Miskatonic Repository - Cthulhu - Vernissage
Miskatonic Repository - Cthulhu - Vernissage
Miskatonic Repository - Cthulhu - Vernissage
Dangers (p. 16), in turn, are all threats and other diffi-
culties that the investigators will face during the vern-
issage. Depending on the players’ experience, the
Keeper should present these dangers accordingly.
Destroying evidence
The main hall, although rather modest, beams with An uneasy silence hangs in the air. Of course, some
majesty and dignity. Artomowski was not known for conversations can still be heard here and there, but
over-attachment to the finer details or concern for something is amiss.
interior decorations… but this time, he made an
Then, you realize it. The music box has stopped. You turn
exception.
to where the music box is, noticing that one of the guests
The monumental artworks, hidden beneath opaque has unfurled a small roll of paper that was likely hidden
cloths, dominate the hall as if calling attention to within.
themselves. There is no doubt that they are something
“Ladies and gentlemen, it appears that Mr. Artomowski
other than paintings. Everybody is eagerly awaiting the
will not be joining us tonight!”, announces a nervous man
unveiling of these new works.
with an old, exhausted face.
In the center of the hall stands a small table showcasing a
As it happens, the artist will not be present for his own
peculiar music box. A note next to it reveals that it was
vernissage. His hand-made music box contained an
also created by Artomowski. The music box plays a lazy,
enigmatic letter, in which he apologizes for his absence.
even slothful melody that, while it plays softly, appears
He also encourages the guests to remain in the main
to fill the entire hall.
hall until the unveiling.
The corner of the hall is occupied by hired musicians
Although Zbigniew’s conduct will disappoint gathered
who strum their instruments and watch the guests.
guests, nobody will leave the estate. From now on,
A large smorgasbord catches your attention. Ornamental conversations will be focused only on Artomowski and
tables are beautifully adorned with dishes of his impolite behavior. A lull in the action will
international cuisine and they are accompanied by an commence, during which the investigators can try to
array of libations. use their skills to gather information or search the hall.
If an investigator succeeds at their roll, they will learn While creating “Beings of New World”, Artomowski
that each statue embodies one aspect of a supernatural did not base them on his time in the United States. It
entity: (1) The Observer, (2) The Accuser, or (3) The should be obvious by now that the “New World” is not
Speaker. America, but something else. The question remains,
what New World has plagued the artist’s nightmares
If an investigator fails their Sanity roll, they will see the
for the last three years?
more disturbing and uncanny details in Artomowski’s
works. They may even feel as if some elements are
moving, such as eyelids opening and closing or hands
changing the direction in which they point. It all
depends on the investigators’ general willpower.
The One Who Observes
Beware of the Monarch’s gaze, for his Eyes see all
that is. Myriads of them he has and their gaze
pierces far away planes, further than we could
ever hope to grasp.
Conflict
Conflict
• He will aggressively go after any negative opinions Fighting (brawl) 25% (Hard 12%/Extreme 5%), damage
about Artomowski’s sculptures. 1k3.
• As events unfold, his speeches will make the other Skills: Charm 65%, Dodge 27% (Hard 13%/Extreme 5%),
guests increasingly more shaken. Becoming more Fast Talk 70%, History 35%, Law 30%, Listen 30%,
apparent as the fog finally surrounds Occult 20%, Persuade 60%, Spot Hidden 35%
Artomowski’s estate.
Conflict
A series of events that will happen, but creative “What a wretched fog. And I hoped to leave early.”
Keepers can use them in other ways to keep
– Jerzy Czaplinski
investigators motivated and involved in the unfolding
story. These events are meant to add a sense of ever- One minute you saw the fog looming far beyond the
increasing urgency and serve as milestones. Each event window, then the next, it wrapped itself around the
moves the story closer toward its climax and should house. Its misty banks obscures your vision and gives the
increase the tension. impression of something unnatural. Furthermore, it is
preventing the guests from leaving.
