascent stage, the entry of almost 40 VoD companies in a span of
just three years indicates the massive potential of the industry. Out of five Smartphone
owners in India, at least four people watch content in at least one OTT app

The OTT apps have become the most downloaded app category ahead of social
networking apps like Facebook, messaging apps like WhatsApp, and e-commerce
apps like Amazon and Flipkart. The streaming market will collectively account for
46% of the overall growth in the Indian entertainment and media industry from 2017
to 2022. This paper presents the emergence, growth, major streaming services in India,
content typically consumed in OTT, audience characteristics, problems and future of
OTT services in India.

OTT MEDIA vs TRADITIONAL MEDIA

Cost-Effectiveness
Without a doubt, digital media wins here! It is much cheaper than its legacy
alternatives like TV. Here are some numbers to prove it! According to Uhuru
Network, CPM for online outlets like social media is only $3, while the radio and TV
equivalents go as high as $10 and $28, respectively!
Winner: Digital Media

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Interactivity and Engagement
We’ve already mentioned this point, but it’s worth repeating! Online ads, and digital
media in general, are significantly more interactive than traditional ones — not to
mention that modern outlets like social networks and video-sharing platforms offer
new means for direct consumer-to-business communication.
Winner: Digital Media

Data Accuracy
Yet another victory for digital media! Online media allows marketers to target
specific consumer groups and track and collect extensive amounts of data. Aside from
that, it is more data-driven of the two, which is primarily due to the availability of
real-time analytics. Traditional media, unfortunately, often doesn’t offer the luxury of
such swift and detailed analytical data.
Winner: Digital Media

Consumer Trust
When a brand has a strong online presence, it allows consumers to research its
products and even check out user reviews before committing to a purchase. That helps
build consumer trust and nurture relationships with your customers. That is why
another point goes to digital media!
Winner: Digital Media

Reach
Since kids spend more than 30 hours a week glued to their phones nowadays,
reaching your target audience online and building brand awareness has never been
easier. And when you couple that with better audience engagement, it’s safe to say
that digital marketing trumps traditional media campaigns in this regard as well.
Winner: Digital Media

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Feedback
It might come as a shocking surprise (not) that digital media wins yet again. There
isn’t much to say here; online, one can easily find customer reviews or video
testimonials, leave one themselves, or even interact with the brand itself! That was
close to impossible before the internet era.
Winner: Digital Media

REASONS FOR RISE OF STREAMING SERVICES

The rapid adoption and evolution of internet infrastructure have contributed to the
enormous popularity of OTT in India. These factors enable OTT platforms to deliver
content directly to the viewers, bypassing traditional distribution and media networks.
Currently, Internet is being actively used by more than half of the world’s population.
Though India is only second to China in terms Internet users. At the end of 2019,
India had 451 million monthly active Internet users, which is projected at 666.4
million by 2023.

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Many studies have found that pricing is one of the critical factors in people cord-
cutting and moving towards online streaming. Players like Netflix and Prime Video
are Subscription-based Video on Demand (SVOD) services, where consumers have to
make a regular payment, typically monthly, and gain access to their library of video
content. Most viewers prefer free services, and only a small amount of people is ready
to pay for the subscription. According to a market study conducted by Brightcove in
partnership with YouGov, 29% of consumers mentioned that they prefer to watch
movies in the free online streaming sites. Ad-based Video on Demand (AVOD)
services like Hotstar and Viu allow consumers to access their library for free and
gains its revenue through advertising. The market remains highly focused on AVOD
services. Among the top eight video streaming services, except for Netflix and
Amazon Prime Video, all other services offer ad-supported content. Also, some
platforms like YouTube and iTunes are Transaction-based Video on Demand (TVOD)
services, in which viewers pay according to what they choose to access.

The second-most important factor for Indians opting to the streaming services is the
availability of personalized content. Research by IHS Markit reported that 76% of
those surveyed gave their opinion that availability localized content, and 74% opted
the quality of dubbing and subtitles of international content as the critical decision-
making factors

In today’s marketing scenario, it requires efforts beyond just advertising in acquiring

customers and tailoring the business objectives towards the needs and wants of the
consumers. With advancements in data analytics, companies are now able to gather
information about their users and implement plans to create a personalized experience
for each user or a demographic. Also, in the future, developments in technologies
such as machine learning and artificial intelligence will enable OTT players to
analyze the data and offer insights to understand user’s viewing patterns. Other
factors like ease of use and social trends have an impact on the decision to adopt
online streaming over cable TV

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OTHER REASONS BEHIND STRONG GROWTH OF OTT PLATFORMS:

 As people were confined to their homes due to the Covid-19 pandemic, OTT
platforms gained acceptance and popularity. It has helped people overcome
boredom.
 OTT platforms offer more than just the ability to stream media on the go. One
can stream ad-free services at a low cost and download videos in multiple
languages to watch offline on their devices.
 Several television shows and films are available on streaming platforms much
before they are broadcast on television. It is an ideal medium for first-time
film or web series fans to take their enthusiasm to new heights.
 A seamless viewing experience across multiple devices is a must-have
feature for OTT platform owners looking to build a loyal fan base and
subscriber base. Another important factor that has contributed to the streaming
industry's ever-growing customer base is the multi-screen OTT experience.
 Quality and Fresh Content— People are drawn to these platforms since they
are tired of conventional Indian TV serials, which seem to go on forever.
 OTT provided opportunities for creators and artists who had lost their
relevance due to a shift in cinema or entertainment. Many have reclaimed their
place in the spotlight.

