SCHIRMER'S LIBRARY

OF MUSICAL CLASSICS

A. DANNHAUSER

Solleqe des Solleqes

Translated by

J. H. CORNELL

IN THREE BOOKS

_. Boolc 1 - Libr•rJ Vof. 1119

Boolc 11 - libr•ry Vol. 1 t90
Boolc 111 - Libr.,y Vol. 1191

G. SCHIRMER, Inc.
• Hl�T�ILT��NARo•
�CORPORATION

7777 w. BLUEMOUND RD. P.O.Box 13819 MILWAUKEE, WI !53213

Cooyriqht, 1891, by G. Schirme,, lnc,

......., .... u. s. A.
 l
Preparatory Exercises.
For the Intonations.

Thcse exercises are rnade in order to farniliarise the pupil with the in -
to nations, and for sparing him the necessity of solving two difficulties at
a time; the duration of the valúes and the accuracy of the sounds ; heuc e,
he w i ll have to practise thern exclusive ly while he is learning the firs.t
chapters of pr incip les ,
When the pupil shall se ize the intonations e asily, he will have to prac-
tise in beat ing two , three and fuur to the me asure , counting the beats
instead of naming the notes, or uf solfeggiating them. Fur this exercise,
he should observe the greatcst equali ty in the duration of each beat , (t)

l.

1 � times. 1 Rest.
�
::l:l�·liil!tlZ lffliil:l:U: 11
Twice. 1 RPst.

: 1 .; 1 : 1 !; 1 :' 1 f: 1 i!' 1 ii I Z' 11 1: 1 ��I ;: 11

- :: 1 : 1 :: 1 1i 1 :'I � 1 :· 1
� 1 Twice.

* 1:
1

1 ft 1 :' 1 !: 1 ¡; 1 ü==II : 11
Rest.

(t) It would even be very important to make use of the )Jetronome for thís work. whith ouaht to
be done at d ífferent dejrrees of slowness and of quickness .
The f'irst labor, made with care , wlll gíve great ease to all that shall fullow, it be lonjrs ,
however, to teaehers orto mothers of families bt�inning w íth youn children in this so es -
�
senttal part of the art, to guide them, accerdíne to their youthful íntellígence.
(�) Eaeh exercise should be made as manv times as indicated. It would be well thut the teacher
should execute it alone the first time, Íetting the pupil repeat it immedíately.
(a) Let the pupil hold each note as long: as his breath will allow him, without f'at igue, and M
him rest for a measure, in silence,at all the rests índicated ,
9 59:i r Copyright, !NfJI, by C. Scñirmer Printecl In the U. s. A.
2

1 4 times.lRest. 14 times. 1 Rt>st. l 4 tinw�.dRc>st. l 4 times. 1 Rest.

II. '
dtJ I a;.'
� "O"
:11 tl811: z 1 : 2
-&
t I=: 1 !:·:IJ' 1:;; 1
: I ,!:· 1 ;; :1 s� 1
Twirl'.

�·=· A: t, tlo re

'
111. f/i}
1 -� 1 1 (; 1 1
{;
1 1
11
1
e
�

1 � 1 ü 1 � 1 {g I ii I ü =11 :3
111
' ¡ r� ,to . Rest.
1 1
11 8 11

' 1 4 time�. 1 Rest. 1 4 times. 1 Rest. J 4 times. 1 Rest.

lV. ,¡,,
-&
% =U �
"8 tg 1: t: IP ii' 1 !t =I �

1 4 times.! Rest. 1 4 times. 1 Rest. l 4 times.1 Rest. 1 4 times. IRest.

::1 ;; :1 �� t:
'
;: 1 11::; 1 ¿; =I : 1:;¿. 1
:: 1 ;; :1: 1
1 4 times. l Rest. J 4 times. 1 Re st. J 4 times. 1 Rest. 1 4 tin!l's. 1 Rest.
'
�i º :1 ta° _1:so/
1 :· :1 i,i; l:z 1 ••,; ·I : 1: ta 1 sol º 1 fa" =I so]
0
ª 1

1
'1 {! lrd fi h� 1 ::1: 1:: 1 iw=I ü 1
�imes. 1 R';'t. l 4 times. 1 Rest. l 4 times. J Rest. 1 4 tim<"s. Rt·st.

e,
1"'

..
I &,
"TI'
=I �
"� 1
 3

1 4 times.! Rest.l 4 times.! Rest. l 4 times.! Rest. l 4 times. 1 Rest.

V· &== :
1 0
mi
:ji
7o
11: u 1 o :ji u 11:
re fi1 re
0
llli
1 o :ji
sol
O
mi
11: o 1
fa
11

la
:11 o 11
fa

1 4 times. 1 Res t. 1 4 times. 1 Rest. l 4 times. 1 Re st. J 4 time�. 1 Res t.

'
º
sol
1 ii :1 sol
º 11::,·a 1 �� :11 ln° 11:�z 1 �, =11 � 11:� 1 � =11 � 11

& ,�:-1 ;;=11:Z· ll=Z I il=IBH: fu 1 �: �I fu 11:� l 0�1� I=� 1 .. 1 ;i II

1 4 t imes!Re si. 1 4 times.! Rest.l 4 tim<' s. 1 Rest.l 4 ti 111cs. l Rest.14 times.! R est.

t__, , , r ' sol fi(/ a

times; 1 Res ti� t im ,·s. '. Res t. l; times. ;I Rest.l; 4 t inlí's.:1 Rest. J 1
' J 4 Fin al.
0
1 º 1� " 1 ,1 º 11 º 1
º 11 sol O 11 º 11 1 11 11 1 11
so I mi fia re /'a 111/
�
ao o
mi re "'
""'l"'r'

si
o
re· s,(�
-:"T �
¡u
t;

&
1 4 times.! Rest. 1 4 timl's. 1 R,·st. 1 4 times. 1 Rest.J 4 tim<'s. 1 R,·st.

VI· . 1 o :11 � 11: o 1 I ql 11: 1 :11 II: o 1 :; :11 o 11

mi �
0 1
� fi o 0
tt
0
.
do a do -re so re fa /a mt

'
1 4 times.! Rest. 1 4 tim,·s. 1 Rest. l 4 times. 1 Rest. l 4 tinws. 1 R<·st.

o 1 ;; :11 o 11: 11 1 : :ll II lh; 1 Z :11

3
;;.11:,!: 1 # :11 �:-11
sol soi la la

'
1 4 tin!Ps.f Res!. r 4 timl'S. 1 Rest. r 4 times. 1 Rest. l 4 times. 1 R,·st.

;: l la :11 ;: 11 lt �� 1 ° :11 � 11: ii· l n :ji ii· 1:

sol fit
11
Ia
1 0 . :11 /11oJI
11/l

' J 4 times.• i Rest.

�� Res!. 10 4 times.• 1 Res!. 1 Final. 1
- o 1 ·11 o 11· 11 ! ·11 11 • 11· o 1 ·11 o 1 1 31
0
�
· /
so re sol
fa -4+
do r«"
mi ""'l"'r'
;; 1111
•
1;·
-=- ,/u
VII. 45 1 4 times.

�
do
1 o
sol
1

:1
Rest. 1

-e-
do re
4 times.

11: 0 1 ;•a :11

1 Rest. 1

O
re
11:
4 times.

0
nu
.
1 ss° :11
1 Rest.

0
1/li
11

4'
4 times. 1 RPst. 1 4 times. 1 Re st. 1 Final. 1

e
sol �
:11 e
sol
11:
fa
11
u
:11 11
fa
11
(i
1
,&
1
do s, Sl do

i J ;¡; :11 _ 11=

VIII. =¡==
1 4 times.1 R,•st. l 4 times. 1 Rest. l 4 times.

r.o
I I
r.o
o
n:
1 ¡;. :11 o
re-
11: J : =L
mi
1 Ri·st. l 4 times. l Res!.

