The document provides a detailed breakdown of visual and musical elements from Beyoncé's music video for 'Formation'. It analyzes symbolism, costumes, settings, narration, choreography, and how they come together to tell a story touching on themes of black history, identity, and empowerment.
The document provides a detailed breakdown of visual and musical elements from Beyoncé's music video for 'Formation'. It analyzes symbolism, costumes, settings, narration, choreography, and how they come together to tell a story touching on themes of black history, identity, and empowerment.
The document provides a detailed breakdown of visual and musical elements from Beyoncé's music video for 'Formation'. It analyzes symbolism, costumes, settings, narration, choreography, and how they come together to tell a story touching on themes of black history, identity, and empowerment.
The document provides a detailed breakdown of visual and musical elements from Beyoncé's music video for 'Formation'. It analyzes symbolism, costumes, settings, narration, choreography, and how they come together to tell a story touching on themes of black history, identity, and empowerment.
● Sound effects in the beginning of music video to build tension
● Humming (panting) that gives quite a creepy vibes ● Building tension ● Causal clothing in stage (red curtain) ● A lot of harmonizing ● Natural elements water-fire ● Repetitive phrase "I'm prayin' to catch you whispering" ● "Im praying you catch me listening" ● Black and white (mono colour) ● Dialogues and narrations in between ● Hallways at night (liminal space) ● Black female figures in the video ● Personal story, father musician ● Family background ● Past and future merge to meet us here ● strong use of words, Swear "Fucking curse" "Bitch" ● Falling off the building into the water (transition) ● "Denial" ● "tried to be soft, prettier" ● Holy book "bible" ● The transition of mood/ upbeat, funky music ● Change of costume from dull and simple to yellow and fancy ● Jealous and crazy ● "They don't love me like I love you" ● Black community, children ● Crashing thing with a bat, expressing freedom ● "There's no other man above you" ● Black and white again ● Transition of the mood again ● Violent ● "Anger" ● "If this is what you truly want, I can wear a skin over mine" ● Black women dressing over a white sheath ● Camera angle filming from bottom ● "I think of lovers as trees" metaphor ● Rock and roll, form of protester, motivated by blues ● Drawing across of history across black history ● Flames ● Change of beat again ● Upbeat, rhythmic song ● "Who do fuck do you think are you" ● The narration of Martin Luther King: "the most disrespected person in Ameria is black women" ● Increasing volume and use of instruments (drum, bass, guitar) ● Sound of the music box (black swan) ● "So what are you gonna say at my funeral, now that you've killed me?" ● Change of beat once again ● Appearance of strong powerful black women (Serena Williams ● The repetitive phrase "Middle fingers up, I ain't thinking about you" "I ain't sorry" ● Black and white ● "Emptiness" ● Colour film again ● Red, strong atmosphere (costume/fire) ● Imagery of sex, referencing the idea of sex work, union between married couple ● Tense, gradually increasing tension, camera slowly closing in towards light in the darkness ● Emphasis of base sound ● Undertone voice ● objectified by industry ● Slow drags in between the beats ● Reference of stage that appeared at the beginning, though represented in new ways ● "She works for the money": sex workers ● costume change: laces, puffy dress ● Back to plantation, black and white scale ● "accountability" ● two girls ● "You desperately want to look like her" ● wear disappointment of her face ● Hurricane: foreshadow of something bad will happen ● photograph, scale has shifted, can be told that is was filmed from the past ● "Did he make you forget your own name" "Did you get on your knees daily" ● "Am I talking about your husband or your father" ● Jazz, funky music: Trumpet, Brass ● Relationship between father-daughter ● Short film of her younger self and her dad ● Funeral with enthusiastic atmosphere ● Constant circular movement between settings ● Tilt shift angle of camera movement ● "reformation" ● Transition to narration, black and white, plantation ● Transition to ocean setting, golden hour ● groups of slaves from Nigera, to America collectively decided to suicide in water ● Interweaving story and experiences ● lying down on the chair ● Black and white ● The juxtaposition of sound (bombastic beat to natural background music) ● Makeup, traditional face painting looks like tears ● shadows ● "1000 girls raised their arms" "Do you remember being born?" "Are you thankful" ● Piano ● Jay z, her husband ● vintage filter, brown washed ● Items from the past ● "Resurrection" ● Famous community female icon ● "You are terrifying and stage and beautiful" pauses between to emphasize each word ● Females holding photos of men who were murdered/ harmed by police ● A sudden blast of music, shows a baby ● "Hope" ● Reappearance of stage ● Thunderstorm ● Reference to witch craft, associated with progressive women ● Desire for freedom ● kendrick lamar raps in the background to advocate for fighting against justice ● "Redemption" ● The narration of making lemonade ● Hair significant identifier, a powerful symbol of history behind ● Shift of scale: indication of flashbacks, time transition ● Footage of Jay Z's grandmother ● My grandmother said "Nothing real can be threatened" ● After image ● She is standing by water but sound of fire burning (emerging of elements) ● Change of mood (synchronized harmony) ● "You are the musician" ● Bay twins, Amandla Stenberg, Zendaya, Hailey, Chloe ● Wood, forest ● Change of scale ● Change of clothes, colourful dress (kitenge) ● Story is circular ● Footage from the past (personal/reference) change in scale ● Footage of her married life, pregnancy, children ● Proceeded the album by including prelude of her previous album ● ● After credit ● Appearance of Beyonce with her fancy dress ● Reference to mayor who abandoned people ● Police ran away (sitting on the police car) ● Red dress with pearl necklace ● Powerful song, choreography and expression ● "Stop shooting US" ● Police car, beynce drowning at the end