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MAJOR STREAMING SERVICES IN INDIA

Indians now have a variety of options when it comes to OTT services. While local
players like Hotstar and Jio Cinema has gained a stronger footing in the domestic
market, global platforms like Netflix and Amazon Prime have also steadily grown
their market share. Netflix, Amazon Prime Video, Disney+ Hotstar, ALTBalaji,
Zee 5, Aha, Voot, SonyLIV, Viu, Hoichoi, etc are the prominent OTT providers. All
these platforms differ in terms of subscription plans and compatible devices.

Just like the Smartphone segment, the OTT space in the country is also witnessing a
tussle between the indigenous and global payers. There are nearly 40 VoD providers
in India, and at the rate in which new players are springing up, the number is expected
to reach 100 by 2023.

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NETFLIX

Netflix entered India in January 2016. Their Unique Selling Proposition is the
abundance of original movies and television shows it offers. As they initially lacked
many India-oriented or localized content, Netflix has made its highest investment ever
in India to produce more original content. Netflix comes with three different
subscription plans with various benefits. The Basic subscription starts at Rs. 500 and
does not support HD streaming. The Standard subscription costs Rs. 650 per month
and supports HD streaming. The Premium subscription costs Rs. 800 per month and
supports ultra-HD streaming and allows up to four devices to stream simultaneously.
Netflix is a lot costlier than all of its competitors. So additionally, they launched a
low-cost, mobile-only version of its service exclusively in India. The plan costs Rs.
199, and it is aiming to bring a unique personalized experience to the Smartphone
users in India.
Netflix is one of the most common OTT services, and it is suitable for those interested
in foreign programs. It is a corporation based in the United States with a VOD (video-
on-demand) business model. It is published in nearly 20 languages, like English,
Spanish, and Portuguese.
Netflix's content campaign is the oldest, but the firm is only reaping the rewards. With
an ML and AI-based framework, the company is focusing on email marketing.
Excluding it, they are worried about consumer safety, because they use targeted ads,

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which means that no two users can see the same homepage. Netflix hits 16 million
subscribers in three months after the lockdown.

JIO CINEMA

Reliance Jio mobile data service comes bundled with various OTT apps like JioTV,
JioCinema and JioSaavn catering to different needs of the customers. The content
offered by the service is mostly dedicated to the Indian audience. JioTV offers 647
Live TV channels which are nearly double the channel count provided by its
competitors. Whereas, the JioCinema hosts over 10,000 movies and TV shows. Jio
has signed a long-term content deal with Disney India to host a dedicated Disney
branded section on their homepage with content spanning Disney’s movies and
animation series. Jio has also announced the launch of Jio Fibre’s ‘First-Day-First-
Show’ plan which is set to launch in 2020. Premium Jio customers would be able to
watch new movies on their release date, on-demand in the comfort of their house.
JioCinema debuted on September 5, 2016, in conjunction with Jio's public launch.
JioCinema is among one of the apps presented exclusively for Jio subscribers, along
with others operated by Jio Platforms (JioTV, JioSaavn, JioNews, JioMart, JioMeet,
JioChat, and JioTalks).

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PRIME VIDEO

Prime Video is a VoD service owned and operated by Amazon. In India, the Prime
Video hosts over 2,000 movies and 400 television shows. The subscription costs
around Rs. 129 per month or Rs. 999 per year. With over 10 million subscribers, India
is the biggest market in the world for Prime Video. In an annual letter to shareholders,
Jeff Bezos, Founder and CEO of Amazon, stated that India is the company’s most
valuable market outside America. In 2018, Amazon announced that they would invest
Rs. 2,000 crores in creating original content.
Amazon Prime is a popular destination for web series fans. You can still watch
Hollywood movies and TV shows here, which draw audiences who are often drawn to
international shows. Amazon Prime's most recent campaign policy entails the
announcement of a mobile-only plan in India. They stated that throughout the third
quarter of 2020, there was a growth of approximately 80% of Prime members globally.

