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    Dust in The Wind

    Uploaded by

    Vung Nguyen
    The document is a poem titled 'Dust in the Wind' written using musical notation symbols. The poem has multiple verses separated by lines of musical notation symbols. It explores themes of impermanence and how everything will fade away like dust in the wind.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Dust in The Wind

    Uploaded by

    Vung Nguyen
    9 views2 pages
    The document is a poem titled 'Dust in the Wind' written using musical notation symbols. The poem has multiple verses separated by lines of musical notation symbols. It explores themes of impermanence and how everything will fade away like dust in the wind.

    Original Title

    Dust_in_the_wind

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a poem titled 'Dust in the Wind' written using musical notation symbols. The poem has multiple verses separated by lines of musical notation symbols. It explores themes of impermanence and how everything will fade away like dust in the wind.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    9 views2 pages

    Dust in The Wind

    Uploaded by

    Vung Nguyen
    The document is a poem titled 'Dust in the Wind' written using musical notation symbols. The poem has multiple verses separated by lines of musical notation symbols. It explores themes of impermanence and how everything will fade away like dust in the wind.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    DUST İN THE WİND

        
                                          
     İntro

       

       
                                          
       
    4

                                         
    Verse

              
    7

                1. 
                 
                      
    10


                   
    2.

         
    13

        

                

                
            
           
    16

     
        
                    
        
                      
    19 1.


                   
    2.

         
    22

        

                       
        

                
    25

     
                 
               
                   
    28
                              
          
      
    31

        

                  
               
       
    34

        

                  
            
           
    37

          
                
            
    40

     

            

            
      
      
    D.S. al Coda Outro

           
    43

                   


               
    46

                   


               
    49

    
               
           
    52
    

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