OPERATING INSTRUCTIONS M SERIES

M3D™ Line Array Loudspeaker

M3D-Sub Directional Subwoofer
DECLARATION OF CONFORMITY ACCORDING TO ISO/IEC GUIDE AND EN 45014
The Manufacturer: Environmental Specifications For Meyer Sound Electronics
Meyer Sound Laboratories, Inc. Products:
2832 San Pablo Avenue Operating Temperature 0˚C to + 45˚C
Berkeley, California 94702-2204, USA Nonoperating Temperature <-40˚C or > +75˚C
Declares that the product: M3D™, M3D-Sub Humidity to 95% at 35˚C
Conforms to the following Product Specifications Operating Altitude to 4600 m (15,000 ft)
Safety: EN60065: 1998 Nonoperating Altitude to 6300 m (25,000 ft)
IEC60065: 1998 Shock 30g 11 msec half-sine on each
EMC: EN55103-1: 1997 emission(1) of 6 sides
EN55103-2: 1997 immunity(2) Vibration 10Hz to 55Hz (0.010m
peak-to-peak excursion)
This device complies with the requirements of the Low Voltage
Directive 73 / 23 / EEC and the EMC Directive 89 /336 / EEC. Made by Meyer Sound Laboratories
3K59 COMMERCIAL Berkeley, California USA
This device also complies with EN 55103-1 & -2. Operation is AUDIO SYSTEM European Office:
Meyer Sound Lab. GmbH
subject to the following two conditions: Carl Zeiss Strasse 13
56751 Polch, Germany
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including
interference that may cause undesired operation.
Office of Quality Manager
Berkeley, California USA July 19, 2002

COPYRIGHT
® 2002 Meyer Sound. All rights reserved.
M3D Line Array Loudspeaker Operating Instructions.
The contents of this manual are furnished for informational purposes only, are subject to change without notice, and should not be
construed as a commitment by Meyer Sound Laboratories, Inc. Meyer Sound assumes no responsibility or liability for any errors or
inaccuracies that may appear in this manual.
Except as permitted by applicable copyright law, no part of this publication may be reproduced, stored in a retrieval system, or
transmitted, in any form or by any means, electronic, mechanical, recording or otherwise, without prior written permission from Meyer
Sound.
M3D™, TruPower™, RMS™, BroadbandQ™, MAPP Online™ and REM™ are trademarks of Meyer Sound. SIM® and QuickFly® are registered
trademarks of Meyer Sound (Reg. U.S. Pat. & Tm. Off.). All third-party trademarks mentioned herein are the property of their respective
trademark holders.
Printed in the U.S.A.
Part Number: 05.105.022.01 Rev. A (08/02)
SYMBOLS USED
These symbols indicate important safety or operating features in this booklet and on the chassis.

!
Dangerous voltages: risk of electric Important operating instructions Frame or chassis Protective earth ground
shock
Pour indiquer les risques résultant Pour indequer important Masse, châssis Terre de protection
de tensions dangereuses instructions
Zu die gefahren von gefährliche Zu wichtige betriebs-anweisung Rahmen oder chassis Die schutzerde
spanning zeigen und unter-haltsanweisung zeigen
Para indicar voltajes peligrosos. Instrucciones importantes de Armadura o chassis Tierra proteccionista
funcionamiento y/o manteniento

IMPORTANT SAFETY INSTRUCTIONS

1. Read these instructions. 11. Only use attachments/accessories specified by Meyer
2. Keep these instructions. Sound.
3. Heed all warnings. 12. Use only with the caster rails or rigging specified by Meyer
Sound, or sold with the loudspeaker. Handles are for
4. Follow all instructions. carrying only.
5. Do not use this loudspeaker near water.
6. Clean only with dry cloth.
CAUTION: Rigging should only be done by
7. Do not block any ventilation openings. Install in accordance
with Meyer Sound's installation instructions.
! experienced professionals.

