Chapter 5 Presents
Chapter 5 Presents
Figures of speech...................................................................................................1
1. Simile..........................................................................................................3
2. Metaphor...................................................................................................4
3. Metonymy (thay thế)...............................................................................7
4. Synecdoche (hoán dụ).............................................................................9
5. Personification (nhân hóa)....................................................................11
6. Hyperbole (cường điệu)........................................................................12
7. Litotes - giảm phân -nói giảm, nói tránh............................................13
8. Irony (Nói ngược)...................................................................................13
9. Euphemism (uyển ngữ, nói giảm).......................................................14
10. Onomatopoeia (Sound imitation)........................................................15
Definition:
Figures of speech
Figures of speech are literary techniques used to add depth, vividness, and
creativity to writing or speech. They can be used to convey a particular meaning
or to create an impact on the reader or listener.
Hình ảnh của lời nói là các kỹ thuật văn học được sử dụng để thêm chiều sâu, sinh động và sáng
tạo cho văn bản hoặc lời nói. Chúng có thể được sử dụng để truyền đạt một ý nghĩa cụ thể hoặc
để tạo tác động đến người đọc hoặc người nghe.
There are many different kinds of figures of speech, including simile, metaphor,
personification, hyperbole, Litotes – Irony- Euphemism; Sound imitation
(Onomatopoeia)metonymy, and synecdoche. Here, we will present just cover
some of the basic.
1. Similes are figures of speech that compare two things using the words
"like" or "as." For example, "He ran as fast as a cheetah" or "She is as
sweet as honey."
Simile is “the use of comparison of one thing with another, eg. as brave as a
lion, a face like a mask. [Crowther (ed.), 1992: 848]
It is incredible to notice that not all comparisons belong to simile, eg. He is much
taller than his elder brother. Only the comparisons clearly employed as examples of
figures of speech do.
2. Metaphor
A metaphor is a figure of speech frequently taught to help illustrate the
differences between the two. Unlike a simile, a metaphor states that an object or
idea is in some way the same as another, seemingly unrelated thing.
For example, where a speaker using a simile to insult someone might say, "He's
like a rat," a speaker using a metaphor would say something like, "He's a real
rat!" Of course, the person being insulted is not literally a rat; instead, the
speaker is using a metaphor to draw a connection between his victim and a
rather unsavory animal.
Some Examples
"That test was a total breeze." – common expression.
This simple statement is a great example of a metaphor. The speaker does not
actually mean that the test was a light current of wind. Instead, she says that the
test was "a breeze" to indicate that the test and a light wind are the same since
both are easy, gentle, and present no difficulty.
"You are my sunshine, my only sunshine. You make me happy when skies
are gray." – popular song. The lyrics to this popular song are another very
simple example of the direct connection a metaphor makes between two things.
Rather than saying her beloved is "like" sunshine, the speaker says that her
beloved is sunshine.
Metaphors in Poetry: "A Coat" by W. B. Yeats
It is well known that the metaphor is a cornerstone of poetry. Just above, in the
section on similes, we discussed a sonnet by dramatist William Shakespeare—
and as we now know, although similes and metaphors are indeed different, their
difference is not enormous. Most poems utilize one or more metaphors, making
the metaphor one of the greatest figures of speech in the poet's toolbox.
This coat is not just any old coat, however, but a coat "Covered with
embroideries / Out of old mythologies / From heel to throat." That is, it is a
complex coat whose entire outer layer has been elaborately decorated with
Yeats's persona and interests in Celtic and Greek mythology. The complexity
and fullness of the coat (or song) speak to the poet's dedication to his craft and
his tireless efforts in poetry.
The poem then states that Yeats's writing practice was hijacked by "fools" who
"Wore it in the world's eyes / As though they'd wrought it." This can be
interpreted as meaning that the poet's contemporaries and fellow writers have
plagiarized or imitated Yeats's work and they've therefore unfairly laid claim to
the ground he broke as an author. To the world, they seem like originals, but
Yeats knows differently.
Finally, Yeats speaks directly to his writing practice: "Song, let them take it." He
in effect shrugs at what's happened and says that his contemporaries will do as
they wish. Perhaps, after all, he does not need his elaborate coat any longer, and
can go on developing his writing practice while "walking naked." In other
words, he will shed his old image and present a new, less-adorned version of
himself to the world.
As we can see from this brief analysis, the entirety of Yeats's poem "A Coat" is
an extended metaphor that revolves around Yeats's relationship to his own
writing practice. This is the centrality of the metaphor to poetry; this figure of
speech can create and run through entire poetic works.
Metaphor is “the use of a word or phrase to indicate
something different from (though related in some way to) the
literal meaning, as in I’ll make him eat his words or She has a heart
of stone.” [Crowther (ed.), 1992: 564]
2.1.1.1 Distinction between a simile and a metaphor
A simile is an explicit or direct comparison in which
something is compared to something else by the use of a function
word such as like or as:
(= Like a knife, his words are so sharp that they can cause
great pain or much unhappiness for her. In other words, his
words did not actually stab, but their effect IS implicitly
COMPARED TO the stabbing of a knife.)
