MYP Guide

Language and literature guide
For use from September 2014/January 2015

For use from September 2014/January 2015
Middle Years Programme
Published May 2014

Updated September 2014, September 2017
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MYP347
IB mission statement
The International Baccalaureate aims to develop inquiring, knowledgeable and caring young people who
help to create a better and more peaceful world through intercultural understanding and respect.
To this end the organization works with schools, governments and international organizations to develop
challenging programmes of international education and rigorous assessment.
These programmes encourage students across the world to become active, compassionate and lifelong
learners who understand that other people, with their differences, can also be right.
Contents
Introduction1
Purpose of this guide 1
Language and literature in the MYP 2

Programme model 2
Nature of language and literature 4
Language and literature across the IB continuum 5
Aims 6
Objectives 7
Planning a progression of learning 9
Interdisciplinary learning 12
MYP projects 13
Written and taught curriculum 14

Requirements 14
Planning the language and literature curriculum 16
Teaching and learning through inquiry 18
Subject-specific guidance 24
Assessed curriculum 26
Alignment of objectives and assessment criteria 26
Assessment criteria overview 27
Language and literature assessment criteria: Year 1 28
MYP eAssessment 48
Appendices 53
Related concepts in language and literature 53
Language and literature glossary 56
MYP command terms for language and literature 61
Selected reading 62

Introduction
Purpose of this guide
This guide is for use from September 2014 or January 2015, depending on the start of the
school year.
This document provides the framework for teaching and learning in language and literature in the Middle
Years Programme (MYP) and must be read and used in conjunction with the document MYP: From principles
into practice (May 2014), which includes:
• general information about the programme

• the MYP unit planner, with guidance for developing the curriculum that is relevant for all subject
groups
• detailed information about approaches to learning
• advice that supports access and inclusion (including accommodations for students with learning
support requirements)
• a statement on academic honesty.
In MYP publications, requirements appear in a text box like this one.
Additional resources
Teacher support materials (TSMs) are available in the programme resource centre (https://resources.ibo.org). The
TSM for language and literature contains support for developing the written, taught and assessed curriculum.
They provide examples of good practice, including subject group overviews, assessment tasks and markschemes,
as well as student work with teacher comments.
An optional process of external assessment can lead to IB MYP course results for language and literature,
and these results can contribute to the awarding of an IB MYP certificate. More information is available in
the annual publication Middle Years Programme Assessment procedures.
A range of publications that support the MYP are available at the IB store (http://store.ibo.org).
Acknowledgments
The IB gratefully acknowledges the generous contributions of IB World Schools and a global community of
educators who collaborate in the development of the Middle Years Programme.
Language and literature guide 1

Language and literature in the MYP
Programme model
Figure 1
Middle Years Programme model
The MYP is designed for students aged 11 to 16. It provides a framework of learning that encourages students
to become creative, critical and reflective thinkers. The MYP emphasizes intellectual challenge, encouraging
students to make connections between their studies in traditional subjects and the real world. It fosters the
development of skills for communication, intercultural understanding and global engagement—essential
qualities for young people who are becoming global leaders.
The MYP is flexible enough to accommodate the demands of most national or local curriculums. It builds
upon the knowledge, skills and attitudes developed in the IB Primary Years Programme (PYP) and prepares
students to meet the academic challenges of the IB Diploma Programme (DP) and the IB Career-related
Programme (CP).
2 Language and literature guide

Programme model
The MYP:
• addresses holistically students’ intellectual, social, emotional and physical well-being

• provides students opportunities to develop the knowledge, attitudes and skills they need in order
to manage complexity, and take responsible action for the future
• ensures breadth and depth of understanding through study in eight subject groups
• requires the study of at least two languages to support students in understanding their own cultures
and those of others
• empowers students to participate in service with the community
• helps to prepare students for further education, the workplace and a lifetime of learning.

Nature of language and literature
Language is what makes us human. It is a recourse against the meaningless

noise and silence of nature and history.
Octavio Paz
Literature is the art of discovering something extraordinary about ordinary

people, and saying with ordinary words something extraordinary.
Boris Pasternak
Language is fundamental to learning, thinking and communicating; therefore it permeates the whole
curriculum. Indeed, all teachers are language teachers, continually expanding the boundaries of what
students are thinking about. Mastery of one or more languages enables each student to achieve their full
linguistic potential.
Students need to develop an appreciation of the nature of language and literature, of the many influences
on language and literature, and of its power and beauty. They will be encouraged to recognize that
proficiency in language is a powerful tool for communication in all societies. Furthermore, language and
literature incorporates creative processes and encourages the development of imagination and creativity
through self-expression.
All IB programmes value language as central to developing critical thinking, which is essential for the
cultivation of intercultural understanding, as well as for becoming internationally minded and responsible
members of local, national and global communities. Language is integral to exploring and sustaining
personal development and cultural identity, and provides an intellectual framework to support conceptual
development. The six skill areas in the MYP language and literature subject group—listening, speaking,
reading, writing, viewing and presenting—develop as both independent and interdependent skills. They
are centred within an inquiry-based learning environment. Inquiry is at the heart of MYP language learning,
and aims to support students’ understanding by providing them with opportunities to independently and
collaboratively investigate, take action and reflect.
As well as being academically rigorous, MYP language and literature equips students with linguistic,
analytical and communicative skills that can also be used to develop interdisciplinary understanding across
all other subject groups. Students’ interaction with chosen texts can generate insight into moral, social,
economic, political, cultural and environmental factors and so contributes to the development of opinion-
forming, decision-making and ethical-reasoning skills, and further develops the attributes of an IB learner.
To assist in achieving these broader goals, this guide provides both teachers and students with clear aims
and objectives for MYP language and literature, as well as details of internal assessment requirements.

Language and literature across the IB continuum
The IB continuum of international education provides a progression of learning for students aged 3
to 19. MYP language and literature builds on experiences in language learning that students have gained
during their time in the IB Primary Years Programme or other primary education. Knowledge, conceptual
understanding and skills will have been developed through transdisciplinary units of inquiry or independent
language inquiry. The six skill areas in PYP language—listening, speaking, reading, writing, viewing and
presenting—are further developed through the MYP years.
An MYP language and literature course starts with the skills that students have mastered during the PYP. It
will include:
• the approaches to learning (ATL) skills, at increasing levels of complexity, throughout the programme
• the MYP command terms that are relevant to language development.
The course will be inquiry-driven and the teaching strategies and learning experiences (both disciplinary
and interdisciplinary) will build upon the units students may have experienced in their primary education.
Students continuing on to the DP will have a grounding in at least one language that will enable them to
undertake the DP course options, particularly those in studies in language and literature, but also in the core
and other academic areas. They will also have developed an inquiring, reflective approach to the study of
language and literature. If students have become proficient in two (or more) languages in the MYP, they may
be eligible for a bilingual diploma in the DP.
Figure 2 shows the IB continuum pathways to DP studies in language and literature.
Figure 2
IB continuum pathway to Diploma Programme studies in language and literature

Aims
The aims of all MYP subjects state what a teacher may expect to teach and what a student may expect to
experience and learn. These aims suggest how the student may be changed by the learning experience.
The aims of MYP language and literature are to encourage and enable students to:
• use language as a vehicle for thought, creativity, reflection, learning, self-expression, analysis and
social interaction
• develop the skills involved in listening, speaking, reading, writing, viewing and presenting in a variety
of contexts
• develop critical, creative and personal approaches to studying and analysing literary and non-literary
texts
• engage with text from different historical periods and a variety of cultures
• explore and analyse aspects of personal, host and other cultures through literary and non-literary
texts
• explore language through a variety of media and modes
• develop a lifelong interest in reading
• apply linguistic and literary concepts and skills in a variety of authentic contexts.

Objectives
The objectives of any MYP subject group state the specific targets that are set for learning in the subject.
They define what the student will be able to accomplish as a result of studying the subject.
The objectives of MYP language and literature encompass the factual, conceptual, procedural and
metacognitive dimensions of knowledge.
The objectives represent some of the essential processes of language: “Processes are what help mediate the
construction of new knowledge and understandings and play an especially important role in language and
communication” (Lanning 2013: 19).
In order to meet these objectives, teachers will need to concentrate on each of the macroskills of language:
listening, speaking, reading, writing, viewing and presenting. These language modes are very much
interactive and interrelated, though in some instances teachers may wish to deal with them in discrete
learning experiences and separate texts.
Schools must use the objectives provided in this guide for years 1, 3 and 5 of the programme.
Each objective is elaborated by a number of strands; a strand is an aspect or indicator of the learning
expectation.
Subject groups must address all strands of all four objectives at least twice in each year of the MYP.
These objectives relate directly to the assessment criteria found in the “Assessed curriculum” section of this
guide.
A Analysing
Through the study of language and literature students are enabled to deconstruct texts in order to identify
their essential elements and their meaning. Analysing involves demonstrating an understanding of the
creator’s choices, the relationship between the various components of a text and between texts, and
making inferences about how an audience responds to a text (strand i), as well as the creator’s purpose
for producing text (strand ii). Students should be able to use the text to support their personal responses
and ideas (strand iii). Literacy and critical literacy are essential lifelong skills; engaging with texts requires
students to think critically and show awareness of, and an ability to reflect on, different perspectives
through their interpretations of the text (strand iv).
In order to reach the aims of language and literature, students should be able to:
i. analyse the content, context, language, structure, technique and style of text(s) and the relationship
among texts
ii. analyse the effects of the creator’s choices on an audience

Objectives
iii. justify opinions and ideas, using examples, explanations and terminology
iv. evaluate similarities and differences by connecting features across and within genres and texts.
B Organizing
Students should understand and be able to organize their ideas and opinions using a range of appropriate
conventions for different forms and purposes of communication. Students should also recognize the
importance of maintaining academic honesty by respecting intellectual property rights and referencing all
sources accurately.
i. employ organizational structures that serve the context and intention

ii. organize opinions and ideas in a sustained, coherent and logical manner
iii. use referencing and formatting tools to create a presentation style suitable to the context and
intention.
C Producing text
Students will produce written and spoken text, focusing on the creative process itself and on the
understanding of the connection between the creator and his or her audience. In exploring and appreciating
new and changing perspectives and ideas, students will develop the ability to make choices aimed at
producing texts that affect both the creator and the audience.
i. produce texts that demonstrate insight, imagination and sensitivity while exploring and reflecting
critically on new perspectives and ideas arising from personal engagement with the creative process
ii. make stylistic choices in terms of linguistic, literary and visual devices, demonstrating awareness of
impact on an audience
iii. select relevant details and examples to develop ideas.
D Using language
Students have opportunities to develop, organize and express themselves and communicate thoughts, ideas
and information. They are required to use accurate and varied language that is appropriate to the context
and intention. This objective applies to, and must include, written, oral and visual text, as appropriate.
i. use appropriate and varied vocabulary, sentence structures and forms of expression
ii. write and speak in a register and style that serve the context and intention
iii. use correct grammar, syntax and punctuation
iv. spell (alphabetic languages), write (character languages) and pronounce with accuracy
v. use appropriate non-verbal communication techniques.