8. Do not install near any heat sources such as radiators, heat

registers, stoves, or other apparatus that produce heat. 13. Unplug this loudspeaker during lightning storms or when
9. Do not defeat the safety purpose of the grounding-type unused for long periods of time.
plug. A grounding type plug has two blades and a third 14. Refer all servicing to qualified service personnel. Servicing
grounding prong. The third prong is provided for your is required when the loudspeaker has been damaged in any
safety. If the provided plug does not fit into your outlet, way, such as power-supply cord or plug is damaged, liquid
consult an electrician for replacement of the obsolete has been spilled or objects have fallen into the loudspeaker,
outlet. the loudspeaker has been exposed to rain or moisture, does
10. Protect the power cord from being walked on or pinched not operate normally, or has been dropped.
particularly at plugs, convenience receptacles, and the point 15. This loudspeaker provides protection against direct sprays
where they exit from the loudspeaker. The AC mains plug or of water up to 15 degrees from vertical. Rating IP42 in
appliance coupler shall remain readily accessable for accordance with IEC 60529.
operation.
SAFETY SUMMARY
English Deutsch
– To reduce the risk of electric shock, disconnect the – Um die Gefahr eines elektrischen Schlages auf ein Minimum
loudspeaker from the AC mains before installing audio zu reduzieren, den Lautsprecher vom Stromnetz trennen,
cable. Reconnect the power cord only after making all signal bevor ggf. ein Audio-Schnittstellensignalkabel
connections. angeschlossen wird. Das Netzkabel erst nach Herstellung
– Connect the loudspeaker to a two-pole, three-wire aller Signalverbindungen wieder einstecken.
grounding mains receptacle. The receptacle must be – Der Lautsprecher an eine geerdete zweipolige Dreiphasen-
connected to a fuse or circuit breaker. Connection to any Netzsteckdose anschließen. Die Steckdose muß mit einem
other type of receptacle poses a shock hazard and may geeigneten Abzweigschutz (Sicherung oder
violate local electrical codes. Leistungsschalter) verbunden sein. Der Anschluß der
– Do not install the loudspeaker in wet or humid locations unterbrechungsfreien Stromversorgung an einen anderen
without using weather protection equipment from Meyer Steckdosentyp kann zu Stromschlägen führen und gegen die
Sound. örtlichen Vorschriften verstoßen.
– Do not allow water or any foreign object to get inside the – Der Lautsprecher nicht an einem Ort aufstellen, an dem sie
loudspeaker. Do not put objects containing liquid on or near mit Wasser oder übermäßig hoher Luftfeuchtigkeit in
the unit. Berührung kommen könnte.
– To reduce the risk of overheating the loudspeaker, avoid – Darauf achten, daß weder Wasser noch Fremdkörper in das
exposing it to direct sunlight. Do not install the unit near Innere den Lautsprecher eindringen. Keine Objekte, die
heat-emitting appliances, such as a room heater or stove. Flüssigkeit enthalten, auf oder neben die
– This loudspeaker contains potentially hazardous voltages. unterbrechungsfreie Stromversorgung stellen.
Do not attempt to disassemble the unit. The unit contains no – Um ein Überhitzen dem Lautsprecher zu verhindern, das
user-serviceable parts. Repairs should be performed only Gerät vor direkter Sonneneinstrahlung fernhalten und nicht
by factory-trained service personnel. in der Nähe von wärmeabstrahlenden Haushaltsgeräten (z.B.
Heizgerät oder Herd) aufstellen.
Français – Im Inneren diesem Lautsprecher herr-schen potentiell
– Pour réduire le risque d’électrocution, débrancher la prise gefährliche Spannungen. Nicht versuchen, das Gerät zu
principale de l’haut-parleur, avant d’installer le câble öffnen. Es enthält keine vom Benutzer reparierbaren Teile.