2.1.1.3 Definition
Metonymy is the substitution of the name of one thing for
that of another to which it is related/with which it is
associated. (In Greek, meta- means ‘substitution’ and onyma
means ‘name’.)
A sign substitutes for the person or the object it signifies or symbolizes. Một dấu hiệu thay thế
cho người hoặc đối tượng mà nó biểu thị hoặc tượng trưng.
(a)
- He succeeded to the crown (= the royal office).
- She is a fighter against red tape (= bureaucracy, office routine).
- The new proposal might affect the cloth (= the clergy) in some way.
- Backstairs did influence.
(= intrigues, secret plans to do something bad, secret arrangements)
- Can you protect your children from the cradle to the grave?
(= from childhood to death)
(= the soldier).
Definition
Synecdoche is a special kind of metonymy in which “a part or aspect of a person, object, etc. is
meant to refer to the whole person, object, etc.” [Crowther (ed.), 1992: 925]
Synecdoche là một loại metonymy đặc biệt trong đó "một phần hoặc khía cạnh của một người,
đối tượng, v.v. có nghĩa là đề cập đến toàn bộ con người, đối tượng
Synecdoche also involves a whole or genus used to substitute for a part or species:
vessel for ship, the smiling year for the smiling season of the year, especially the spring,
the Christian world for the Christian Church as a whole, etc.
The hearts, which is [+organ of the human body] and thus [+concrete], is used to stand
for the love, which is [+emotional experience] and thus [+abstract]. The hearts in this
case is a metonymy. The sentence means all the people of that country love the princess.
A heart, which is [+organ of the human body], [+concrete] and [+part], is used to stand for a person,
which is [+human], [+concrete] and [+whole]. A kind heart in this case is a synecdoche. The sentence
The rod, which is [+thing] and thus [+concrete], is used to stand for the punishment, which is [+human
activity], [+intention] and thus more or less [+abstract]. The rod in this case is a metonymy. The
sentence means if you do not punish a child when he does wrong, you will spoil his character.
Hands, which is [+organ of the human body], [+concrete] and [+part], is used to stand for people, which
is [+human], [+concrete] and [+whole]. In this case, hands must be a synecdoche. This sentence means
all the people on one of the floors of the ship worked hard to accomplish a certain task.
Metonymy and synecdoche are both figures of speech that involve the use of substitution. However, they
differ in the way they make substitutions.
Metonymy is a figure of speech in which a word or phrase is replaced with another word or phrase that is
closely associated or related to it. The substitution is based on the relationship between the two words.
For example, saying "the pen is mightier than the sword" uses metonymy by substituting "pen" for
"written words" and "sword" for "military force."
Synecdoche, on the other hand, is a figure of speech in which a part of something is used to represent the
whole, or the whole is used to represent a part. This substitution is based on the part-to-whole
relationship. For example, saying "all hands on deck" is a synecdoche because "hands" represent the
entire crew of a ship.
In summary, metonymy involves substituting a word with a related word or phrase, while synecdoche
involves substituting a part for the whole or vice versa.
Nhân cách hóa, còn được gọi là "chủ nghĩa nhân hóa", là sự quy kết của bất kỳ và tất cả các phẩm
chất của con người cho những thứ không phải con người. Đây có thể là những đồ vật, sự kiện, ý
tưởng, hoặc thậm chí là những thứ sống, không phải con người.
1. "The other houses of the street, conscious of decent lives within them,
gazed at one another with brown imperturbable faces." – "Araby" by
James Joyce.
In this example, James Joyce brings his scene to life by describing houses as
"conscious" of the families living within them and possessing "faces" with
which they "gaze." Of course, none of this is meant to be taken literally; the
houses are not truly alive. Instead, the description provides a sense of the
atmosphere in the neighborhood—one of respectability and perhaps even
privacy, in which even the houses seem to respect the "decent lives" they
conceal and stand "imperturbable" in the knowledge of that decency.
2. "Season of mists and mellow fruitfulness, / Close bosom-friend of the
maturing sun; / Conspiring with him how to load and bless / With fruit the
vines that round the thatch-eves run" – "To Autumn" by John Keats.
This example is interesting because, in it, John Keats directly addresses the
season of autumn as if it were a person (not unlike how Yeats addresses his
own writing practice as if it were a coat). He also refers to it as a "friend" to the
sun, capable of "conspiring" to provide fruit to the season's vines. In this way,
Keats ascribes human qualities to an abstract idea, the time of year.
3. "First to go, Truth, squealing like a fink: / 'Don’t! I’ll tell awful things
about you!' / 'Oh yeah? Well, I’ve nothing to hide ... OUT!' Then went
God, glowering & whimpering in amazement" – "The Whole Mess ...
Almost" by Gregory Corso. Here is yet another interesting example from
poetry. In Gregory Corso's poem, he uses personification to assign human (and
also inhuman) qualities to abstract concepts. First, he refers to Truth as
"squealing like a fink" as he throws it out of his apartment window. Truth even
holds a brief dialogue with Corso in an attempt to save itself. Next, the poet
chucks God out of the window, as he/she/it glowers and whimpers, amazed at
Corso's wild abandon. In this way, Corso's poem personifies numerous abstract
concepts in startling ways.
