Read To Write Plus Second Edition Teachers Guide
Read To Write Plus Second Edition Teachers Guide
Read To Write Plus Second Edition Teachers Guide
Second Edition
Teacher’s Guide
Read to Write Plus Second Edition: Teacher’s Guide 2
Contents
Introduction ...........................................................................................................................3
Structure of the Book.............................................................................................................3
How to Use the English Writing Manual...........................................................................3
How to Use the Checklist.....................................................................................................4
How to Use the Model Paragraphs.....................................................................................4
The Writing Process...............................................................................................................5
Supplementary Activities .....................................................................................................5
Contact the Authors...............................................................................................................6
Model Paragraphs
Identifying Patterns in the Model Paragraphs .................................................................14
Notes on the Model Paragraphs .........................................................................................15
Topic 1—Rooms......................................................................................................................16
Topic 2—Schools....................................................................................................................18
Topic 3—Directions................................................................................................................20
Topic 4—Photos .....................................................................................................................22
Topic 5—People .....................................................................................................................24
Topic 6—Biographies ............................................................................................................26
Topic 7—Gadgets ..................................................................................................................28
Topic 8—Thank-You Letters ................................................................................................30
Topic 9—Movie Reviews ......................................................................................................32
Topic 10—Anecdotes.............................................................................................................34
Read to Write Plus Second Edition: Teacher’s Guide 3
Introduction
Thank you for choosing this second edition of Read to Write Plus. We hope that it will help
your students to improve their writing, but at the same time, we also hope that it will
reduce your workload. All of the Read to Write books are made up of a writing manual and
a number of model compositions. The purpose of the manual is to explain English writing
conventions and rules in both English and Japanese so that you will have more time to focus
on actual writing in your classes. This second edition of Read to Write Plus now includes
exercises to help students understand the points explained in the manual. The purpose of
the models is to provide students with input of the vocabulary and structures that they need
in order to write their own compositions. Each of the sections is explained in more detail
below.
The main body of the book consists of model paragraphs on a range of topics. These are
based on authentic student writing, but they have been corrected and edited by native
speakers of English. Each paragraph is approximately 150 words in length, and there are
seven example paragraphs for each topic and ten topics altogether. This means that students
who complete the book will have had approximately 10,000 words of comprehensible input
of language that they might realistically expect to use.
One effective way of approaching the manual is to assign one point to each pair or group
of students in a class and ask them to (a) do all the exercises, and (b) prepare a short
presentation (in Japanese) on the point they have studied for their classmates. After hearing
each presentation, the rest of the students can work through the practice exercises. The
students who gave the presentation can check their answers. If you are pushed for time,
however, the manual and associated exercises can simply be set as homework.
The second way of using the manual is as a tool for you to provide feedback on writing
when students hand in assignments. Each of the points in the manual is numbered to make
this easier. For example, if there are any problems with the layout of a student’s writing,
write “L” on their paper and hand it back. Likewise, if a student is making mistakes with
capital letters, write “1,” and so on. Using this system will promote a culture of independent
learning in your classes.
Read to Write Plus Second Edition: Teacher’s Guide 4
Feedback from teachers who have used the Read to Write books in the past has been that
students struggle with the methodology at first, but that once they become accustomed to
it, most become able to work independently, and lessons become more like workshops. The
philosophy of the Read to Write principle is similar to the well-known saying that “If you
give a man a fish, you will feed him for a day, but if you teach him how to fish, you will feed
him for a lifetime.” We believe that rather than teaching our students English words and
sentence patterns, it is far more productive in the long-term to teach them how to find the
language they need for themselves. Of course, Japanese students are not used to this style of
learning, and so many struggle with the new approach at first.
When they read the models, students should be looking for three things:
When students read a model, the first thing they should do is identify new words and
phrases (1. and 2. in the list above) and write them in the box below the model together
with their Japanese translations. Make sure that your students are identifying multi-word
items as well as single words, and check that they are using their dictionaries correctly in
order to find the appropriate translation for the context. After the students have found the
meaning of new words and phrases, their next task is to identify patterns. This can be done
by underlining the key sentences in the model and writing brackets around words that can
be changed. Once this has been done, students can use the patterns they have identified
in order to create their own sentences. These new sentences should be written in the “My
Sentences” box.
The most common problem you will encounter is that students are unable to identify
patterns within sentences. There is no definitive answer to the question of what constitutes
Read to Write Plus Second Edition: Teacher’s Guide 5
a pattern because in theory, any word in any English sentence could be substituted for
another. However, we hope that the practice exercises on page 35 will help both you and
your students understand what we are asking them to look for, and the section at the end of
this guide highlights some of the patterns that we would expect students to pick up. Note
that students should be encouraged to identify patterns that will help them to develop their
English even if those patterns do not specifically relate to their own lives. For example, even
a student whose parents are happily married can improve their English by learning the
phrase “My parents are divorced.”