d’interface allant à l’audio. Ne rebrancher le bloc Reparaturen dürfen nur von ausgebildetem
d’alimentation qu’après avoir effectué toutes les Kundenienstpersonal durchgeführt werden.
connections.
– Branchez l’haut-parleur dans une prise de courant à 3 Español
dérivations (deux pôles et la terre). Cette prise doit être – Para reducir el riesgo de descarga eléctrica, desconecte de
munie d’une protection adéquate (fusible ou coupe-circuit). la red de voltaje el altoparlante antes de instalar el cable de
Le branchement dans tout autre genre de prise pourrait señal de audio. Vuelva a conectar la alimentacion de voltaje
entraîner un risque d’électrocution et peut constituer une una vez efectuadas todas las interconexiones de
infraction à la réglementation locale concernant les señalizacion de audio.
installations électriques. – Conecte el altoparlante a un tomacorriente bipolar y trifilar
– Ne pas installer l’haut-parleur dans un endroit où il y a de con neutro de puesta a tierra. El tomacorriente debe estar
l’eau ou une humidité excessive. conectado a la protección de derivación apropiada (ya sea
– Ne pas laisser de l’eau ou tout objet pénétrer dans l’haut- un fusible o un disyuntor). La conexión a cualquier otro tipo
parleur. Ne pas placer de r´cipients contenant un liquide sur de tomacorriente puede constituir peligro de descarga
cet appareil, ni à proximité de celui-ci. eléctrica y violar los códigos eléctricos locales.
– Pour éviter une surchauffe de l’haut-parleur, conserver-la – No instale el altoparlante en lugares donde haya agua o
à l’abri du soleil. Ne pas installer à proximité d’appareils humedad excesiva.
dégageant de la chaleur tels que radiateurs ou appareils de – No deje que en el altoparlante entre agua ni ningún objeto
chauffage. extraño. No ponga objetos con líquidos encima de la unidad
– Ce haut-parleur contient des circuits haute tension ni cerca de ella.
présentant un danger. Ne jamais essayer de le démonter. Il – Para reducir el riesgo de sobrecalentamiento, no exponga la
n’y a aucun composant qui puisse être réparé par unidad a los rayos directos del sol ni la instale cerca de
l’utilisateur. Toutes les réparations doivent être effectuées artefactos que emiten calor, como estufas o cocinas.
par du personnel qualifié et agréé par le constructeur. – Este altoparlante contiene niveles de voltaje peligrosos en
potencia. No intente desarmar la unidad, pues no contiene
piezas que puedan ser repardas por el usuario. Las
reparaciones deben efectuarse únicamente por parte del
personal de mantenimiento capacitado en la fábrica.
CONTENTS
Introduction 1
AC Power 2
AC Power Distribution 2
Voltage Requirements 2
Current Requirements 3
Power Connector Wiring Conventions 3
Safety Issues 5
Audio Input 5
Amplification and Protection Circuitry 6
M3D Interconnections 6
M3D-Sub Interconnections 7
The TruPower™ Limiting System 7
M3D TPL Limiters 7
M3D Peak Limiter 8
M3D-Sub TPL Limiters 8
M3D-Sub Excursion Clamp 8
Fans and Cooling System 8
Using and Replacing the Rain Hood 9
Opening the Rain Hood 9
Removing the M3D/M3D-Sub Amplifier 10
Replacing the M3D/M3D-Sub Amplifier 10
How Do Line Arrays Work? 10
Hybrid Line Arrays 11
Adjusting a Line Array’s Coverage 11
Cabling 14
Using the M3D-Sub With the M3D Line Array Loudspeaker 14
Driving the M3D-Sub 14
SIM® System II 17
Applications 17
Measurement Modes and Features 17
Meyer Sound MAPP Online™ 18
RMS™ (Remote Monitoring System) 18
Monitor Displays 18
Appendix A - M3D Line Array Specifications 20
Appendix B - M3D-Sub Directional Subwoofer Specifications 23
Contact Information 26
 Operating Instructions
M3D™ Line Array
INTRODUCTION high-frequency manifold system with Meyer’s
proprietary, award-winning, directional low-frequency