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HOTSTAR

Hotstar is ideal for watching movies, daily soaps, live sports and news channels. The
users can create an account and view the content for free with advertisements between.
Whereas, a Hotstar Premium subscription offers ad-free access to exclusive
international movies and TV shows for a price of Rs. 199 per month or Rs. 999 per
year. Hotstar downloads crossed 400 million in 2019, and one of the main pulling
factors has been live streaming of cricket matches. During Indian Premier League
(IPL) 2019 the platform recorded 300 million active viewers. India versus Pakistan
match at the ICC World Cup 2019 registered an exceptional 100 million viewers, and
India versus New Zealand semi-final had 25.3 million concurrent viewers.
Star India, an affiliate of Walt Disney Corporation India, owns the company. Hotstar
is among the best websites for those looking for a variety of options.
A “Hotstar Watch n Play” contest to transform casual fans into engaged participants
was one of the marketing campaigns that helped Hotstar succeed. Hotstar's business
model consists of freemium and subscription, with free content accessible to
freemium subscribers and charged content accessible to valued clients.

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SONY LIV

SonyLiv is a VoD streaming service operated by Sony Pictures Networks. It has more
than 40,000 hours of content from a wide variety of genres. SonyLiv had a higher
growth rate in non-metropolitan cities like Lucknow, Indore, Patna and Jaipur, as
compared to the metropolitan cities. Similar to Hotstar, it is available as a freemium
service with content which viewers can see without signing-up or subscribing. The
premium service starts at Rs.199 per month and offers access to English movies and
TV shows. The platform recorded 70 million viewers during the FIFA World Cup in
2018, and 50 million viewers during India’s cricket tour of Australia and England in
2019
Sony Liv is another common OTT channel since it hosts the "Play Along" contest and
allows viewers to compete for the hot seat on "Kaun Banega Crorepati." Sony Liv
was introduced by Sony Picture India Private Limited in 2013. It allows you to view
all of Sony Entertainment Television's programs, and it provides a source of cricket,
basketball, WWE, and UFC, making it great for sports fans. Aside from these, the
platform contains approximately 700 films. Sony LIV received 26.14 million visitors
in December 2020, ranking first in the area of arts and entertainment.

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ZEE5

ZEE5 is an Indian subscription video on-demand and over-the-top streaming service,

run by Zee Entertainment Enterprises. It was launched in Indiaon 14 February 2018
with content in 12 languages. The ZEE5 mobile app is available on Web, Android,
iOS, Smart TVs, among other devices. ZEE5 claimed 56 million monthly active users
in December 2019.
ZEE5 has subsumed Zee's existing video streaming platforms: Ozee (advertising-
based) and DittoTV (SSubscription-based), comes with 1 lakh (1 hundred thousand)
hours of content including exclusive originals, Indian and international movies and
TV shows, music, live television, health and lifestyle videos in 12 regional languages.
The service has been launched in every country, lastly in the United States on June 22,
2021. ZEE5 has launched Ad Suite which has Ad Vault, Ampli5, Play5 and Wishbox.
ZEE5 is also available for free on Vodafone Play (a streaming service of Vodafone
Idea) and Airtel Xstream (a streaming service of Bharti Airtel). Vodafone Idea joined
ZEE5 and formed a new channel known as ZEE5 Theater which airs original movies
and shows of ZEE5 exclusively available on vodafone play and the Idea mobile and
TV app.

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OTHER OTT PLAYERS

Eros Now launched by Eros International has the most amount of content compared to
other OTT services in India. It hosts over 11,000 movies, 100,000 albums, and 100
TV shows. Eros Now was titled the ‘Best OTT Platform of the Year 2019’ at the
British Asian Media Awards. Hooq is a lesser-known competitor in the market even
though it was launched in India much before other services. Hooq offers more than
10,000 titles, which include movies and renowned DC superhero television shows.
Voot is a streaming service owned by Viacom 18. It hosts programmes that are
already aired on their television channels such as Colors, MTV, Nickelodeon, etc.
Voot also started producing original series under the brand name Voot Originals.
ALTBalaji is a VoD platform operated by Balaji Telefilms Ltd. At Rs. 25 per month
or Rs. 300 per year, ALTBalaji is the cheapest of all OTT players in India. The
platform has over 250 hours of original content with a new show releasing every
month. Their library also includes more than 100 hours of kids’ content and many
shows in regional languages.
MX Player, a mobile video player app was acquired by Times Internet group for
1,000 crores in July 2018. TIL has built a digital-first streaming service atop of MX
Player to leverage its 350 million user bases in India. Karan Bedi, CEO of MX Player,
said that their OTT service would revolutionize digital entertainment in India.
Currently, MX Player hosts 14 original shows.

YOUTUBE AS AN OTT SERVICE

A study by MICA and Communication Crafts on ‘India OTT Platforms’ reveals that
in India, the highest consumed platform is YouTube, followed by Amazon Prime
Video and the three Indian platforms – Hotstar, Jio Cinema and Voot. YouTube has
its monopoly across different markets, as per the report. As compared to the other
countries, the capacity of spending for Indians has been the highest.
In India, many of the users are first generation OTT content consumers. Since these
areas are non-urban markets, which are supposed to have an inflow of mainstream
content, the new consumers have been attracted to regional content. A combination of
regional promise on an AVOD platform works very well for such regional markets.

