Violin Unit Study Pages
Violin Unit Study Pages
Violin Unit Study Pages
NAME__________________
SCHOOL________________
VIOLIN
G D A E
NUT
FIRST FINGER
SECOND FINGER
THIRD FINGER
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If a STEP isn’t perfect, identify and fix the “missing piece.”
Repeat that step several times until it seems easy.
**You may need to go back a step or two to find the problem.**
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2. Practice Hints
Refer to the Practice Assignment at the end of each unit.
Good practice habits will be the deciding factor in your success
as a young string player. Share the following practice hints with
your parents, and ask for their support in your new adventure!
Practice every day. 15 minutes of daily practice is far more
beneficial than two hours one day a week!
Practice at the same time every day. Get into a routine; this is YOUR
special time!
Make sure you have good technique for playing. Go through the steps
to get into playing position. Spend the time to check your posture,
playing position, and pizzicato or bow-hold. Make sure they are correct
before you begin playing.
Practice carefully. It is best to play the notes and rhythms correctly,
so play very slowly when you are first learning something. Be patient,
and play through things more than once. Repetition is the key!
Give a concert (not every day) when you have accomplished a new
song. Invite your family or friends to listen, or set up an audience of
stuffed animals. Don’t forget to bow at the end!
3. Here are some accompaniments to songs using your open strings (p. 4).
Memorize your open string names from the Fingering Chart.
A double bar line ( ) means the song is over.
A repeat sign ( ) means to play the song again.
For each half note you see, play the rhythm that your teacher gives you. Each
of these rhythms equals a half note. Study the rhythm charts on p. 5.
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Combination
Combination
Rhythm Tree - Rests
Twinkle Rhythm Variations = Half Note
Mississippi Hot Dog
Mississippi Alligator
Instrument Care
DO NOT LET OTHERS PLAY YOUR INSTRUMENT.
Your instrument must NOT be taken home on a bicycle.
Keep your instrument and bow in the case and in a safe place when they are not in use.
Keep your instrument free of rosin dust and finger prints by wiping carefully with a soft
cloth after playing.
Handle your instrument carefully in order to prevent accidental damage and avoid
deterioration of the varnish.
Protect your instrument from extreme heat or cold and from sudden changes of
temperature. This includes never leaving your instrument in a car.
Cover your instrument with a soft cloth when placing it in the case, especially if it does
not fit snugly.
Make sure the case is closed securely before picking it up by the handle.
Inspect the bridge often to be sure it is in the correct position. It should stand straight
up. (The bridge is held in place only by the pressure of the strings - it is not glued to
the instrument.) All bridge adjustments need to be performed by a string repair person.
Do not touch the tuning pegs, as even small adjustments may result in broken strings,
misaligned bridge, and/or the sound post falling.
Loosen the hair each time after using the bow.
Do not touch the bow hair with the fingers.
Use best quality rosin SPARINGLY.
Never put your method book or papers in your case. Placing your book in the case may
cause your instrument to break.
Any repair work must be done by an experienced string instrument repair specialist
(luthier).
Students owning their own violin should have their instrument in playable condition at
all times. The instrument should be equipped with: four fine tuners, rosin, extra set of
strings, soft cloth, and name tag on case handle.
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I. Practice Hints
o Check your playing position:
Posture.
Instrument Hold: the left hand must be positioned so that each finger
can make new notes.
Pizzicato Position or Bow Hold.
o Practice carefully, with a steady beat.
o Learn the new notes in Unit 2 by playing the ostinati (repeated patterns that act
as harmony) and song fragments (parts of songs) that follow.
o Write the note name or finger number above each note if this helps.
Old
2. This ostinato will harmonize "Old MacDonald."
MacDonald
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Frere
Jacques
3. Can you find the melody for "Hot Cross Buns" using D, E, and F♯?
Hint: start on F♯. Sing the song, then try to play it. Keep trying! Write it
here once you can play it.
4. Your Melody: Can you make a four measure melody of your own using the
notes D, E, and F♯? Here is some space to write your composition down
after playing it several times. Use rhythms too if you can.
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D. New Note G:
o Violins and Violas place first, second, and third fingers on the D string.
o Celli place first, second, third, and fourth fingers on the D string.
o Basses play open G, so this is a new note for basses.
