Reading 03 25
Reading 03 25
PAPER 2 Writing ?aft 2 You are going to read a rewspaper art cre. Six paraoraphs have been removed from
the artic e. Choose Ironr rhe paragraphs A-c rhe one which ftrs each gap (7 12).
PAPER 3 llse of Engljsh There is one extra paraoraph whtch vou do rror nee.j ro use.
PAPER 4 Lisrening [/]ark yo!r answers on the separate answer sheet.
PAPER 5 Speaking
Peach of an Idea
Regent's Park in central London was recenflv the sire of don't, especially when you live in a city and it's pints of
a festival of music and fruit, marking rhe lifth bidhday lager and a kebab at the end of the night. We iust
of lnnocenr, the drinks company set up by three coIege thought, "Wouldn'tit be greatto make ireasyforpeopte
friends who wanted ro bring a bir of narure to rhe table. to get hold of this natural fresh goodness?" Then at
li all began five years aso, when Adam Baton, Richard least you've got one healthy habir in a world of bad
Feed and Jon Wright were contemplating srading rheir
own business.They took 500 poLrnds worrh of fruit to a
music festival in west London, made a huge batch of
smoothies fruit drinks blended with mi k and yoqhurt ln essence, explains Jon, lnnocenr ptans to simpty
and asked their customers for a v€rdict. freeze some of its smoothies, possibly with a bit of egg
thrown in to make il all stick togelher. To hetp testers
make up their minds about which combinations work.
Looking back, they now admit thar rhey were amazingty the yes and no bins will be dusted off and put out again.
naive about starting a business, thinking it woutd just
take off once they had the recipes and packaging M-
'You've just got to put thar in the caregory of ,,never sav
figLrred out. ln fact, the three budding businessmen had
nine months living on credit cards and overdratls never". says Richard 'But the three of Lrs go away once
before they sold their first smoothie. every three months to talk about what we wanr out of
the business and we are all in rhe same ptace. So as
long as we are exclled and cha lenged and p.oud of the
The appeal of lnnocent's products lies in their pure, business, we are goi.g ro wanr to be a pa.t of it.
unadulterated ingredients, ptus a dash of quirky
1
advertising. As one campaign put il, their d.inks are not
nade fram fruit, they ,re fruit. lnnocent,s refusa to 'We have got annoyed wirh each orher,' admits Adam.
compromise on this poini presenred them with some 'But the areas we have had fallings,out over are rhings
problems when they first started ralking to pot€ntial where we each think w€ have reasors 10 be right. So it,s
suppliers, Adam says. This was when rhey discovered been about really important sruff like the cotour of the
ihe truth about the maiority of so ca ed ,natural frutt floor, the co our of the entrance. or whar to paint the
drinks'. pi lar''We really dld nearly jump on each other abolri
that,'adds Jon.'Was it going to be b ue or green?,
'Naivety', adds Richard, who is atways ready wirh a
soundbitc, 'can be a great asset in business because
you challenge the sratus quo.' Athough tnnocent,s
drinks a.e fiendishLy healthy, the company has alwavs
been very careful not to preach. ,Everyone knows whar
they're supposed to do,' says Richard. ,But we just
B Al rhe Regeni',s Park event the team tried out one of E They also seem to have managed to stay friends.
iheir new ideas - extending the;r range of products They still take communal holidays, and rhe fact that
inro desserts. 'We always try and develop each member ol the team brings a differenr and
something that we actually want, and ior us there is complementary sel of skills to lnnocent seems to
rhis problem of Sunday evenings when you sit have helped them avoid any big bust ups over
down wirh a DVD and a big tub of ice cream and it's strategy.
nice lo munch through it, but my God, is it bad for
you,' Richard adds. F lnnocenl now employs 46 people and FruitTowers -
as lhey call their base, has slowly expanded atong
C IVosl are made from concentrated juice with water the line of industrial Lnits. The company has
- arci perhaps sweeieners, colours and managed to esrablish a dominant position in the
preservatives - added. 'We didn'l even know about face of fierce competition. This year Innocent
thai when we started,'Adam explains. 'lr was when became Britain's leading brand of snToothie, selltng
we started talking to people and they said, "OK, about 40% of the 50 mll ion downed annuatly by
we ll use orange concentrate," and we said, "Whats British drinkers.