An alternative (or complementary) solution to the
epitasis is the ritual effect table (See Extras). Worse still, these simple particles of water hanging in the
air are disturbing the other guests. A group of men, just a
moment ago were smoking cigarettes on the terrace, they
Apnea are now hiding inside the hall. They have closed the door
behind them, as if not wanting the fog to enter the room.
“Is it just me, or it got unbearably stuffy here, Until now, everyone wanted the terrace door to remain
dear?” open to ensure air circulation and to avoid further
faintings. Now, however, they seemed to ignore the door
– Anna Czerwinska
and longingly stare at their plates, glasses of wine, and
At some point, the atmosphere in the hall becomes even Artomowski's sculptures. However, no one is
noticeably more unbearable. It is difficult to determine the looking out the windows. No one notices the fog getting
cause of this change.Perhaps it is a result of the aura thicker.
surrounding Artomowski’s sculptures.
The fog is designed to introduce a sense of
Observing your surroundings, you quickly release that all claustrophobia into the scenario. It also serves as a
of the guests appear to have been equally affected by a means to cut the investigators off from the outside
sense of anxiety that hangs in the air. As a result, and by world. As a result, they are forced to remain within the
some unseen compulsion, some of the guests re-fill their house for the time being.
glasses with beverages, while others head for the terrace
The fog shouldn’t appear too quickly, especially if the
and some fresh air. You are not immune to the feeling of
investigators haven’t had the chance to look around
anxiety; a sense of mental weakness or maybe it’s
the shed. If they have neglected to search the shed for
feebleness, but something is affecting you.
any length of time, let the fog be the price paid for their
You surmise that the guests may have tired of being so inaction.
close to one another, the event is well attended after all.
The dense fog itself is harmless to the investigators, but
Apnea forces the investigators to make additional CON it will play tricks on their minds and sanity. If they look
rolls whenever they attempt an action that is physical to closely into the fog, they may see moving shadows
in nature. and silhouettes (Spot Hidden) similar in size and shape
to Artomowski’s sculptures.
It can also be a good time to start one of the random
events. Nothing says that the apnea cannot effect the If the investigators decide to go outside, they run the
investigators while attempting an important roll. After risk of injuries from tripping and falling, unsettling
all, not all things go according to plan… visions, and possibly a new phobia – homichlophobia.
Moths Ex Machina
“Do you hear it too?” “The heart couldn’t take it. Even Artomowski
couldn’t dream of such horrid finale to his
– Antoni Czachowski exhibition…”
When it seems you’ve reached your daily quota for – Dr. Stanislaw Korzeniowski
unexplainable phenomena, a weird noise can be heard
A loud thud can be heard over the guests’ conversations.
just outside the house.
As a result, silence fills the room as the guests cease
The first dull sounds are reminiscent of hail hitting the speaking and hear only the sounds of moths at the
shutters, but it is something more. At first barely windows. From out of nowhere there is a woman’s
noticeable, becoming more and more distinct and piercing shriek followed by the screams of several men
disgusting, they press against the windows of the main from across the hall.
hall.
It turns out that one of the guests – attorney Czachowski
“Moths”, mutters one of the guests, as if not believing – has fallen to the ground unconscious. Several of the
what they are seeing. A plague of night butterflies has guests can be seen trying to resuscitate him to little effect.
afflicted Artomowski's estate, and they seem to be
Attorney Czachowski died, surrounded by Artomowski's
aggressively demanding entry.
ominous sculptures, to the accompaniment of hideous
Although bizarre, the phenomena is not unbelievable, and insects hitting the windows.
the guests are trying to pay it no mind. One guest
Death during the vernissage crowns Artomowski's
approaches the orchestra, asking them to play a livelier
efforts. If the investigators are unable to stop the ritual
tune. Still others, as if shocked, move away from the
in time, someone will eventually perish.
windows and towards the buffet, pretending to suddenly
regain an appetite. Everyone will quickly begin to rationalize what has
just happened. They will begin to connect the issues of
The moths prove to be unbearable and persistent. The
the stuffy air in the hall, Czachowski's advanced age,
swarm presses against the windows, staring inward with
and finally his bizarre behavior during the exhibition.
a thousand eyes. No one dares to exit the house even for a
Pushing away all bleak thoughts, they will conclude
moment’s respite from the oppressiveness that pervades
that the attorney suffered a sudden (but obviously
the house.
understandable) heart attack that led to his death.