The M3D Line Array is a part of the Meyer Sound M Series, technology to precisely control vertical and horizontal
which is a fully integrated line of loudspeakers that brings coverage between 35 Hz and 16 kHz. The result is truly
singular advantages to real-world applications. optimized line array behavior, affording performance
The M3D Line Array, shown in Figure 1, draws upon that is markedly superior to conventional systems.
classic linear array principles and is a hybrid system To reproduce high frequencies, the M3D employs an REM
using advanced engineering to optimize line array (Ribbon Emulation Manifold) to feed a constant-
performance for consistent, reliable coverage. As are all directivity horn from two Meyer-manufactured
M Series products, the M3D is self-powered, features compression drivers, each having a 1.5-inch exit (4-inch
Meyer Sound’s QuickFly® rigging, and is configurable diaphragm). REM controls the output of the drivers and
with most other Meyer Sound loudspeakers. RMS™ introduces it to the horn throat within a three-inch path
(Remote Monitoring System) is standard. The M3D is length, dramatically minimizing distortion. The unique
weather-protected for outdoor applications. M3D horn design produces a coherent wave front that is
characteristic of, but much more powerful than, a large
ribbon driver. Vertical coverage is restricted to 10˚ (±5˚)
and interaction is minimized, yet distortion remains
extremely low.
To ensure the smoothest response in the critical
midrange, the M3D incorporates a complex active
crossover design. At the lowest frequencies, two front-
facing ferrofluid cooled, back-vented 15-inch drivers
combine to reproduce powerful, coherent bass. These
Figure 1. M3D Line Array with BroadBandQ™ newly developed drivers feature lightweight neodymium
magnet structures and are rated to handle 1200 AES
The companion M3D-Sub Directional Subwoofer, shown watts. (Loudspeaker driven with a band-limited noise
in Figure 2, extends system frequency response to 30 Hz signal [125 Hz to 8 kHz] with 6-dB peak-to-average ratio
while maintaining low-frequency directional control and for a period of 2 hours.) In the mid frequencies, the
horizontal arrayability. Use of the M3D-Sub adds low crossover feeds only one of the two drivers. This
frequency headroom to an M3D Line Array. technique eliminates interference between the drivers
that would otherwise occur at shorter wavelengths, and
maintains optimal polar and frequency response
characteristics.
At mid and low frequencies, the M3D employs a
proprietary system of rear-facing 15-inch cone drivers,
separately driven by a complex phase manipulation
circuit, to generate a wave front that interacts with that
produced by the front-facing. high-power 15-inch
drivers. The result is directional low-frequency output to
35 Hz and a 25-dB reduction in sound level behind the
Figure 2. M3D-Sub Directional Subwoofer cabinet.
Arrays of up to 16 cabinets (M3D, M3D-Sub, or a mixture
of both), having 0˚ to 5˚ of splay between adjacent units,
NOTE: Please read this entire manual provide flexibility to tailor vertical coverage by varying
carefully before configuring and deploying the number and splay of cabinets in the array while
systems. In particular, please pay careful maintaining 90˚ of usable horizontal coverage measured
attention to the sections about safety issues. at the -6 db points.
To predict the coverage, frequency response, impluse
The Meyer Sound M3D is the first and only line array response and maximum SPL output of arrayed M3Ds, use
system to feature state-of-the-art BroadBandQ MAPP (Multipurpose Acoustical Prediction Program)
technology. BroadBandQ marries a remarkable new Online (see “Meyer Sound MAPP Online™” on page 18).