11ti
1: 11
fa
1;: :11 .. 11
/a

1 4 t inu-s. 1 R•·st. l 4 t iine s . I Res t. 1 4 times. 1 fü,st.

mi

� 1 4 times. 1 Res t. 1 4 times. 1 Res t. 1 4 times. 1 Res t. 1 Fina!. 1

= � .. : 11 � re
11: ;� 1 * :11 ;; 11: ;:, 1
O
=11 º
sol
1
'l.T
1 _ 11
do
do si sl

'44 times.[ Rest. l 4 timcs. l fü•st. l 4 times.l Rest. l 4 tim,·s. l Res!.

IX. -
-9
1 ;; :11
,&
11:
o
1 #e :11. 11: 1
u 0
;.:fl 11:: 1
O 0
:11
;;,.
11

rlo do re re mi mi 11d

4�1 1 4 times. 1 Rest. 1 4 times. 1 Res!. 1 4 times.

u
re
:U: 1: ;¡;, 1 ,e,
do
:1 ;: 11: 0.
J'l
1
l)
si
:11
/ fü·st.

si
1
11
"ff
si
Final.

1 -&
rlo
1
1
 6
S cale of the tone C (do), major mode.
Four beats to the measure.

Lento. (t)

·, 1 1 1 �I I 1 � 1 I
O II II
o 1\ o - - - - . -

f-ª ' ll ¡ ' ' ' /"':'.

1
11 '
1
e 11
1 0
'
1 11 1 o
j u �
1 =11
�
'ti'"

Half- notes,

2·4" j l b J iJ J i j j jJ j j ¡ J aj j j

4 r r i r r i j d 't JJ j j j iJ J i j j ;,e I

4g " 1 J ' J J ' J J ' J íl ' J J ' J r ' r r ' r '

Intervals of Thirds ascending and of Seconds descending.

4
· I I I I I I I t= 1

Intervals of Thirds descending and of Seconds ascending.

' r r ' r J ' r J ' J J iJ J IJ' J 'IJ 4 'l;J 4

I I I
,t:'I
=11 _ 11

9193
8

' ' ' ' ' J F 'I F r- '

Intervals of Fourths ascending and of Thirds descending.

s. í2 es .J ;J I J J I J J 1 j . F I J F- 1 1

Intervals of Fourths descending and of Thirds ascending.

�i r J 'I r J 'I r J 'I J J 'I J J ¡l d J 'I J ¡=1'"="_ 11

Intervals of Fifths ascending and of Fourths descending.

ª· @
f '-' +
I J '1 ,�, J 'I J r 'I J r I' J r I' J r- '1

' 'I r J 'I J J 'I J J 'I J J '

Intervals of Fifths descending and of Fourths ascending.

4 L J iFJ "="
=11 _ I
Intervals of Sixths ascending and of Fifths descending,

7. & ll 1
-9
�
'
fJ r 1 � r '1 � E I'� �
'1
Intervals of Sixths descending and of Fifths ascending.

4E �
'Ir J '1� j 'Id
1
J
'1 � ':11 11':'i
J � 11
Intervals of Sevenths ascending
I Intervals of Sevenths descending

4+ ., J r '1J r. 'IJ E 'I H I' u 'I n 'Ir J 'I J gil _ 1

and of Sixths descending. and of Sixths ascending.

'"="
e,
Intervals of Octaves ascending
and of Sevenths descending, I Intervals of Octaves descending
and of Sevenths ascending.

9·
�
., J r- 1' J r I' J r Ir J 'I r 2 '1 r 4 1,t:'I_
'
11
 7

Summary of the Intervals.

'

� :t I F J J I' J J I' J J 'I J J

' ' ' ,f:'I
IJ 1 .. :11 � 11
Lessons
for the diffcre11t note-va.lues and the different kinds of measure.
Lessons with Whole-notes and Whole-note rests ,
The rest is the silence of the Whole.note.
Modera.tot)The Whole-note cou.nts four beats. H. L.

11. � I' 011 1 ''

le l • lo ''' ''' • ''
1 1 .. 1-1 Iª I" l • I 1° ,�,t511
11 11 O

M o d era,t o. H. L.
' , , , , , , , , , ,
1 1 .¡__--1-I- Io --+-1-
- --+--� . .1. -+--l..-..�l-0-
0 1-t--
' '- I �;;�I
0
12. " 0 .O ·t'l· O
-Q,-�

'1 ' ' '1 '1 '1 ' - ' '

- 11
'
41

o 11 tllt 11 '
6 1 1 8 11 1 8 1 o 1 1
�

Lessons with Half-notes and Half - note rests.

T�ehalf-nofr rest is the srlence of the half-note.
The Half- note counts two beats. ROD.
i Modera.to.
ia @ 11 - :I I J J I J - 1- J I J F I � -

•) For ali the elementary lessons.the rnovement ':IJotleroto" wlth 4 bufa ought a Iway s
to be metronomed too or f04 for ea ch beat,or qaarter-note.
UV3
8

Moderato. , , , ROD.

f ·� J J IJ J tJ - 1 H I tJ 1 ;J - 1 LJ I J J I J - 1
�

'
l4.

.
;JJ I J ' J I J - 1 J :J Ir J Ir - 1 J r Ir ' J I r -11

�
' ' '

15·
�
Moderato.

5" F J I F
' .A · F J .I J
1 - 1F J IF
'
JI L

r
. .
'¡
�
r r Ir - J ' Ir J .u
1r 4 12 - 11

16.'" J J I Moderato.

j J Ij J IJ - IJ J 1 (J I Jj I J �,.,
H r

' J J I J. J I F r IJ - 1 J J I J - 1 J J IJ - 1

1,. t Moderato.
J" J - I j - I j J I J - 1 J - 1 j - I d J 1 ,J J 1- F 1- r I
H. L.

\t :;tt :J
 9

� -J1-J1-r1-r 1-J¡-J u-1w-1n Ir II

Lessons with Whole-notes and Half-notes.
Moderato. H. L:

JJ 1 'IJJ 1° 'In I" ' lrE 1° ' 1=� 1

�
is.ge 0
�

�
0
'1 el J 1 º I'J J I J J 'I J t: 1 r- r 'H J 1 _ 11

Moderato. G.C.

19. @e II
Ir - I º Ir - I II
IF - I r F I

�r- 1 e Ir - 1 " 1 j - 1 8
1 j 't- 1� j I

� J - l 11 1 r - I º 1 t- - l 11 1 E - 1 rr Ir- - 11

Moderato. , , H. L.
�
20.g., 8 lrr 1° IJ-1 .. IJ J '" IJ- 1
�
' '
to Lessons with Quarter- notes and their rests,
The Quarter-note rest is the silence of the Quarter-note.
The Quarter-note counts one beat.
Moderato. H. L.

4li
5
22
· r r r r Ir r r * 1 r t r r Ir J Ji Ir r r r Ir r J 1 1
4 r r r J I J J J * 1 r r r r Ir r r t Ir J J r Ir r r * 1
Lesson with Quarter-notes and one Quarter-note rest at the first beat.
'llfoderato. H. L.

23.., tJJJliJtJliJJJl*J ru1suJr1•tWtrrJJim1

4 •JuJ Is JFJ 11 JJJI su ru1 tJJ rl •rrJ1 •JJJ 1 •� rt I
Lesson with Quarter-notes and one Quartcr-note rest at the second bcat.

24.4., JtJJ1JsrJ1JtJJ1JsrJ1J•JfüiJJIJ*JJIJ*JJ I
Moderato. H. L.

4 JswJ1JsrJ1JtJJ1JtrJ 1JsJJIJiJJ IJ*JJIJ*r* 1

Lesson with Quarter-notes and one Quarter-note rest at the third beat.
�oderato. H. L.
25. JJiJIJ rtJIJJiJIJ rtJIJJiJIJJiJIJJiJIJJiJI
4 J Ji JI J rt J IJ J tJ I J F* J IJJiJiJJiJI JJi J IJJJi I
Lesson with Quartet"-notes and one Quarter-note rest at the fourth beat.
' Moderato. H. L.
26• fe WrrillrrtlJWirJJilJfrtlJrrtlJWlrJJil
, rrr* 1JJJs 1rrr• ¡JJJt 1u rrtlJrrt 1J rJilJJ;*I
 Lesson with Quarter-notes and one Quarter-note H
rest at the second and the fourth beat.

