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2011 Eecs 142 Lect14 Effect of Feedback On Distortion

This document discusses how negative feedback affects distortion in amplifiers. It shows that feedback reduces distortion for a given output signal level by deriving equations for the second and third order distortion terms. It also explains how emitter degeneration in a BJT amplifier is equivalent to negative feedback, with the emitter resistor acting as the feedback factor.

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0% found this document useful (0 votes)
58 views28 pages

2011 Eecs 142 Lect14 Effect of Feedback On Distortion

This document discusses how negative feedback affects distortion in amplifiers. It shows that feedback reduces distortion for a given output signal level by deriving equations for the second and third order distortion terms. It also explains how emitter degeneration in a BJT amplifier is equivalent to negative feedback, with the emitter resistor acting as the feedback factor.

Uploaded by

frostyfoley
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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EECS 142/242M

Lecture 14: Effect of Feedback on Distortion


Prof. Ali M. Niknejad

University of California, Berkeley


Copyright c 2011 by Ali M. Niknejad

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 1/28 – p.


Effect of Feedback on Disto

sǫ so
si + a

We usually implement the feedback with a passive network


Assume that the only distortion is in the forward path a

so = a1 sǫ + a2 s2ǫ + a3 s3ǫ + · · ·

sǫ = si − f so

so = a1 (si − f so ) + a2 (si − f so )2 + a3 (si − f so )3 + · · ·

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 2/28 – p.


Feedback and Disto (cont)

We’d like to ultimately derive an equation as follows

so = b1 si + b2 s2i + b3 s3i + · · ·

Substitute this solution into the equation to obtain

b1 si + b2 s2i + b3 s3i + · · · = a1 (si − f b1 si − f b2 s2i − f b3 s3i + · · · )


+ a2 (si − f b1 si − f b2 s2i − f b3 s3i + · · · )2
+ a3 (si − f b1 si − f b2 s2i − f b3 s3i + · · · )3 + · · ·

Solve for the first order terms

b1 si = a1 (si − f b1 si )

a1 a1
b1 = =
1 + a1 f 1+T

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 3/28 – p.


Feedback and Disto (square)

The above equation is the same as linear analysis (loop gain


T = a1 f )
Now let’s equate second order terms

b2 s2i = −a1 f b2 s2i + a2 (si − f b1 si )2


 2
f a1
b2 (a + a1 f ) = a2 1−
1+T

b2 (1 + T )3 = a2 (1 + T − T )2 = a2
a2
b2 =
(1 + T )3
Same equation holds at high frequency if we replace with T (jω)

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 4/28 – p.


Feedback and Disto (cube)

Equating third-order terms

b3 s3i = a1 (−f b3 s3i ) + a2 (−f b2 2s3i ) + a3 (si − f b1 si )3 + · · ·

1 a3
b3 (1 + a1 f ) = −2a2 b2 f +
1+T (1 + T )3
−2a2 f a2 a3
b3 (1 + T ) = +
1 + T (1 + T )3 (1 + T )3

a3 (1 + a1 f ) − 2a22 f
b3 =
(1 + a1 f )5

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 5/28 – p.


Second Order Interaction

The term 2a22 f is the second order interaction


Second order disto in fwd path is fed back and combined with
the input linear terms to generate third order disto
Can get a third order null if

a3 (1 + a1 f ) = 2a22 f

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 6/28 – p.


HD2 in Feedback Amp

1 b2
HD2 = 2 som
2 b1

1 a2 (1 + T )2
= 3 2 som
2 (1 + T ) a1
1 a2 som
=
2 a21 1 + T
1 a2
Without feedback HD2 = 2 a21 som

For a given output signal, the negative feedback reduces the


1
second order distortion by 1+T

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 7/28 – p.


HD3 in Feedback Amp

1 b3 2
HD3 = 3 som
4 b1

1 a3 (1 + T ) − 2a22 f (1 + T )3 2
= 5 3 som
4 (1 + T ) a1
 2

1 a3 2 1 2a2 f
= s 1 −
4 a31 om (1 + T )4 a3 (1 + T )
| {z }
disto with no fb

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 8/28 – p.