concentrate?" and they explained it and we said,
"No, we want orange iuicel' ' G Having created a successful business fronr this
base, is there a temptation to seil up and go and
D 'We origlnally wroie this masslve lons live on a desert island? With consumers becoming
questionnaire, says Bichard.'Eut rhen we thoughl, increasingly concerned about what they pur in their
if you?e ar this festival and it's sunny, the tast thing stomachs, premium brands such as lnnocent are
you wanr is ro fill out a survey. so we decided to woirh a lot of money to a potentiaL buyer.
keep it simple and ask literally, "Should we stop
Irsentlel ti,p*
> This part ol the exam r.srs your Lnd.rslonding oi how a > Whe. yo! hdve found . paragraph that may tir . gap,
rext is organ sed and,ln parrlcu ar, how paraqraphs relare read the paragraph lhat comes before il and the one thar
to each orhe. For eramp e, a paragraph mishr o ve d.raits comes ailer itro see lhar they fit roqelher
.bour an ldea m.ntioned or discussed in a previous
paragraph, or il may p.esenl ano$er stde olan argumenr t Re r€ad the complered tcxt and make sure ir ma[€s sefse.
.liscLssed in a prevlous paragraph.
I Read rhrouqh lhe mai. rexrq! ckty ro aeia qene.alidea Ouestion TiThe ast sentence in lhe previo!s par.graph
oJ
whal t is airoui. Don'iworry iilhe.e are words or phrases descrbes how Balon, Feed andWrighl'asked rhel.
yo! don'r undersrand Find the m.in idea in each parasraph. customers for a verdlctlWhich sapped paraqraph.lescribes
how .ustomers gave thelr opinion?
> Look for links tretween rhe manr lexr !nd rhe gappcd Ouestion 9:The previous paragraph ends wirh 'This was
p!r.graphs The sapped p.ra(lraph may have inks either
when lhey dlscovered rhe truth .bort rhe dajorry ol so
to rhe paragraph belo.e r or ro rhe parag.aph .trer it, or
cal ed "natura lruit drinks" ' Look lor a gappe.l paragraph
which des.rih-a. rhis 1ntrh
t Look for rhcme and lansLage tinks. For exampte: ouestion 11:1. the paragraph folrowing the cap, onp.fih.
. refer.nces ro people, places and rinres owncrs of l.nocert implies that someth ns seems Ln ikcly
because h€ and his coileaSues are sl l!soodlcam.\4/hich
'words or phrases thal reier back or iorvr'ard ro anorher
gappeLl paragraph poses a question whlch rhis paracraph
wonl, phr.se or idea in the texr For €iampte, ifihe lirst
line oi a paragraph says somethlns like'lhis becomes
c ear whe we look at ..', 'This' relers back ro somethtng
exp.essed in the pr.vious par.graph
. linkin! devices sLch as'firsry', sacondry','furthe.more,
'on the other handl 'however'.Thase wi I hetp yo! to ii.d
con.ections bctlvoen pa.a!raphs
PAPER 5 Speaking
'? '- _
Tesr I ), paplR I Feadrng , r .r {
13 According to the text, the images in Church Hole cave are
Erenticl llPs A
B
unique examples of ceiling ad.
particularly beautiful cave paintings.
, pa of lhe e/.m tesls
Th15
vour detilled !nde/standing ot
C superior in qualily to other cave ad in Brilain.
; reir, icludinq ihe views and D aestheticallyexceptional-
artiludes exPressed'
through the lext quicklv
14 What is the cultural significance of ihese images?
I Read
ro ael a aene,al'dea of wh't n A They indicate that people lrom central Europe had settled in Britaln.
s;orr Don twor Y
'rlhere B They prove that ancient Briions hunted over large areas.
are wo/ds or Phrases You donl C They reveal the existence of a single ice age cLrlture ln ELrope.