í" r*r* 1r1rt 1rtJi!Jh IJiJt ww, ¡J,3, IJJ�

l\Ioderato. H. L.

2,.

4 r'r*lrtrtlr•nm- IJtJilJtrtlr*r*lr*·II
Lesson with Quarter-notes and one Quarter - note
rest at the f'irst and the third beat.

2s.í ,, rnr1wr1rnr1tJtr 1mr11m11Jtw1t3,w I

Modera�o. H. L.

, ;Jtr11Jtr1n•r 1tJtr101r11JtJliJ*Jl*r II
Lesson with Quarter-notes and one Quarter - note

29.,., wmuow13umm1rur ¡JiiJIJUJIJTffl

Moderato. rest at the second and the third beat. H. L.

4 Jur1JBr1Jur1wow1rur1JuJIJHJli· II
Lesson with Quarter-notes and one Quarter-note
rest at the first and the fourth beat.
'Moderato.
so.fJt, Wt I tJrt IW i I tJril *rr* 1 trrW W I tJJt I
4 t�Jt¡1Jrt1W11iJrmrrt1trJ11,w1tJJ*I-� ROD.
Moderato. n..t Repetition.
31.
,
e trrt 11 rrt rrt trr* tJr; *rr * *rrJiJ*I
1, I 1 1 1
21!._d Repetit ion
t2
Lessons with Half - notes and Quarter - notes.

í J J r I r ' J r I r ' J r 1 =J J H I J J r Ir ' � r I

Moderato. H .L.

s2. 5 "

.r 'JJ I J J s :1: n J u ' H I J ' J J I r 'rr I rr t I

�

' '1w Jrlr ' J rlr ' JJIJJH

@ rrt1rJ1JJ
Re t urn,
M�erato.

33.@•' J J J r t - rr
,G.C.

I 1 J JJ I P - IJ I r ffi
@ rEElr�IJrr1rrt1Jrr1r rtlr r(I
�n� �
Return.

Lessons with Wbole-notes, Half-notes and Quarter-notes.

í Moderato., , , ,

�
º ' IJlJJ I
IJ ' d l .. ' IJ J IJ ' J J IJ JI�
H93
 Lessons with Eighth-notes and Eighth.note rests.
The Eig hth-note resf is the sile nce of the Eighth-note ,
Two Eighth-notes to a beat, or one Eighth-note and its rest .
A%;gio (.l=t>9J H.L.

ª'·@" nn¡¡s: 1llJi,ílll,1nnnu I JJ; ,JJ;J;fil

@ n n n u In J>,n ,htlJ Jí, .op_m P;
�� } me.

@ Dttft'O 113 JJctn'1 nuun 1ibnctm

fJ),nl,mJ,n;,1pnnn1,pt n
�

@
Adagio.(;= 69) H.I
�.
as.4 "··.,Ji.X:hpc.rl, Jlll,l.O 1,¡pJJ ,Ji.Ob·jJJ ,líDI
�

W ,JiJ:hp cr 1, p E!' m 1,� .o, ;n1,1nr .� 1

4 '�Ef'AQ¡,�JJ,pJJ 1,�EJ'�.01,pJJ,piJI
f lite.

' 'FE! ,pg 1,� Ef 'D JJ l d!J ,¡in¡ d.X:hJ;;Oj

t4

Andante.(J = so) RO D.

ª ·ÁE!F' 1,ww,1,ww, 1,e:tctp1

9

4t3t& :u, 1, ca C:C!' 1, w ctr, 1,wm ,1

4 ,mwn,1,mwn,1,nJW,1,a.nu,1
4 ,a 21]?, 1, uau1]?, 1,wa1, 1, cu P II
w
Lesson with Half-notes and Eighth-notes.

º·," r rut Ir au I r C!!J I r • 1 r m I

And,mte.(J�,6) ROD.
4

� F E.f!j I F (W" 1 J • =IH nn1r HE'�I

4= r rffrlr • Ir cru1J iJiP Ir mir ·=11

Lesson w ith Quarter-notes and Eighth-notes,
Morlerato assai.(�=80) H.L.

·r iJ J J rnJJ
��
41. :: I w J• 1 I J w · 1 J JJ J * 1 J L J *
�
1

4 JJ:JJ..glJJJ*_II rcrrr lrtil* !rcrrc 1rJH I

F1m'.

95U
 t&
Lesson with Half- notes, Quarter-notes,and Eighth-notes.
Andante. (J = so) G. e.

@" r rr 1unu IUuJ r Ir r *Ir rr I

42

4---tr.nJ * 1r r r J 1J H IE ctll Ir* -1,pcrcr.01

4 r * -1r trulCtc.rJ* 1r CtiJ1uJJJtJ
*4 J J Ir u J * 1 J J1+t@ 1 J4F1 r J t r I
et u I r * - 1 n u r E! 1@-ffi J J Ir r * 1
�*
1 F r Ir rr r 1 ™ 1 r ---1 r r
Lesson with Who le.notes, Half-notes, Quarter-notes and Eighth-notcs.
Moderatu.(J = 88) ROD;

43.
�

p� .. • l
1�
' �
' '

Le ssons for 3fa1 measure.

One dotted Half-note to the me asure.one Quarter-nutr to each beat.
The dotted Half note counts three b e at s.
l\Iorlerato.(�: 88)
�
44.5Ef
· 1 ?� · 1 r· 1 e ' .
1--4--- r-
r---+-+
1
'
· --+-1-+-rt----lt---+(·t J--"1tl=11
Fi111·.
t.6 Toe Half-note counts two bcats and the Quarter-note ene bcat.
Moderato. (.J = 88)

& :t
� , , , H. L.

45.
u
J J I J r I J J IJ w 1 2 J I d 2 1 ,J J I

' ' ' ' '

f 1111'.

' 11:W � 1 rr ' lrF I r ,I u I r r 'I r-r Jt-�

wt ti I r r
Moderato.Is , s�) , , , non.
47. Ir r I r · 1 r r I t dr d 1 � =11

i
@ J r Ir r ' Ir r IE' '1 J r 1t� ' r I u I r3
�lorlPrato.(J = 88) H. L.

JJ I J r 'I JJ J I J r ' I d J 1 � w In J I
,

48.4 2 �
·w
' ' '
959:i
 Le :, ;sons for the �/2 me abure, o r C.
C ne Who l c-no te to the me asure .
.A Ilecr«. ( J = 9t>) lWD.
r. � '
 18
One Half- note to a beat.
Allegro (J = 92) Ro D.

e - 1 J r- 1 r e I r r 1 ° 1 - 1 r r I J r- 1 J � 1 .. =11
�
51.

� 11 1 J J I d r I r r 1 .. 1 - 1 rr I a r I rr 1 .. ·•
'
= -

Mo derato.te = HIS) Two Quarter notes to a beat. ROD

52
· �
' '
':=1rrFr1rrrr1rrnrr1rrrr1crrr '
ltrrrlrrrJI.

fi -1 JJJJ Ir rcr IJJJJ I rJ rr lrrrr 1rrEr I J rrrir-1

Allegro declso.tel = se)

53.f� J J I J - ¡;J r I J • 1 JJ J I JJ J 1 ,J J 1J · 4
' \;Is , H. L.

4 JJ I J - 1 d r- 1 J • 1 H JJJ1{1 J J l B 1
4L,•
•
rtn«,

-f- J JI J • 1 J J I J • 1 J J IJ J IJ J 1 � -]
' JJIJ· I.J;JIJ·IJJJIJJJIJJJl;ri
' �

4, 4tff 1- r Ir r 1- r Ir J 1- r Ir r 1- r I
Allegro. (J = 92) ROD.

54.