Planning a progression of learning
Language learning is an iterative process and develops through inquiry in increasingly wider contexts and
deeper reading. As students progress through their MYP language and literature studies, they are expected
to engage with and explore an increasing range and sophistication of literary and informational
texts and works of literature extending across genres, cultures and historical periods. These texts
will also provide models for students to develop the competencies to communicate appropriately and
effectively in an increasing range of social, cultural and academic contexts, and for an increasing variety
of audiences and purposes.
Throughout the programme, students should engage with the curriculum and demonstrate their
understanding at increasing levels of sophistication.
Year 1 Year 3 Year 5

In order to reach the aims In order to reach the aims In order to reach the aims
of language and literature, of language and literature, of language and literature,
students should be able to: students should be able to: students should be able to:
Objective A: Analysing
i. identify and comment i. identify and explain i. analyse the content,

upon significant aspects the content, context, context, language,
of texts language, structure, structure, technique and
ii. identify and comment technique and style of style of text(s) and the
upon the creator’s choices text(s) and the relationship relationship among texts
among texts ii. analyse the effects of the
iii. justify opinions and
ideas, using examples, ii. identify and explain the creator’s choices on an
explanations and effects of the creator’s audience
terminology choices on an audience iii. justify opinions and
iv. identify similarities and iii. justify opinions and ideas, using examples,
differences in features ideas, using examples, explanations and
within and between texts. explanations and terminology
terminology iv. evaluate similarities and
iv. interpret similarities and differences by connecting
differences in features features across and within
within and between genres and texts.
genres and texts.


Objective B: Organizing
i. employ organizational i. employ organizational i. employ organizational

structures that serve the structures that serve the structures that serve the
context and intention context and intention context and intention
ii. organize opinions and ii. organize opinions and ii. organize opinions and
ideas in a logical manner ideas in a coherent and ideas in a sustained,
iii. use referencing and logical manner coherent and logical
formatting tools to create iii. use referencing and manner
a presentation style formatting tools to create iii. use referencing and
suitable to the context and a presentation style formatting tools to create
intention. suitable to the context and a presentation style
intention. suitable to the context and
intention.
Objective C: Producing text
i. produce texts that i. produce texts that i. produce texts that

demonstrate thought demonstrate thought, demonstrate insight,
and imagination imagination and imagination and sensitivity
while exploring new sensitivity while exploring while exploring and
perspectives and ideas and considering new reflecting critically on new
arising from personal perspectives and ideas perspectives and ideas
engagement with the arising from personal arising from personal
creative process engagement with the engagement with the
ii. make stylistic choices creative process creative process
in terms of linguistic, ii. make stylistic choices ii. make stylistic choices
literary and visual devices, in terms of linguistic, in terms of linguistic,
demonstrating awareness literary and visual devices, literary and visual devices,
of impact on an audience demonstrating awareness demonstrating awareness
iii. select relevant details and of impact on an audience of impact on an audience
examples to support ideas. iii. select relevant details and iii. select relevant details and
examples to develop ideas. examples to develop ideas.


Objective D: Using language
i. use appropriate and varied i. use appropriate and varied i. use appropriate and varied
vocabulary, sentence vocabulary, sentence vocabulary, sentence
structures and forms of structures and forms of structures and forms of
expression expression expression
ii. write and speak in an ii. write and speak in an ii. write and speak in a
appropriate register and appropriate register and register and style that
style style serve the context and
iii. use correct grammar, iii. use correct grammar, intention
syntax and punctuation syntax and punctuation iii. use correct grammar,
iv. spell (alphabetic iv. spell (alphabetic syntax and punctuation
languages), write languages), write iv. spell (alphabetic
(character languages) and (character languages) and languages), write
pronounce with accuracy pronounce with accuracy (character languages) and
v. use appropriate non‑verbal v. use appropriate non‑verbal pronounce with accuracy
communication communication v. use appropriate non‑verbal
techniques. techniques. communication
techniques.

Interdisciplinary learning
Interdisciplinary teaching and learning is grounded in individual subject groups and disciplines, but extends
disciplinary understanding in ways that are:
• integrative—bringing together concepts, methods, or modes of communication from two or more

subject groups, disciplines or established areas of expertise to develop new perspectives
• purposeful—connecting disciplines to solve real-world problems, create products or address
complex issues in ways that would have been unlikely through a single approach.
Interdisciplinary teaching and learning builds a connected curriculum that addresses the developmental
needs of students in the MYP. It prepares students for further academic (inter)disciplinary study and for life
in an increasingly interconnected world.
The MYP uses concepts and contexts as starting points for meaningful integration and transfer of knowledge
across subject groups and disciplines. Fostering interdisciplinary teaching and learning in the MYP (2014)
contains more information, including a detailed process for planning and recording interdisciplinary units.
MYP schools are responsible for engaging students in at least one collaboratively planned
interdisciplinary unit for each year of the programme.
MYP language and literature offers many opportunities for interdisciplinary teaching and learning. Possible
interdisciplinary units in this subject group could include inquiries into:
• creativity in literary and artistic works; for example, an exploration into how artists create, in particular
the use of symbolism and poetic devices in John Keats’s “Isabella”, and form and stylistic choices of the
artists William Holman Hunt and John Everett Millais (arts)
• interactive multimedia products that can be used to communicate literary concepts (design)
• the problems of negative body image among adolescents; for example, designing brochures and
advertising for an awareness raising campaign (physical and health education)
• literary interpretations of social conflict; for example, those dealing with the second world war
(individuals and societies).
Interdisciplinary learning can take place through large- and small-scale learning engagements. Authentic
interdisciplinary learning often requires critical reflection and detailed collaborative planning. However,
teachers and students can also make interdisciplinary connections through spontaneous learning
experiences and conversations.
All MYP subject group teachers are responsible for developing meaningful ongoing opportunities
for interdisciplinary teaching and learning.

MYP projects
The MYP community project (for students in years 3 or 4) and MYP personal project (for students in year
5) aim to encourage and enable sustained inquiry within a global context that generates new insights
and deeper understanding. In these culminating experiences, students develop confidence as principled,
lifelong learners. They grow in their ability to consider their own learning, communicate effectively and take
pride in their accomplishments.
Courses in language and literature help students to develop key approaches to learning (ATL) that lead
to success and enjoyment in the MYP projects. In language and literature, students have important
opportunities to practise ATL skills, especially thinking skills. Being able to analyse and evaluate issues and
ideas, and to consider ideas from multiple perspectives, are essential aspects of studying language and
literature.
Language and literature offers many opportunities for learning through action. Language and literature
could inspire community projects and personal projects that have as their goal.
• To advocate for a social change or improvement in the community of the student’s home country, the
host country where the school is located or in the country of the mother tongue of the student or the
target language being studied by the student.
• To create an awareness campaign on an issue of personal, local or global significance and to conduct
and communicate the campaign in multiple languages.
• To organize and participate in an event such as a performance, a debate or a poetry recital for an
audience of the school community and the public, as a charity event or cultural event or both.
• To write a short story, poetry anthology or a play that represents a theme of personal, local or global
significance.

Written and taught curriculum
Requirements
Teaching hours
Schools must allocate the teaching hours necessary to meet the requirements of MYP language and
literature.
The MYP requires at least 50 hours of teaching time for each subject group in each year of the
programme.
In practice, more time is often necessary to meet subject group aims and objectives and to provide for the
sustained, concurrent teaching that enables interdisciplinary study.
For students pursuing IB MYP course results that can contribute to the awarding of the IB Middle Years
Programme certificate, language and literature courses should include at least 70 teaching hours in each of
the final two years of the programme (MYP year 4 and MYP year 5).
Considering the final objectives and standards expected in MYP language and literature, more hours than
the minimum figure per year are recommended, though this may vary depending on school location,
student background, and whether the language studied is also the language of instruction of the school.
(If the language studied is not the language of instruction, schools may need to consider allocating more
time.) Schools must ensure that students are given sufficient time and continuous instruction to allow
them the opportunity to meet the final objectives for language and literature.
Organizing language and literature in the school

In order to give the students an opportunity to meet the MYP language and literature objectives at the
highest level, teachers should plan a balanced curriculum with content that includes:
• challenging works from their own sources to suit the particular needs and interests of their students
• diverse works that broaden their students’ experiences and perspectives, and encourage increased
intercultural understanding through the study of a rich variety of cultures, historical periods and
places.
Each MYP language and literature course must include study of a balance of language and
literature.
Language learning in context, language acquisition and literature all play a key role in constructing the
language and literature curriculum and provide a natural entry point to inquiry-based learning.
Each MYP language and literature course must include study of a balance of genres.

