FW-1082

The Ultimate Front End for Soundtrack Pro

Whether you’re adding Foley, ADR, voiceover,
sound design or music, the FW-1082 excels at
controlling audio workstation software like
Pro Tools®, Logic Pro® and Soundtrack Pro®. You
get eight motorized faders, with a bank but-
ton to select the next bank of eight channels,
plus knobs that map to pan, effect sends and
EQ. Because these are touch-sensitive faders,
you can simply grab a fader in the middle of
playback, make a change, then let go and your
moves are added to the project automation.
The transport and shuttle wheels are mapped
in Soundtrack Pro for easy navigation through
your project. Other controls, like waveform
zoom using the arrow keys, are logically
assigned for maximum speed when editing
dialog. Assign the function keys to commonly-
used features, like cycle record for ADR and
Foley work, to complete your audio editing
and mixing powerhouse. These applications
work seamlessly in SoundTrack Pro, but in
principle could easily work in Pro Tools, Logic
Pro or any other sound program.
 l Cu t Pro he
and t ds
r Fina
r fo th a n d
orl
C o n trolle y o u r righ of both w
it in st a
e I d eal Ed ke y board ave the be ever been th
Th s e and you can h ere has n s than wi e
o u
i t h the m your left,
u t P ro® . Th OUT point ou the fin
W t C y
082 a Final N and gives The
FW-1 diting in in those I og wheel ontroller. e by
e al j c c
while way to di W-1082's n A/B edit d to advan tools
r F a e to
bette heel. The ad using lly assign mapped ou use
w h fu e ly
a jog l you once thought keys can b other too ntrol
o re y o
contr buttons a d function ink or an t picture c .
r n ,L s ve
curso and clip, a Overwrite htning-fa nd creati
e , i g t a
fram ow, Blade result is l e efficien
A rr h e o r
like er. T um
e r a nd ov making yo
ov ,
n d e diting
a
 Realt
ime C
Effec ontro
ts in
Moti l of Video
With on and T
the la ext
Apple test v
e
fader added the rsion of M
s to M a bility otion ®
a dyn o
amic tion para to map M ,
video w m I
effec ay to per eters, pro DI
effec ts. Pla form v iding
ts y e
even to match ing your ye-poppin
m s v g
spark ore creat ound cue isual
s iv s
lines and flam e possibi opens up
or so es to lities
to m und e react . Igni
us ff t te
of a h ic, or ripp ects, mak o spoken
i le the e tex
effec p-hop kic t
ts po k dru video to dance
throu wer o m. W the b
g n ith ea
ice an h effects your desk this muc t
d jo t h
havin fog… un bs like fla op, you'll
g fun less y m es th rip
with ou fa ro u
all of l l b g h
the p ehind
ossib
ilities
.
Hands-On Realtime Color Correction in Motion
One of the biggest advantages of color
correcting with a high-end, high-priced system
such as the DaVinci®, is the speed and conve-
nience of the hardware controller. By using the
Motion color correction module (up to 2K HiDef
resolution) with the FW-1082, you now have a
high-end hardware-controlled automated color
corrector. You can map up to 37 color correction
parameters such as color balance, gamma and
saturation to banks of faders and knobs and
they can be accessed shot by shot or on the fly.
You can even change color during a shot, such
as when an actor walks from outdoor to indoor
lighting conditions. Best of all, these settings
can be stored and recalled for when your
client changes his/her mind.
 Never before has one control surface been able to
do it all. The TASCAM FW-1082 is a unique combina-
tion of audio interface and control surface. With the
connection of a single FireWire cable, and software
like Apple's Final Cut Studio® that supports Mackie
Control Protocol, the FW-1082 transforms your
home computer from office machine to creative
digital studio.
The FW-1082's four high-quality mic preamps em-
ploy phantom power and analog inserts for profes-
Ô four mic Inputs with phantom sional voiceover mics and compressors. Line inputs
power and digital ins and outs are also provided for video
decks, DVD and CD players. Add monitor and head-
Ô Four balanced line inputs
phone outputs and you get everything you need to
Ô S/PDIF Digital in and out record, route and listen back to your audio sources.
Ô two midi ins and outs The unique control surface mode allows the
FW-1082 to act as three surfaces in one. Computer
Ô Monitor output mode emulates Mackie Control Protocol, the stan-
Ô headphone output dard used to talk to software like Final Cut Pro, Logic
Pro and Soundtrack Pro. The MIDI Control layer sends
Ô nine motorized faders controller messages over the FireWire cable for ef-
fects software like Motion. The Monitor Mix setting
Ô Four assignable encoders
turns the FW-1082 into a 10 x 2 line mixer, so you
Ô Mackie hui and mackie control can listen to your inputs directly or mix them with
emulation the computer playback during your next screening.
Unleash your creativity with the one interface that
Ô Includes cubase le 48-track handles it all, from audio and video control to pro-
audio editing software fessional audio in and out to your computer.

7733 Telegraph Road • Montebello, CA • 90640 • www.tascam.com • (323) 726-0303

©2006 TASCAM, a division of TEAC America, Inc. All trademarks are the property of their respective holders. All rights reserved. Design and specifications subject to change without
notice. Product photographs are shown only to illustrate the types of products which are compatible with the TASCAM FW-1082. These products are not manufactured by TASCAM.