4 H 1- E Ir E I • F Ir j I o 1 - 1- J I JJ 1- JI
'JJI-J l,JJI-JIJJI-J IJr 1-J IEFl·r I
:tr J 1- r Ir r-1- J Ir r 1- r I J J 1- r Ir� 1 .. ,
959:J
 The preceding lesson reduced to Quarter-notes. 19
Allep;retto moderatu.t� = R-;) Ro D.

5
5 . @ ·� * J r E 1 * r r r I t r r J I t r r r 1 * r r E 1 *-E-�
6 t r r J I J - 1 t J J J I t w J J 1 • J J J I t J J J I t J J�
4 tJ rr ltrrJltErr liJ rr I trJJitrrrlrttll
The preceding lesson reduced to Eighth-notes.

4 � ,gn,r91,cr,,rrr1,ccr,w1,@rn ,rn,m1
Moderato.(J = 76) RO D.

56.

@ '®'m 1,m,w, 1 tf ,ca 1,a1 ,@ 1,��

fk UEttf lDfíll lEEUSI í -1lfflDD1
)foderato.<J = 76) HOD.

51
·

WT1lf EEfJ ltEf.ijtfrtk+r!ff® J��Htl 1

, s EW I r - 1 oo kn: r I u Efrr I EEErctrr I r-±HI

r u- 1 JJ Ir I r r r t I r r r t 1 •U J a I n t I
Allef!TO moderato.(,d:: G. e.

41�
76)

5ª· :J
, r r I J - 1 j F 1 ,J - 1 r r t I r r t I r r r J I a t a w I
@ JErrJ1JOJl[ErrJ1Wt-1J r IJ - u J:
4 r Ir r rt Ir rr * 1 J J JJ IJ * JJ 1J .g33 1
'1*:111JJJJnlJ*rctlr*rr:tlrt- lJJ9 �
20 Le sso ns for �4 measure.
A Half- note to the whole rneasure , a Quarter-note to a beat.
A llegretto. (.J: 92)
� H.L.

r I F i I J I J J I J I Ji IU
59-�
J IJ F I

•F111e.llJ I r r I r I
_�r_J;f=# 1 r 1 1 w I J J I J ht.
�-+r-tH±H I J t I J I r r I r I r i 1�
-@J_�4J:f' flª---m 'I J I J I J I J i::$ J i 11
·�

t�
A ·Quadcr-note or two Eighth-notes to the beat.
An..dant in o.t e = 10) H.L.

)a/[email protected]=t=f-#1J1t t1 l, IJ .b, JJ JJ J i
60. 1 I
I

¡=JJ l#J#1H i 3 ;, , lh, l !J n I J , P l

1

%=;--pp�;r��-et}
t; �
:�-- 1 11 -+ �E.JI
�t- - -,. .!__.._#--E
IIU'.
I - +_
-!
'�J_Ir l �_J__.I sr
,;

r. ' ' ' �

PW�1±±QP 1DP+2P1y.S1n.r:i11
- X<? 31 re duced to Eighth-notcs.
Mcderato.ol , so) ' ROD.

�!tP#ffi±fítit,cr, ''d"' 1,u, 1,ccr1 ww�,:m

61.

PiY*@f±ff-ifít-' 1,JJ, 1,cr, 1,w Ir i:11

Lessons for the use of dotted notes in C and � measure s,
The dotted Half'- note counts three beats in �4 measure.

62.�-=-t=r Ir Jj Ir· r g}_Hr un Ir· �

Andantino.rs e ss) , G.C.

f�4� r IN* lcrctJ i I LlC!ilJ

 21

"$=J:�ffl ·' F I L. r I Q r i I J · J I J ·' F I F U�¡

, J • - 1 r· r Ir J • 1 r r Ir J t I r EJ � � �
i ' '
@ r.JJIJ J IJ. J u. J 1J.' r Ir· r Ir
The dotted Half-note c ount s a b e at and a half in é
-ct-%1
measure.

6 � r- · r I
:M�erato.(d:: 80) ROD.

63· t= · r I r · r I r · dt r I J . r I r · r l t= a Fwr>.

� J. JI J. r I J. J 1J � 1r·r Ir· r I J. r I F - 1
6 rr1r-r1r·r1d-1r·r1J.rir·J1t4
Rt duction of the precedin= Lesson.
�

A dotted Quarter- note c ounts t hree quarters of a beat in �2 (e) me asure.

Andante. (d = 60)
'
64.¡ � ·'rH'p In r � 1 r· µJ.� 1 npi I J .JJ.p llffl
ROD
. � .

6
11'�.
�

nr·P1J.�r 11rn�1r·�Jt1r·�J.p lr·JlH.i

A d ortcd Quarter- note counts one beat and a half in 4/4(C) measure.

nm
e.
r·v r·Js1 J.JJ « 1 n n I rJ3 ws 1nr-�
Moderato. (J = 12) G.
�"
65·

& EErr JI J-1 J ·JJ.J1 r-Ju)1 J}J.Jil J.Jd 1 1 J.lJfA

6 r · lJ: l I J.),�. j I j � m I r · J r r I j - 1 r. ji m
& r - 1 E'� rr I r - 1 J · mr r I r - 1 J · JJ J 4 - 1
9 �·!1:i
1
4 r 51aclt IE[5rn 1J * ir u 1cccri!,1
'4uJJ 1JJJJC! l@n 1w, Ir 91np, ,� 91
 23

4 UihlqJ jJJj¡p�'í 1J (tlhi ICpl0,,1

4 J ;r1lfpl 4' 1 tp, l�JJI JMhlJJajfll r i I
Reduction of lesson 66.
M \d era t o. ( o=
t
76
)
RO D.
69·'"'
OOFrl®r*lrtE1[f[fld0.tllnliJJI 11'e.

4 ffiJJl 100®1cmrs1moo1mJsi �

70. ,1 J:J!:jp,1gg�,1ootr1n,1@!:j�,,a1�'í1
Andante.t 1' = t:!o) G. C.

� cn1Ja1w •1at:ak1&�JSinnnuu1g-Jb,1
pjj;s nn.01 u u .q.qp,t@&º' ecrtri n,1
1 1

@ an1DDíij1IQ-etlrºltfelf lrffiJjim1;u1
Le s son s for :t� measure.
One Eighth-note to one beat, one Quarter-note to two heats,
the dotted �uarter-note to tfie whole rneasure.
Andantino. (J)=1a ..) H. L.

@� ··r· 1DJ Ir· 1ffl 101m I J.I u� 1r· 1DJ1

� �
11.

f r·'1JJJ1ffl1m1J.IJ �1a.1Da 1rn1u ,1a.1Fwe.

4 .tbltr;IW, IJ AJ )1w1J, IMlffilJJJl;,;1

24 Two s i x t e e n th s to one beat.
Andante assa i.t .." = 100) G. c.
n.$•- 1�fufü p IUj IJ , Ir D 1r'p lfñ l;n I
' IJ ,¡ 1m Ir ' � IID IJ, I�.¡¡�
tpTNo-1@
�

;Jffl 1.PA.a11n 1� �1J1-JJ 11.en1J , 11 � 1

' '

'

Lessons for Grs measurc.

A do tted Quarter - note, or three Eizhth-notcs, to one beat.

Jfi=r cr.r I m I J. m I r · e.a I a�

An�antino.(J = �4) H. L.

73. w, w. 1a , w , 1

@ J.J 11,JJJ1JJJ'J1J1fflmimW1r·s.,11
'ª''
• Ftne.

@ f af lPtcf lHrw1J, h w Ir a.r

;J¡- J. 1 F 't.Cf IE.a@IJ ,JJJIJJJJJJ 1,JJ/Jl11
�

l\lorlerato.(J. =60) H.L.

74.fldJJffi IJ·J, IJJJJJJ IJ ,pJIJJJ< 1

� �

@ JqitJJ.lJJJ IJ. J ,1IJDJ, 1mw 'lfflJJJ I

i
H93
@. J , 1 m
J , 1 na w , 1 J au J w a I u , m 11
Fw. 5,:5
 26
A Quarter-note and an Eighth-n ot e to a b e at.
Andantino. (J.= 54) G. e.