Feedback versus Input Attenuation

si so so
f a

Notice that the distortion is improved for a given output signal


level. Otherwise we can see that simply decreasing the input
signal level improves the distortion.
Say so1 = f si with f < 1. Then

so = a1 so1 + a2 s2o1 + a3 s3o1 + · · · = a1 f si + a2 f 2 s2i + a3 f 3 s3i + · · ·


|{z} | {z } | {z }
b1 b2 b3

But the distortion is unchanged for a given output signal

1 b2 1 a2
HD2 = 2 som = 2 som
2 b1 2 a1

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 9/28 – p.


BJT With Emitter Degeneration

IC
The total input signal applied to
the base of the amplifier is
vi
RE vi + VQ = VBE + IE RE
VQ

The VBE and IE terms can be split into DC and AC currents


(assume α ≈ 1)

vi + VQ = VBE,Q + vbe + (IQ + ic )RE

Subtracting bias terms we have a separate AC and DC equation

VQ = VBE,Q + IQ RE

vi = vbe + iC RE

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 10/28 –p


Feedback Interpretation

The AC equation can be put into the following form

vbe = vi − ic RE

Compare this to our feedback equation

sǫ = si − f so

The equations have the same form with the following


substitutions
sǫ = vbe
so = ic
si = vi
f = RE

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 11/28 –p


BJT with Emitter Degen (II)

Now we know that


2 3
ic = a1 vbe + a2 vbe + a3 vbe + ···

where the coefficients a1,2,3,··· come from expanding the


exponential into a Taylor series

1 IQ
a1 = gm a2 = ···
2 Vt2

With feedback we have

ic = b1 vi + b2 vi2 + b3 vi3 + · · ·

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 12/28 –p


Emitter Degeneration (cont)

The loop gain T = a1 f = gm RE


gm
b1 =
1 + gm RE

1

q 2
2 kT IQ
b2 =
(1 + gm RE )3
   2 
 1 q 2
q 3 2 IQ RE 
1 kT IQ  2 kT
b3 = 4 1 − 1 q 3 
4 · 6 (1 + gm RE ) IQ (1 + gm RE )
6 kT

For large loop gain gm RE → ∞



q 3
−1 kT IQ
b3 =
12 (1 + gm RE )4

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 13/28 –p


Harmonic Distortion with Feedback

Using our previously derived formulas we have

1 b2
HD2 = 2 som
2 b1

1 iˆc 1
=
4 IQ 1 + gm RE
1 b3 2
HD3 = 3 som
4 b1
!2 3gm RE
1 iˆc 1− 1+gm RE
=
24 IQ 1 + gm RE

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 14/28 –p


Harmonic Distortion Null

We can adjust the feedback to obtain a null in HD3


HD3 = 0 can be achieved with

3gm RE
=1
1 + gm RE

or
1
RE =
2gm

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 15/28 –p


HD3 Null Example

HD3
-40

-45

-50

-55

-60

-65

-70
0 20 40 60 80 100

1 RE
RE =
2gm

Example: For IQ = 1mA, RE = 13Ω

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 16/28 –p


BJT with Finite Source Resistance

IC
RS

vi
RE
VQ

vi + VQ − IB RB = VBE + IE RE
Assuming that α ≈ 1, β = β0 (constant). Let RB = RS + rb
represent the total resistance at the base.
 
RB
vi + VQ = VBE + IC RE +
β0
The formula is the same as the case of a BJT with emitter

degeneration with RE = RE + RB /β0
A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 17/28 –p
Emitter Follower

IC

vo
vi
RL
VQ

The same equations as before


with RE = RL

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 18/28 –p


Common Base

RE IC

vi
RL
−VQ
VCC

Same equation as CE with RE feedback

vi − VQ + IC RE = −VBE

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 19/28 –p


N Tones in One Shot

Consider the effect of an m’th order non-linearity on an input of


N tones
N
!m
X
ym = An cos ωn t
n=1

N
!m
X An ωn t −ωn t

ym = e +e
n=1
2

N
!m
X An ωn t
ym = e
2
n=−N

where we assumed that A0 ≡ 0 and ω−k = −ωk .

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 20/28 –p


Product of sums...

The product of sums can be written as lots of sums...