Meyer Sound Laboratories Inc M3D™ Line Array • 1

Information and specifications are applicable as of the way, preserving AC line polarity and connecting earth
date of printing. Updates and supplementary information ground such that all grounding points are connected to a
are posted on the Meyer Sound web site at: single node or common point using the same cable gauge
as the neutral and line(s) cables.
http://www.meyersound.com
Bad grounding connections between speakers and the
or you may contact Meyer Sound Technical Support at:
rest of the audio system may produce noise, hum and/or
Tel: 510.486.1166 serious damage to the input/output stages in the
fax: 510.486.8356 system’s electronic equipment.
email: [email protected]

CAUTION: Before applying AC to any Meyer

AC POWER ! Sound self-powered speaker, be sure that the
When AC power is applied to the M3D or M3D-Sub, the voltage potential difference between neutral
Intelligent AC™ supply automatically selects the correct and earth ground is less than 5 VAC.
operating voltage, allowing the loudspeakers to be used
internationally without manually setting voltage Figure 3 shows a sample three-phase AC distribution
switches. The Intelligent AC supply performs the system, with the load between speakers distributed
following protective functions to compensate for hostile among the three phases and all of the loudspeakers
conditions on the AC mains: connected to common neutral and earth ground points.
■ suppresses high-voltage transients up to several
kilovolts
■ filters common mode and difference mode radio
frequencies (EMI)
■ sustains operation temporarily during low-voltage
periods
■ provides soft-start power-up, which eliminates high
inrush current
Line 1 Line 2 Line 3 Neutral
Refer to Table 2 on page 20 of Appendix A for a Earth Ground
complete listing of power requirements and
specifications for the M3D Line Array, or Table 3 on Figure 3. AC power distribution block diagram
page 23 for the power requirements and specifications
for the M3D-Sub Directional Subwoofer.
The M3D or M3D-Sub can withstand continuous voltages
Voltage Requirements
up to 275 V and allows any combination of voltage to The M3D or M3D-Sub operates safely and without audio
GND (that is neutral-line-ground or line-line-ground). discontinuity if the AC voltage stays within either of two
operating windows: 85-134 V or 165-264 V, at 50 or
60 Hz. Refer to Table 2 on page 20 for the M3D or Table 3
CAUTION: Continuous voltages higher than on page 23 for the M3D-Sub for detailed AC voltage
! 275 V can damage the unit. requirements.
After applying AC power, the proper operating voltage is
automatically selected, but the system is muted. During
The M3D or M3D-Sub uses a NEMA L6-20P, an IEC 309 or the next three seconds the following events occur:
a multipin VEAM male power connector and satisfies
worldwide product safety standards. 1. The primary fans turn on.
2. The main power supply slowly ramps on.
AC Power Distribution 3. The green Active LED on the user panel lights up,
indicating that the system is enabled and ready to
All amplifier modules and the rest of the audio equipment pass audio signals.
connected to it (mixing consoles, processors, etc.) must
be connected to the AC power distribution in a proper

2 • M3D™ Line Array Meyer Sound Laboratories Inc

 The maximum continuous RMS current is the maximum
CAUTION: If the Active LED does not RMS current in a period of at least ten seconds. It is used
to calculate the temperature increase in cables, which is
! illuminate or the system does not respond to
used to select cables that conform to electrical code
audio input after ten seconds, remove AC
standards. It is also used to select the cable size and
power immediately.
gauge and the rating for slow-reacting thermal breakers.
Verify that the voltage is within the proper The maximum burst RMS current is the maximum RMS
range. If the problem persists please contact current in a period of approximately one second. It is
Meyer Sound or an authorized service center. used to select the rating for most magnetic breakers. The
maximum instantaneous peak current during burst is
used to select the rating for fast-reacting magnetic
If the voltage decreases below the lower boundary of breakers and to calculate the peak voltage drop in long
either operating range (brownout), the supply uses AC cables according to the formula
stored energy to continue functioning briefly.
V pk (drop)= I pk x R (cable total)
The unit turns off only if the voltage does not increase
above the threshold before the storage circuits are For best performance, the AC Cable voltage drop should
depleted. The time that the M3D or M3D-Sub continues to not exceed 10 Volts, or 10% at 115V and 5% at 230V. Use
operate during brownout depends on how low the Table 1 below as a guide when selecting cable gauge size
voltage drops and on the audio source level during this and circuit breaker ratings for your operating voltage.
period.
Table 1. M3D and M3D-Sub Current Ratings
If the voltage fluctuates within either operating range,
automatic tap selection stabilizes the internal operating 115 VAC 230 VAC 100 VAC
voltage. This tap selection is instantaneous, and there
are no audible artifacts. Max continuous RMS 18A 9A 20A

If the voltage increases above the upper boundary of Max. burst RMS 32A 16A 36A
either range, the power supply rapidly turns off, Max. peak during burst 50A 25A 57A
preventing damage to the unit.
Idle current 1.2A 0.6A 1.3A
If the M3D or M3D-Sub shuts down due to either low or
high voltage, the power supply automatically turns on
after three seconds if the voltage has returned to either The minimum electrical service amperage required by a
normal operating range. If the M3D or M3D-Sub does not system of M3D or M3D-Subs is the sum of their maximum
turn back on after ten seconds, remove AC power and continuous RMS current. We recommend allowing an
refer to the previous Caution note. additional 30% above the minimum amperage to prevent
peak voltage drops at the service entry.