D They suggest that people in Europe were more sophisticaied than Britons.
, The queslions rollow the order
ol the text. Bead each question 15 According to the text,
or quesrion slem careiully and
underline the keY words.
A the discovery of the images should not have been made Public.
B the images in the cave are vulnerable to damage.
I Look inrhe text Ior the answer C many people vislled lhe cave within hours oI its discoverv-
ro rhe questlon. One ofthe
options will express lhe same
D the measures taken to protect the images have proved ineffeclive.
idea, bul don't exped$at it will
do so in the words olthe text. 16 Whv were the imaqes nol discovered during the initial survey?
t The flnalqrresrion nray ask
A They were not viewed kom the right angle.
about the intenlion or oPinion of B Deopl. were 1ot e.p"cans Lo r1d arv imdqe' .
rh€ w.ltcr.YoL may need to C Artificial llght was used to explore the cave.
consider the text as. who ero D The torches used were too powerful.
.nswerlhis questio., not iusr
17 What concluslons does Dr Samson draw from the llghting factor?
PAPER 5 Speaking
he bosic storu is veru old indeed ond The sroru is enduring, r,hatever its shortcomings, ond
fomilior to most of us- The heroine, it doesn'r toke much in the $,oU of onotutiiot skitls to
Cinderetto, is treoted ciuettu bU her sec its influence on o number of recent Holluwood
stepmother ond mocked bU her rwo uglu stepsisters. producrions, oLl oimcd ot girls oged five to fifteen. In
And even thouqh her fothcr loves her, she con't reLl these versions for the sitver screen, the CindcrelLo
him how unhoppu she is becouse her stcpnother hos chorocter no longcr hos to clcon the house ond hos no
belvitched him. One dou CinderclLo's stepmorher ond sibtings to moke her life o miseru, though she persists
stepsisters ore invited to o ball ot the rouol poloce. in not showing much bockbonc. Thc chorocter of the
Cinderello is told she connot go ond is rich ond hondsome srronger, hoirever, is retoined,
undcrstondoblu vcru unhoppu. Horvever, her foirg ond in some coses reollu is o prince.'Ihe role of the
godmother comes to the rescue ond, woving her foiru godmorher is often ptoued bU coincidence or
mogic wond, produces some beoutitut cLorhes for sheer tuck; r'e tive in on enLightened oge when even
Cinderetlo os wetl os o corriogc to conveg hcr to the very Uoung chjldrcn milthr rcject the nolion offoiries.
b.rll. l-lrere. .hc drnce. qrh Lhe l-orJ'Jme prin.e. The \r'icked stepmother mou be t.onsformed inro o
who folts in love with her, not onlu becolrsc shc is villoin of some sorr. In the mojoritu of film versions,
beoutiful bur olso becouse she is good ond grocious. the heroine hos a profession ond is even permifted to
Cinderetto hos been rvorncd thot the mogic will \{eor continue rvorking ofter morruinll her p nce - this is
ofi ot midnight, so r,i,hen the ctock strikes nveLve, she rhe rwenru-first centuru, ofter oll.
huries owou, leoving behind hcr o gloss slippcr. Ncxr
do!, thc princc, smttcn bU her chorms, comes looking Doesnt the succcss ofthcse films indicotc thot thc storu
for the girt whose foot fits tlie gloss stipper. He finds hos reteyonce to chitdren even todou? 'Yes,' od its
Cinderello ond Lhe! morr! onrd gen<rol rej. c,nq. Ellcn, who sees its messoge os being rooted in o
fundomenrot chitdhood desire for lovc ond ottcntion.
