Conclusion For Titanic
Conclusion For Titanic
Conclusion For Titanic
Chapter 3 : Conclusion
Titanic" is a cinematic masterpiece that weaves together history, romance, and tragedy.
It reminds us of the fragility of human life and the power of love in the face of adversity. The
film's stunning visuals, memorable characters, and timeless score by James Horner have made it
poignant reminder of the real-life tragedy that occurred in 1912 and the enduring human spirit
Gaylyn Studlar published a review of the Titanic movie in 2003, and he discussed its
impact on “cinematic presence and monumental history,” and analyzed how particular scenes in
the movie served as symbols for the greater historical context of the disaster. He stated, “This
history, for viewers’ historical recognition becomes conflated with or replaced by emotional
allegiance or psychological identification with fictional characters,” (Studlar, 2003, 100). While
it is true that the film romanticized the disaster and added in fictitious elements to keep the
modern audience engaged, emotional allegiance and psychological recognition are not
investment can further one’s connection to the event, even if one were not present at the time.
This has enabled people to continue to envision, study, and reflect on the disaster over a century
A key impact of the film was that it gave people a sense of emotional connection to
the disaster, which in turn, made it more memorable than disasters that are not depicted in
popular culture. For example, in the Titanic film, Jack and Rose are star-crossed lovers and the
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viewer watches their doomed romance play out throughout the film. The opening scene shows
the real Titanic in its final underwater resting place, signaling to the viewer that its premise
surrounds a real-life disaster. The viewer follows Jack and Rose through their journey of love as
they are aware of their ultimate fate, but the forbidden romance between the third-class man and
the first-class woman remains engaging and heart wrenching, nonetheless. As the viewer takes
on this journey with Jack and Rose, they bear witness to the tragically impossible decision that
men and women faced in the disaster, where women were forced to choose between life alone or
death with their significant other. As Rose boarded her lifeboat, she was overcome with the love
she felt for Jack and decided she would rather be with him and risk her life than make it to safety
alone, so she jumped out of the lifeboat and found her way to Jack once again. In this harrowing
decision, the viewer feels the pain of the impossible choices that passengers were forced to face,
lending themselves to tragic endings regardless. This is something that a newspaper article or
While the film is not a “source of historical instruction” (Studlar, 2003, 100) it
provides visual representations of the historical context at the time which stretch beyond the
movie or even the disaster itself. These scenes and moments reflect the social milieu that
inevitably contributed to the devastation of the event. For example, in the midst of the chaotic
rush to lifeboats, Cameron’s film depicted third class passengers locked behind gates and
guarded by crew members, unable to even make an attempt at securing a spot on one of the boats
(Cameron, 1997). There is contestation surrounding the accuracy of this scene in particular, as
survivor’s stories (such as that from Beesley, 1912, for example) do not recall third-class
passengers being gated off from a chance at survival. However, there were certainly differential
effects that took place on the Titanic. Even if third-class passengers were not locked in the ship
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itself, their cabin locations and lack of access to information proved devastating for their chances
of survival (Levinson, 2012, 151). The film depicted these class distinctions rather jarringly,
which enabled the viewer to understand the social context of the time (which was one that was
highly segregated along class lines), and clearly showed the tragic effects of class segregation in
a time of crisis. This is important for the idea of disaster memory because many disasters share
similar characteristics, such as the presence of disproportionate effects. The memory of the
Titanic disaster would not be fully complete without the differential treatments based on class,
and in this case, Cameron’s movie allowed these effects to be on display for the world to watch
According to Cameron, the film sparked lasting effects in terms of how the
disaster is remembered. In a 1997 interview, he stated, “The great lesson of Titanic for us, going
into the 21st century is that the inconceivable CAN happen. Those people lived in a time of
certainty; they felt they had mastered everything—mastered nature and mastered themselves. But
they had mastered neither. A thousand years from now Titanic will still be one of the great
stories,” (Elbert, 1997, 3). The sense of invincibility to disasters has not been unique to the
Titanic, but rather the idea that man can conquered all has prevailed into modern times,
reality that disaster can strike anyone, anytime and anywhere, regardless of how prepared one
may feel. Viewers witness the shock, heartbreak and tragedy that followed the sinking of a ship
that was a modern glory of its time, which served as a reminder of how man is not immune to
future disasters either. The film, therefore, has made for a particularly salient way of
remembering the Titanic’s sinking, because it blatantly showed the implications of invincibility.
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This has and will remain relevant for future generations to be wary of all possible disasters, no
The depiction of the Titanic disaster in Cameron’s 1997 film has furthered fascination and
engagement with the disaster over one hundred years after it took place. Although it contains
fictitious elements, the film has brought to life the tragedy of the event which has been an
integral part of the way it is remembered. With the emotional connection that it has brought to
viewers along with the rendering of the greater context in which the disaster took place, it has
stood as a successful mechanism for remembering the fragility of human lives and technology.
In the end, the film has helped people remember and connect with the disaster, which is
history makes the film a timeless phenomenon appealing to many audiences. Even 25 years later,
the glorious sequences of the Titanic sailing in daylight and the ship's harrowing descent beneath
the waves likely won't ever appear dated. Furthermore, the capitulation of what once was the
world's largest man-made moving object will never cease to fascinate people — even more than
a century later.
While any well-made romance movie can eternally capture an audience's heart,
Titanic's multifaceted approach to storytelling renders its narrative remarkably timeless, as the
self-autonomy around the world today. As much in 2022 as it was in 1997, Titanic remains a
cinematic masterpiece.
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Oscars, including Best Picture. Titanic's success in the late 1990s was undeniable, but its real
achievement lies in its enduring cultural impact. After its release, Cameron's film skyrocketed to
the worldwide box office's top spot, remaining for 15 consecutive weeks. As a result, Titanic
became the first movie to gross $1 billion and the world's highest-earning title for 12 years.
Today, Titanic ranks as the third-highest-grossing film of all time, with a profit of roughly $2.2
billion.
iconic movie characters and propelled the remarkable careers the two actors have built since.
Titanic's famous scenes associated with the lines "I'm flying, Jack," "I want you to draw me like
one of your French girls," and "I'll never let go" are instantly recognizable for many and often
referenced in relation to the film. Furthermore, the age-old debate over whether Jack could have
It's impossible to name a more renowned original song than Celine Dion's
"My Heart Will Go On," a ballad that won the Oscar and Golden Globe for Best Original Song
and four Grammys. Titanic's influence on the world has not faltered over the last 25 years. While
the Titanic disaster was already an eminent historical event, Cameron's film turned it into a
cultural phenomenon.