NOTE: It is recommend that the supply be

operated in the rated voltage windows, at least CAUTION: In the unlikely event that the
a few volts away from the turn on/off points so ! circuit breakers trip (the white center buttons
that small AC voltage variations do not cause pop out), disconnect the AC power cable. Do
the amplifier to cycle on and off. not reset the breakers with the AC
connected. Contact Meyer Sound for repair
information.
CURRENT REQUIREMENTS
The M3D or M3D-Sub presents a dynamic load to the AC
mains, which causes the amount of current to fluctuate Power Connector Wiring Conventions
between quiet and loud operating levels. Since different The M3D or M3D-Sub requires a grounded outlet. It is
cables and circuit breakers heat up at varying rates, it is very important that the system be properly grounded for
essential to understand the types of current ratings and both safety and proper operation. Use the following
how they correspond to circuit breaker and cable wiring diagram to create power cables and distribution
specifications. systems.

Meyer Sound Laboratories Inc M3D™ Line Array • 3

 neutral (blue)

line (brown)

ground (green/yellow)
WARNINGS:
THIS PRODUCT MUST BE GROUNDED
This surface may reach high tempuratures white in use. Figure 6. IEC 309 power connector pin-out
GROUND (GREEN/YELLOW) To ensure proper operation, allow at least 6 inches
clearance from this surface and adequate ventilation.
To reduce the risk of electric shock do not remove cover.
No operator or serviceable parts inside.
Refer servicing to qualified personnel.
To reduce the risk of fire or electric shock
do not expose this appliance to rain or moisture.

ATENCI N: ACCESO INTERNO SOLO

AUTHORIZADO A PERSONAL T CNICO CALIFICO

ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG

UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE line (brown)
ATTENTION: ENTRETIENET REPARATIONS
INTERNES NE SONT AUTORISEES QU’AU
PERSONNEL TECHNIQUE QUALIFI

U.K. WARNING: THIS APPARATUS MUST BE EARTHED.

ground (green/yellow)
NO OPERATOR SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.

Y - LINE (BROWN) neutral (blue)

X - NEUTRAL (BLUE)
Figure 7. VEAM multipin connector power pin-out

For M3D or M3D-Sub loudspeakers fitted with the VEAM

Figure 4. M3D user rear panel with L6-20 power multipin connector please refer to the Meyer Sound
connector document, VEAM Cable Wiring Reference, part number
06.033.113, for the wiring conventions and pinouts for
the AC, audio, and RMS connections. Use the information
in this document to create power cables and distribution
systems.
Meyer Sound offers the VIM (VEAM interface module) to
distribute power, audio, and RMS to M3D or M3D-Sub
systems fitted with VEAM connectors. (See Figure 8.)

FRONT
WARNINGS:
THIS PRODUCT MUST BE GROUNDED
This surface may reach high tempuratures white in use.

GROUND (GREEN/YELLOW) To ensure proper operation, allow at least 6 inches

clearance from this surface and adequate ventilation. VIM- 3
1 2 3
To reduce the risk of electric shock do not remove cover. Push to Reset Push to Reset Push to Reset
10A Max. 10A Max. 10A Max.
No operator or serviceable parts inside.
Refer servicing to qualified personnel.
Connect only to
To reduce the risk of fire or electric shock ! Meyer Sound
do not expose this appliance to rain or moisture. Self-Powered Series
or Self-Powered
ATENCI N: ACCESO INTERNO SOLO UltraSeries
Loudspeakers.
AUTHORIZADO A PERSONAL T CNICO CALIFICO

ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG

UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE

ATTENTION: ENTRETIENET REPARATIONS

INTERNES NE SONT AUTORISEES QU’AU
PERSONNEL TECHNIQUE QUALIFI

U.K. WARNING: THIS APPARATUS MUST BE EARTHED. WARNINGS: THIS APPARATUS MUST BE EARTHED. IMPORTANT: The wires in this mains lead are CAUTION RISK OF ELECTRIC SHOCK-- DO NOT OPEN AC Input 230V~
NO OPERATOR SERVICEABLE PARTS INSIDE.
coloured in accordance with the following code --green-and-yellow: earth --blue:neutral --brown: live
To reduce the risk of fire or electric shock do not expose this appliance to rain or moisture
! 50-60Hz 32A Max.
REFER SERVICING TO QUALIFIED PERSONNEL. ATENCI N: ACCESO INTERNO SOLO AUTORIZADO A PERSONAL T CNICO CALIFICADO
ACHTUNG : G E H ˜ U S E N I C H T F F N E N W A R T U N G U N D R E P A R A T U R N U R D U R C H E L E K T R O F A C H K R ˜ F T E
ATTENTION : E N T R E T I E N E T R E P A R A T I O N S I N T E R N E S N E S O N T A U T O R I S E E S Q U ’ A U P E R S O N N E L T E C H N I Q U E Q U A L I F I

CHANNEL 3 CHANNEL 2 CHANNEL 1

Input Loop Input Loop Input Loop
Y - LINE (BROWN)
Remote Monitor System
Network Terminator
On
Off

X - NEUTRAL (BLUE)
REAR

Figure 8. VIM-3 module

Figure 5. M3D-Sub user rear panel with L6-20 power
connector

4 • M3D™ Line Array Meyer Sound Laboratories Inc

SAFETY ISSUES
Pay close attention to these important electrical and TIP: Use the rings located in the rear above
safety issues. the amplifier on the M3D or M3D-Sub to
provide strain relief for the power and signal
cables.
CAUTION: Do not use a power cord adapter
! to drive the M3D or M3D-Sub from a standard
three-prong Edison outlet since that connector AUDIO INPUT
is rated for only 15 amps (NEMA 5-15R; 125 VAC The M3D or M3D-Sub presents a 10k ohm balanced input
max.) impedance to a three-pin XLR connector with the
following connectors:
■ Pin 1 — 220k ohm to chassis and earth ground (ESD
clamped)
■ Pin 2 — Signal ( + )
■ Pin 3 — Signal ( - )
■ Case — Earth (AC) ground and chassis

Figure 9. Do not use AC adapters

CAUTION: Shorting an input connector pin to
! the case can form a ground loop and cause
hum.
CAUTION: The M3D or M3D-Sub requires a
! ground connection. Always use a grounding
Pins 2 and 3 carry the input as a differential signal; pin 2
outlet when connecting these units.
is hot relative to pin 3, resulting in a positive pressure
wave when a positive signal is applied to pin 2. Use
standard audio cables with XLR connectors for balanced
earth signal sources. Make sure that pin 1 (shield) is always
ground connected on both ends of the cable. Telescoping
chassis grounding schemes are not recommended.
ground
TIP: If abnormal noises such as hiss and
Figure 10. Grounded outlet and plug popping are produced by the loudspeaker,
disconnect the audio cable from the speaker. If
the noise stops, then most likely the problem is
not with the loudspeaker. Check the audio
WARNING: Keep all liquids away from the cable, source, and AC power for the source of
M3D or M3D-Sub amplifier to avoid hazards the problem.
from electrical shock. Please refer to the
section “Using and Replacing the Rain Hood”
on page 9. Audio signals can be daisy-chained using the loop output
connector on the user panel of the M3D or M3D-Sub.
A single source can drive multiple M3Ds or M3D-Subs
with a paralleled input loop, creating an unbuffered
hard-wired loop connection.
CAUTION: Do not operate the unit if the
! power cables are frayed or broken. When driving multiple M3Ds or M3D-Subs in an array,
make certain that the source device can drive the total
load impedance presented by the paralleled input circuit
of the array. The audio source must be capable of
producing a minimum of 20 dBV (10-Vrms into 600
ohms) in order to produce the maximum peak SPL over
the operating bandwidth of the loudspeaker.