Moths are the first "conventional" obstacle preventing
the investigators from continuing their investigation.
If they have not yet been able to search the terrace or
the shed, these tasks are now impossible.
For the time being, the danger has been averted and Incidents
Artomowski's whereabouts remain unknown. It is also
Stone Gaze – one journalist, terror-stricken by the
unknown how long it will take before he makes his
sculptures and imagining that one of them stared
presence felt again and what his next move will be.
directly at him, will scream hysterically and then fall to
Regardless of whether the investigators managed to the floor. This will obviously cause a bit of a stir during
stop the ritual or not, they should have discovered a the exhibition, drawing security’s attention.
letter that Artomowski left in his office, in an Investigators will be able to use this opportunity to
unaddressed envelope: sneak into restricted part of the house.
In the technology race, for far too long we have not been The Disappearance of Attorney Czachowski – a
left behind… we are on the wrong track altogether. All seemingly insignificant event, attorney Czachowski’s
these strange inventions, new discoveries, which we quiet exit is a direct result of his viewing and ponder
proudly describe as tools to cross new boundaries, are the meaning of the statues. Investigators will find him,
false, as is our belief of living in the age of reason. But troubled by labored breathing, in one of the bathrooms,
why? Because we fell in love with the Friedman where he is washing his face with cold water. If helped,
equation? We might as well “discover” the sky above our he will describe the strange state he fell into after
heads. contemplating Artomowski's works. He will share his
thoughts and promise to return the favor.
There are places far more interesting than New York,
Paris, or Berlin… Sketch – an editor of a local newspaper, captivated by
one of the sculptures, decided to sketch it in a notebook.
In the end, I also determined an extremely important Of course, he tried to do it as discreetly as possible and
thing, about which – just as I thought – New Yorkers acted in a hurry, but nevertheless managed to
were terribly wrong. Maybe long ago one of them made a maintain some resemblance to the original. If the
mistake while translating grimoires, or maybe the reason investigators notice (Spot Hidden), they can question
is different. The fact is, however, that due to their him about it. The editor admits that he would like to
negligence, in all books, manuscripts and letters they put it in an article describing the amazing exhibition.
inadequately used the name “Amber Monarch”. Investigators can approve of this or – feeling that
Meanwhile, the real title of the one who leads us and Artomowski's visions should not be shared – try to
shall hold perpetual power is the King in Yellow. convince the editor otherwise. He will insist, however,
saying that people should learn more about
There are places far more interesting than Warsaw,
Artomowski’s astonishing works. A good solution to
Shanghai, or Sidney…
this situation may be a suggestion that publishing the
Carcosa is one of them. I wish to travel there one day, sketch in the newspaper without Artomowski's
sooner rather than later. I’d have to see the Great permission would violate his copyrights.
Mystery with my own eyes. Otherwise, I cannot put it in
a painting. Carcosa shall be a good start.
The Overheard
• Faint – the investigator loses consciousness.
Below are but a few examples of conversations that the • Feeling watched – a persistent effect. The
investigators will be able to overhear while mingling in investigator won’t be able to focus on small talk;
the main hall. There is a “decorative” value to these constantly looking over their shoulder as if
conversations, but creative Keepers can use them to nervously looking for something.
slip the investigators some additional tips.
• Uncontrolled laughter or crying – a persistent
“Indeed, this is Artomowski in all his glory. It is rare for effect, the investigator will experience
an educated man to be unable to put his feelings into oversensitivity and an emotional imbalance.
words, and here, it seems, it has affected half of those
gathered. How do you describe something so grotesque? • Brief loss of control – the investigator spouts
Whoever I would ask, they cannot answer what exactly nonsense or recalls knowledge they shouldn’t
frightened them in these disgusting sculptures” possess.