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At the same time, the consumer on OTT platforms is a global Indian consumer. There
is a complex mix of ‘glocal’ socio-cultural insights that the OTT players have been
following, which is a reflection of the consumer of today.
Time spent on Video Streaming Apps globally went up 140 per cent in 2018 vis-a-vis
in 2016 in countries like Australia, India, Indonesia, South Korea and Thailand. It
shows the consumption habits shifting from desktop and television to mobile

COMPETITION IN OTT MARKET ACROSS INDIA

The competition in the nation's OTT streaming industry is gaining steam, with over
40 players vying for even more exposure in the muddled OTT market. India is now
regarded as one of the most engaging OTT markets in Asia.
In India, the OTT industry has gone through a positive period (2016-18) and is now
entering a process of intensification. By the end of 2021, India is assumed to be
amongst the top ten OTT markets around the world. By 2023, India will get more than
500 million online video viewers, trailing only China as the world's top online video
sector.
The TV may slow, but it will not be completely destroyed by the size of OTT, as has
been seen in other markets. The TV industry in India will rise at an 11% CAGR from
2017 to 22 while the global growth rate will remain at 1.4% over the same time.
India has a large number of televisions, with more than 170 million households
having access to one. A strong need for content fuels it, and televisions will continue
to be a cornerstone of Indian viewing habits. The OTT players see this as a portal, or a
mirror, into people's hearts.

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CONTENT CONSUMED IN OTT

Every VOD platform is striving for higher engagement, and hook the viewer through
unique, addictive and binge-worthy contents. Binge-watching has become the new
typical weekend plan among young people. Teenagers are mostly agnostic about the
medium, but they are very selective about quality programming. They are also very
active and articulate on social platforms about their favorite shows and binge-viewing
practices. So, binge-watching is not just about convenience and customization, but
also about cultural unification, connection and community as it bonds people through
their shared experience
More shows like Inside Edge, Sacred Games, Breathe and Mirzapur that are coming
out in OTT platforms indicate that they are betting on this emerging trend to capture
the attention of the audience. Many actors, writers and technicians who have
previously worked on television argued that the overreliance on soap opera limited
their ability to express creatively. Amazon has invested about one-fourth of its Rs.
2,000 crore budgets to collaborate with Indian production houses and digital content
creators, including influential filmmakers like Farhan Akhtar and Anurag Kashyap.
According to a survey by Vidooly, 85% of the surveyed audience stated that they
watch more original content in OTT platforms. Younger audiences between 24–34
years of age prefer the romance genre, whereas drama, crime thriller and reality

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shows are consistent among all age groups. As the viewer crosses the age of 34, their
interest in the romance genre starts to fall and gravitate towards action and adventure
movies. Documentaries capture the attention of the audience between 24 and 45 years.
The survey revealed that there is a difference in the content consumed among the old
and younger audience. Movies are preferred by the older audience and TV shows are
preferred by the younger audience.

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AUDIENCE CHARACTERISTICS

According to Counterpoint Technology Market Research, Hotstar leads the market

share in terms of users, despite the entry of global majors like Amazon Prime and
Netflix.

Table 1: Market share of OTT platforms in India

OTT Platforms Usage (in %)

HOTSTAR 20
AMAZON PRIME 20
NETFLIX 15
SONY LIV 5
ZEE5 5
ALT BALAJI 5
VIU 5

HUNGAMA PLAY 5

EROS NOW 5

OTHERS 15

While Hotstar and Prime Video are leading in terms of the user base, Eros Now is
generating the most engagement among the OTT platforms. In table 2, it can be seen
that 68% of users indicate that they watch content on Eros Now daily, with 9% of
users spending 21 hours a week watching its content. According to Statista Global
Consumer Survey from October 2019, young Indians under the age of 34 years-old
accounts for 70% of total users. The 35-44 age group contributes 21.7%, and the 45-
54 age group adds 1.8% to the OTT platform viewership in India. AltBalaji scored
highest among 25-35 age group users, and Eros Now has the largest share in the age
group of 25-39. In 2019, a share of 48.4% of users was in the low-income group.
31.5% of the user was from the medium income group; 20.1 % of users were from the
high-income group.

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Table 02: User engagement among the OTT platforms

Major factors which encourage millennial consumers to binge watch on OTT

platforms (User’s perspective):

 Content Availability
Content Availability is the king of all factors. It is the fundamental driving
force behind online businesses, especially OTT video streaming businesses.
Thus, in this segment the business will not grow until the right content is not
broadcasted on OTT platforms.