When the students have identified all the words, phrases, and patterns in one model, they
should move on to the next. When they have finished reading and analyzing all the models,
they will be ready to write the first draft of their own paragraph.
At the beginning of the course, we recommend doing the analyses of the model
compositions in class so that students can help each other, and also so that you can give
support as required. Once students get the hang of doing it, however, they should be able
to work through the model compositions at home, which means you will be able to use the
lessons to focus on writing, editing, and revising.
Supplementary Activities
Although the Read to Write books are primarily meant for writing courses, there are many
ways in which they can be adapted for use in more general English classes. Here is a list of
extenstion activities that have been suggested by teachers using the books.
Reading aloud
Recordings of all of the example paragraphs are available on the website. There are two
recordings of each paragraph; one is read by a native speaker or highly proficient Japanese
speaker of English, and the other is read by a reasonably proficient university English major.
Students can practice English sounds, rhythm, intonation, and timing by imitating (or
shadowing) these recordings. Of course, students should also practice reading out their own
paragraphs after you have checked them.
Dictogloss
The teacher reads out key words from one of the paragraphs, and the students try to
Read to Write Plus Second Edition: Teacher’s Guide 6
reconstruct the full sentences. This is a useful exercise for focusing attention on grammatical
structures. It can be done before the students read the paragraph or after.
Sentence Completion
Partner A reads a paragraph to partner B and stops at strategic points. Partner B has to
complete the sentence. This can also be done as a class activity, with the teacher reading
the sentences and the entire class responding chorally.
Dictation
Use one of the paragraphs (or a selection of key sentences) to do dication exercises for
listening practice.
Generate Questions
Ask students to write the questions that would elicit the information given in each
paragraph. For example, if a writer states that “My name is Naomi, and I live in Tokyo,” the
corresponding questions would be “What’s your name?” and “Where do you live?” Doing
the same thing with more difficult sentences will be quite challenging for even fairly high-
level students.
We hope that you and your students enjoy using the book, and we look forward to hearing
your feedback on how it can be improved for future editions.
Read to Write Plus Second Edition: Teacher’s Guide 7
L. Layout
1. Name written in full with student number underneath. (First name is given in L1.)
2. Title in the center with capital “D” and “N.”
3. One line skipped under the title.
4. Margins left on both sides of the page.
5. First line indented.
6. Writing on every other line.
7. Whole composition formatted as a single paragraph.
8. No letters floating above lines.
9. Word count added. (67 words)
Here is how the composition should look after the corrections have been made.
Read to Write Plus Second Edition: Teacher’s Guide 8
1. Capital Letters
Missing capitals
1. My name is Taro, and my brother’s name is Jiro.
2. My house is close to Osaka Station.
3. Next Monday is Valentine’s Day.
4. My friend is from Korea, but she can speak Japanese.
5. My father and I like Southern All Stars.
2. What Is a Sentence?
Is it a sentence?
1. O
2. O
3. X (No verb)
4. X (No subject)
5. X (Not a complete thought)
3. Simple Sentences
Find the patterns
1. My brother and I play tennis every afternoon. (SSV)
2. Miho goes to the library and studies every day. (SVV)
3. Taro wants a new bicycle. (SV)
4. Ken likes dancing but hates singing. (SVV)
5. My mother and father love natto and eat it every day. (SSVV)
Making sentences
6. (SV) I like English.
7. (SVV) I like English and study it every day.
8. (SSV) My brother and I like English.
9. (SSVV) My brother and I like English and study it every day.
10. (SSVV) My brother and sister love chocolate and eat it often.
Read to Write Plus Second Edition: Teacher’s Guide 9
My name is Ryo, and I come from Japan. I am 14 years old, so I am a junior high school student. I
live in Hyogo. My father is a policeman, and my mother is a nurse. I have two brothers, but I do not
have any sisters. I have a dog. His name is Shiro, and he is five years old. I am in the tennis club, so I
play tennis every day. I like computers, so I want to be a computer programmer in the future.
6. Because and So
Making sentences
1. It was very hot, (so) everyone was sweating.
2. (Because) it was raining, the game was canceled.