Just o sweet, prettu to[e? Not in the vie\i of Eltcn 'Most children experience o sense of inner Loneliness os
Moclntosh, who hos ivritten extensivelu obout foiru theu ore growing up ond empothise with the
toles. 'This storu feotures lhe stockj trvo-dimensionol protogonist who foces some sort of test or chollenge.
chorocters of most foiru toies, ond tittle cho.ocrer This con be seen in Lhe originol storu of Cinderello,
development is ottempted,' she soUs. Indeed, where the foiru godmothcr tclis the heroine thot she
otrhough her comment does moke one wonder whu musr leorn to bc grocious ond confidenr ifshe is ro go
simpLicitu of this sort should be our of plocc io o to rhe boli. Shc hos to grow spiriruolg, ond bU
storu for chitdren. Be thot os ir mou, Ellen's moin meturing, she becomes ottroctive to the prince, thus
problcm is with whot fie storu implies. 'Instcod of ensuring thor the ending ofthc storu will be hqppu. 'In
stonding up to her cruel stepmothcr ond obsurd the toter versions, lhis element is missing,' soUS ElLen,
stepsisters, Cinderello just woits for o foirg 'ond fie theme of the storg is simplg thor o girl's rote in
godmother to oppeor ond solve her problems. Bur Life is to be more beoutiful thon orher tittte girts so thot
$ouldn't Uou wont o doughter ofUours to show more she con corru offthe prize: the hondsome prince. Is this
spirit?' rcotlu $,hot we $.ont girLs ro grow up betieving?'
t Remen be' ' rh s Plrr oi rhe B The sro i-s d.e ve-y bdsic.
crJ n 1oun{d ro ''Litoi!" C lt is unrealistic to expect character development.
rhe cer3rs oft L
t a' we ras D lt is a mistake to consider them sweet and pretty-
wnlert oPinion ad tude
rhe
14 What is Ellen's main objection to the Cinderella story?
) Yo! ca..pproach this pan in
A The heroine is treated cruelly.
Mo s iqhlY different ways'
H.wever, Vo! should besin bY B The heroine is not asserlive enough.
;ead nq rhe insrru.lions and C The ugly stepsisters are figures of ridicule.
rhe riile ol the rext.Thcn Yo! D The stepmother is a stereotypical characler.
can enhersk m the texlfirst
b€I.r. You rcad the q!'sl ons
or read th€ questions llrsl 15 ln film versions of the Cinderella slorv
beiore Yo! skim lhe lexr' A the prince is invariably replaced by a rich stranger
) There lvll be seven quesiions B two characters from the original story are omitted
or qlesrion s1.ms Re.d each C there is no lonqer a wicked stepmothe.
qlestion c. .lu ly and, wnhoul
lookin! al rhe oPlions, scan the
D the Cinderella character no longer has to work.
rel1 ror the answer orfor a
s! table a.d accurate wav to 16 Modern film adaptations of the story lend to present a Cinderella
comp ele the question stem A whose character remains basically unchanged.
> Thlnkrboul th€ meanlnO ot B who is luckier than she is in the original story.
what you re.d, 6 d on y rh.n
se€ lIyoL.an march rhe
C whose circumstances are unusual.
re evant seclion oilhe text with D ihal rrar,,.hildren migqr iind ur.onv.1cing.
G
reff
PAPER 1 Reading t
PAPER 2 WTit'.g Paft 2 You are going to reacl a rnagazine arljcte Six paraqraphs have been removed from
the artic e. Choose from the paragraphs A G rhe one which fits each gap 17 12).
PAPER 3 Use of Engtish There is one extra paragraph which you do not need ro use.
PAPER 4 Listening Vlark your answers on rhe separate answer sheet.
PAPER 5 Soeaking
Oocunrenting a threatened langLrage can be difficutt Take, for example, rhe vast potenrial for modern
and dangerous, requiring consummate diplomacy with medicine that ies within tropical ralnforests. For
tribes, some of which may be meeting outsiders for ihe centuries forest tribes have known abour the healing
flrst time and rnay well be wary about why these propenies of certain plants, but it is only recently that
strangers need so much information about their the outside world has discovered that the rainforests
language. 'Some peoples are exirernety proud of their and cora reefs hold potential cures for some of the
langLrage while others are sceptical of the ,,white man,j world s major diseases. All this knowledge could be lost
believing he now wants to rob them of their tanguage if the lribes al-rd their languages die out wirhour being
as well,' says Kortlandt.