6. Hyperbole (cường điệu)
<=>Nói ngược: biểu hiện ý nghĩa của một người bằng cách nói ngược
lại trực tiếp với suy nghĩ của một người để nhấn mạnh, gây cười, mỉa mai,
v.v." [Crowther (chủ biên), 1992: 479]
- Your plan is really tricky. The other team will figure it out
in about one play.
9. Euphemism (uyển ngữ, nói giảm)
2.1.1.5 Definition
Euphemism is “the use of pleasant, mild or indirect words or
phrases in place of more accurate or direct ones.” [Crowther
(ed.), 1992: 305] Respectively, morticians (also called undertakers)
and a garbage man may be euphemistically replaced by funeral
directors and a sanitation engineer.
Uyển ngữ là "việc sử dụng các từ hoặc cụm từ dễ chịu, nhẹ nhàng hoặc gián tiếp thay cho những
từ hoặc cụm từ chính xác hoặc trực tiếp hơn." [Crowther (chủ biên), 1992: 305] Tương ứng, các
nhà xác (còn được gọi là người đảm nhận) và một người dọn rác có thể được thay thế một cách
uyển chuyển bởi các giám đốc tang lễ và một kỹ sư vệ sinh.
Exercise: Interpret the meaning the following sentences and state what kind of figures of
speech (also called figurative language) used in each of them. Giải thích ý nghĩa của các câu
sau và nêu loại hình lời nói (còn gọi là ngôn ngữ tượng hình) được sử dụng trong mỗi câu đó.
2. I found the fifty-two pounds of books you left for me to carry. Your
kindness really moved me. (Irony /ˈaɪ.rə.ni/);
4. When you take that course, plan to study thirty hours a day.
(Hyperbole haɪˈpɜː.bəl.i/)
5. The wind howled angrily around the house all night. (Personification;)
6. When the White House called, the ambassador went at once.
(Metonymy);
8. Come to the dormitory and see what a cave I live in.( metaphor)
9. Dick was fairly pleased when he won the brand-new car in the contest.
(metaphor)
10. If you are not happy with the service, go and talk to the City Hall.
15. Keep overeating like that and pretty soon you’ll weigh a
thousand pounds. (Hyperbole haɪˈpɜː.bəl.i)
16. After she heard the good news, she grinned like a mule eating briars. (Simile/
Onomatopoeia)
17. The captain was in charge of one hundred horses. . (Hyperbole haɪˈpɜː.bəl.i)
18. Joe cried a little when he lost the thousand dollars. (Litotes)
19. You can depend on Gina; she is a rock when trouble comes. (Metarphor.)
1. Life is a dream. (Metarphor.)
9. I walked past the big sad mouth which didn’t know what to say then.
11. Give every man thine ears, bid a few thy voice.
16. They were vital, unforgettable matches that gave us a new window
on the game. metaphor
Đó là những trận đấu quan trọng, khó quên đã mang lại cho chúng
tôi một góc nhìn mới về trận đấu.
17. I’ve told you a thousand times not to touch that again.(hyperbole)
21. The police team has cemented close ties with the hospital staff.
(metaphor)
Đội cảnh sát đã củng cố mối quan hệ chặt chẽ với các nhân viên bệnh viện.
26. In 1940, after the fall of France, England had no defense left but her
ancient valor. (metonymy)
27. The fire snaps and crackles like a whip; its sharp acrid smoke stings the
eyes. It is the fire that drives a thorn of memory in my heart.
(metaphor)
28. Lửa bùng lên như roi; làn khói cay nồng của nó làm cay mắt.
Đó là ngọn lửa đốt cháy nỗi nhớ trong tim tôi.
29. The organization is keeping the brake on pay rises. Tổ chức đang kiềm chế
việc tăng lương (metaphor)
33.No man is an island: entire of itself; every man is a piece of the continent.
(metaphor)
34.. Không ai là một hòn đảo: toàn bộ chính nó; mỗi người đàn ông là một phần
của lục địa.
Answer: The old house creaked and groaned like an old man.
Answer: The stars are sparkling diamonds in the night sky. (Metaphor)
Answer: I can smell Grandma's famous apple pie from miles away.
(Hyperbole)
Answer: All hands on deck. (Synecdoche) used to indicate that the involvement of
all members of a team is required.
Exercise 9 :
1. Identify the onomatopoeic word in the following sentence:
1.1 "The dog barked loudly at the mailman."
Answer: "bark" is an onomatopoeic word that imitates the sound of a
dog.
1.2 "The rain pattered against the windowpane."
Answer: "pattered" is an onomatopoeic word that imitates the sound of
raindrops.
2. Rewrite the following sentence using an onomatopoeic word:
2.1 "The fire crackled and popped."
Answer: "The fire sizzled and snapped."
2.2 "The car engine roared as it sped down the highway."
Answer: "The car engine revved as it zoomed down the highway."