,s. &2 w. r· w • , 1 r v n Ir � 1 u r rn I w ,

& r mu ,¡J.EO' 1w.'w1r vr P Ir ,t ,1J-@

, r· * ,1ur p ;n 1ccrm lp *' ir- rn w ,

' F ·'@ 1 J JJ J Ji I J ' * ' 1 JJJ UJ I i-- JlJ ,g

& ;nw 1w �J, 1J ,J, ,na mwnai

if J ' C!.r I J Jir p Ir 'E.U I J · llj lj. * ' 1 - =ll
Lessons with Triplets.
I
Moderato.t J-ne) l1.C.
'
?' ':(' �
26
 Lesson for C1e regular Syncope with Half'- notes. .27

rm JJJ r
Allegro. (d = 92) , G. e.

79.@c j Jj[J ;Jj_;J lrt [][ rI

4 r , J JJ r Ir * r lr r Ir - 1- J 1 ª nr � 1
,�, W
' H r3 E J I J# t]F d I J - 1-

, F F IFi(Jr J IH[It L lrtr1r F I

,;1 1 J dJil íl

6 r t rrtr r iJ * Ar J I J- 1 -
1
1 LJJ JJ) @ '
,1 w r r * ar r r * uw r I r * t 'ir �
I I 1

6 rtffl rJr'W J lji�JÁ d !U W J IJ �11

Lesson for the regular Syncope with Quarter-notes.
Moderato.(J= G.C.
' n1a a n I r a rJt r ' r I
&i 1, J I r w w I J JJJ)
96)

ªº·
i '
'Fr J¡j tJ1r,J JIJJ WJ JJJJHTur ñtr FI
@I ,_.._

& rrrr1JuJ1rJ w1JJ an WJ*fflr un r I

,�
' ' � �

rr fflriJI rrr rtrJ' JIJJ rmr' rlrrr rttrJJI

'
��

�
JJrtr r1JJ mr rlrr nrJ UJJ J� -11
' ' ' I":',,

9593
28
 29

Exercise for the study of Fa sharp and Do sharp,

Andantino. ( J -s o) H.L.

ª
5
1wu 701rtrr+e tu 19p'niJ I nw:31
·i�
' e� cr
,;o#�
' IC'EL r 19rcrªr
�
' 1r-m- '
cEE,,ctrr �- '

' !9pBEft
í qp 'CU ' 19ptt,
' �pJ#J' � UJJJIJJJJl@j
'
�' ' ' ' '
30 Exercise for the study of three sharps: Fa, Do and Sol.
Moderato.ts, so) H. L.

DiiJí0fil��¡;ntl1�[email protected]
86.4,�
fi}íln.o JJ I J Ji In w .o .n 1�J �[email protected]
& �J �w .P �m P hJ ·.w n.o JJ I
m#� n JJ I J 1 � 1
Exercise for the study of four sharp s. Fa,Do,Sol.and Re.

n
Andante.(J= H, L.

1 1 Ji3 1 JiJ n I iJJ I J 1., 1 r et I rn u I

1t) 11
87·,

i ' '
� C!tr 1r p l;p.fiJIJiJPpl ipJ#JIJ �., 1
, ctrm I E'r úr I r!r r � 1 r sp, 1 .P 1�JiJ l,w1 w
Í W f3 l�J J?., 1 J pJ #J IJ �J b l�J �J fQ l 1 í 11
Exercise for the study of five sharps Fa.Do.So l , Re and La.

88.," ¡JJJJJ'¡J I Jµ.QJliJ I JiJ J:l ii'il I JJ JJJi �J I

l\loderato�J= ss) H.L.

' @i3Ji,J I Q fJJ.,ªJ 1 @JQ Jl ,JI U E1 D'@rd

í a-u�,•r 10 co �e 1-c.:r u�., �r 1trr1 D'sr I
fa cr �., r 1w.G n; ,9J 1,D D J .,�J 1�.n JJJ,qJ I
4- n n; 'J 1 #n n ),a 1µ0:i:iJ1p I JJJlfJ I J 4 1 .. 11
 31
non.
6 " J n J .g I J n Ji I j'B 3 ¡:¡ 1 HD H-l
l\loderato. (J: 92)

89.

6 J 13 J E1 1 J n �3 ti' J u p I fJ J) r í I
ícJ t.r&Et1J JJ t 1ra#a.n1n&rM
í r a qJ n u n J n u , JJ n n I w , 1 1 I

& 1 nu g1J ur * Ir t!Ur Ir E!Url

4 t r Et u n I u n * 1 P rn n IJ J J , 11
ÍAlleo,;;retto moderato. (J º

t J r r I t1r J I JJ r u u I n I J n I JJ J I
11�) HASSE.
9 º·

i JJ' lrr l(L.Jr lrJJVn*IJJJ I JJaJ I

4 J J J I J J J I J J J I r r J I J r r I r J J 1 {V J #J I
4 J * 1 J r r I t1t J I J J r I J J I J J ¡J r r I
&nw IJJ *IJJJ IJJJIJJJ ¡J JJIJJJ¡
";¡' �
32
Moderato. (J,, 76) ROD.

1.J$e pJ. au1:;w. DOlpJ.JJJIJ J • 1

9
w

Jj · 'u f r Ir· � r U r I J · J¡j JJ ad I J � J. ' 1

4 j-] JJ J. li JJ JJ #J. J¡ CJ LJ J. Ji I J �J J HI
411:fig lJJ 11.l�J. m 1n J. Mi.O! J F aJ i I

& J . .tr n Pr=rtt-rf Ir· JiO n I J J J tA

4@:fiFE.tJlrfrrd· j:IJ. pJHJ I� - 1
�· F . P I F · p9 J J I fl J · ] J j I J fJ � i ·: 1

4" n n 1; r � w I J . P w . P I d *
Modera to. (J,= rs) ROD.

92. J w 1

'�

; e � reo I J gp w I -ª qd w u J * 1
�
-1�.
�
.1
w

& �J J , lJJ I P r � 1 rr J . Ji1 J #J t I r · tr I

& w �.nn PI r· E.r I w �.n n 131 r rU lW 1µ1
f=j E r J I J E r J 1.n a '2 tr I r J I J - :11
 33

f fiA t J ¡J. pc,[ftl[rE' �c,IJ.�ctUIE;F ti

5 EFfrPF Ir· �POOIJ #Jg;Wffl IJ #JPW!J I
& J #¡3J .Q IJ);JqJplJ fJ]Jl;F �E!J¡J.pJ·pl
6J 1J rnfrtfrlJ9cfrci.WJJ J 11@9;1
w i

& Jrirtfr.f1r·u1r-·er1ttre&mmu J 12 - 1
Lesson in rnajor rnode of Do, with the use of the first f'ive accidental sharps.
M oderato. (J: 92) G. e.

sa.;&j, J J J Ir Ji ,J ¡J r.rlJ!DlJJ • Ir �.. 1

._)
'
i r,J r r Etct r - r rr ªr u tt r • r •rr r
/;

I I 1 I 1 I

'�O'UF * Ir J#J r IUCJ qJ t lrªrt J lijr ni I

5 r r •r IF '�ull 1J JJ@1H- IJ J J Ir H .w I
� J. �r.rJ:J IJUJJ t I JJ ,J ¡J j' #JI J. DE.!EJ I
4-tr#rr•r ir �rra1ijr·�r·�1r·rn�arr1 I\ª • 11
9U8
34 Exercisc for intoninj; Si flat.
� ..\ndantr.(.\ 11:.?) H. L.

94.tt-; ;dD9 lf!J ¡J, lttfr ¡J �jlb:ft!Hp1

"

Exer c ise for intoning Si f lat and l\Ii flat.

!': Andantino. (J º 76) 11. L.