The
1. This is a song fragment from “The Addams Family." Play the song slowly
Addams at first, with a steady rhythm. Speed up as you become more comfortable
Family placing your fingers accurately. Tap your toes on the rests!
2. “The Baseball Song" is another song fragment using D, E, F♯, and G. Usually
a repeat sign means to repeat once, but your teacher may direct you to repeat
the song several times (ad. lib.) before the last measure.
The
Baseball
Song
3. This song fragment for “Froggie Went A-Courtin’” has few notes and many
rests. The challenge is to play just at the right time. Play open D and then put
all the fingers down at once to play G.
(Basses play open G. Make sure the bow changes strings cleanly.)
Froggie
Went A-
Courtin’
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E. Adding open A
1. “The Spinning Song" can be harmonized with open D and A. This simple
ostinato is called a bordun. The bow crosses strings. Keep your right wrist
relaxed and make small circular motions with your right hand to alternate
playing D and A! First start down bow, then try starting the song up bow.
Enrichment: Is the circle clockwise or counter-clockwise when you start
down bow? Up bow?
The
Spinning
Song
2. “Bridal Chorus" ("Here Comes the Bride") is a song fragment played with
Here notes on the D string, plus open A.
Comes o Basses need a new note. When the song calls for "A," place one finger on the
the G string. Notice that this A is an octave higher than open A, and looks higher
on the staff.
Bride
o Notice the first and second endings. On the repeat skip the first ending and
play the second.
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F. New Note B:
o All instruments place one finger on the A string. Notice that B is one string
across from E.
o Basses may also play "high B" which is made by placing four fingers on the
G string.
1. The "Ghost of John" or the "Canoe Song" may also be played with an
ostinato using A and B. The songs are transposed to a different key.
Twinkle,
Twinkle,
Little
Star
You are now ready to play an entire piece! Many melodies use just a few notes. The next
one uses the six you know: D, E, F♯, G, A, and B.
Make sure your fingers are exactly placed, so that they “sound right.” We call this
playing in tune.
Prepare to play the song with your fingers lined up over the finger-tapes.
If you are using the correct fingering on the correct string, but the fingertip is not placed
accurately in the correct spot, it will be out of tune. You will need to make minute
adjustments with your fingertip until it sounds in tune.
o Play "Twinkle" using rhythm variations equal to a
half note. (See the rhythm chart on p. 5)
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Twinkle
Variations
o Now play the “Twinkle” theme as you would sing it. Notice that every
two measure pattern ends with a half note instead of two quarter notes.
Twinkle, Pull your bow straight on the strings, and give it lots of weight for a full,
Twinkle, rich tone.
Little
Star
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G. New notes C♯ and High D allow you to play The D Major Scale:
1. New Note C♯:
o Violins and Violas place two fingers on the A string.
o Celli place three fingers on the A string.
o Basses place four fingers on the A string. (There is a high C♯ that your
teacher may show you.)
2. New Note D: This is an octave higher than open D! Notice that it looks
higher on the music staff than open D.
o Violins and Violas place three fingers on the A string.
o Celli place four fingers on the A string.
o Basses can play open D, which is not a new note. Your teacher may show
you the D an octave higher.
3. Transpose the ostinati and song fragments you learned on the D string to
the A string.
o Songs that need A, B, and C♯:
Familiar Songs on
"Three Blind Mice” (start on C♯) the A String:
" Frere Jacques” (start on A)
Play A, B, C♯, and D
“Hot Cross Buns” (start on C♯)
o Songs that need A, B, C♯, and High D:
“The Addams Family” (start on A)
“The Baseball Song” (start on high D)
“Froggie Went A-Courtin’” (start on A)
o Enrichment: Choose one of these songs, based on the A string, and
notate it below:
Hint: Use the D Major scale on p. 14 to write the notes A, B, C♯ and D.
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o Now go down the scale. Notice that you lift one finger off at a time. This
is like going down the ladder. How do you play one note lower than open
A? (Basses, how do you play one note lower than open G?)
5. Can you play the beginning of "Joy to the World" by ear? Try it several
times by “sounding it out.”
o Hint #1: Start on high D!
o Hint #2: Sing the song.
o Hint #3: Play the descending scale.