Requirements
Teachers must ensure that students have the opportunity to study a range of different text types; for
example, short fiction and long fiction, extracts and full-length works, poetry, drama, non-fiction and visual
texts. It is recommended that multiple genres are addressed within each year of the programme so that
students have the opportunity to fully develop their genre-specific skills over the five years.
Each MYP language and literature course must include study of a range of literature.
The definition of literature varies between cultures and languages. In most cultures, literature includes
poetry, prose (short stories and novels), mythology and drama, and in some cultures, literature also includes
autobiography, biography, graphic novels, travelogues, satires, essays, letters, literary non-fiction, speeches,
oral traditions, screenplays, film and episodic television. Schools need to determine what constitutes
literature within the context of their language and literature course(s).
Each year of each MYP language and literature course must include a world literature component.
In the MYP, world literature means literature from different parts of the world and works in translation, each
of which clearly shows diverse cultures.
In most cases, students will study the same language in language and literature for the entire programme.
In some cases, and for varying reasons, students may begin studying a language as a second or additional
language in the language acquisition subject group, and then study that language in language and literature
in the later years of the MYP, after they develop sufficient language proficiency. In these cases, it is essential
that the teachers from the two language groups collaborate closely to provide a smooth transition.
The circumstances specific to individual schools will determine which language(s) schools are able to offer,
and the organization of the language and literature subject group within the school.
Where there are students for whom the school’s language of instruction and the language studied in the
language and literature course are additional languages, schools should provide an effective strategy to
support language acquisition. Please see the document Learning in a language other than mother tongue in IB
programmes (April 2008), for further information.

Planning the language and literature curriculum
IB World Schools are responsible for developing and structuring MYP language and literature courses
that provide opportunities for students to meet the aims and objectives of the programme. Each school’s
circumstances, including local and national curriculum requirements, determine the organization of
language and literature within the school.
MYP standards and practices require schools to facilitate and promote collaborative planning for the
purpose of curriculum development and review.
Language and literature objectives for years 1 to 5 of the curriculum provide continuity and outline
a progression of learning. These objectives guide teachers in making decisions about developmentally
appropriate learning experiences, including formative and summative assessments.
As they develop the vertical articulation of language and literature over the years of the programme, teachers
should plan increasingly complex units of work that encompass multiple objectives. However, within these
units, discrete tasks or smaller units of work might concentrate on specific objectives or individual strands.
Language and literature courses offer many opportunities to build interdisciplinary connections across
the curriculum. Horizontal articulation for each year of the programme should coordinate teaching and
learning across courses in language and literature, as well as identify shared conceptual understandings
and approaches to learning (ATL) that span multiple subject groups and help to create a coherent learning
experience for students throughout the year.
Development of skills to meet language and

literature course objectives
Through studying MYP language and literature, students will show an increasing awareness of the power of
language—both in their own and others’ language use. Students will be able to use and interpret language
suitably for a variety of intentions and contexts.
Students should work with both familiar and previously unseen texts, in order to practise, develop and
demonstrate their language and literature skills. Students should engage with texts from different times,
places, cultures, geographical regions, historical periods and perspectives.
Oral communication
Oral communication encompasses all aspects of listening and speaking—skills that are essential for
language development, for learning and for relating to others. Oral communication enables students to
construct meaning through the process of articulating thoughts in a variety of ways. Debates, role plays,
discussions, Socratic seminars, oral essays, lectures, speeches, interviews, simulations, poetry recitals, and
dramatic as well as oral interpretations of literature are all examples of learning experiences students may
engage with in order to develop their oral communication skills, both as listeners and speakers. Some
oral communication tasks will involve a single, main speaker whereas other oral communication tasks will
involve multiple, interacting speakers.

Planning the language and literature curriculum
Written communication
Written communication encompasses all aspects of reading and writing. Reading is constructing meaning
from text by making inferences and interpretations. The process of reading is interactive and involves
the reader’s purpose for reading, the reader’s prior knowledge and experience, as well as the author’s
techniques and effects.
Writing allows us to develop, organize and communicate thoughts, ideas and information. Fiction and non-
fiction in a variety of genres (for example, novels, short stories, biographies, autobiographies, diaries, letters,
pastiches, parodies, cartoons, graphic novels, poetry, song lyrics, drama, screenplays, advertisements,
blogs, emails, websites, appeals, brochures, leaflets, editorials, interviews, magazine articles, manifestos,
reports, instructions and guidelines) are all text types students may engage with to develop their written
communication skills, both as readers and writers.
Visual communication
Visual communication encompasses all aspects of viewing and presenting. Viewing and presenting means
interpreting or constructing visuals and multimedia in a variety of situations and for a range of purposes
and audiences. Visual texts present information; learning to interpret this information and the ability to
understand and use different media are invaluable skills. Engaging with visual texts gives students the
opportunity to understand the ways in which images and language interact to convey ideas, values and
beliefs. Advertisements, works of art, performance art, dramatic interpretations, postcards, graphic novels,
animations, cartoons, comics, films, music videos, video clips, newspapers and magazines, graphs, tables,
diagrams, leaflets, posters and television programmes are all examples of visual text types students may
engage with in order to develop their visual communication skills, both as viewers and presenters.
Please note that the examples above do not constitute a definitive list, and teachers may wish to incorporate
other text types into classroom practice.
Teachers should also ensure that students have the opportunity to develop their skills in completing work
with different requirements and under a variety of conditions. Schools could, for example, set tasks that
are:
• carried out under supervised or unsupervised conditions

• completed on electronic devices rather than handwritten, or vice versa
• timed or untimed
• formal or informal
• completed as part of a process (brainstorming, organization, drafting, redrafting, editing and
publishing), or impromptu
• oral, written or visual.
Please note that the document MYP: From principles into practice (May 2014) provides detailed information
on organizing the written, taught and assessed curriculum, including the use of the objectives, assessment
criteria and the planning of units of work.

Teaching and learning through inquiry
Inquiry, in the broadest sense, is the process that is used to move to deeper levels of understanding. Inquiry
involves speculating, exploring, questioning and connecting. In all IB programmes, inquiry develops
curiosity and promotes critical and creative thinking.
The MYP structures sustained inquiry in language and literature by developing conceptual understanding
in global contexts. Teachers and students develop a statement of inquiry and use inquiry questions
to explore the subject. Through their inquiry, students develop specific interdisciplinary and disciplinary
approaches to learning skills.
Conceptual understanding
A concept is a “big idea”—a principle or notion that is enduring, the significance of which goes beyond
particular origins, subject matter or a place in time. Concepts represent the vehicle for students’ inquiry
into the issues and ideas of personal, local and global significance, providing the means by which they can
explore the essence of language and literature.
Concepts have an important place in the structure of knowledge that requires students and teachers to
think with increasing complexity as they organize and relate facts and topics.
Concepts express understanding that students take with them into lifelong adventures of learning. They
help students to develop principles, generalizations and theories. Students use conceptual understanding
as they solve problems, analyse issues and evaluate decisions that can have an impact on themselves, their
communities and the wider world.
In the MYP, conceptual understanding is framed by prescribed key and related concepts. Teachers
must use these concepts to develop the curriculum. Schools may identify and develop additional
concepts to meet local circumstances and curriculum requirements.
Key concepts
Key concepts promote the development of a broad curriculum. They represent big ideas that are both
relevant within and across disciplines and subjects. Inquiry into key concepts can facilitate connections
between and among:
• courses within the language and literature subject group (intra-disciplinary learning)
• other subject groups (interdisciplinary learning).

Table 1 lists the key concepts to be explored across the MYP. The key concepts contributed by the study of
language and literature are communication, connections, creativity and perspective.
Aesthetics Change Communication Communities
Connections Creativity Culture Development
Form Global interactions Identity Logic
Perspective Relationships Systems Time, place and space
Table 1
MYP key concepts
These key concepts provide a framework for language and literature, informing units of work and helping to
organize teaching and learning.
Communication
Communication is the exchange or transfer of signals, facts, ideas and symbols. It requires a sender, a
message and an intended receiver. Communication involves the activity of conveying information or
meaning. Effective communication requires a common “language” (which may be written, spoken or non-
verbal).
Through exploring texts, we exchange, express, analyse and transform information, facts, ideas, meanings
and opinions. Communication is the basis of what makes us human and bridges communities across the
globe; it is the essence of this discipline.
Connections
Connections are links, bonds and relationships among people, objects, organisms or ideas.
Linguistic and literary connections exist across time, texts and cultures. This concept is central to the study
of language and literature. Due to the universal nature of language and literature, connections and transfer
exist within and across narratives. This allows for the exploration of language and relationships between
text, creator and audience.
Creativity
Creativity is the process of generating novel ideas and considering existing ideas from new perspectives.
Creativity includes the ability to recognize the value of ideas when developing innovative responses to
problems; it may be evident in process as well as outcomes, products or solutions.
In MYP language and literature, it is the process of synthesizing ideas with language that is a vehicle for
creativity. It is the result of interaction and reflection, whether with the self or the wider community. This
process is difficult to define and difficult to evaluate. It rests, however, on an appreciation of the process
with which the individual engages, and the impact of the final product on the audience.
Perspective
Perspective is the position from which we observe situations, objects, facts, ideas and opinions. Perspective
may be associated with individuals, groups, cultures or disciplines. Different perspectives often lead to
multiple representations and interpretations.
Perspective influences text, and text influences perspective. Through students’ language and literature
studies, multiple perspectives and their effects are identified, analysed, deconstructed and reconstructed.
An understanding of this concept is essential in order to develop in students the ability to recognize and
respond to over-simplistic and biased interpretations. Seeking and considering diverse opinions and points
of view is an important part of developing complex and defensible interpretations.