…you have certainly heard of our cousin’s return to the country. I know your attitude towards him,
and I know that although you have never been overly fond of each other, his fate isn’t indifferent to
you.
It definitely isn’t to me. At least not now, when I’m certain he’s alive. Over the past year, I have been
haunted by the thoughts that Zbigniew died at the hands of a thug in the New World, or that he died of
some disease unknown in Europe. You know that masses of people from even the most remote
wilderness are traveling to America now.
Meanwhile, Zbigniew is alive, apparently well, and will soon return to Poland. I heard that he plans to
shock everyone with his exhibitions again. However, this is of secondary importance to me. I would
even say that of none importance because I’ve never liked his art.
I don’t want to prolong my letter unnecessarily, because I don’t like to beat around the bush, nor do
you have much patience. I would like to ask you to go to this exhibition and talk to Zbigniew. Find out
if he is okay, if the stay in the New World didn’t shake him too much. Many of Zbigniew’s old friends
seem to treat the news of his return with a mixture of fake enthusiasm and a dose of definitely
genuine reserve. When it comes to the rest of our beloved family, we are unfortunately no better at all.
You understand where I’m going with it, right? Perhaps we are the last to whom Zbigniew's fate is not
indifferent.
I cannot go to Zbigniew's estate because of my health, although you can count on my financial
support. I will cover all your expenses, not to mention the… appropriate proof of gratitude. As you
know, I have never been overly skimpy and nothing has changed in this matter.
Remember, if Zbigniew has gotten caught up in some shenanigans, I want to know about it. If I can
help him, I’ll do my best. In the meantime, I’m just asking for a little “reconnaissance”. I know that I can
count on you and that you are smarter than most of this atrophic family in which I had the doubtful
luck to be born.
… I know that you have a lot of responsibilities at the moment, and therefore I assume that some
interesting news may have escaped your attention.
Well, the famous Artomowski (yes, this Artomowski!) is not only alive, but he also returns to the
homeland like some prodigal son! I know that you were friends with him years ago, and you
exchanged a lot of correspondence. Therefore, I’d like to inform you that soon you’ll have a chance to
refresh this old acquaintance.
Artomowski doesn’t waste time and not only shows the whole of Poland that he is still breathing, but
that he still has a lot of creative energy up his sleeve. He will emphasize his return to his homeland
with an exhibition of works created during his stay in the New World. Specifically, from what I found
out, in New York.
I myself never liked his art (to be honest, the vast majority of his paintings have been
incomprehensibly repulsive to me) and I haven’t been overly eager to come to the vernissage, but I
think you might quite like it.
Many representatives of the high society were also invited to the event, so the company will probably
prove to be irritatingly refined and sophisticated. However, I think you can handle it, as always, am I
wrong?
I hope I gave you some joy with this letter and did not complicate your plans too much. The date is
unlikely to change, so try to complete all your current matters as soon as possible. Ultimately, it is
unknown when Artomowski will dream of conquering the world again. Maybe this time he will go to
the East and will be gone again for years?
I wish you health and hope that you will find a moment to meet me shortly. I would like to consult with
you about an issue that seems to be of interest to you,
…among the many things that I cannot comprehend with my little mind or put in my already too-vivid
imagination, one still stands out from the others. Namely – your peculiar worship of Artomowski's
works.
Do I really remain blind to some hidden depth of his work, which is more than just poor attempts to
shock the audience with images that are neither oneiric nor realistic…
Maybe it’s a matter of my blunted sensitivity for the art? Maybe, by remaining faithful to the classic
canons that my teachers instilled in me, I’m unable to understand the meaning of his creations, buried
deep under the layer of the literal abomination?
Or maybe, just maybe, Artomowski creates artistic quackery that I just despise. And it amazes me all
the more how we can differ on this matter while agreeing on so many others…
You are probably surprised by this extensive introduction, although I hope you will forgive me and
show a little understanding when I tell you the purpose of my letter.