'There are about 200 Tibero-Burrnan tanguages, onty Kortlandt is blunt about why some languages have
about ten of which have been properiy described,, says suffered. 'lf we iook back to the history of the Empire,'
Konlandt. 'We now have fourreen phD students he says,'for social, economlc a.d political reasons, a
describing different, unknown {anguages., The probtem majority never has an interest i. preserving the culture
is it can take years to documenr a tanguage.,We are
lssenti.al lip*
, fiemember in this part ofrhe exam yor need to Ouestion 7: ln the p.ragraph after the gap,lhe wor.l B'n
unde.st.nd the srructure a.d organlsalion of a lexi: how shows rhai a conlrast is beLng described. lr is ikelv that the
Its paragraphs work rogether. conrrast ls beiwee. the extin.l or thre.tcned anguases
refered 10 and the major inrernatio.al ansuages'
t F rst look al rhe innructions and the due oi the text.Then menton€d i. the paraSraph b.fore the gap.
s[im the sapped text for the ge.era meanins a..i notice Ouestion ai ln the par!sraph iollowins the gap, the name of
how lt develops ldeas, oplnions or events
. person Kortlandt ls mentioncd, but rhere is no
t You may need to consider more ihan one 9ap al a time in lndicalion who this person is.lt is like ythattlre sapped
paragraph Sives some deialls about hlm.
order to work ourwhich par.oraph goes where. Do nol
rely slmply on recognising repeated names, d.tes etc Ouestion 11:The par.graph aiter nre gap describes the kind
ol knowledge rhat cou d be Iosr ii cenaln anguages become
.xtinct Which g.ppcd parEsraph lnlroduces this lhemeT
A I had piano lessors when I was young, and I did have C When 1 left college I staned working in a bank, bur
son1e talem. But ir soon became obvious I'd never be my hean was n€ver r€ally in it. The problem r"s
good enough for a career on the conce( nage. ln a panlv thc emrronm<nr I ,lon r ,.,.e sorl.rng rn dn
rvay,l was lucky.ll I hadn r realised early on tha! I'd office. I'm more of an outdoor person - and l'd
never make it as a pe ormel I probably would have always been crazy about sur{ing. Wetl, one summer
carned on dreaming that my big break would come. trh.le I u,j. rr Corrr"ll on holrod\. I Bor , ha int ro
As ir ls, I became a music reacher insiead, and in my the owner oia su shop Hesaid he wanled to sell up
free rime I staned to dabble in the technical side of and I jumped at the chance to buy the business trom
lru5, produ,rion lhpn dn au.]l dred lervrng rne himl Looking back, I can see how lucky I was. lr's
some cash, and i suddenly realised I could finally ser incredibly diflicull to set up a shop like rhar fronr
up m)- own rccording studiol Of course. rhere is a scrarch. Besid€s. beinS such an avid surfer nryself, I
downside ro rurning a hobby into a career I love my e-umed a lor otnth"r p,opl" mu-r .hdrp rhl inr< esr
job so much that I used to work seven days a week, -which isn't the case I Obvious when you rhink abour
but after a while I realised i w?s geuing bumt oul - ir. but it took me a while to realise wlmt a naive
you need to switch or occasionally. My job has attitude that wzs. Now that I've leamt th€ ropes, l'm
.jFfrrrF\ ,rJded ,lcprh rhe $4 I li-ren mu5.
'o thinking elth€r of expanding , more shops,
'o
noq lc,n rralh Lnder.rdrd uh) -omeure'< u.r,g d managers and so on or diversifying, perhaps
certain technique or piece of equipmem. producing my own surt boards! I acrualiy rhink rhe
second option is more likely because ir's a subjecr
B I studied m€dicine. bur when I linisherl medical which interests me a lot.