Other key concepts can also be important in language and literature; including identity, culture, form,
time, place and space.
Related concepts
Related concepts promote deep learning. They are grounded in specific disciplines and are useful for
exploring key concepts in greater detail. Inquiry into related concepts helps students develop more complex
and sophisticated conceptual understanding. Related concepts may arise from the subject matter of a unit
or the craft of a subject—its features and processes.
Table 2 lists related concepts for the study of language and literature. Teachers are not limited to the related
concepts listed in this chart and may choose others when planning units, including from other subject groups.
Audience imperatives Character Context Genre
Intertextuality Point of view Purpose Self-expression
Setting Structure Style Theme
Table 2
Related concepts in language and literature
A glossary of these related concepts for language and literature can be found in the “Appendices” section of
this guide.
Global contexts for teaching and learning

Global contexts direct learning towards independent and shared inquiry into our common humanity and
shared guardianship of the planet. Using the world as the broadest context for learning, MYP language and
literature can develop meaningful explorations of:
• identities and relationships

• orientation in space and time
• personal and cultural expression
• scientific and technical innovation
• globalization and sustainability
• fairness and development.
Teachers must identify a global context for teaching and learning, or develop additional contexts
that help students explore the relevance of their inquiry (why it matters).
Many inquiries into language and literature concepts naturally focus on personal and cultural expression,
and identities and relationships. However, courses in this subject group should, over time, offer students
multiple opportunities to explore all MYP global contexts in relation to the aims and objectives of the
subject group.

Statements of inquiry
Statements of inquiry set conceptual understanding in a global context in order to frame classroom inquiry
and direct purposeful learning. Table 3 shows some possible statements of inquiry for MYP language and
literature units.
Statement of inquiry Key concept Possible project/study

Related concepts
Global context
Critical readers understand that • Perspective Literary interpretations of social

historical context and authors’ • Context, point of view, conflict: such as the second
perspectives affect readers’ corroboration, style world war
interpretations of literary texts
• Orientation in space and
and of the concept of truth.
time
Directors create films to position • Creativity Feature film or documentary

audiences to respond in a • Audience imperatives, study (some possible films to
particular way. meaning, purpose study might include Bowling for
Columbine [2002]; Super Size Me
• Personal and cultural
[2004])
expression
Historical contexts shape literary • Connections Historical fiction; short-story unit;

genre. • Context, genres comparative study (for example,
Shakespeare’s Romeo and Juliet
• Orientation in space and
to Baz Luhrmann’s film version;
time
Persepolis [graphic novel]
compared to One Hundred Years
of Solitude [revolution theme])
Persuasive texts, specifically • Communication Advertising unit

in marketing and politics, use • Bias, purpose, audience,
language intended to influence stylistic choices, form,
our behaviour and decisions. function
• Personal and cultural
expression
Table 3
Example statements of inquiry

Inquiry questions
Teachers and students use statements of inquiry to help them identify factual, conceptual and debatable
inquiry questions. Inquiry questions give direction to teaching and learning, and they help to organize and
sequence learning experiences.
Table 4 shows some possible inquiry questions for MYP language and literature units.
Factual questions: Conceptual questions: Debatable questions:

Remembering facts and topics Analysing big ideas Evaluating perspectives and
developing theories
• What is a personal • Why do we tell stories? • Why do we create?

narrative and what are What can we express • How is truth corroborated?
the linguistic features of through a story? Is the truth out there?
narratives and stories? • What is truth? Where/Why/ • Is every decision made in
• What are the components How do people search for creating a film a conscious
of a basic essay? the meaning of truth? choice, or do we read too
• How is fantasy different • How are audiences much into our analysis?
from other genres? influenced by film codes • When do advertisements
• What techniques do and conventions? become unethical?
advertisers employ to • How can we avoid being
influence our behaviour manipulated by what we
and decisions? see, hear and read?
Table 4
Examples of factual, conceptual and debatable questions
Approaches to learning
All MYP units of work offer opportunities for students to develop and practise approaches to learning (ATL)
skills. These skills provide valuable support for students working to meet the subject group’s aims and
objectives.
ATL skills are grouped into five categories that span the IB continuum of international education.
IB programmes identify discrete skills in each category that can be introduced, practised and consolidated
in the classroom and beyond.
While ATL skills are relevant across all MYP subject groups, teachers may also identify ATL skill indicators
especially relevant for, or unique to, a particular subject group or course.

Table 5 suggests some of the indicators that can be important in language and literature.
Category Skill indicator
Thinking skills Evaluate evidence and arguments.
Social skills Listen actively to other perspectives and ideas.
Communication skills Use a variety of media to communicate with a range of audiences.
Self-management skills Keep an organized and logical system of information files and notes.
Research skills Seek a range of perspectives from multiple and varied sources.
Table 5
Examples of language and literature-specific skill indicators
Well-designed learning engagements and assessments provide rich opportunities for students to practise
and demonstrate ATL skills. Each MYP unit explicitly identifies ATL skills around which teaching and learning
can focus, and through which students can authentically demonstrate what they are able to do. Formative
assessments provide important feedback for developing discrete skills, and many ATL skills support students
as they demonstrate their achievements in summative assessments of subject group objectives.
Table 6 lists some specific ATL skills that students can demonstrate through performances of understanding
in language and literature.
Approaches to learning
Communication (communication): read critically and for comprehension.

Thinking (creative thinking): create original works and ideas.
Table 6
Examples of language and literature demonstrations of ATL skills

Subject-specific guidance
MYP language and literature is a compulsory component of the MYP in every year of the programme.
Schools are strongly encouraged to offer language and literature courses in multiple languages. The
language in which students undertake their language and literature course may be:
• their mother tongue or the language in which they are most proficient
• the language of instruction of the school.
Schools do not have to restrict themselves to only the languages offered at the school or in the community.
Schools are encouraged to make use of the mother-tongue language provisions for certification, enabling
students to study their mother tongue even when the school is not able to offer it within their standard
curriculum.
The language and literature course should:
• engage a student in the study of many aspects of the language and literature of a community and
its culture
• develop the student’s language; specifically their listening, speaking, reading, writing and critical
literacy skills
• provide a linguistic and academic challenge for students in order to give them the best possible
educational experience and develop their language skills to their full potential
• offer a study of a wide range of literary and non-literary text types, writing styles and techniques.
Analysis of literary and non-literary text includes commenting on the significance of any possible
contexts, audience, purpose and the use of linguistic and literary devices.
–– Literary texts can be visual, written or spoken, contemporary or traditional that use language in
aesthetic, imaginative and engaging ways—to entertain, to evoke empathy, to express cultural
identity and to reflect on ideas and issues.
–– Non-literary texts can be visual, written or spoken, contemporary or traditional texts that use
language in precise and accurate ways to inform, to transact, to report on ideas, events and
issues, to explain, analyse, argue, persuade and express an opinion. A non-literary text can be,
for example, an advertisement; an opinion column; an extract from an essay; an electronic text
(such as social networking sites, blogs); a brochure (such as a public information leaflet); an
extract from a memoir, diary or other autobiographical text.

Subject-specific guidance
Resources
The choice of resources within a school should reflect the languages and the range of age and abilities
within that school. The school library has an essential role to play in this process. As well as providing
up-to-date and appropriate resources for both teachers and students, the school library should provide
opportunities for students to access material to support subject-specific and interdisciplinary units of
work, and to develop information literacy skills. With regard to language and literature in particular, the
library is key in providing world literature, works in translation and books in different languages, and in
providing rich opportunities for students to develop and communicate their understanding in multimodal
and multimedia ways. Information and communication technology (ICT) should be used, when appropriate,
as an important means of expanding students’ knowledge of the world in which they live, gaining access
to a broader range of language resources and as a new channel for developing skills. All teachers have the
responsibility to teach students to use electronic media critically so that students are aware of the uses and
limitations of the data.

Assessed curriculum
Alignment of objectives and assessment criteria
In the MYP, assessment is closely aligned with the written and taught curriculum. Each strand from MYP
language and literature has a corresponding strand in the assessment criteria for this subject group.
Figure 3 illustrates this alignment and the increasingly complex demands for student performance at higher
achievement levels.
Figure 3
Language and literature objectives and criteria alignment

Assessed curriculum
Assessment criteria overview
Assessment for language and literature in all years of the programme is criterion-related, based on four
equally weighted assessment criteria:
Criterion A Analysing Maximum 8
Criterion B Organizing Maximum 8
Criterion C Producing text Maximum 8
Criterion D Using language Maximum 8
Subject groups must assess all strands of all four assessment criteria at least twice in each year of
the MYP.
In the MYP, subject group objectives correspond to assessment criteria. Each criterion has eight possible
achievement levels (1–8), divided into four bands that generally represent limited (1–2); adequate (3–4);
substantial (5–6); and excellent (7–8) performance. Each band has its own unique descriptor that teachers
use to make “best-fit” judgments about students’ progress and achievement.
This guide provides the required assessment criteria for years 1, 3 and 5 of MYP language and literature.
In response to national or local requirements, schools may add criteria and use additional models of
assessment. Schools must use the appropriate assessment criteria as published in this guide to report
students’ final achievement in the programme.
Teachers clarify the expectations for each summative assessment task with direct reference to these
assessment criteria. Task-specific clarifications should clearly explain what students are expected to know
and do. They might be in the form of:
• a task-specific version of the required assessment criteria

• a face-to-face or virtual classroom discussion
• a detailed task sheet or assignment.

Assessed curriculum
Language and literature assessment criteria: Year 1
Criterion A: Analysing
Maximum: 8
At the end of year 1, students should be able to:
i. identify and comment upon significant aspects of texts

ii. identify and comment upon the creator’s choices
iv. identify similarities and differences in features within and between texts.
Achievement level Level descriptor
The student does not reach a standard described by any of the descriptors
0
below.
The student:
i. provides minimal identification and comment upon significant aspects of
texts
ii. provides minimal identification and comment upon the creator’s choices
1–2
iii. rarely justifies opinions and ideas with examples or explanations; uses
little or no terminology
iv. identifies few similarities and differences in features within and
between texts.
The student:
i. provides adequate identification and comment upon significant aspects
of texts
ii. provides adequate identification and comment upon the creator’s
3–4 choices
iii. justifies opinions and ideas with some examples and explanations,
though this may not be consistent; uses some terminology
iv. identifies some similarities and differences in features within and
between texts.