95.�=yr-ttn 13 &J 1;,�2 1;, pJ IJ���

Ji1�JJJl;�n1w n1r'r 1r,' E 1r,' F
1 1
IE br I
� '

Exercise for intoning the three f'Iat s, Si, l\Ii and La.

96.f '.¡
Andantino. ( J, ,�
J fi¡J .F jJ �J jJ HJ j) 't i,J jiíl nI
H. L.

¡;ron ¡),;fJ DIJ. &El IJD n1¡i, JEI f3

IJ W ¡

6 w'dlS?:,!311, qfi NI P g.S In d31 ;ll,fil

6 l,fi IM liJJJ l:fiJ IJ J IJ J '¡ J 1; s 11
 JbJ:¡J l1qJJ;J ljqJJbJ IJíqJJ IJiJJ IJiJJI .. l:1 - 1
Le sson in the major mode of Do, w ith the first four accidental f'lats.

4 Moderato (J "92 l,
98.?I rJJIª bJiJJl@Jilrr&rlJPIE1HI
G. c.

� r1 HJ w I J t r 1br � 1 n &a IJ r br IP &J I a &JJ I

& &J J J I J '�J IJ J J I J 1,J I J t bJ I Ji 1,J I M J 1 ,.J J � 1
4 J * J 1,,J J I r í w lb J r � r I r t r I r * br I r t br I r i a
@i r u I r br r I r ' &r l&r JJ I n t I w na ir ' 1·r I
4 cr r J I J u I rJ J I J \ J I J J I JJ J t I rr &d
4 .J r t IC:F e Ir* J lbJ .J Ir iJ ¡1iJ]8iJ
,,
Ir i 1-¡?1
..

Chromatic Scale in Do, rnajor mode.

4 Lento.(Jaso¡ l ,
36 Scale of the tone La, minor mode.
Paralle l of the scale of Do, major mod e.
,. Lento. (d.: oo) , ,
¡;�n::: '1
100.:� .. ' 1 r 1 ' 1 .. ' t-.. ' 1 .. , .. �

:r .
t ' ' ' ' ' ' ,t:\
1... 1 q.. 1 .. 1 " 1 J r 1 .. 1 .. q
Le ssons in the minor mode of La.
Moderato (d , ,s) , H. L.
i_
101.@2 � ,J I J J l l d 1J I J • l�J J f:J JJ I JJ J Ir I
Ür
.f
u
¡J JJ lrr 1JH1.JJ Ir J'1r:11r:a
f P-====

rlrE r Ir· !nfld-r Wr Jl!Jr r1J-i1

' '
;;tttlrr
f
Reduction of the 103 <i Iesson,

n tttr---hH+Jk � r M
!': Piu lento.(J = so) HOD.
104 �"
� Jir � JF p I H P
11if eres<'. _ _ _

fu r
!t��:i f
p � r � 1p r t r� 1 %-$4- Ji I P r � -�. i :11
 Summary of lessons 103 and 104. 37
�tesso tempo. Ro D.

Ir' r E I F r ' l11f

pEcr.qpwse. )IJr- r I F - =I
105.f*
Jj F � )r p
' 11f

� 11=�f oor� 1r't r Ir - IJír�Jír.tt@r r 1J - :ff

v¡f

,J ,n u n I r rr Ir q I J .n u ' n I
1
' Andante.(.J=84) , H.L.
,
106. 1
, r· Jí @1J t � 1fJic.r1J.Jct1nu1u,m1w . .JJu1
@ w. 'Ji u Ir· ;.s Ir t r I J. J .a 1,J , J JJ Ir "l t, tj I
ꥻ
•
, ;/J1r ,J.!J1rf ,;.01c ,J.!Ju c',w 1� .�1 d��. p

� J 'E1r r r Ir• w 1# • .01/n1r- Ji@¡Ji * 11 11¡

5• '! ' '! ' '! " '!

L en t o. (�-t;0
1 _ ��1 ale in the tone Sol, major mode.

j .1 ° '! '1 o ' l j o. II

�
] \ 0 0 11
107. U o 11
0
11 11 II

Lessons of the major mode of Sol.

Andantino.(J, os)
I
e
, H. L.
10s. �= t
111/
� J J I J' r r I J J J 1 {)' 1 J J r I J r r I J •ª J I
38
J
Moderato ( = 10r.) H.L .
�

109.& • " f· · J u J Ir· 2 r í I J J J I J ·l.J t I J J J I r · P r * 1

f)

&• i r· )1@ � 1fJ n I J.;p 1J n 1L�w s I

F11u.

f 3.¡.J,JI J.;i JU)JJ.J;lj t J1 iJlJ.; 1 J Ji' PI

�1· p �

'•-·} J.;J,JILJ,J91J,JJnt J lrn r IF 'j����

poco a poco crrsr.
Alle�ro. ( J = tu)

uo.4# 1
Ron.

qf
J J J lw'r r ¡iJ fllJIJ J JJJ f]JJ
,._,

�faW Dr1r arm rr I tJ, 'f I

r,- '

-q-LJ � 1,w.1�u. 1JOJJn1r�oJ 1au w IJ.=I

'• J JJ I fr F I p J I t; i lj JJ I J, F r I J J I
� 11¡f

¡• tP lqJ. J 'uw �u W J' rm r rJR r r I

1
un poco erese.

,• tJ i l'F" 19r; lcfEJ.OIE J J'¡!JJ J IJ 1'1

 39
Allegro moderato.(�:: 120) R UD.

111.
,.
! tp.r:m l lf=t.Etrlr
1,@n1u=101 i

g•
u
tfl.O¡§Ji 1wvjjgm s ldirlr s 1,G1
,• laM) i.OJ J I J.;JJ IJ·JJIJ. #JIJ. �I ��
i• J:hplJ t IJ)JJIJ t 1,JitrJJIJ]J ,JU.�
11¡/

f J. FU Ir r J lr;JJ IJ. p1JIJ. ktf lEU J I J H

-=::::::: Se ale of the tone �.r i , minor mode.
I r�rallel of Sol, major mode .
Lt'nto.(o, 60)

l .. 1 .. 1 ° 1 .. 1 11º 1 1
, , , , , , ,
�
.f • ·�
11
112 11
º

g• ' # ' ' ' ' ' ' '

u
o
1
o
1
11
1
o
1
"
1
o
I
o
I

o 11
Lessons in the minor modc of :\Ii.

i• é
�)Ioderato.(J = 104) JI. L.

113. J w J In r HJ J J I J - 1 J J J Ir· Pr t I
11¡{
40

f�*' p l �., F�I j' JI )d1� '} �-*'�JI l' il ¡,, .blJ �
Moderato. (d = 80) ., , ROD.

us.í#::-e-r,rlrr�IJJ�JIJJ rl#JlrrJIJJ JIJ-:11

t) 111

P1J mJ
/',
me r lrJ--JPF-RN 1#nnu;=« 1
' '�
w
�

' ' �
 4f

4• V pWW i 19D1r •per-10Dn

. �
I
lj t - :1 ;;;;.----:
Se a le of the tone Fa, major mo d e .
Lento<,�" b�) , , , , , , , , , ,
� j j
1" ! l l
0 1 1 1 1 1
118. b f� 0 j o o O
° ° 11 o 11
0
o \1
L e ssons in the rnajor mode of Fa.
I': �'.\f orlerato. (J , 100) , !l. L .
119.@& j JJJl8JilUJIJ·Ja•IJJJ¡;JfflrrJluY
"" F t" e.
�
 Allr�ro moderato. (J = 112) ron.
122.#jí
'-..J
nJ O
Ir· DEr IQ'pcfF
f ,rdl rhyll111afkrl. -=-
I E r J J I J' g I
43
 Sea le of the tone Re, minar mode.
Parallel of Fa, major mode.
Lento. (d = 60)

123. @! e IJ.. l .. l H# l lºl# @ l io l .. l .. 1 11

r.
(J
' ' ' '11 ' ' 11 -0 ' ' 11 - ' 11 ' ' ' '
,,

Lessons in the minor mode of Re.

