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[email protected]
[email protected]

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Sant Pere, 24, 08330 Premià de Mar Barcelona, SPAIN

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Degree in fine arts

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Tímea Bakonyi Ágnes Kuna Gábor Erdei

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 PROGRAM
1st DAY | Friday, October 20th 2017
08:00-9:00 RECEPTION
9:00-09:20 OPENNING
Moderator: Visnja Bralic

An occasion for reflection on differentiated retouching techniques used in Italy: methods and materials.
09:20-09:40 Problem solving in private practice context.
Leonardo Severini

09:40-10:00 The bad reputation of neutral retouching

Eve Bouyer

10:00-10:20 Baroque Master Mattia Preti and his workshop: two series of four evangelists from Dubrovnik
Mara Kolić Pustić, Carlo Galliano Lalli, Nancy von Breska Ficović

10:40-11:00 “All Saints are in the detail“: Retouching of a painting by Girolamo da Santa Croce
Katarina Alamat Kusjanović; Sandra Šustić

11:00-11:20 DISCUSSION
11:20-11:40 COFFE-BREAK
Moderator: Leonor Loureiro

The suitability of powdered microCellulose for its use in paper conservation

11:40-12:00 Amparo Escolano Mena, Rita Udina Armengol

The use of Aquazol® 500 as a binder for retouching colours: analytical investigations and experiments
12:00-12:20 Vanessa Ubaldi, Daphne De Luca, Roberto Franchi, Richard Wolbers, Roberto Bestetti, Pier Paolo Lottici,
Francesca Modugno, Emanuela Grifoni

PVA(C) Retouching Colors: a brief history and introduction to GOLDEN’s newly formulated
12:20-12:40 PVA Conservation Colors
Kristin deGhetaldi, Brian Baade, Joyce Hill Stoner, Jim Hayes, Samantha Alderson

12:40-13:00 DISCUSSION
13:00-15:00 LUNCH
Moderator: Leonor Loureiro

Using watercolour markers in chromatic reintegration

15:00-15:20 Liliana Cardeira, Ana Bailão, João Linhares, Sérgio Nascimento, António Candeias, Fernando A. B. Pereira

15:20-15:40 Filling and colour reintegration in a single step

Martina Vuga

15:40-16:00 Dealing with unsuitable retouches: the steps toward successful reintegration
Ana Oblak

16:00-16:20 Use of coloured synthetic fillers: the case of St Nicolas, a Baroque painting by Fortunat Bergant
Simona Škorja

Painting and retouching

16:20-16:40 Ana Bidarra, Pedro Antunes

16:40-17:00 DISCUSSION
POSTER SESSION (Ground floor of the Northern Tower of the Split University Library)
17:00-18:30

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 2nd DAY | Saturday, October 21st 2017
Ana
Moderator: Ana Bidarra

Mapping lacunae for chromatic reintegration with Blender

09:00-09:20 Frederico Henriques, Ana Bailão, Rui Bordalo Agnés Le Gac, Carlo Bottaini, Liliana Cardeira,
Alexandre Gonçalves, António Candeias, Eduarda Vieira

09:20-09:40 Reconstruction and reintegration of wall paintings in the atrium of Sibenik Theatre
Antonija Gluhan

09:40-10:00 Gold and polychromy on stone: a proposal of retouching methodology

Simona Pannuzi, Marisol Valenzuela, Daria Montemaggiori, Giorgia Galanti

Lacunae infill and the use of new tiles in conservation and restoration of tile panels.
10:00-10:20 Criteria and practice guidelines.
Catarina Melo, Ricardo Triães, Cláudia Falcão

10:20-10:40 DISCUSSION
10:40-11:00 COFFE-BREAK
Moderator: Francesca Tonini

11:00-11:20 Inpainting of gildings on wooden sculpture

Erika Rabelo, Emmanuelle Mercier

Rediscovery and recovery of an heavily transformed artifact: the restoration treatment

11:20-11:40 of a wooden gilded dossal
Paolo Roma

11:40-12:00 Reconstruction of the faux marble paint layer on the baroque wooden tabernacle
Maja Sučević Miklin

12:00-12:20
DISCUSSION
12:20-14:40 LUNCH
Moderator: Ana Bidarra

Retouching of artwork on paper in the laboratory for conservation and restoration at the Croatian
14:40-15:00 State Archives
Sanela Huzjak

Approaches to the conservation treatment and chromatic reintegration on watercolours, charcoal

15:00-15:20 drawings, and a lampshade handpainting
Leonor Loureiro

15:20-15:40 The photographic retouching as fundamental intervention: historical and technical aspects
Rubén Morales González

15:40-16:00 DISCUSSION
16:00-16:20 ANNOUCEMENT OF RECH5

16:20 - 16:40 COFFE-BREAK

17:00-18:30 DEMONSTRATIONS (Ground floor of the Northern Tower of the Split University Library)

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 POSTER SESSION

I Influence of lighting sources in the processes of colour reintegration

Beatriz Domenech, Vicente Guerola Blay, María Castell Agustí

Chromatic reintegration in late 19th century albumen prints: analysing and testing
II different methodologies in Calouste Gulbenkian´s albums
Alba Guerrero

III Selective removal of layers in layered systems of retouching

Dorotea Krstić, Sagita Mirjam Sunara

IV Reconstructing of The Sappho painting towards a better understanding in retouching

Marija Lena Bosković, Sandra Šustić

The issue of metamerism in Mario Agrifoglio’s paintings. Identification of fluorescent

V pigments through raman spectroscopy to define a methodology for retouching
Serena Francone, Silvia Bruni, Chiara Zaffino, Katia Galli, Vittoria Guglielmi, Maddalena Boscacci

VI The problem of presentation of wall paintings. The role of understanding the work of art
Anita Klančar Kavčič

VII Retouching sacral paintings – examples from private practice

Lana Kekez, Kristina Krivec, Julija Baćak

Calcium hydroxide nanoparticles for wall painting retouching. The chapel of Saint Michael
VIII in the Royal Monastery of Pedralbes, Barcelona
Rosa Senserrich-Espuñes, Lidia Font-Pagès

IX Retouching a double-sided 18th century processional flag-icon.

Filip Adrian Petcu

Selection methods for retouching polychrome and gilded altarpiece which parts were made in
X different time periods
Sara Aničić Eterović, Ivana Letilović, Katarina Tomaš

XI Mixing and matching. A survey of retouching materials

Ana Bailão, Liliana Cardeira

XII Fernando Mardel, a portuguese painter-restorer. A retrospective of his retouching work

Carolina Rodrigues Ferreira, Fernando António Baptista Pereira, Mercês Lorena, António Candeias

XIII The reconstruction of three strongly damaged panel paintings of a 16 th century Sienese predella
Tímea Bakonyi, Ágnes Kuna, Gábor Erdei

XIV Inpainting in Exhibition

Clara M.Prieto

XV The choice of appropriate retouching of monumental wall paintings

Martina Lesar Kikelj

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