3. We did not eat breakfast, (so) we are hungry now.
4. I am 13 now, (so) I will be 14 on my next birthday.
5. Everybody likes Takuya (because) he is very funny.
7. Complex Sentences
Identify the clauses
1. Because my dog was hungry, I gave him some food.
2. Makoto is taller than his father even though he is only 13.
3. I will call you when I get home.
4. We will be happy even if we do not win the game.
5. I live in an apartment that does not allow pets.
8. Subject-Verb Agreement
Changing nouns to pronouns
1. They say that we are very noisy.
2. He said that they will be absent today.
3. He takes it for a walk every day.
4. She is a very good singer.
5. We are going to Disneyland next week.
Read to Write Plus Second Edition: Teacher’s Guide 11
9. Tense Agreement
Verb forms
Examples
Type of Verb Past Tense
日本語 Present Past Past Participle
Double final
Ends in short vow-
consonant and 止まる stop stopped stopped
el + consonant
add -ed
C. Checklist
The mistakes in the composition are as follows:
The illustration on the opposite page shows how these corrections might look in the book.
Read to Write Plus Second Edition: Teacher’s Guide 13
Read to Write Plus Second Edition: Teacher’s Guide 14
Most students will probably want to keep the “... studying English because” part of this
sentence, but how much of the remainder can be changed depends on what he or she wants
to say. The broadest way of analyzing it would be:
A student who analyzed the sentence in this way could then write a sentence like this:
A student who analyzed the pattern in this way might then write a sentence like this:
❖❖<I am> studying <English> because <I> <love watching foreign movies.>
This analysis might be appropriate if the student wanted to write a sentence like this:
❖❖My brother is studying business because he wants to have his own company.
As we hope you will be able to see from this example, the way in which a student should
analyze a text depends largely on the type of sentences they want to create themselves.
In other words, students need to look for patterns that they think will be useful for them.
Most Japanese students will find this lack of a pre-determined answer disconcerting at first,
but we have found that it does not take them long to become accustomed to the idea if is
explained properly.
The patterns in the following section have been analyzed as a reference for teachers who
have not used the Read to Write books before. Three examples are given for each model.
However, these examples are simply our suggestions, and they should not be considered in
any way to be “model” or “definitive” answers. We fully expect and hope that both teachers
and students will analyze the texts in a number of different ways.
Read to Write Plus Second Edition: Teacher’s Guide 15
1. We have used American spelling and punctuation because that is what Japanese
students learn in schools.
2. We have included rules that are simple for students to understand and that will
always lead to the production of correct writing even when those rules might be
regarded as being overly restrictive by some people. For example, we have included
the rule about not beginning sentences with conjunctions because Japanese learners
tend to do this a lot, and it makes their writing seem very unnatural and childish.
3. We have adopted modern writing conventions if they are simpler than more
traditional ones. For example, we have omitted periods from abbreviations because
the formal rules are extremely difficult to understand, and many style guides we
checked noted a tendency towards omission in modern writing.
Notes on other points have been included for each of the models to help teachers whose
first language is not English spot and explain mistakes that we think students are likely to
make. If we have missed anything that appears to be confusing for you or your students,
please let us know, and we will update this guide.
Read to Write Plus Second Edition: Teacher’s Guide 16
Topic 1—Rooms
Notes:
orange with white stripes
Point out this use of “with” to students. It can be used to talk about any kind of pattern
on things like clothes (a blue shirt with white spots), cars (a white car with a red stripe),
or even animals (a white dog with black spots).
Notes:
which gets put away during the day
Point out this use of “get” to form a passive sentence. Saying it this way makes it unclear
exactly who puts the futon away, simply stressing the fact that it is put away during the
day.
My Apartment (p.43)
Example patterns:
• My apartment is a <six>-story building, and I live on the <second> floor.
• My friends often come over to visit, and we <sometimes have parties.>
• There is also a <supermarket> nearby, so it is very convenient.
Notes:
nearby
Nearby is an adverb that means “close to” a place. Note that if students want to say ...ni
chikai, there is no preposition after “near” The correct expression is “near my apartment.”
Notes:
bought me most of the things
This means the same as “bought most of the things for me.”
messy
Point out the difference between “messy” (chirakatteiru) and “dirty” (kitanai.) Students
often write “dirty” when they really mean “messy.”
I never get around to doing it.
This expression is used to talk about things that people intend to do but never seem to
find time for.
Topic 2—Schools
Notes:
a very international feel
Japanese students many not know this use of “feel,” and some may ask whether it should
be “feeling.” Tell them that “feeling” would also be possible, but that “feel” is commonly
used in this way.
Notes:
single-sex education
The opposite would be “mixed education” or “coeducation” (often shortened to “co-ed.”)
Notes:
the US
Acronyms like US and GB are traditionally written with periods after each letter as they
are here, but it is also now common to write them without. Point this out to any students
who ask about it, and tell them to choose the style they prefer.
Read to Write Plus Second Edition: Teacher’s Guide 20
Topic 3—Directions
Notes:
a five-minute walk from there
Note that in compound adjectives, the singular form of the noun is used.