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 Innovation in content
Many OTT platforms like justin.TV, Xbox entertainment studios, SunNxt etc
failed to build subscription revenue because consumers lost interest in
watching same old content. So, in order to make millennials continue to binge
watch OTT platforms should ensure that the content broadcasted is unique and
original. A content becomes successful when it connects the audience
emotions with some suspense, drama, thrill, horror, comedy, romance etc .
Thus, innovation in content becomes one of the most important factors.

 Audio and video quality

The factor of offering best audio and video quality plays important role when
marketers of OTT platforms talk about delivering consumers cinematic
experience at home. However, this factor somewhat depends upon what kind
of device is been used to watch movies, web series etc on OTT platforms, i.e.,
audio and video quality on Smart TV will be better than laptops, PC, tablets
and smart phones.

 Price
The factor of price is very important to make OTT services affordable in order
to create huge customer base and create penetration in the market segment.
The price depends upon monetization models of video on demand on the basis
of subscription, transactional and advertisement. If we talk about Subscription
based like Netflix the pricing is expensive as it is premium service with ad free
contents, transactional based like i tunes every content has small price to pay,
here the consumer can avail the service whenever is required. On the other
hand, advertisement based like voot , hotstar etc here the pricing is relatively
cheap as they are standard services containing small ads while streaming video
online. At the end every business needs to earn revenue so right pricing
strategy and launching free schemes at right time to create customer base is
the key to survive in long run.

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  Overall experience
The factor of Overall Experience could be understood by clubbing all of the
factors mentioned above. At the end what matters to consumers especially
millennials are that the OTT platform which they have subscribed is
affordable, offers good and innovative content, provides best audio and video
quality, lastly contains minimum no of ads or even no ads during streaming of
video. Marketers of OTT platforms should focus on offering perfect package
of all these factors to consumers in order to build brand image so that it could
enjoy the domination position in this market segment.

INDIAN OTT AUDIENCE

OTT entertainment is not just limited to adults but has been making a way in
children's lives through educational media. The informative and free edutainment
content on these apps facilitates entertainment and education.
Indian youth is another prominent segment of the OTT subscriber base. Today,
college students and working professionals use OTT channels for entertainment and
information. Netflix and Chill have become a go-to trend in the urban Indian
population.
It does not mean OTT platforms are just limited to the younger crowds. Features such
as content updates and spiritual and regional language availability make it easy for the
older Indian population to enjoy their favorite content.
The influence of OTT channels varies among the rural and urban crowd. The survey
by Ascent Group India suggests, "almost 65% of the OTT content consumption is
from rural India which only has 40 % internet connectivity." These figures suggest
regional language content is prominent on OTT platforms, thus offering prospects to
regional content developers.

HOW BIG IS THE OTT MARKET IN INDIA?

In the 1980s, the rapid growth of video cassette recorders and players (VCRs/VCPs)
challenged the established modes of viewing cinema. However, the rise of
multiplexes in large cities in the early 2000s effectively killed the DVD industry and

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single screens. Now, the popularity of OTT platforms is wreaking havoc on
multiplexes.
According to a report published by Media Partners Asia (MPA), the Indian OTT
streaming video market is currently in its second growth phase with total revenues of
$3 billion in 2022. So far, OTT has captured 7-9% of the entertainment industry’s
share and revenue. With over 40-odd players offering original content in all languages,
the industry is expanding quickly and consistently. There are currently over 45
million OTT subscribers in India. This figure is expected to reach 50 million by the
end of 2023.
The OTT market is set to become a ₹12,000-crore industry by 2023 at a compound
annual growth of 36% (from ₹2,590 crore in 2018).

WHY OTT ADVERTISING?

One of the biggest trends is the rapid growth of online streaming platforms which are
transforming advertisements, thus increasing the internet traffic up to 80%. Since the
future of watching TV shows, movies, sports etc has become more digital and data-
driven, Big brands having advanced digital technology are adopting OTT advertising
as a part of their performance mix. OTT advertising is the next generation of

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advertising where targeted ads are inserted during online streaming of video with the
help of programming technology OTT advertising is also known as subscription of
on-demand video content, such services offer users different content like movies, TV
shows, web series etc which is not available on Television content or might not pass it
due to age restriction. OTT advertisement only takes place in case of those platforms
which offer users free subscription like You Tube, newsy, cheddar etc, the business
around the world should accept that OTT advertising is the future of marketing
services because traditional TV ads are very costly and it requires huge investment
but OTT commercials will cost a fraction of that. OTT advertisement provides users
with precise content as the promotion scheme is designed according to the content
users watch and demographics. This strategy gives ads creators a competitive edge
over other businesses as they can easily predict the future trend of the market

RULES THAT GOVERN OTT PLATFORMS AND IMPACT OF

GOVERNMENT REGULATIONS

As OTT platforms are a fairly recent medium of entertainment in India, there are
currently no laws or regulations governing them. Unlike television, print, or radio,
which obey regulatory rules, OTT outlets, also known as streaming media or social
media, had next to no regulation about the type of content they sold, subscription fees,
and licensing for adult movies, among other things.
The governance of such websites has been extensively debated and discussed in India.
Following calls to govern the content available on these streaming services, the
Internet and Mobile Association of India (IAMAI), a governing body of the OTT
platforms, suggested a self-regulation model.
As part of its new two-tier framework, the Online Curated Content Providers (OCCPs)
suggested a Digital Curated Content Complaints Council as well as a self-regulatory
system. Even so, the plan was rejected by the Ministry of Information and
Broadcasting, which will now manage these channels.