The student:
i. provides substantial identification and comment upon significant
aspects of texts
ii. provides substantial identification and comment upon the creator’s
5–6 choices
iii. sufficiently justifies opinions and ideas with examples and explanations;
uses accurate terminology
iv. describes some similarities and differences in features within and
between texts.
The student:
i. provides perceptive identification and comment upon significant aspects
of texts
ii. provides perceptive identification and comment upon the creator’s
7–8
choices
iii. gives detailed justification of opinions and ideas with a range of
examples, and thorough explanations; uses accurate terminology
iv. compares and contrasts features within and between texts.

Criterion B: Organizing
Maximum: 8

ii. organize opinions and ideas in a logical manner
intention.
0
below.
The student:
i. makes minimal use of organizational structures, though these may not
always serve the context and intention
1–2 ii. organizes opinions and ideas with a minimal degree of logic
iii. makes minimal use of referencing and formatting tools to create a
presentation style that may not always be suitable to the context and
intention.
The student:
i. makes adequate use of organizational structures that serve the context
and intention
3–4
ii. organizes opinions and ideas with some degree of logic
iii. makes adequate use of referencing and formatting tools to create a
presentation style suitable to the context and intention.
The student:
i. makes competent use of organizational structures that serve the context
and intention
5–6 ii. organizes opinions and ideas in a logical manner, with ideas building on
each other
iii. makes competent use of referencing and formatting tools to create a
The student:
i. makes sophisticated use of organizational structures that serve the
context and intention effectively
7–8 ii. effectively organizes opinions and ideas in a logical manner with ideas
building on each other in a sophisticated way
iii. makes excellent use of referencing and formatting tools to create an
effective presentation style.

Criterion C: Producing text

Maximum: 8
i. produce texts that demonstrate thought and imagination while exploring new perspectives and ideas
arising from personal engagement with the creative process
iii. select relevant details and examples to support ideas.
0
below.
The student:
i. produces texts that demonstrate limited personal engagement with
the creative process; demonstrates a limited degree of thought or
1–2 imagination and minimal exploration of new perspectives and ideas
ii. makes minimal stylistic choices in terms of linguistic, literary and visual
devices, demonstrating limited awareness of impact on an audience
iii. selects few relevant details and examples to support ideas.
The student:
i. produces texts that demonstrate adequate personal engagement with
the creative process; demonstrates some thought or imagination and
3–4 some exploration of new perspectives and ideas
ii. makes some stylistic choices in terms of linguistic, literary and visual
devices, demonstrating some awareness of impact on an audience
iii. selects some relevant details and examples to support ideas.
The student:
i. produces texts that demonstrate considerable personal engagement
with the creative process; demonstrates considerable thought or
5–6 imagination and substantial exploration of new perspectives and ideas
ii. makes thoughtful stylistic choices in terms of linguistic, literary and visual
devices, demonstrating good awareness of impact on an audience
iii. selects sufficient relevant details and examples to support ideas.
The student:
i. produces texts that demonstrate a high degree of personal engagement
with the creative process; demonstrates a high degree of thought or
7–8 imagination and perceptive exploration of new perspectives and ideas
ii. makes perceptive stylistic choices in terms of linguistic, literary and visual
devices, demonstrating clear awareness of impact on an audience
iii. selects extensive relevant details and examples to support ideas.

Criterion D: Using language

Maximum: 8
ii. write and speak in an appropriate register and style
0
below.
The student:
i. uses a limited range of appropriate vocabulary and forms of expression
ii. writes and speaks in an inappropriate register and style that do not
serve the context and intention
1–2 iii. uses grammar, syntax and punctuation with limited accuracy; errors
often hinder communication
iv. spells/writes and pronounces with limited accuracy; errors often hinder
communication
v. makes limited and/or inappropriate use of non-verbal communication
techniques.
The student:
i. uses an adequate range of appropriate vocabulary, sentence structures
and forms of expression
ii. sometimes writes and speaks in a register and style that serve the
context and intention
3–4
iii. uses grammar, syntax and punctuation with some degree of accuracy;
errors sometimes hinder communication
iv. spells/writes and pronounces with some degree of accuracy; errors
sometimes hinder communication
v. makes some use of appropriate non-verbal communication techniques.

The student:
i. uses a varied range of appropriate vocabulary, sentence structures and
forms of expression competently
ii. writes and speaks competently in a register and style that serve the
5–6 iii. uses grammar, syntax and punctuation with a considerable degree of
accuracy; errors do not hinder effective communication
iv. spells/writes and pronounces with a considerable degree of accuracy;
errors do not hinder effective communication
v. makes sufficient use of appropriate non-verbal communication
techniques.
The student:
i. effectively uses a range of appropriate vocabulary, sentence structures
ii. writes and speaks in a consistently appropriate register and style that
7–8 iii. uses grammar, syntax and punctuation with a high degree of accuracy;
errors are minor and communication is effective
iv. spells/writes and pronounces with a high degree of accuracy; errors are
minor and communication is effective
v. makes effective use of appropriate non-verbal communication
techniques.

Assessed curriculum
Maximum: 8
i. identify and explain the content, context, language, structure, technique and style of text(s) and the
relationship among texts
ii. identify and explain the effects of the creator’s choices on an audience
iv. interpret similarities and differences in features within and between genres and texts.
0
below.
The student:
i. provides minimal identification or explanation of the content, context,
language, structure, technique and style, and does not explain the
ii. provides minimal identification and explanation of the effects of the
1–2
creator’s choices on an audience
iv. interprets few similarities and differences in features within and between
genres and texts.
The student:
i. provides adequate identification and explanation of the content, context,
language, structure, technique and style, and some explanation of the
ii. provides adequate identification and explanation of the effects of the
3–4
iv. interprets some similarities and differences in features within and
between genres and texts.

The student:
i. provides substantial identification and explanation of the content,
context, language, structure, technique and style, and explains the
ii. provides substantial identification and explanation of the effects of the
5–6
iv. competently interprets similarities and differences in features within and
between genres and texts.
The student:
i. provides perceptive identification and explanation of the content,
context, language, structure, technique and style, and explains the
relationship among texts thoroughly
ii. provides perceptive identification and explanation of the effects of the
7–8
iv. perceptively compares and contrasts features within and between
genres and texts.

Maximum: 8

ii. organize opinions and ideas in a coherent and logical manner
intention.
0
below.
The student:
i. makes minimal use of organizational structures though these may not
1–2 ii. organizes opinions and ideas with a minimal degree of coherence and
logic
intention.
The student:
and intention
3–4
ii. organizes opinions and ideas with some degree of coherence and logic
The student:
and intention
5–6 ii. organizes opinions and ideas in a coherent and logical manner with
ideas building on each other
The student:
7–8 ii. effectively organizes opinions and ideas in a coherent and logical
manner with ideas building on each other in a sophisticated way


Maximum: 8
i. produce texts that demonstrate thought, imagination and sensitivity, while exploring and considering
new perspectives and ideas arising from personal engagement with the creative process
0
below.
The student:
i. produces texts that demonstrate limited personal engagement with the
creative process; demonstrates a limited degree of thought, imagination
and sensitivity and minimal exploration and consideration of new
1–2
perspectives and ideas
iii. selects few relevant details and examples to develop ideas.
The student:
i. produces texts that demonstrate adequate personal engagement with
the creative process; demonstrates some degree of thought, imagination
and sensitivity and some exploration and consideration of new
3–4
devices, demonstrating adequate awareness of impact on an audience
iii. selects some relevant details and examples to develop ideas.
The student:
with the creative process; demonstrates considerable thought,
imagination and sensitivity and substantial exploration and
5–6
consideration of new perspectives and ideas
iii. selects sufficient relevant details and examples to develop ideas.

The student:
with the creative process; demonstrates a high degree of thought,
imagination and sensitivity and perceptive exploration and consideration
7–8 of new perspectives and ideas
devices, demonstrating clear awareness of impact on an audience
iii. selects extensive relevant details and examples to develop ideas with
precision.


Maximum: 8
ii. write and speak in an appropriate register and style
0
below.
The student:
1–2 iii. uses grammar, syntax and punctuation with limited accuracy; errors often
hinder communication
communication
techniques.
The student:
ii. sometimes writes and speaks in a register and style that serve the
3–4

The student:
techniques.
The student:
i. effectively uses a varied range of appropriate vocabulary, sentence
structures and forms of expression
techniques.

Assessed curriculum
Maximum: 8
i. analyse the content, context, language, structure, technique and style of text(s) and the relationship
among texts
ii. analyse the effects of the creator’s choices on an audience
iv. evaluate similarities and differences by connecting features across and within genres and texts.
0
below.
The student:
i. provides limited analysis of the content, context, language, structure,
technique and style of text(s) and the relationship among texts
ii. provides limited analysis of the effects of the creator’s choices on an
1–2 audience
iv. evaluates few similarities and differences by making minimal
connections in features across and within genres and texts.
The student:
i. provides adequate analysis of the content, context, language, structure,
technique and style of text(s) and the relationship among texts
ii. provides adequate analysis of the effects of the creator’s choices on an
3–4 audience
iv. evaluates some similarities and differences by making adequate

The student:
i. competently analyses the content, context, language, structure,
technique, style of text(s) and the relationship among texts
ii. competently analyses the effects of the creator’s choices on an audience
5–6
iv. evaluates similarities and differences by making substantial connections
in features across and within genres and texts.
The student:
i. provides perceptive analysis of the content, context, language, structure,
technique, style of text(s) and the relationship among texts
ii. perceptively analyses the effects of the creator’s choices on an audience
7–8
iv. perceptively compares and contrasts by making extensive

Maximum: 8

ii. organize opinions and ideas in a sustained, coherent and logical manner
intention.
0
below.
The student:
i. makes minimal use of organizational structures though these may not
1–2 ii. organizes opinions and ideas with a minimal degree of coherence and
logic
intention.
The student:
and intention
3–4
ii. organizes opinions and ideas with some degree of coherence and logic
The student:
and intention
5–6 ii. organizes opinions and ideas in a coherent and logical manner with
ideas building on each other
The student:
7–8 ii. effectively organizes opinions and ideas in a sustained, coherent and
logical manner with ideas building on each other in a sophisticated way


Maximum: 8
i. produce texts that demonstrate insight, imagination and sensitivity while exploring and reflecting
critically on new perspectives and ideas arising from personal engagement with the creative process
0
below.
The student:
i. produces texts that demonstrate limited personal engagement with the
creative process; demonstrates a limited degree of insight, imagination
and sensitivity and minimal exploration of, and critical reflection on, new
1–2
iii. selects few relevant details and examples to develop ideas.
The student:
i. produces texts that demonstrate adequate personal engagement
with the creative process; demonstrates some insight, imagination
and sensitivity and some exploration of, and critical reflection on, new
3–4
devices, demonstrating adequate awareness of impact on an audience
iii. selects some relevant details and examples to develop ideas.
The student:
with the creative process; demonstrates considerable insight,
imagination and sensitivity and substantial exploration of, and critical
5–6
reflection on, new perspectives and ideas
iii. selects sufficient relevant details and examples to develop ideas.

