Development Lec 2
Development Lec 2
The term national development is very comprehensive. It includes all aspects of the life of an
individual and the nation. It is holistic in approach. It is a process of reconstruction and
development in various dimensions of a nation and development of individuals.
It includes full-growth and expansion of industries, agriculture, education, social, religious and
cultural institutions. Moreover, national development implies development of a nation as a
whole. It can be best defined as the all-round and balanced development of different aspects and
facets of the nation viz. political, economic, social, cultural, scientific and material.
According to John Vaizey, noted economist: “National development is the total effect of all
citizen forces and addition to the stock of physical, human resources, knowledge and skill.”
United Nations Decade Report defines it as, “National development is growth plus change.
Change in turn is social and cultural as well as economic and qualitative as well as quantitative”.
Introduction
Radio is a medium widely used in development. It can cover wide areas reaching a large number
of people at a relatively low cost. In this section, the term radio includes
1. the common notion of radio broadcasting, from a central station to a certain area. In the
development context it is often referred to as rural radio;
2. community radio, audio programmes produced locally or by another centre and broadcast to
the whole community through loudspeakers set in the village; and
3. the use of audiocassettes, both for use in the community or for producing and recording local
programs on crucial issues, both for inside and outside purposes.
The role of radio is generally defined as to inform, educate and entertain. In development,
however, radio can be multi-faceted as, among other things, it can serve to pass messages,
improve the capability of calling upon and organising groups and organisations, enlarge the
forum for social dialogue, provide effective capacity building of the community, raise awareness
and knowledge of community issues, bring the people's voice to the higher level of their political
structure and mobilise the community to tackle issues of collective interest.
Radio production requirements and formats can be adapted to specific use and objectives. Radio
can fulfill a number of versatile functions, according to the FAO (1998: 11). Radio is:
2. a channel for interactive communication, for dialogue and debate on the major issues of
rural development;
3. a platform for democratic and pluralistic expression of the opinions, needs and
aspirations of rural communities;
4. a tool for cultural expression and entertainment, and a means of collecting, preserving
and enhancing the oral and musical heritage of rural communities;
5. a medium to collect local information on social issues, which is essential for defining,
planning and implementing development efforts;
7. a tool which, combined with other media, can be used for training and the transfer and
exchange of knowledge and technologies.
3.2 Basic Radio Approaches
Radio in the development context can be broadly divided into three categories, each of which
requires a different approach:
Educational Radio,
Participatory Radio.
ii. Documentary and Cultural Radio: intends to report and provide testimonials on aspects
of community life. This is done to draw the attention of the community to specific issues,
problems and solutions. Journalistic investigations also fall in this approach. Journalists,
social researchers and communication practitioners are the ones that usually produce this
type of programme, often adopting a participant observation approach in order to
document the issues accurately and objectively. These programs can be addressed to
other communities having similar problems, as well as to the management of
development organisations or to policy-makers.
iii. Participatory Radio: implies the use of radio for the people and by the people. Even if in
the previous two instances some degree of people's involvement is required, it is only
with this kind of radio, also sometimes known as community radio, that full participation
is experienced. The issues to be discussed and presented in the programme are decided
by the community with the assistance of a radio producer. Zimbabwe, since 1988, has
witnessed a unique media project that emphasises the two-way communication potential
of radio as opposed to its traditional mass medium approach of addressing passive
listeners.
ii. Interviews/Discussions: This is different from the previous one. This format requires
more than a single person and opinion to be aired. It can be an interview with a member
of the community as well as the recording of a group discussion about an issue of
concern. The fact that it involves more than one person already makes it more interesting
to follow. As seen previously, this approach can be used to generate a two-way flow of
information as in participatory radio.
iii. Drama: This can be the simple translation of existing drama into a radio format or the
more creative dramatisation of issues identified by the community. Drama can generate a
high degree of interest and keep the attention of the listeners alive for a long time. ‘One
day at a time’ is an example of this programme.
iv. Music: This format is particularly effective in communities with a tradition of popular
music, dancing and singing. The themes of songs are usually used to raise certain issues
or promote certain practices.
v. Jingles/Slogans: These are usually part of a bigger programme. However, they can be
used as an approach in itself. Learn from advertisements where sometimes a simple
slogan or a jingle is flashed at you just to remind you of a certain product. The same can
be done in the development context.
Assignment: List and explain three different radio formats