With the government agreeing to bring “films and audio-visual programs made
accessible by internet entertainment providers” and also “current affairs content on
online channels,” the first obstacle for OTT platforms would be keeping track of their
content.

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The union government's decision to place OTT platforms under the jurisdiction of the
I&B Ministry implies that these platforms must apply for registration and
authorization of the content they intend to stream. This could cause a slew of
problems because most OTT websites contain content that would otherwise be
restricted by India's certification boards.
OTT channels are likely to oppose any attempts to censor the material they offer and
download, as these platforms have always chosen to create movies and documentaries
on politically controversial but important topics. It will further be intriguing to see
what rules if any, the I&B ministry establishes for governing these OTT channels.

CHALLENGES AND PROBLEMS FACED BY OTT PLATFORMS

After its massive impact on market and culture, OTT became the center of debate in
various aspects, such as its impact on traditional services, threat or opportunity to
investors in the industry, and regulatory framework. Copyright owners of contents
fear that OTT increases chances of piracy. Ever since content could be stored in
digital formats, illegal downloading of movies and TV shows has a significant impact
on the market. It is projected to cost the TV and film industry US$ 51.6 billion
globally by 2022.The market power of digital media platforms has had massive
growth because the OTT platforms have been very lightly regulated in terms of public
interest responsibilities and anti-monopolistic behavior, unlike the legacy media and

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telecommunications firms. Content with extreme violence, nudity and strong language
find their home in OTT platforms because the OTT sector in India is less regulated
than its offline counterparts like film and television.
Telecoms Regulatory Authority of India has stated concerns over disturbances to the
country’s social fabric caused by content carried by OTT platforms. The Government
of India reaffirmed that, as VoD services are available over the Internet, which is a
public medium, OTT platform operators do not require any license to operate.
Moreover, TRAI, believe that the Information Technology Act, 2000, offer enough
safeguards. The Information Technology Act, 2000 allows the government or the
court to either block or take-down content that they consider objectionable.
Domestic or local broadcasting industries are considered vital to cultural expression
and democratic practice. For that reason, they receive government support and are
regulated in the public interest. Even though the OTT platforms portrayed as
complementary to traditional media, their consumerist approach is disruptive to the
values and principles of legacy broadcasting. Also, their venture into content
distribution is indistinguishably connected to their capacity to accumulate and sell
data about their users. Therefore, there is an immediate need to regulate OTT
platforms in the public interest.
The inconsistency in OTT regulation is based on the disparity between one-sided and
two-sided content markets. The telco industry embraces the one-sided business model
for offering internet service. In contrast, many other OTT service providers, such as
YouTube support the two-sided business model and therefore becoming a separate
technological business faction.

LATEST HAPPENINGS WITHIN THE INDUSTRY

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OTT SERVICES IN THE INDIAN ECONOMY

According to a recent report by the Confederation of Indian Industry and Boston

Consulting Group, India’s media and entertainment industry has revived to pre-Covid
levels and is expected to grow to $55-70 bn by 2030 at 10-12% CAGR, driven mainly
by strong growth in OTT, gaming, animation and VFX. The report explains that the
media and entertainment industry contracted by 10% year-on-year in 2020, its market
size decreasing from $26 bn in 2019, to around $24 bn in 2020. This contraction was
mainly due to a decline in advertising revenues across mediums such as print,
television and radio. However, digital led-consumption of OTT services and gaming
are now driving the growth, helping the industry grow 12-16% year-on-year in 2021,
to a market size of $27 bn. Today, OTT has a 7-9% market share in India’s $27 bn
M&E industry. However, by 2030, its market share is expected to increase to 22%-
25%. Meanwhile, television’s market share will decline from around 35% to 24%.