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6. Congratulations! "French Folk Song" is a song that uses all the notes of the
D Major scale.
o Notice that each line of music begins down bow ( ), and ends up bow on
the dotted-half note ( ). Make the sound continuous on these long up bows.
o Can you find the descending D Major scale in this song?
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7. Play the D Major arpeggio. Use the first, third, fifth, and eighth notes of
the scale. The scale is written below, with the arpeggio notes in boxes.
8. Compose your own eight measure melody using all the notes you know.
Include the D arpeggio in your song, either ascending, descending, or both!
Play it several times until you can sing it, then write it here. You may add a
repeat sign if you wish. Write the notes using rhythm if you can.
H. A bow lift ( ’ ) is used to return the bow to the lower half or frog so another
down bow can be played.
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Jingle Bells
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Melody
Ostinato
Song Fragment
Repeat Sign
Bow Lift
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Name ________________________________
1. Trace your clef sign, and then practice writing your clef eight times.
2. Here are the note names on your staff for your instrument. Use this as a key
to name the eight notes below.
__ __ __ __ __ __ __ __
3. Key signature - A key signature tells which notes to play as sharps and flats
for the entire song. In this key signature there is an F♯ and C♯, so all Fs in
the song should be played as F♯ and all the Cs as C♯.
4. Time signature - A time signature tells us two things: The top number
indicates how many beats there are in a measure and the bottom number tells
what kind of a note gets the beat.
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DOTTED-HALF NOTE
(3 beats)
HALF NOTE
(2 beats)
QUARTER NOTE
(1 beat)
EIGHTH NOTE
(1/2 beat)
6. First, write your clef. Next, write a 4/4 time signature. Then, write four quarter
notes for your open A string, followed by a bar line.
3. What aspects of your technique do you think are developing well? What aspects
do you need to really think about?
4. Do you have any questions about Unit 3?
1. On the following staff line, write your clef sign, 4/4 time signature, and at least
two measures of open D and A quarter notes and half notes in any combination that
add up to four beats per measure. Draw bar lines to separate the measures.
2. Dictation: You will hear one measure of 4/4 time played on the open A string,
using half notes, quarter notes or a combination. Write your clef sign, and then
write what you hear your teacher play.
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1. Name the following D string notes, then draw notes on the second staff.
__ __ __ __
2. Dictation: Write what your teacher plays. You will hear 4 quarter notes
starting on open D and then going to different notes on the D string. The
first note is written for you.
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1. Name the following A string notes, then draw notes on the second staff.
__ __ __ __
2. Dictation: Write what you hear your teacher play. The first note is written
for you.
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Unit 7: Rhythms
1. Continue writing in the counts for the following line:
2. Rhythm game
Game directions:
1. Choose one time signature (meter), and place at the beginning of your
“rhythm song.”
2. Use different note values to create the correct number of beats in each of
2-4 measures. Use straws as bar lines to divide your measures. Use two
straws at the end of your rhythm song to make the end double bar line.
(You’ll have to pretend the last straw is thicker.)
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Extra Credit:
1. Create a melody to go along with your rhythm.
2. Use staff paper below to write down your piece.
3. Name your song, and be sure to write your name in the upper right corner
of the music. (This is where the composer’s name is usually found.)
Enrichment:
Use your short song as a “theme” to create a longer song. Develop your idea
by exploring and expanding the theme on your instrument. Record it!
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Unit 7 Practice Assignment
1. Learn song #4. Follow the Song Study Guide. (Title: _________________________)
2. Review French Folk Song. Make it as beautiful as you can.
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3. Review and work on songs #1, #2, and #3.
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4. Music reading: practice the following lines from your method book _______
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5. Make and Play the rhythm game.
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Make flash cards for these notes on the D and A strings. Cut them out and glue onto
index cards. Write the names of the notes and the fingering on the back of each card.
D String Notes: D = D/0; E = D/1; F♯ = D/2; G = D/3
A String Notes: A = A/0; B = A/1; C♯ = A/2; D = A/3
Store them in a small bag.
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2. Compose your own song using a combination of eighth, quarter, and half notes. Use
notes from the D scale.
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