Parts, creation and types of a Script for Radio and Television

Broadcasting

NARRATOR: Good day fellow pupils and to miss Rizza. We are group 4 reporting our topic
regarding the “Parts, creation and types of a Script for Radio and Television Broadcasting.” We
hope that you will enjoy and learn from our presentation. Thank you!

INTERVIEWER: Good day interviewees welcome to Daily Nationwide News Public affairs. I
am Jhayviel your interviewer for today. Our station is looking for a new script writer who fits
the company’s values of; diligence, hardworking, truthful, and being compassionate. Applicants
may you introduce yourselves?

APPLICANT 1: Good day, my name is Jazzimah M. Mimbala, a graduate from De La Salle

University, Bachelor in science in AB Communication, finished Magna Cum Laude in the class
of 2022-2023.

APPLICANT 2: Good afternoon, sir Jhayviel, I am Vielle Erdy Padilla from Ateneo De Manila
University, Bachelor of Arts in Journalism and Suma Cum Laude in the class of 2022-2023.

INTERVIEWER: Well, you both seem very well educated and have an impressive resume. Miss
Jazzimah from your studies what do you think are the key points in making an eye catching and
credible radio broadcasting script?

APPLICANT 1: In order to write an effective broadcast script, you need to understand

broadcast rules and be able to craft engaging dialogue. An example of a broadcast script might
include a voice-over introducing a program, a conversation between characters, or general
storytelling. First, we must identify What are broadcast scripts?
At its core, a broadcast script is a document that is written to be read out loud on television or
radio. It is different from other forms of writing because it needs to be engaging and follow
broadcast rules. Broadcast scripts are usually written with a conversational tone of voice, and
include information such as who is speaking, when they are speaking, and where they are
speaking. They also include sound effects and music cues. Some important that I take into
account when making a script is using good structure, writing as if you are speaking, painting
pictures with words, staying concise and allowing flexibility.

INTERVIEWER: Good points miss Jazzimah, how about you Mr. Vielle?
APPLICANT 2: Well, some important things to remember are write in a conversational tone,
write as you speak. Scripts should sound natural and relatable, avoiding overly formal language
and complex jargon. Next is clarity keep sentences short and to the point. Use an active voice to
make sentences more direct and livelier. For TV describe visuals that support the narrative.
While for radio you should utilize sound to paint a picture. Describe ambient noises or specific
sounds to enhance the listener’s experience.

INTERVIEWER: Well said Mr. Vielle. Well as you are both graduates in the field of media and
arts and applying for being a script writer in our prestigious company, what do you think are the
important parts in making a great script?

APPLICANT 1: Well in my college days, I still remember that you should have a good
introduction through an attention catching hook and lead. We should capture the audience's
attention immediately with a compelling opening and clearly introduce the main topic or story.

INTERVIEWER: Greatly said Ms. Jazzimah. Would you want to add anything Mr. Vielle?

APPLICANT 2: Well from what I can recall, another important part is the body. It should
contain the bulk of the information. For television, complement the narrative with relevant
visuals like footage, graphics, and images while in radio, incorporating natural sound and music
can enhance the story and keep listeners engaged.

APPLICANT 1: In addition, Smooth transitions are crucial for maintaining flow. Use bridging
sentences or segues to move from one segment to another seamlessly.

APPLICANT 2: Lastly, you need to have a good conclusion. Wrap up the story with a concise
summary or a call to action. For news, it could be a statement about what to expect next or
additional updates to come.

INTERVIEWER: Brilliant statements Ms. Jazzimah and Mr. Vielle. Ms. Jazzimah do you have
any knowledge about the types of radio scripts that you will encounter in this field?
APPLLICANT 1: Well, there are three main types of radio broadcast scripts. These are, music
radio scripts, talk radio scripts and commercial scripts.

INTERVIEWER: Well of these three types, which one are you most interested in?
APPLICANT 1: Back when I was still in my studies, music radio scripts is the one that really
caught my attention. I am a really big music listener and back when I was in senior high school,
I actually sang for a school band that’s why music radio scripts interested me since it’s a mix of
my two favorite things. Anyways, music radio formats are structured around songs, but musical
segments may be interspersed with quips, news, sports, ads, and other breaks. One of the most
important functions of music radio scripts is providing transitions between music tracks and
these other elements.

INTERVIEWER: Impressive you are a very talented person. How about you Mr. Vielle what
type of radio script caught your eye?