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The growth in the number of Indian households with a Pay TV subscription, such as
Tata Sky and Dish TV has more or less stabilized, only growing at 2%. However,
India is seeing a growth of 51% in the number of households with a subscription-
based video-on-demand service or SVOD. This growth in subscription-based OTT
services offered by the likes of Netflix, Amazon’s Prime Video and Disney+ Hotstar
can be attributed to the improved internet and smartphone penetration and payment
mechanisms.
Most importantly, these players have made significant investments in content, pricing
innovations and bundling to create niche properties. Notably, streaming giants such as
Netflix are offering their India plans at affordable prices, compared to the pricing
plans for other geographies. The CII-BCG report explains that the Indian pricing
plans of global streaming giants are on average, 70-90% cheaper than their prices for
the US market. Increased market competition, with local OTT players also entering
the fray, are driving this reduction in prices for OTT services. And global streaming
giants are keeping their fingers crossed. In 2020, the global executives for Disney+
noted that the company’s India offering, Disney+ Hotstar, brought down its global
average revenue per user (ARPU). And last year, Netflix CEO Reed Hastings said
that the company was ‘still figuring out the Indian market’, also calling it a
‘speculative investment’, comparing the Indian market of 2021 with the Japanese and
South Korean markets of five years before. As the experts pointed out, the Indian
OTT industry has just started scaling up, and will continue to remain a high-volume
market. Hence, expect more pricing experiments and bundling of OTT services with
your mobile data plans as more global streaming players tap into the Indian market.

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FUTURE OF OVER-THE-TOP SERVICES

Video consumption through VOD platforms is nowhere close to slowing down. It is a

golden era for content creators with entry barriers becoming low. This section
discusses different factors and their impact on the future of OTT platforms in India.
OTT networks have a bright future. Customers can be guided for quality content with
the aid of a recommendation engine using emerging innovative technology such as
Artificial Intelligence and Big Data Analysis. China, South Korea, and Japan have
already initiated commercialized 5G technology.
India is projected to be the fourth Asian country to join the queue. Without a doubt,
India needs this technology. Anything cannot be done manually and takes a long time
in a country with a population of around 135 crores. It is essential to create

30
technology capabilities. India has taken measures in recent years to improve its
internet protocol, but further development is required. As a result, it is safe to predict
that the OTT platform will have a bright future.

Role 5G and telecom service providers

There is a global race to take the lead in 5G cellular network technology. The
government of India has established a dedicated committee for creating an efficient
pathway for the roll-out of 5G and develop the next generation of broadband
infrastructure. As consumers are seen to be increasingly preferring high-definition and
immersive content, the 5G is expected to create an opportunity for new product and
services offerings in the media and entertainment industry. Apart from OTT, the other
fast-growing segments that are benefited by 5G are online gaming and Internet
advertising.
Along with 5G, the government’s Digital India Initiative is helping urban and even
the most remote villages to stay connected. The telecom industry in India faced
significant convergence in 2018. Vodafone, the second-largest operator in India, and
Idea, the third-largest operator has merged to emerge as the biggest telecom operator
in India in terms of subscriber base. With Vodafone’s urban- focused network and
Idea’s rural-focused network, this merger is expected to diminish the urban-rural
bandwidth disparity in India and promote OTT.

Sports streaming

Streaming live sports, especially cricket, has turned out to be the critical differentiator
in India’s OTT space, as shown by Hotstar. Even though Hotstar does not reveal
category-specific viewership data, industry experts estimate that its rich sports
programming give a distinct advantage over the rest. Hotstar showcases the following
sporting events: Pro Kabaddi League, Indian Premier League (IPL), English Premier
League (EPL), Indian Super League (ISL), Formula One, German Bundesliga, and
Grand Slams. Cricket also provided a significant push to SonyLIV in 2018, when they
acquired the streaming rights for India’s cricket tours to South Africa, England, and

31
Australia. It is estimated that users spend on average 30-35 minutes on watching
sports on OTT platforms. Even though many users do not watch the entire event or
match, growing viewership indicates the sense of comfort that viewers experience
with the digital medium.
There are six defining characteristics to OTT live sports streaming: The privileging of
liveliness, a mix of mass and niche services, changing rights territories, multiplying
screens and spaces of consumption, datafication of consumption and viewing habits,
and improving the technical infrastructure.
A few years ago, the digital rights for streaming on OTT platforms were sold along
with traditional broadcasting rights, and often to the same company. However, now,
digital rights are sold separately as their value has increased rapidly. The Board of
Control for Cricket in India (BCCI), who owns the IPL, expects the value of digital
rights to multiply in the coming years, and thus does not want to make any long-term
deals. Prime Video, Jio, Twitter and Facebook have reportedly started showing
interest in sports. Facebook’s failed bid for IPL’s digital rights in 2017 stood at Rs
3,900 crore, indicating its intent to enter India’s fast-growing OTT market.

Better Devices for Content Consumption

Apart from Smartphone, tablets are another promising device for online video
consumption. However, India has only around 5.3% penetration of these devices as of
2017, and it is expected to increase to only about 10% by 2022. The low penetration is
a missed opportunity as tablets offer relatively larger screens which are better for
consuming HD content as compared to Smartphone. Pixalate 2018 argued that OTT is
defined on the basis of the devices used to access the content. Apple CEO Tim Cook
predicted in 2015 that the future of TV is apps. Smart TVs, much like Smartphones
and tablets, offer internet connectivity and support for a range of apps, including OTT
apps. According to Sunil Nair, COO of ALTBalaji, "People sample content on their
smartphones and migrate quickly to larger screens if the content is long-form and
compelling". Xiaomi claimed that they have sold more than two million smart TVs in
India in 14 months of its launch. Set-top box providers like Roku, Amazon Fire TV
and Apple TV can be used to transform a dumb or regular TV into a smart TV.