I' Andantino.(J = 84) H. L.

124.
�
u
J r l#r J I J J I JJJ' 1 Jcresc,
111¡
r Ir r I r J I J t :1
�1:r r 10, 1 a J 10
'- n,f==--
,1r r l#rr lrr IE-M ere sr. p

,ca 11r J 1J a r lªr e IJ J IJ .g1

�

1n;,1J
:\lodrrato.(J =

J 413 m t:I
12�) ROD.

�-=J- r lªr r 11r r J I O t 1Jp J hJ

,

125.
f , r�
J I L$ Erl r · PE! 1 LJ t I E .r r I F, ( Ef.r I r J iJ
'
& E
f 11(/

PJJ , 1 « J J 1 J '11r J J I J-·a t I J r 11r r l#r r r I

• · p
1

� f
,6
r , 1yªr 1nr '1ir'r lt#rrea1JJJ J 1� *"ª'
J
í , �? a I J d Ir t r I J u ¡J rn H J I J, J u JIJ
126., � Andantino.( = toR) H. L.

&

@& J J J I J t J I F t r I J t I I J J J I J t J I J i JI Jill
Ft11e.
 45

$&
�
JJr1rrt1JJJ1JJs1;JJ1JtJ1JJ;1JtJ1
f
�

4& JsJ¡JsJ!JtJIJí pd!JtJIJíJ IJt J l�t(�

'& ,e
l\loderato.(J = 84) ROD.

127. J. J ¡;U ¡J r ErlinF t ¡J JJ IJJJJJ iJJJJ

i & J - Irp Lt Ir· u1 r r r r 1@1 t 11¡/"
lJ J.�l¿tfrJ
í r crJ a, J - 1fJ. J I J: J I J r Et l#r #t I mar:1
fJ
&
ll(l p oco

i & JJJJa1fflJJ J l4JJJJJJJIJ;JJJJJJJIJ �lº11

a p oro rrrsr. - · ,/'

,m ffJ]JJJ I u �1m 1u. m 1n;,J;:;1

f
.\ ff'ettuosu. ( J ·: 72) H ASSE.

128. & g i '-::.

6 &Jl@Mffl#c,J,r1rrtt::ct1Jl3arnPu JJª
�
& J ;mJO lccrtc.trr .P!J JffllJJJJdfJJtJ
ft-Jljrstfflffl1JJUJIJ ,JDI.WJJJlw@
& 6 J. PJ JI ft.u .OJ J 1 {]J ?)J 1-;JJ PB-tgr-41
46
Se ale of the tone Re, rnajor mode.

í• ,e ' ' ' ' ' ' . ' ' ' ' ' ' '
Lento.(J:: t>O)

12 9 .# 1 º 1 " 1 º 1° 1 ° l O 1 ° l O 1 ° 1° 1º Iº ºI 1 11
o "
Le ssons in the major mode of Re.
Al��retto.( J: t;tj) H. L.

130.i-•& :t J J ¡J ¡J¡j ijld Í ¡.íl.gJi'i1JlQ.t,1

"'' p

9• nm,1, nn iJJ * P/11,·.

11 a a a ir
.f
il.m
�to'w w 1uc:,#J 1w 'w w 1ern.n 1,mttt?�
f�r;tru Ir r t lrE!e, Ir J t Ir tru Ir r i I
11¡/

�-
I r. E!Ef l•hE!EJ
'
f
1 ;'
,acr lf�
lEíEt ¡ � ,s , 1 - $11
P

¡•. e AD 1J n 11J. '@ 1lD m

Andant íno.ól., 72) ROD.

131. w

�- 'ffi ' '

 47

�
' '

1117

� •, .JJ a o 8 UJ±J t u mau lifü ;;1

p :;;...---::::
I 1
= p 1111 µu<·o cresc.
48
Sea le of the tone Si, minor mode.
Parallel of Re, -major mod c.
Lento (rt>o) ,
' '
134.c� /:
,e ±±' 1
1
'
1 11 1 o
' "'
tfjllzj

5• ' ' ' ' ±i' '

U TI � o o

'
/ H O
I d0 1 º 1 .. 1 .. 1 #
1 =I

JHE-ort IJ J J;::JJ,J ::::::==-

.o IJ . .tJ. J11J
p �
!'. Alleg:ro risoluto. (d: %) ROD.

ª ·�11¡(! Ir r nJ Ir r r:Jlrr - ¡m
1 6
_tijg¡
-=====
 4:9

&•ª m,m1ie'JJJ1J J r1mr;m10i¡;r r I

Í� F P ªJ lrr r! Ir H IF' WcEtf C!cf ¡JJ])J �
�- poro rresc. , �

ª J. .N ¿JIJ)!JJ)m�JJr é? ILlJ J IJ - =11

, 1111

.Scal e of the tone SH, majar mode.

I Lento ( d,, 6 o2 , , , , , . , ,
�
13 ,. � �, 1e
J 1 1
1 .. 1
º 1
° 1
° 1
o o

i' ' ' ' º ' ' ' '

"lT �

&, 0
1 ° 1 º 1 1 º 1
o
1
�
1
l'l
11
Le ssons in the rnajor rnode of Si},

�w· ce t.h 1nrnfilr?r 10 t ,tw H J iww n

)loderato ( d-: 1at) Ro D.

138 w
11,f=- :=- ::=- �

&i} tftt lf===--rt I ffrir1j i I J) i I Cr

j ==-
s l(r r-lFFr :1 11.f==- ===-
Andantino. ( J = 63) H. L.

fiJ,2 J JJl&J11r rJ1U,J u rnt.Jt1r

139.
===-
P -=:::::::: ==-
JJl!!4•=1
111l :::::::- P-=:::::: 11,f

r911-1- t J uu 11 ==--
�� ll=fJ ffl'31==- r r 1n(�rr1=11 p =--
50

Ir·� r t u Ir r !J a u HI
Andantino.(J = 88) H.L.

140. & ¡;'· 1 J Ir r 1

' do/ce.
� 1 \ \
 5t
Lessons in the rninor mode of Sol.

r - 1:; J rio t 1H r 1aj 1J J J J Ir' 'r I

,b�
�
1 ' ' �
52
Of the Fa-Clef (Bass -Clef.)
/)o
!)o 11!
1J t rr. 1111 fa sol la sz �
o u
n n
�; 11 o 11
11

Exarnple of the compass of the ( Fa-Clef') for the Piano.

Notes in the Sol-rlt'f
t'.01·res11ond in� to
t ho se inthe fa.

--
rr .e, '-:

-· • ' 11,;fa
"'º' 'ª ;. � .n � .D.

Exerr ise in the cornpass of the Soprano Voice. ,i,.)

Ci\t1"'P the no t e s to be name d.and le t them aftr rwards be solfeggiated if it be th01Í:,:1lt
nrct>ssary; in which case lr-t thc time be counted by b e at ing two to the rncasure.
"ir,· 111/ do la r!o si
do 111/.,·,,/�s:J.�-4+ fa n• sisol11li..Q- rf' 0 rlo/ª rf'So/1,tiln si soldo
--i·-
::;¡t_!__Il--=n=._::u: 1/- o o o II 11 �¡/ o o o II 11 o
0
11
\ 11
1/l o ;/; //; ::

do \'/ re rlu 11d rr

s/ rr ./fl la sol 111i do � .u� � �� refi1 s/ sol 111/ la ll sol J'i rlu
�l
o o o o

�ti
ft li id 11 11 A II A
Id

A Ilec retto . (d-= 100) H.L.