The student:
with the creative process; demonstrates a high degree of insight,
imagination and sensitivity and perceptive exploration of, and critical
7–8 reflection on, new perspectives and ideas
iii. selects extensive relevant details and examples to develop ideas with
precision.


Maximum: 8
ii. write and speak in a register and style that serve the context and intention
0
below.
The student:
1–2 iii. uses grammar, syntax and punctuation with limited accuracy; errors
often hinder communication
communication
techniques.
The student:
ii. sometimes writes and speaks in a register and style that serve the context
and intention
3–4

The student:
techniques.
The student:
i. effectively uses a range of appropriate vocabulary, sentence structures
techniques.

Assessed curriculum
MYP eAssessment
Students seeking IB MYP course results for MYP language and literature complete an onscreen
examination in which they can demonstrate their achievement of subject group objectives. Successful
results can contribute to students’ attainment of the IB MYP certificate.
Optional eAssessment in language and literature is offered in a limited range of languages. Please see the
Middle Years Programme Assessment procedures for a list of languages available. Language and literature is
assessed by on-screen examination. This verification of learning assures accurate and consistently applied
standards.
Language and literature topic list

For the purpose of external assessment, the MYP identifies a range of subject-specific topics that constitute
one of the variables that authors consider when they create on-screen examinations. These topics are at
a lower level of specification than the formal syllabus of a similar subject in the IB Diploma Programme,
and they leave considerable leeway for schools to develop their own written curriculum according to MYP
requirements.
These topics define the examinable subject matter for MYP on-screen examinations. In their local
development of the MYP curriculum, schools are not limited to these topics. This list does not constitute an
exclusive IB-approved curriculum for MYP years 4–5.
MYP language and literature courses feature a flexible and culturally sensitive approach to determining the
nature and complexity of students’ engagement with the subject. There are no prescribed texts; teachers
choose literary and non-literary texts that:
• suit the needs and interests of their students

• broaden their students’ experiences and perspectives
• increase historical and intercultural understanding
• model linguistic competency in communicating effectively with an increasing variety of audiences
and purposes
• include geographical diversity and translations from other languages.
Forms of literature in MYP language and literature courses typically include poetry, prose (short stories and
novels from a variety of genres), mythology and drama. Additional literary and non-literary texts include:
• multimedia texts, including screenplays, film, television programmes and drama series
• biography and autobiography
• essays, letters, narrative non-fiction and informational text
• speeches, oral traditions
• graphic novels.

MYP eAssessment
MYP teachers choose written and multimedia texts of sufficient complexity that allow students to encounter
a range of age-appropriate styles in which they can explore linguistic, literary and visual devices, as well as
supportive tools.
Works of literature and non-literary texts studied in MYP language and literature courses must provide
vocabulary, syntax, depth and levels of meaning and styles of language of appropriate sophistication. Ideas
and issues typically explored in the classroom might include:
• identity, heritage, culture, diversity

• communities, globalization, migration, displacement
• social history, civilizations, journeys
• media and mass communication
• childhood, adolescence, youth, rebellion, innocence and experience
• families, friendships, relationships
• systems, power and protest, justice, peace and conflict, freedom and independence
• health and well-being, environment, lifestyle
• social roles, norms and expectations, gender, inclusion, minorities, class
• utopias, dystopias, survival
• religion, faith, values, ritual, spirituality, taboos
• allegiance, betrayal, revenge, atonement, forgiveness.
Language and literature examination blueprint

MYP on-screen examinations are constructed as a series of tasks that sample, simulate or replicate internal
assessment practices. The assessments follow an agreed structure that provides a clear framework for
developing each examination. The distribution of marks within each eAssessment may vary by no more
than three marks from those displayed in the blueprint.
As part of an ethical assessment model, these assessment blueprints ensure consistency and transparency,
and they guarantee a balanced approach in measuring students’ achievement with respect to MYP
objectives. MYP on-screen examination blueprints document the close connection of large-scale assessment
with subject-group objectives, classroom learning engagements and the programme’s rigorous internal
assessment requirements.
These blueprints enable teachers and students to review the nature and purpose of MYP eAssessment.
They provide an important resource for helping students to prepare for on-screen examinations, focusing
attention on subject-group criteria and assessment strategies in each subject group.

MYP eAssessment
Overview
The following table illustrates how a language and literature assessment will be structured.
Tasks and recommended timings Criteria Task totals
A B C D
Task 1: Analysing—shorter response 10 – – – 10

questions
Task 1: Analysing—extended 10 10 – – 20
comparison question
Task 2: Producing literary text— – – 10 10 20

writing
Task 3: Producing non-literary text – 10 10 10 30
Total—120 minutes 20 20 20 20 80 marks
Examination sources, tools and tasks

Sources
A variety of sources will feature in each assessment and will include:
• a written extract from a literary or non-literary text

• a multimedia text
• static image(s).
Tools
Most questions will be answered using a standard text tool set. Other tools to facilitate different response
types such as flow charts will be made available as they are required.
Task details
Analysing task
This task assesses students’ ability to analyse, then compare and contrast two unseen text extracts (one
written text and one multimedia text). It is made up of a series of short response questions which focus on
criterion A, followed by an extended response question which is assessed using criteria A and B. The task
assesses students’ ability to:
• analyse techniques used in written and multimedia texts, giving justifications for their opinions
(criterion A)
• organize their work in a coherent and logical manner (criterion B).

MYP eAssessment
Producing literary text task

This is an extended creative writing task, with a stimulus of two static images provided. The task assesses
students’ ability to:
• produce a literary text that demonstrates imagination or sensitivity and an awareness of impact on
audience (criterion C)
• produce text, demonstrating the ability to write in an appropriate register with grammatical accuracy
(criterion D).
Producing non-literary text task

This is an extended non-literary writing task and it is connected to the global context focus for the session
and year of study. The task assesses students’ ability to:
• organize their work in a coherent and logical manner (criterion B)

• produce a non-literary text which demonstrates imagination or sensitivity and an awareness of impact
on audience (criterion C)
• produce text, demonstrating the ability to write in an appropriate register with grammatical accuracy
(criterion D).
Language and literature subject-specific grade

descriptors
Subject-specific grade descriptors serve as an important reference in the assessment process. Through careful
analysis of subject-group criteria and the general grade descriptors, they have been written to capture and
describe in a single descriptor the performance of students at each grade for each MYP subject group.
For on-screen examination subjects, teachers are required to submit predicted grades. When considering
predicted grades, teachers should consider their own assessment of students during MYP 4 and the first part
of MYP 5 and allowing for subsequent academic development, teachers are asked to predict the outcome
of eAssessment for their students with reference to the subject-specific grade descriptors. This prediction
helps the IB to check the alignment between teachers’ expectations and the IB’s assessment outcome and,
as such, forms an essential strategy for ensuring reliable results.
Subject-specific grade descriptors are also the main reference used to select grade boundaries for each
discipline in each assessment session. During this process, the grade award team compares student
performance against descriptors of achievement at grades 2 and 3; 3 and 4; and 6 and 7 (other boundaries
are set at equal intervals between these key transitions). The grade award process is able to compensate for
variations in challenge between examinations and in standards applied to marking (both between subjects
and for a particular subject across sessions) by setting boundaries for each discipline and examination
session, with reference to real student work.
Subject-specific grade descriptors tie eAssessment to criterion-related assessment and to MYP assessment
criteria and level descriptors, which put the programme’s criterion-related assessment philosophy into practice.

MYP eAssessment
Grade Descriptor
7 Produces high-quality frequently insightful, imaginative and sensitive work.

Communicates comprehensive, nuanced understanding of linguistic and literary
concepts and contexts through the effective use of language. Consistently
demonstrates sophisticated critical and creative thinking through the analysis and
creation of language and literature. Frequently transfers knowledge and applies skills,
with independence and expertise, in a variety of complex classroom and real-world
situations.
6 Produces high-quality, occasionally insightful, imaginative and sensitive work.