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New business models

Today, most OTT platforms promote them aggressively through a strategy where they
allow initial free usage to enable the customer to experience platforms and demand an
incremental premium fee at a later stage after consumer behaviour is in favour. So, the
business model that is prevalently employed by OTT providers around the globe is
B2C. However, some of the prominent streaming industry stakeholders believe that
pure B2C models will not work in India and consider B2B2C as the right way to
move forward.
A syndicated content offering on the applications likes of Jio Apps, Airtel Wynk, has
become the norm. To boost revenues, there has been a significant increase in
partnerships between telcos and OTT players in India and globally to provide
exclusive video content for free to users of particular telco subscriber. For example,
Vodafone has been offering package deals which include access to its entertainment
platform, Vodafone Play, as well as a free Amazon Prime subscription. Airtel and
Netflix formed a strategic partnership where select broadband subscribers received
free subscription of Netflix for three months. DTH operator Tata Sky partnered with
Amazon to launch the platform ‘Tata Sky Binge’, which showcases digital content
aggregated from multiple apps. So, in the future, the OTT space will observe smaller
or newer platforms acquiring customers through the existing large customer base of
Telco or other services.

33
Shahir Muneer, founder and director at Divo, a Chennai-based music and media
company said there was market for international content in India, as a lot of OTTs
including Amazon Prime, Netflix and Disney+ Hotstar already have programming
from leading American studios like ABC, AMC, HBO and SHOWTIME. "With
increase in demand for this content and with the Indian OTT market growing, these
studios see India as another potential market," Muneer said.

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STATISTICS

35
MAJOR FINDINGS OF THE STUDY

 India spends approximately 70 minutes per day on video streaming platforms,

with a consumption frequency of 12.5 times a week!
 Out of five Smartphone owners in India, at least four people watch content in
at least one OTT app.
 The OTT market is set to become a ₹12,000-crore industry by 2023 at a
compound annual growth of 36% (from ₹2,590 crore in 2018).
 China, South Korea, and Japan have already initiated commercialized 5G
technology. India is projected to be the fourth Asian country to join the queue.
 The Top five metro cities account for 46% of the total OTT video platform
subscribers.
 Indian OTT market expects to reach Rs 237.86 billion (US$3.22 billion) by
FY25- IBEF.
 Production houses are going digital.

With the growing importance of online and OTT services, security takes on in-
creasing importance. This has many aspects, including not only the security of the
network or service itself, but also access to emergency services. Surveillance clearly
must be mentioned, as it also plays a role here; however, it is generally out of scope
for this report.
There may be a tendency to focus only on the threat to the established order posed by
OTT applications, but it also provides opportunities for societal benefits, not only
through creating and providing OTT applications, but also through their use. Mea-
sures to enhance creation, provision and use thus also appear to merit consideration in
any balanced programme.

36
CONCLUSION

Video streaming has become one of the most successful avenues in the content
consumption space in India. Even the smaller OTT platforms are raising capital from
international investors and making a significant impact on the market. Indian OTT
service Hotstar leads the market at present. Hotstar has the highest penetration of non-
paying OTT users. The Smartphone is the most common device for OTT video
content consumption, and Xiaomi is the most famous Smartphone brand among OTT
users. Jio is the most popular networking service among OTT users, followed by
Airtel and Vodafone-Idea. The most preferred language is Hindi and English.

The emergence of OTT would harm the penetration of cable TV in India. Therefore,
traditional TV stations should prepare for a paradigm shift brought on by OTT
platforms. More importantly, they should work towards making high-quality content
that can compete with the material that is available in OTT. Marketers are changing
their budget in tune with the transformation of viewer preference towards digital
media. They have a big opportunity today where they can use digital platforms to
reach their consumers both in urban and rural India. Along with streaming, the online
gaming market in India is projected to become a billion-dollar industry by 2020. More
than video streaming, Indian youths are more into gaming on their Smartphone.

Though the consumption of video on digital platforms is on the rise in the country,
television is still the largest sub-segment within the entertainment and media industry
and will continue to be that way. The global growth average of television viewership
is as low as 1.4%. According to Deloitte India (2019), television and appointment
viewing will continue for another ten years. The reason is that televisions are now
extremely affordable, and people can get a basic cable connection for Rs. 120 a month.
Tamil Nadu, Karnataka, Kerala and Andhra Pradesh have over 90% of television
penetration. Going forward, the Indian youths will drive digital media consumption.
VoD services will go through many changes and advancements until they get the right
business model that will lead to their success over cable satellite and cable television.

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