BVCLS Lab Manual
BVCLS Lab Manual
OF
PROFESSIONAL STUDIES
Sector-9, Dwarka, New Delhi-110075
(Affiliated to Guru Gobind Singh Indraprastha University, Delhi & Approved by Bar Council of India, New Delhi)
“A+” Ranked Institution by SFRC, Govt. of NCT of DelhiRecognized under section 2(f) of the UGC Act, 1956
Accredited “B++” by NAAC
LAB MANUAL
BASICS OF VIDEO, CAMERA & LIGHTS
COURSE CODE: 253
NAME................................................
ENROLLMENT NO. ..........................
CLASS................................................
2
OBJECTIVE OF THIS COURSE:
On completion of this course, the student should be able to:
use video camera, lights and sound for studio and location shooting
demonstrate proficiency of skills to operate and handle video system
Table of Contents
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S.NO TOPIC REMARKS/SIGN
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Video cameras are used primarily in two modes. The first, characteristic of much
early broadcasting, is live television, where the camera feeds real time images
directly to a screen for immediate observation. A few cameras still serve live
television production, but most live connections are for security,
military/tactical, and industrial operations where surreptitious or remote
viewing is required. In the second mode the images are recorded to a storage
device for archiving or further processing; for many years, videotape was the
primary format used for this purpose, but was gradually supplanted by optical
disc, hard disk, and then flash memory. Recorded video is used in television
production, and more often surveillance and monitoring tasks in which
unattended recording of a situation is required for later analysis.
A camera shot is how much space the audience sees in a particular frame.
Cinematographers choose specific camera shots to portray things about a
character, setting, or theme to the audience. Similarly, camera angles are
different ways to position a camera to further emphasize emotions and
relationships. There are many camera shots and camera angles to choose from,
and each helps tell the story in its own way.
“Coverage” refers to the collection of shots that you need to gather during filming
in order to edit together a coherent scene during post-production. For example,
when shooting a two-person scene, your coverage may consist of five different
shots: a master shot, a pair of over-the-shoulder shots, and a pair of close-ups of
each speaker.
5
Assignment 1
Record a Video with 5 Camera Shots
6
Topic 2
What are Camera Angels?
The camera angle marks the specific location at which the movie camera or video
camera is placed to take a shot. A scene may be shot from several camera angles
simultaneously. This will give a different experience and sometimes emotion. The
different camera angles will have different effects on the viewer and how they
perceive the scene that is shot. There are a few different routes that a camera
operator could take to achieve this effect.
Where the camera is placed in relation to the subject can affect the way the
viewer perceives the subject. There are a number of camera angles, such as a high-
angle shot, a low-angle shot, a bird's-eye view and a worm's-eye view. A viewpoint
is the apparent distance and angle from which the camera views and records the
subject.
They also include the eye-level camera angle, the over the shoulder shot and the
point of view shot. A high-angle shot (HA) is a shot in which the camera is
physically higher than the subject and is looking down upon the subject. The high
angle shot can make the subject look small or weak or vulnerable while a low-
angle shot (LA) is taken from below the subject and has the power to make the
subject look powerful or threatening. A neutral shot or eye-level (EL) shot has
little to no psychological effect on the viewer. This shot is when the camera is
level or looking straight on with the subject.
7
Assignment 2
Record a Video with 5 Camera Angels
Topic 3
8
8
What are Camera Movements?
White balance (WB) is the process of removing unrealistic color casts, so that
objects which appear white in person are rendered white in your photo. Proper
camera white balance has to take into account the "color temperature" of a light
source, which refers to the relative warmth or coolness of white light. Our eyes are
very good at judging what is white under different light sources, but digital
cameras often have great difficulty with auto white balance (AWB) — and can
create unsightly blue, orange, or even green color casts. Understanding digital
white balance can help you avoid these color casts, thereby improving your photos
under a wider range of lighting conditions.
White balance (WB) is the process of removing unrealistic color casts, so that
objects which appear white in person are rendered white in your photo. Proper
camera white balance has to take into account the "color temperature" of a light
source, which refers to the relative warmth or coolness of white light. Our eyes are
very good at judging what is white under different light sources, but digital
cameras often have great difficulty with auto white balance (AWB) — and can
create unsightly blue, orange, or even green color casts. Understanding digital
white balance can help you avoid these color casts, thereby improving your photos
under a wider range of lighting conditions.
15
Assignmemt 6
The most basic lighting in film is the three-point lighting setup. Lighting from
three directions shapes your subject and sets them apart from their background.
To achieve this, your film lighting equipment needs to face your subject from
three directions: front, back and side (generally).
KEY LIGHT
The key light is the light that registers most prominently in your frame. So, when
you look at the image of Amelie above, you’ll see that the screen-right portion of
her face is brightest. That’s the key light.
FILL LIGHTS
Quite simply, fill lights fill in the shadows of your frame. You’ll notice that the
screen-left portion of Amelie’s face is in shadow, but with her features still
plainly visible. That is a fill light at work.
BACK LIGHT
The back light gives an edge light to the rear portion of your subject. Often, the
backlight shoots down from a higher angle. You can see that Amelie has a light
contour along her shoulders and the nape of her neck.
You’ll generally want to flank your camera with your key and fill lights, spaced
about 60 degrees on an axis from your camera.
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Assignmemt 7