Communicates extensive understanding of linguistic and literary concepts and
contexts through the effective use of language. Demonstrates critical and creative
thinking, frequently with sophistication, through the analysis and creation of language
and literature. Transfers knowledge and applies skills often with independence and
accuracy, in a variety of familiar and unfamiliar classroom and real-world situations.
5 Produces generally high-quality work. Communicates good understanding of

linguistic and literary concepts and contexts through the effective use of language.
Demonstrates critical and creative thinking, sometimes with sophistication, through
the analysis and creation of language and literature. Usually transfers knowledge
and applies skills with some independence and accuracy in classroom and real-world
situations.
4 Produces good-quality work. Communicates basic understanding of most linguistic

and literary concepts and contexts with few misunderstandings and minor gaps in
the use of language. Often demonstrates critical and creative thinking through the
analysis and creation of language and literature. Transfers some knowledge and
applies some skills in familiar classroom situations, but requires support in unfamiliar
situations.
3 Produces work of an acceptable quality. Communicates basic understanding of

many linguistic and literary concepts and contexts with occasional significant
misunderstandings or gaps in the use of language. Begins to demonstrate some
critical and creative thinking through the analysis and creation of language and
literature. Begins to transfer knowledge and apply skills, requiring support even in
familiar situations.
2 Produces work of limited quality. Communicates limited understanding of some

linguistic and literary concepts and contexts with significant gaps in understanding
and in the use of language. Demonstrates limited evidence of critical and creative
thinking through the analysis and creation of language and literature. Limited
evidence of transfer of knowledge and application of skills.
1 Produces work of a very limited quality. Conveys many significant misunderstandings

or lacks understanding of most linguistic and literary concepts and contexts. Very
rarely demonstrates evidence of critical or creative thinking through the analysis
or creation of language and literature. Very inflexible, rarely shows evidence of
knowledge or skills.

Appendices
Related concept Definition
Audience An umbrella concept to refer to whomever (the reader, the listener, the viewer)
imperatives a text or performance is aimed at, and the characteristics, impact or desired
responses created. This impact could include humour, sensibility, critical stance,
appreciation, empathy, antipathy and sympathy, aesthetics, mood, atmosphere
and gender perspectives.
Character The representation of persons in narrative and dramatic works. This may include
direct methods like the attribution of qualities in description or commentary, and
indirect (or “dramatic”) methods inviting readers to infer qualities from characters’
actions, speech or appearance.
When exploring the concept of character, students might explore transformation,
influence, conflict, protagonist, antagonist, persona, foil, stock.
Context The social, historical, cultural and workplace settings in which a text or work is
produced.
All texts may be understood according to their form, content, purpose and
audience, and through the social, historical, cultural and workplace contexts that
produce and value them. Literary texts are influenced by social context, cultural
heritage and historical change. Students should be encouraged to consider how
texts build upon and transform the inherited literary and cultural traditions.
Cultural context refers to the way of life, especially the general customs and beliefs,
of a particular group of people at a particular time.
Genre A type or category of literature or film marked by certain shared features or

conventions.
Conventions are the characteristics of a literary genre. These features may, of
course, vary between languages. Each genre has recognizable techniques, referred
to as literary conventions, and writers use these conventions, along with other
literary features, in order to achieve particular artistic ends.
A study of genres includes essential understandings about conventions of genre:
form, style, storyline, characterization, tone, mood, atmosphere, register, visual
images and layout, narrative/storytelling, prose (foreshadowing, flashbacks,
stream of consciousness in novels and short stories), poetry (metre, rhyme),
drama, mythology and other fiction (for example, graphic novels, satires, oral
traditions, screenplays, film and episodic television) and non-fiction (for example,
autobiography, biography, travelogues, essays, letters, literary non-fiction,
speeches).
Examples of conventions in drama may include dialogues, speeches, monologues,
soliloquies, asides, stage directions, voice, movement, gesture, use of space,
costume, props, lighting, set and sound.

Related concept Definition
Intertextuality The connections between one text and other texts, the ways in which texts are
interrelated, and the meanings that arise out of their interrelationship.
An overt reference to another text (as in a direct quote from another text) is also an
example of intertextuality.
Point of view The particular perspective brought by a composer, responder or character within a
text to the text or to matters within the text. It also entails the position or vantage
point from which the events of a story seem to be observed and presented to us.
When exploring this concept, students will, for example, consider positioning,
voice and tone.
Purpose In literary terms, the creator’s intentions in producing the text. This concept could
also engage students in exploration of meaning, thesis/argument, gender, age,
bias, persuasive techniques, function, critical stance, message and culture.
Self-expression The expression of one’s feelings, thoughts or ideas, especially in writing, art, music,
dance, design and film.
This umbrella concept includes an exploration of essential understandings about
identity, voice (personal), inspiration, imagination, sensitivity, critical stance and
process.
Setting The time and the place in which the action of a book, film, play, and so on happens.
Setting may also include mood and atmosphere.
Structure The way in which a poem or play or other piece of writing has been put together,
and the relationships of different parts of a text to each other and to the text as
a complex whole. This can include exploring metre pattern, stanza arrangement
and the way the ideas are developed. Structure requires essential understandings
about plot, narrative, discourse, form, transformation, thesis/argument, syntax,
foreshadowing and flashbacks.
Style The characteristic way that a writer uses linguistic devices, literary devices and
features for particular purposes and effects; for example, word choice, sentence
structure, figurative devices, repetition, motif, allusion, imagery and symbolism.
Theme The central idea or ideas the creator explores through a text.

References
Baldick, C. 2008. The Concise Oxford Dictionary of Literary Terms. (Third Edition). Oxford, UK. Oxford University
Press.
Cambridge University Press. Cambridge Dictionaries Online. 2013. www.dictionary.cambridge.org/.
Collins. Collins Dictionaries. 2013. www.collinsdictionary.com/.
Brooklyn College, Department of English, Lilia Melani. Literary Terms. 7 August 2012. http://academic.
brooklyn.cuny.edu/english/melani/lit_term.html.
Oxford University Press. Oxford Dictionaries. 2013. www.oxforddictionaries.com/.
Tyson, H and Beverley, M. 2012. IB Diploma Course Companion: English A Literature. Oxford, UK. Oxford
University Press.
University of Cambridge, Faculty of English. The Virtual Classroom Glossary of Literary Terms. 2011. http://
www.english.cam.ac.uk/classroom/terms.htm.
Wheeler, LK, DR. Literary Terms and Definitions. 8 April 2013. http://web.cn.edu/kwheeler/lit_terms.html.

Appendices
Language and literature glossary
Term Definition
Conventions Linguistic conventions: spelling, grammar and punctuation, sentence structure,

paragraphing and format.
Literary conventions: a set of rules that most writing follows. It can include
structure and format.
Visual conventions: structures, features, layout and design elements of visual text.
It can include the use of colour, texture, line, shape and form, symbolism, sound
effects and music, body language, special effects, costume, camera angles and
movement.
Creator The person(s) responsible for the creation of an oral, written or visual work.
Critical literacy The ability to question, challenge and evaluate the meanings and purposes of texts.
The skills to compose, respond to, analyse and evaluate written, spoken, visual
and multimedia texts from various perspectives. It involves an understanding of
the ways in which values and attitudes are communicated through language,
including how subject matter, point of view and language embody assumptions
about issues such as culture, gender and ethnicity.
Critical stance A perspective or point of view taken by a reader or viewer. It involves the reader or
viewer questioning the position presented in a text and developing his or her own
ideas in response to the text.
Forms of Ways and modes of expressing oneself; for example, through poetry, prose, music,
expression art and social media.
Formatting The intentional choice and use of font, style of letters and words and use of space,
for example, to arrange or present text in a particular way and for a particular
purpose.
Genre Genre refers to a style, category or type of literature that can be further categorized
into fiction and non‑fiction.
Types of non-fiction include:
Autobiography: an account or history of a person’s life, written or told by that
person. Often written in narrative form.
Biography: a written account of another person’s life.
Essay: a short literary composition that reflects the author’s outlook or point. A
short literary composition on a particular theme or subject, usually in prose and
generally analytic, speculative or interpretative.
Informational text: most often dealing with an actual, real-life subject. This
genre of literature offers opinions or conjectures on facts and reality. This includes
biographies, history, essays, speech and narrative non-fiction.

Term Definition
Genre (continued Narrative non-fiction: information based on fact that is presented in a format that
from previous tells a story.
page)
Speech: an oral expression of one’s thoughts or emotions, generally delivered in
the form of an address or discourse.
Types of fiction include:
Drama: the genre of literature of which the subject for compositions is dramatic
art in the way it is represented. This genre is stories composed in verse or prose,
usually for theatrical performance, where conflicts and emotion are expressed
through dialogue and action.
Fable: a story about supernatural or extraordinary people usually in the form
of narration that demonstrates a useful truth. In fables, animals often speak as
humans that are legendary and supernatural tales.
Fairy tales or wonder tales: a kind of folktale or fable. Sometimes the stories are
about fairies or other magical creatures, usually for children.
Fantasy: the forming of mental images with strange or other worldly settings or
characters; fiction that invites suspension of reality.
Folklore: the songs, stories, myths and proverbs of a person or “folk” that were
handed down by word of mouth. Folklore is a genre of literature that is widely held,
but false and based on unsubstantiated beliefs.
Historical fiction: a story with fictional characters and events in a historical setting.
Horror: a form of fiction in which events evoke a feeling of dread in both the
characters and the reader.
Legend: a story based on fact, but that also includes imaginative material. It is
often based on a national or folk hero.
Mystery: a genre of fiction that deals with the solution of a crime or the unravelling
of secrets. Anything that is kept secret or remains unexplained or unknown.
Mythology: a type of legend or traditional narrative. This is often based in part
on historical events, which reveal human behaviour and natural phenomena by its
symbolism; often pertaining to the actions of the gods.
Poetry: verse and rhythmic writing with imagery that evokes an emotional
response from the reader. The art of poetry is rhythmical in composition, written
or spoken.
Realistic fiction: a story that can actually happen and is true to real life.
Science fiction: a story based on impact of potential science, either actual or
imagined. Science fiction is one of the genres of literature that is set in the future
or on other planets.
Short story: fiction of such briefness that is not able to support any subplots.
Tall tale: a humorous story with blatant exaggerations and swaggering heroes
who do the impossible with an air of nonchalance.
[http://genresofliterature.com/]

Term Definition
Grammar The set of rules governing how words and their component parts combine to form
sentences.
In MYP language and literature, grammar encompasses word order, sentence
structure, parts of speech, morphology and phonetics, as applicable to the
language.
Incremental 1–2 = limited attempt; minimal; rarely.

descriptors
3–4 = satisfactory; some; occasionally.
5–6 = substantial; most of the time; usually; considerable.
7–8 = excellent; clear; effective; sophisticated; high degree of; thorough;
perceptive.
Internal A type of monologue that exhibits the thoughts, feeling and associations passing
monologue through a character’s mind.
Language of The language in which the majority of a school’s curriculum is delivered. A school
instruction can have more than one language of instruction.
Literature The definition of literature varies between different cultures and languages. In most
cultures, literature includes poetry, prose (short stories and novels), mythology
and drama. Additionally, in some cultures, literature also includes autobiography,
biography, graphic novels, travelogues, satires, essays, letters, literary non-fiction,
speeches, oral traditions, screenplays, film and television programmes, such as
drama series. MYP language and literature can include all of the above, and schools
need to determine what constitutes literature within the context of their language
course(s).
Meaning Sometimes referred to as “message”, it includes “layers of meaning”, nuance,

denotation, connotation, inference and subtext.
Multiliteracies Engaging with text in multimodal ways to construct meaning.