APPLICANT 2: Well actually I have two favorite type of radio scripts, talk radio scripts and
commercial scripts. I really love public speaking and acting as when I was still in school, I
actually won as champion in the public speaking contest that was held. I also played a major
role in our reenactment of “Romeo and Juliet.” Anyways, talk radio scripts; both live and
recorded and even podcast use detailed scripts. A detailed outline helps cover all key topics and
talking points. Some portions may be scripted word-for-word, while others may use a loose
structure to guide the discussion and keep it rolling. Scripts can also be helpful when
interviewing guests. They allow hosts to plan interview questions. Scripts can be shared with
guests beforehand to help them plan their answers. In debate contexts, scripts can be used to
plan arguments and rehearse rebuttals. On the other hand, commercial scripts or segments
typically consist of short 30-second spots promoting a product or sponsor. Some ads may be as
short as 10 seconds or as long as 60 seconds. The longer the ad, the more the sponsor pays.
With every second costing money, every word must count. This makes scripting critical for
commercial segments. They usually follow successful formats used in sales copywriting. They
should open with an attention-grabbing lead and close with a strong call to action. The body
should draw attention to the problem being addressed, the benefits of the recommended course
of action, and the offer being extended. Stories and personal experiences grab and maintain the
audience's attention and invoke emotion. Presentations of problems and benefits should use
clear, engaging, and persuasive language that appeals to the audience's hearts and minds. Calls
to action can be supported by incentives such as discounts, risk reducers such as guarantees, or
urgency increases such as limited-time offers.

INTERVIEWER: Profoundly said Mr. Vielle. You really impressed me. So, Ms. Jazzimah, in
the three major types of television scripts, which are feature film script, Documentary script and
short film script, which kind of script are you most excited to work on?

APPLICANT 1: well, feature film script and short film script are the ones that I am very keen
to work on. Back in my high school days I actually directed many short films and plays which
actually led me to the course I took in college. Feature film scripts usually run between 80-120
pages for an approximately 1.5 or 2-hour movie; each script page corresponds to approximately
one minute of screen time. Since a feature film script is such a long piece of written work, it
needs to follow a certain structure and various formatting rules developed by the film industry
to keep the attention of the reader and the audience.
Almost all feature film scripts are based on a three-act structure. Act One is where the
screenwriter first introduces us to their world and characters. An inciting incident that takes
place during Act One will set the main characters on their journey while building internal and
external conflict factors.
Act Two is usually the longest part, taking up approximately 60 pages of the core of the script;
this is the act where stakes are raised as characters face many confrontations. Act Three is
where the story finally resolves either with the character accomplishing their goal or failing.

Conversely, A short film script is more focused than a feature film script. It usually runs
between 5-40 pages, but most short film scripts are around 15-20 pages long.
Just because a film script is short doesn’t mean that it is less significant than a feature film
script or that its writer doesn’t need the same level of skill and talent as those working on
feature film scripts. In some cases, writing a short script can even be more challenging because
the writer is left with a more restricted opportunity to build tension and suspense as the reader
or viewer gets to spend less time with the characters. Combining nuance, texture, great
storytelling, and an emotional arc into fifteen pages is definitely not an easy feat.

INTERVIEWER: Cleverly stated, how about you Mr. Vielle, which one is your favorite?

APPLICANT 2: Well for me I am really hoping to work on a documentary script. The reason
for this is our thesis in college is to make a documentary which I greatly enjoyed. A
documentary script is written for non-fictional films that explore the human condition and
events that are noteworthy. When produced well, a great documentary can open the viewer’s
eyes to new experiences, situations, people, and even educate them through cinematic
filmmaking. A characteristic that sets a documentary script apart from other types of film scripts
is the research that goes into writing it, particularly during the pre-production phase. The writer
is not only responsible for researching the subjects that they will be interviewing but also
digging deep into work created by other writers or filmmakers that have previously explored
the same subject matter

INTERVIEWER: Very well said Mr. Vielle. Both of you are extremely good candidates for this
position, I dreamed that I could hire both of you instantly but unfortunately, I must only pick
one as per orders. But I still hope that the candidate that won’t be hired as of now will be a part
of this family in the future.
NARRATOR: To help Mr. Jhayviel pick a candidate, we would like for you to participate in our
simple voting system. We ask of you to clap your hands to the candidate you favor to be hired
in the to “Daily Nationwide News Public affairs.” Now who favors to Ms. Jazzimah please calp
your hands! And on the other side who is in favor to Mr. Vielle?!

*After the interaction:

All members go to the front and bow.

ROLES:
INTERVIEWER: Jhayviel
APPLICANT 1: Jazzimah
APPLICANT 2: Vielle
NARRATOR: Stephanie