X X X X
= () × () × () · · · × ()
| {z }
m−times

N N N
X X X A k 1 A k 2 · · · Ak m j(ωk1 +ωk2 +···+ωkm )t
= ··· × e
2m
k1 =−N k2 =−N km =−N

Notice that we generate frequency component


ωk1 + ωk2 + · · · + ωkm , sums and differences between m
non-distinct frequencies.
There are a total of (2N )m terms.

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 21/28 –p


Example
Let’s take a simple example of m = 3, N = 2. We already know
that this cubic non-linearity will generate harmonic distortion
and IM products.
We have (2N )m = 43 = 64 combinations of complex
frequencies. ω ∈ {−ω2 , −ω1 , ω1 , ω2 }. There are 64 terms that
looks like this (HD3 )

ω1 + ω1 + ω1 = 3ω1

ω1 + ω1 + ω2 = 2ω1 + ω2
(IM 3)
ω1 + ω1 − ω2 = 2ω1 − ω2
(Gain compression or expansion)

ω1 + ω1 − ω1 = ω1

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 22/28 –p


Frequency Mix Vector

Let the vector ~k = (k−N , · · · , k−1 , k1 , · · · , kN ) be a 2N -vector


where element kj denotes the number of times a particular
frequency appears in a given term.
As an example, consider the frequency terms

ω2 + ω1 + ω2 

ω1 + ω2 + ω2 ~k = (0, 0, 1, 2)

ω2 + ω2 + ω1 

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 23/28 –p


Properties of ~k

First it’s clear that the sum of the kj must equal m

N
X
kj = k−N + · · · + k−1 + k1 + · · · + kN = m
j=−N

For a fixed vector k~0 , how many different sum vectors are there?
We can sum m frequencies m! ways. But the order of the sum is
irrelevant. Since each kj coefficient can be ordered kj ! ways,
the number of ways to form a given frequency product is given
by
m!
(m; ~k) =
(k−N )! · · · (k−1 )!(k1 )! · · · (kN )!

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 24/28 –p


Extraction of Real Signal
Since our signal is real, each term has a complex conjugate
present. Hence there is another vector k~0′ given by

k~0′ = (kN , · · · , k1 , k−1 , · · · , k−N )

Notice that the components are in reverse order since


ω−j = −ωj . If we take the sum of these two terms we have
n o
2ℜ ej(ωk1 +ωk2 +···+ωkm )t = 2 cos(ωk1 + ωk2 + · · · + ωkm )t

The amplitude of a frequency product is thus given by

2 × (m; ~k) (m; ~k)


m
= m−1
2 2

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 25/28 –p


Example: IM3 Again

Using this new tool, let’s derive an equation for the IM3 product
more directly.
Since we have two tones, N = 2. IM3 is generated by a m = 3
non-linear term.
A particular IM3 product, such as (2ω1 − ω2 ), is generated by
the frequency mix vector ~k = (1, 0, 2, 0).
3!
(m; ~k) = =3 2m−1 = 22 = 4
1! · 2!
So the amplitude of the IM3 product is 3/4a3 s3i . Relative to the
fundamental
3 a3 s3i 3 a3 2
IM3 = = si
4 a1 si 4 a1

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 26/28 –p


Harder Example: Pentic Non-Linearity

Let’s calculate the gain expansion/compression due to the 5th


order non-linearity. For a one tone, we have N = 1 and m = 5.
A pentic term generates fundamental as follows

ω1 + ω1 + ω1 − ω1 − ω1 = ω1

In terms of the ~k vector, this is captured by ~k = (2, 3). The


amplitude of this term is given by

5! 5·4 2m−1 = 24 = 16
(m; ~k) = = = 10
2! · 3! 2
10 5
So the fundamental amplitude generated is a5 16 Si .

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 27/28 –p


Apparent Gain Due to Pentic

The apparent gain of the system, including the 3rd and 5th, is
thus given by

3 10
AppGain = a1 + a3 Si2 + a5 Si4
4 16

At what signal level is the 5th order term as large as the 3rd
order term?
r
3 2 10 4 a3
a3 Si = a5 Si Si = 1.2
4 16 a5
For a bipolar amplifier, we found that a3 = 1/(3!Vt3 ) and
a5 = 1/(5!Vt5 ). Solving for Si , we have

Si = Vt 1.2 × 5 × 4 ≈ 127 mV

A. M. Niknejad University of California, Berkeley EECS 142 Lecture 13 p. 28/28 –p

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