school I had a son ol c.isis. I suddenly knew I couldn't
go on with lt I I'd have been an au,ful doctor. But I was D l'd always been a senous amareur photographer, and
keen on amateur dramarics and I enloyed pu[ing on when I leli school I wanled ajob rhat would allow me
plays ar the local youlh ctntre, esp€cially coaching a l"t of tree r.me ror mv nobov solBor,rlobasawr.re'
budding actors So I started wondering 11 I could make working evenings only Around that lime I also offered
a liung from reaching drama. A lriend suggesled I to help ny uncle our h his srudio. He was a
should set up as a fteelance teacher and o{fer acting protessional photographer, and I'd go along ar the
Iessons for children. Ir was lricky and ar firsr, I weekends and act as general unpaid dogsbody. I got an
couldn't work out how ro tind custo1rers who would insight into th€ business, whi.h made me wonder
pa1 for their children to atiend rhe kind of courses I whether I too could eam a linng from photography So
wanrpd o un lhei -oreone n n- orSJ citron I saved, set myself up as a prolessional photographer
called Business Llnk, which h€lps people set up their and tried to suwive solely on my eamings lrom selling
own businesses, suggesred adverlising on the pictures. However, aft€r a while I realised it simply
Intemetl I was conlacled by a surp sing number of wasn't going Io happ€n. So I swallowed n1y pnde and
inlerested p€ople, and five y€ars down the line I'm gor some work as a sales replesentative for one of the
doing all nght. The ciasses thenselves arenl terribly blg emera manufacturers, which takes me round the
lucrative, but I supplement my incorn€ by giving talks country Lo rrade [aiE and so on, demonstmting the
to amateur dramarics societies, wriling articles for Iatest equipmenr. l'm doing quire well in rhar line of
magazin€s and organising trips to see shows in vork, althoqh I ve noliced one odd lhing: now tha!
London. lt's not abd 1ite. my hobby is my work, more or less, I've had to find
another way to switch olL ln fact. ]'ve tak€n up lishing.
E My tirst job was wirh an isurance company, bur I was F I wancd to nudy g.aphic design when I left s.hool, bur
hardly a model employee. I loarhed nyjob, a.d i$tead I didn\ have good €nough grades ro go on to aft school.
ofselling insurance, I used ro wander around rhe ciry,s lnstead, I got a job in a garaSe, and lor the next ten years
mmerous an gall€.ies. I harc no .rearive ralenr ol my I worked as a car rnechanic. But while I was working, I
osr, but I can recognise ir in rhe work oforhers. I soon did some evening courses in ildustrial design and got
picked up quue a Lor ol knowledge abour conremporary lots of book on rhe subjecr I was interested in the
an. Then one day I gor ralking ro rlrc nanager ot an an practical side ofconsrrucrion, roo: I even bulh a car ol my
gallew .he menloned a new grl eN rnar sr- Boing ro om trom spare pal1s Then lgor rhe idea otbuildinga
be opened and suggested I apply tor rhe Job oi trEnage. bike a tour-wheel delivery bike - and rhe nexr rhing I
At tirst, I Ms doubful, bur I realised I hrd nothing ro knew, my wife was uging me ro ser up my own
1ose, so I applied and was asked to go for an in.erview. I company! I had to tak€ a very deep brearh betore I
rhi.k th€ [act rhar I was so obviousiy crazy abour a IinaUy took the plunge. l'd done my bei ro prepare lor
impressed rhe orvners. To my surpnse, I've turned our ro it, taking a course in business management in my spare
be quite a good saLeswoman Of course, mosr people time, and I knew l'd be working longer hours tor less
come into rhe gauery j6t ro look around, but when money, at least at first. The big diiliculry was rhe
someone shows an imeresr in one of rhe works ofl shN. un. enarnlv of ro L nowinB how nu.n $ould h..omrng
I don't immedi?rely nan to persuade them ro buy ir. I in each month. And things were preuy tough for rhc firsr
just chat abou! rhe work and whar nukes ir imeresring tew years, although I never regreued it. Looking back. I
to me. People leel reassured when rhey serse your can see that I underestlmated the amoutu of papework
l'd have to do. I somehow lhoughr I could jusr
concentrate on the nice stuil - designingl
PAPER 5 Speaking