Multiliteracies provide a bridge between the real-life texts of the community and
school texts, and encourage a real-world, interdisciplinary approach to learning
through the use of disciplined knowledge. Using a multiliteracies approach
enables students to understand, use and critically evaluate the multimodal texts
of the current generation. These complex texts incorporate elements of linguistic,
visual, spatial, audio and gestural design.
Multimedia Those texts that use more than one medium; for example, combining visual media,
such as words and images, with sound. Television, the internet and developments
in computer and digital technology have resulted in multimedia texts becoming
increasingly rich and complex. Multimedia texts now generally feature moving
images, sophisticated and complex graphics, and interactivity. Examples of
multimedia texts include texts delivered on CD-ROM and DVD, music videos,
cartoons, video games and internet texts.
Multimodal Comprising more than one mode. A multimodal text uses more than one mode to
communicate meaning. Examples of multimodal texts include films and computer
games.

Term Definition
Oral These can include, for example, pronunciation, intonation, tone, pitch, inflection,
communication pace, pausing, voice control, volume, projection, body language, gesture and eye
skills contact, as applicable to the language being studied.
Oral response A literary composition (usually an essay) on a single subject that is composed with
the intent that it will be delivered orally, rather than in written form.
Organizational Organizational or text structures involve understanding and applying knowledge

Structure of how specific sentences, paragraphs, and larger portions of the text (for example,
a section, chapter, scene, or stanza) relate to each other and the whole. Common
types of organizational structures or patterns include chronological, compare and
contrast, order of importance, sequence, spatial, cause and effect, description,
problem and solution
Parody A text that imitates another work or an author, with the intention to mock and/or
attempt humour.
Pastiche A work that demonstrates an imitation of another author’s style, or a work that
demonstrates an imitation of multiple authors’ styles.
Positioning/ Positioning: how readers/viewers are influenced by texts.

Influence
Influence: how one text influences another. A text can be reworked to take the
original meaning and create a new one.
Presentation The form of a text and the conventions used in a particular text type. It includes
style visual considerations of the text and goes beyond organizational to consider
aesthetic and functional elements.
Pronunciation Clarity of articulation, not accent.
Purpose Also referred to as “intent”, “intention” or “author’s choices”.
Register The use of tone, pace, volume, pitch, inflection, fluency/fluidity, vocabulary,
grammar and sentence structure that give the correct degree of formality
appropriate for the specific context and audience. In some languages there will be
more levels of register than just “formal” and “informal”.
Response to Meaningful personal interactions with texts that show genuine understanding and
literature analysis.
Style The creator’s choices with regard to all aspects of the text, in the way various
literary and non-literary features have been used to create certain effects for
different purposes and audiences.
Stylistic choices Creators make choices about what they are going to describe and how to describe
it in order to create effect.
This umbrella term encompasses literary and non-literary features: linguistic
devices (rhetorical, syntax, repetition); literary devices (symbolism, metaphor,
simile); and visual devices (colour, texture, symbolism, foregrounding).

Term Definition
Supportive tools Examples of supportive tools in Objective B (organizing) include quotations,

citations, bibliographies, tables, graphs, footnotes, references, italicizing,
underlining, table of contents, appendices, labels, headings, outlines,
superscripting and subscripting. (These were previously referred to as “critical
apparatus”.)
Terminology The language used for analysing texts. It includes terms such as plot, theme, tone,
characterization, setting, symbol, screenplay, masthead, byline and close-up.
Text For the purposes of MYP language and literature, a text may be written, oral or
visual, and non-literary or literary. It can be distinguished from “work” as this will
imply a complete work of literature.
Text types Different forms of written, spoken and visual text, for example, descriptive,
narrative, expository, argumentative and anecdotal.
Transitional Structures, systems or words used to connect and organize ideas, with the effect of
devices guiding the reader through a text. What is considered as appropriate structure or
convention will be dependent on the language.
Viewing and Interpreting or constructing images and multimedia in a variety of situations

presenting and for a range of purposes and audiences. Students should demonstrate their
understanding of the ways in which images and language interact to convey ideas,
values and beliefs.
Visual text Any text that includes an image or a series of static or moving images, for example,
a sign, symbol, poster, brochure, CD or book cover, newspaper article with pictures,
website, film, TV programme, PowerPoint® presentation.
World literature In the MYP, this refers to literature from different parts of the world, cross-cultural
works and/or works in translation.

Appendices
MYP command terms for language and literature
Command term Definition
Analyse Break down in order to bring out the essential elements or structure. (To identify
parts and relationships, and interpret information to reach conclusions.)
Comment Give a judgment based on a given statement or result of a calculation.
Compare and Give an account of the similarities and differences between two (or more) items or
contrast situations, referring to both (all) of them throughout. In language and literature,
this may involve finding and evaluating the significance of similarities and
connections between texts and requires the student to make a literary analysis.
Create Evolve from one’s own thought or imagination, as a work or an invention.
Critique Provide a critical review or commentary, especially when dealing with works of art
or literature. (See also “Evaluate”.)
Discuss Offer a considered and balanced review that includes a range of arguments,
factors or hypotheses. Opinions or conclusions should be presented clearly and
supported by appropriate evidence.
Evaluate Make an appraisal by weighing up the strengths and limitations. (See also “Critique”.)
Examine Consider an argument or concept in a way that uncovers the assumptions and
interrelationships of the issue.
Explore Undertake a systematic process of discovery.
Identify Provide an answer from a number of possibilities. Recognize and state briefly a
distinguishing fact or feature.
Interpret Use knowledge and understanding to recognize trends and draw conclusions
from given information.
Justify Give valid reasons or evidence to support an answer or conclusion.
Organize Put ideas and information into a proper or systematic order; give structure to a text.
Outline Give a brief account or summary.
Select Choose from a list or group.
Summarize Abstract a general theme or major point(s).
Synthesize Combine different ideas in order to create new understanding.
Use Apply knowledge or rules to put theory into practice.
On-screen examinations in language and literature will draw from the full list of MYP command
terms that is available in MYP: From principles into practice.

Appendices
Selected reading
Halliday, MAK. 2004. Three Aspects of Children’s Language Development: Learning Language, Learning through
Language, Learning about Language. In JJ Webster, (ed), The Language of Early Childhood. New York, USA.
Continuum.
Kramsch, C. 1993. Context and Culture in Language Teaching. Oxford, UK. Oxford University Press.
Lanning, LA. 2013. Designing a Concept-based Curriculum for English Language Arts: Meeting the Common Core
with Intellectual Integrity, K-12. London, UK. Corwin.
Savignon, SJ. 1983. Communicative Competence: Theory and Classroom Practice. Reading, Massachusetts,
USA. Addison Wesley.
Unsworth, L. 2001. Teaching Multiliteracies Across the Curriculum. Buckingham, UK. Open University Press.

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Language and literature guide

For use from September 2014/January 2015

Published May 2014

Published on behalf of the International Baccalaureate Organization, a not-for-profit

International Baccalaureate Organization (UK) Ltd

© International Baccalaureate Organization 2014

IB merchandise and publications can be purchased through the IB store at

International Baccalaureate, Baccalauréat International and Bachillerato Internacional

Language and literature in the MYP 2

Written and taught curriculum 14

Language and literature guide

Purpose of this guide

• general information about the programme

In MYP publications, requirements appear in a text box like this one.

Language and literature guide 1

2 Language and literature guide

• addresses holistically students’ intellectual, social, emotional and physical well-being

Language and literature guide 3

Nature of language and literature

Language is what makes us human. It is a recourse against the meaningless

Literature is the art of discovering something extraordinary about ordinary

4 Language and literature guide

Language and literature across the IB continuum

Figure 2 shows the IB continuum pathways to DP studies in language and literature.

Language and literature guide 5

6 Language and literature guide

Language and literature guide 7

i. employ organizational structures that serve the context and intention

8 Language and literature guide

Planning a progression of learning

Year 1 Year 3 Year 5

i. identify and comment i. identify and explain i. analyse the content,

Language and literature guide 9

Year 1 Year 3 Year 5

i. employ organizational i. employ organizational i. employ organizational

Objective C: Producing text

i. produce texts that i. produce texts that i. produce texts that

10 Language and literature guide

Year 1 Year 3 Year 5

Objective D: Using language

Language and literature guide 11

• integrative—bringing together concepts, methods, or modes of communication from two or more

12 Language and literature guide

Language and literature guide 13

Organizing language and literature in the school

14 Language and literature guide

Language and literature guide 15

Planning the language and literature curriculum

Development of skills to meet language and

16 Language and literature guide

• carried out under supervised or unsupervised conditions

Language and literature guide 17

Teaching and learning through inquiry

18 Language and literature guide

Aesthetics Change Communication Communities

Connections Creativity Culture Development

Form Global interactions Identity Logic

Perspective Relationships Systems Time, place and space

Language and literature guide 19

Audience imperatives Character Context Genre