So, Artomowski will visit his homeland again! And not empty-handed. He brings new works created
during his stay in the New World along with him. A reliable friend told me that they are probably not
paintings, but sculptures.
PS. Once you decide to send me another letter, please select the fragment in which you fawn over
Artomowski, so I will know which part I can safely skip.
Motivation 4: Adept
… I do not intend to waste ink on courtesy or alike, after all, we do not exchange correspondence for
such purposes.
I am happy to inform you that I have finally reached the representatives of the Amber Society in New
York. I am going there soon, hoping that I will finally get to know the answers to the questions
swarming in my head.
I still can't understand my own art, and I still am haunted by visions of fear and excitement all
intermingled. Ideas looming somewhere on the horizon of understanding, clothed in a completely
foreign symbolism… Until recently, they belonged to the dominion of Hypnos, but now I feel that they
penetrate even our earthly, material reality, as if demanding their due.
Now is the time to face our own fears. And I do not mean the fear of traveling to America. I am more
afraid of the travel to the real New World. – Zbigniew Artomowski
Continuing the Adventure
The Power of Ritual – The work of an anonymous “In the case of many rituals Artomowski’s Study
Forsaken Magic German cultist. It contains conducted by way of post-
Practices descriptions of various Celtic cults, music, obviously,
magic practices used around played one of the most crucial
the world, including a roles. From time to time, its
detailed explanation of their presence or absence
role in rituals. determined a ceremony’s
success, apart from the fact
that it made participants enter
a state of mystic ascendancy.”
A note about Yuggoth A handwritten note with a Yuggoth is just a bridge. A bookmark inside of the
single repeated statement. tome (The Power of
Yuggoth is just a bridge. Gemstones)
Yuggoth is just a bridge.
Yuggoth is just…
Evidence
Item Description Details Location
The Art of Reading A richly illustrated book Based on the methodology of Zajdler’s Office
Symbols which aims to provide an analyses shown in the book,
easy beginner’s guide to the we can conclude that
topic of interpretation of Artomowski’s sculptures don’t
works of culture. make any form of comment on
the reality of the New World.
Invocation to The Lord Description of an ancient The foundation of the Artomowski’s Study
on Amber Throne ritual, written by invocation is a direct address
Artomowski, where homage of a minion to the Monarch,
is paid to a deity called the using three idols embodied
Lord on Amber Throne. and coupled with some kind
of conductors (who also may
be other minions.)
A note about The A note stuck between two Aspect – The One Who Artomowski’s Study
Observer financial statements Observes (see: Beings of New
describing the management World)
of the property.
A letter about The Unsent and unaddressed Aspect – The One Who Artomowski’s Study
Accuser letter in which Artomowski Accuses (see: Beings of New
describes his thoughts on World)
one of the aspects of The
Lord on The Amber Throne.
A letter about The A small sheet on which Aspect – The One Who Guest room
Speaker Artomowski carelessly Speaks (see: New World
wrote several seemingly Beings)
nonsense phrases.
The note is inside of a journal,
right next to a brief article on
Antoni Żachowski – a poet.
Next to his photograph,
there’s a caption “He should
prove suitable.”
Evidence
Item Description Details Location
The Hidden. The An old yet well-preserved Theoretically, the Amber Guest room
history of secret book briefly describing the Society is only over a dozen
associations in the history of the majority of years old. The truth is, the
United States. the secret organizations roots of this organization
founded in America, shortly reach further back, up to the
before the outbreak of the Old Continent. The author of
American Revolutionary this book didn’t care enough
War. to further describe the former
cult, though. The members of
Amber Society were always
characterized by their
curiosity of everything that’s
hidden, unreachable, and
reaching far beyond human
understanding. Many times
they referenced the
Boundless Mystery in their
treaties. It is unknown
whether the continuers of the
Society are still there. The last
traces of the organization’s
activity leads to Louisiana.
The Vernissage
Scenario, illustrations,
graphic design:
Michal Gralak
Translation:
Michał Podłubny
Editing:
Sylwester Gdela
Proofreading:
Keith Mageau
Cover art:
Piotr Koziol