Notes:
walk straight
In British English, “walk straight on” would be more natural.
Notes:
long way
Note that it is more natural to use “long way” in affirmative sentences. “Far” is normally
used only in questions and negative sentences.
Tani subway station vs. Tani Station
The use of capitals in station names is tricky. If students ask you about it, tell them that
the first one is a description of the place, whereas the second is it’s official name.
• You can take a train to <Maeda Station> and then transfer to the <JR> Line.
Notes:
JR Line, Tozai Line
An argument could be made that these are just descriptions that do not require a capital
“L” in “Line.” However, we have chosen to treat them as proper nouns.
Notes:
public transportation
This is normally “public transport” in British English.
Notes:
five minutes’ walk from
Point this out to students as an alternative to “a five-minute walk from.”
Read to Write Plus Second Edition: Teacher’s Guide 22
Topic 4—Photos
Notes:
Arashi was singing
As they are a group, Arashi can be treated as either a singular or a plural subject.
blurry
This is an informal way of saying “blurred.” Students could replace it with adjectives like
“dark” or phrases like “out-of-focus.”
Read to Write Plus Second Edition: Teacher’s Guide 24
Topic 5—People
Notes:
He is a year older than I am.
In modern English, it is also acceptable to say “older than me,” although some teachers
would discourage that in academic writing.
Notes:
My whole family was very proud of him.
“Family” can be treated as either a singular or plural subject, so “my whole family were”
would also be okay.
when I play a gig
Notes:
Read to Write Plus Second Edition: Teacher’s Guide 25
Notes:
Like me, he enjoys …
Whilst not grammatically “correct,” “Like me, …” is a common expression in English
Notes:
pretty well
This is a spoken expression, but we have included it here because we believe that it will
be a useful expression for students to learn, and also to show that not all writing has to be
done in an “academic” style.
Read to Write Plus Second Edition: Teacher’s Guide 26
Topic 6—Biographies
Notes:
seven-time winner
The singular form of “time” is used because this is a compound adjective.
Notes:
the 1970s
Explain to your students that apostrophes are not used to talk about decades.
Notes:
The Sex Pistols and Culture Club
For some reason, many Japanese students appear to believe that the names of pop groups
should be written in block capital letters. That is not correct.
Topic 7—Gadgets
Notes:
24/7
This informal expression means “twenty-four hours a day, seven days a week.”
Notes:
Gadget Freak
“Freak” is an informal word used to describe someone who is very enthusiastic about
something. Students could, for example, talk about a mother who is a “car freak,” or a
brother who is a “chess freak.”
Notes:
surf the Internet
“Surf” is the only verb that can be used here, but many students will write “watch” and
“see” when they talk about web sites. Both are incorrect. Note that in this book, we have
chosen to capitalize “Internet” and “Net,” but there is a growing tendency these days to
write both of these in lower case.
Notes:
whether or not
Some teachers would say that “or not” is not necessary when you use “whether,” but this
expression is very common in modern English.
Notes:
Your grateful student,
The pattern of “Your + adjective + relationship” is a useful one to point out to students.
Other examples might be things like “Your loving daughter” or “Your favorite son” (as a
joke).>
Notes:
on behalf of
This is a formal expression used when you write as the representative of a group.
Read to Write Plus Second Edition: Teacher’s Guide 31
Notes:
I appreciate your taking the time
I appreciate “you” would also be okay, but the possessive pronoun is normally used with
gerunds.
Read to Write Plus Second Edition: Teacher’s Guide 32
Notes:
a fan of Yui Aragaki
Some students may write “of Yui Aragaki’s,” but this is not correct. In English, you
should say “I am a fan of yours,” but “I am a fan of Yui Aragaki.”
Notes:
give it a miss
This is an informal expression meaning “not do something” or “not go somewhere.”
A: Are you going to the party on Saturday? B: I think I’ll give it a miss.
Read to Write Plus Second Edition: Teacher’s Guide 33
Notes:
Play it again, Sam
Although Japanese learners may not be familiar with this line, it is extremely famous in
the English-speaking world, even though no one ever said it in the movie!
Notes:
meets and falls in love with
The present simple tense can be used in this way to talk about events that happened in
the past. This is particularly common in the telling of stories.
Read to Write Plus Second Edition: Teacher’s Guide 34
Topic 10—Anecdotes
Notes:
“How on earth can she have such perfect skin?” I asked my friend.
Point out to the students that present tenses are used in direct speech even when the story
is being told using past tense.
Notes:
dealt with
“Deal with” is used to talk about attending to customers.
Notes:
without my knowing about it
This is an unusual (but natural) structure that is best taught as a fixed expression.