' do r/O
fa mi , la sol, fa
do mi� sol �' In. � sol
147.� º 1" 1 '' 1 1º I " 1

rlo
rr � sol /11 do la fa
1111
' rr
' � 111 l re
' re do
IE E I � F
11 e
� o 11 e o
11
1 1 1 11
11

•)Soprnno or Contralto vo ír es (women or ehildren) executtnz muste writtt>n in the Fa-clef',

will soun d it an Ottuw above the notation.
 53
Allegro.(J = f04) H.L.
�

mi � , sol mf rf' do re rr 11d

!! I r1 r I • 1 l ¡J J 1 .. 1 • 1 � 1 F 1
A

11
14s.� 11 F-

/a , sol mi fa re , rf rlp re 111i /a sol � la fa sol

· e.1 °]> lp F 17 l IF �I
�= º1º1° IE F� 1° IJF'i11
0

111i /a f,s
r-t l I r • 1 p.. 1 r-r I " 1 º 1 H I r J l I r •
mi re rf' 111ifr1 su/, la fa sol 111i rlu mi rf'

?= O O 11

A lle gro moderato.( d = 76) II. L.

149. ,= ·� tfil r
�
••
l.
/JI i tl
do si
-(',
1
- 1
/JI

FE
i
la

I re r í
�sn//rl lJI..
I
/// i
FE
la

1
rr
rlu si ,

- 1
mi
r fº' (/
la sz·

F [_ r O] 1
1

.:::=- -C:::::: ==-- .-==::::= ::::::=-- ==- Ftn».

,uta
 55

,: efr rrinu 1rrrr1F?t1r rrlFNt1trrr f

lf r tI

? rr r ifF, ,u r 1n, w rkr,tl, 1rro-r I J. r I

,,,; -=====- ::::::::- c resc.

' ' ' ;

�= rrrr1r(r1ryrr1rJd1
f
ro=ror1frter1
111 ==--
rerre1J-
CrtJSC.
1 =i1
rr r rr-�n ,r rr ¡r-vr t r f!rre
Mode rato. ( J = so) H.L ·

157. ,= 2
p
1
,�rrr
:::::-
I

;1=r t 11=" 1 ,r r r Ir r rt ,r r •r 1r �r r * f r r I
p 11/F p 11¡f

,e rrFi 1r rr 1rrJt ,r rr frrrs ,rr r

p -= ====- ,�ur,�1
::::::::--

" r r r 1•r-�r s itfr I r-�rt 1rErr rtr

a tempo.

r 1r r I E. t I
,

p ===- p
lltl
ó6

1sa.w-e 11fr r r 1•=--

n s 1M.rE1r
Andante sostenuto.Is = Ro) G. e.
r I tHJi t I

2ª F tr ,•rt t ,�rr rr
:::::::::=-- e res c.
Ir • 1 ..d
111,
¿•
fr 1 { Et I

% f F E I E • 1 F• f F
11¡{
1•==-
Fr í I E Y'(!F !' 1

�=· er@ 1t:t1c EJ"-====10:=c E,� - 1

1 ,
12

Allegro moderato.(J:: 109) H .L.

159. ;1 • :t P I e · É Ir ' P w m I e , � 1 f r I r r '1

J> .f

? FE
•,,---.-Ir · , 1 r S 11
p
f '� r u,, 1 f'�= 1 r
crrsr.
u 1r' �
frfE1c
� :::.::=-- ,m1m,g, 1v,,g¡f'P¡fr ,m1m,m,1m,,m1
,fa::==- rrcsc,

�P. f µ ¡f' g 1f'V Ir_· p 10, �, lf

.fr::=:=- .fz
P IJ[ •e F Ir' d: 1
.r===- d im. -=::::JJ-==-

�n fzL' P Ir" PIE' p 1p,#p, 1vmore,•p, 1 � ,-,�, 1 F=l r * 11

drm¡«. P mio.
Alleµ:ro.(J: 100) > LÉO.

160.frh" mE
.f >
r 1ur'r 1rfEF1rr- 1rr r 1ur'r I tf
11
 51

�=� rr cr1rr- 1rf 9t 1r5cn 1srrqr 1r9err '1r E!I11¡f

' > ' >

:2:� ;tr
ere sr.
V l@
�
d!L rr ircrr 1r r 11 r: 1 r - 11
f
".,.ª lt z move ment. ( f-: t 1'>2) H. 1,.

ff 1r U 1r tn 1@' '11Q Ct I
,

161.-�h 2 ;, 1 r p 1r
}) ::::::::- ::::::--
68
Andante ma non troppo.(J·= so) H. L.

�'f! j

f ====-- fi=- p �
Allegretto(J:1os) H.L.

16d)= & i r,¡f"r n I J r I F o I F * 1 pG I j F lf � 1

¡

th r s 1r v 1r E 1r "1r * 1r v 1t r 1r � 1
fi p fi p

r , 1 r u Ir r ¡f I r * 1 r u Ir r 1 if-===--
� ..--._

9= & � 1
11¡/ fz-:::::=- mf

9=&�r t I F r11 L U Ir., IF. �Ir. Y¡ F. � 1@ i I

p mo"n�.

i 16:Zton t ,�o *
Mo de rato . ( J = 112) H. L.

164. ?= "1'3ru 1•0

===-
p -=:::: Ji===- fi===-
1

9!;93
 18

Jd t I f P Ir) r J 1J==-
,,.,,r:::::=-f t 1�if===- sJ , 11
fe:=- ./ Frne.

r
r. •r I r 'rr Ir r ir- n * 1 r r •r Ir' r e I
r -----======
"!}:
,,;r

,�
-
�
r 1r - PF t �·
i=
.1·
r 1 r '
r i t r 1r · '
rj
dz111.
�

Allcgret (.h = J:?8) H. L.

165.
�=· � el lt I ill! ¡f l\i ir '11bf el I
P- p

,=• tnJ ¡h¡¡cJ 1r ! 1ao 1gr:.r ¡f tªtf I

�t-f t.
-,:• r
. • �
I pii e.J I iJ c..J I Q' p I F lb H EPI
1 ,.
!

,u
}��f

9•
'f' g. 10
= IE[fo ��, 1rfrc21r· Of &J
,=• r , 1;,ifHf&Ur1,rB(f 1r==-
l 1dHct1
,:. ()
==-
1;tf q¡ 1±�7� 1tlr '1ctr I ur j 11¡/'
80

Moderato. (J = 112) ROD.

166. �= • e , @- 1 U , G , fif I U ., P , ti) 1

11if

�· Ef, m,ill 1&,P,EEJ1f1=, F'@-1 J,�,@ 1

���l�r
�

l �r É I
�=• 11:n,p,fcr1u,�,:f!1u,�,rrr 1a,p,g I
0\ -¡-:¡. �
;,=• c:ppc:fr 1u,p,c[J1u-,p.,frn
�

!J=& éfitr 1!:!r 'P 1 (jff I rfvf; 1

�A r!�JPCrir =ir i 1rqeb:PC:ircrr t 1-11

dotce morendo
 rrt sr.
1

....
y• 0ctr•IDrfFIWt.cr_lr 'F' Ir 'F., 15 ,t 11
� 1 .
82

,=•, r; rrr 1ar • Ir r r 1wr t Ir r#r irtr, 1r -r 'r I

2•, ttr , f1F r it" Lrtir'- Lf.rlr t r ir r Ir t gJ 1w ¡JIf
p

1=•1 r i 1-1 ? ff=.r ¡r' r ¡f° CÚ"¡Cl-rt Ir Qr ¡J.p r '1

}me. nJ

2=• r· OÜft 1[8-atf

ere se.
1:) : E!hfB I@ 'j.l
093
63
84

, - . , ,.-:- ,. & ,- '

�=· fc:etctt1<rrrrr.s1r1YU11ar - 1
!J:I t ir: írff cu r Ctr I fe rru tJr.cur E , r I

!J:I ('rf CE!11r , U r 1('r C: cP I F- , r rr I

.,.=• r r tr.n:a 1•r • arfrrrfbrr 1rrrrrrrrrrtt I

__ ,__ ,-_i
.,.=• r Hfi@ éftrt'r.cc1r E rrr(d 1tt' F
1
I

�=· rdftrrr1r 'cUcu 1rEcrr r I t/§f I

t)=• rcerfrtt1CerW[ere1nrtr 1� • 1
erese. f