Meyer Sound Laboratories Inc M3D™ Line Array • 5

 The HP-4 amplifier utilizes complementary-power
MOSFET output stages (class AB/H). All the specific
functions for the M3D and M3D-Sub such as crossovers,
frequency, phase response, and driver protection are
determined by the control card installed inside the HP-4
amplifier.
audio input All Meyer Sound loudspeakers are shipped with the
loop out drivers in correct alignment. However, if a driver needs
to be replaced, make sure the replacement is reinstalled
with the correct polarity. Incorrect driver polarity impairs
the system performance and may damage the drivers.

M3D Interconnections
Each front 4 ohm, 15-inch, low-frequency driver is
powered by one channel of the HP-4/M3D amplifier.
Figure 11. M3D rear panel audio input connectors While both rear 8 ohm, 15 inch low-frequency drivers are
connected in parallel and driven by a single amplifier
The input impedance for a single M3D or M3D-Sub is channel. The two 4-inch diaphragm high-frequency
10k ohms; if n represents the number of M3D or M3D-Sub drivers share the fourth channel of the HP-4 amplifier.
loudspeakers in an array, paralleling the inputs of n M3Ds
or M3D-Subs will produce a balanced input load of Refer to Figure 12 on page 6 to see how the drivers are
10k ohms divided by n. connected to the amplifier in the M3D.

To avoid distortion from the source, make sure the Right Front MS-415N Left Front MS-415N
MS-2001L
source equipment provides an adequate drive circuit
design for the total paralleled load impedance presented - -
+
by the array. Most source equipment is safe for driving + + -
loads no smaller than ten times the source’s output +
- -
impedance. -
+

For example, cascading an array of ten units consisting +

(Low) (Low-mid)
of M3Ds and M3D-Subs produces an input impedance of
1000 ohms (10k ohms divided by 10). The source
equipment should have an output impedance of 100
ohms or less. Right Rear MS-815 Left Rear MS-815

This is also true when connecting in parallel (loop out)

M3Ds or M3D-Subs with other self-powered Meyer + -
Sound loudspeakers (M3D-Subs, 650-Ps, MSL-4s, and so
- +
on.)
An LD-1A, LD-2, or LD-3 line driver is highly
recommended when driving systems using multiple
loudspeakers, (See “Hybrid Line Arrays” on page 11.)
Black
Green
Red
White

For details on the M3D audio input characteristics,

amplification, and protection circuitry, refer to Appendix
A, “Audio input” on page 21. For details on the M3D-Sub
Audio Input Characteristics, Amplification, and Protection
Circuitry refer to Appendix B, “Audio Input” on page 23.
Black
Black
Red
Red

AMPLIFICATION AND PROTECTION (Positions are in reference to front of enclosure)

CIRCUITRY Figure 12. M3D internal wiring harness diagram

The M3D or M3D-Sub is powered by the Meyer Sound
HP-4 amplifier, a high-power four-channel amplifier
(1125 watts/ch. RMS) with a total power of 4500 watts.

6 • M3D™ Line Array Meyer Sound Laboratories Inc

M3D-Sub Interconnections SPL across its entire frequency range. TPL extends the
lifetime of the drivers by controlling the temperature of
Each front 4 ohm, 18-inch, low-frequency driver is the voice coil. In addition, TPL eliminates power
powered by one channel of the HP-4/M3D-Sub amplifier; compression when the system is operated at high levels
also, each rear 8 ohm, 15-inch low-frequency driver is for extended periods.
powered by one amplifier channel. Figure 13 shows how
the drivers are connected to the amplifier in the The true power is monitored for each of the four
M3D-Sub. amplifier channels. When the safe continuous power level
is exceeded, the TPL limiter controlling that amplifier
Right Front MS-418 N Left Front MS-418 N
channel engages. TPL activity is indicated by the LEDs on
the user panel.
-
+ The M3D and M3D Sub perform within their acoustical
+
-
-
+
specifications and operate at a normal temperature if the
-
limit LEDs are lit for no longer than two seconds, and off
+
for at least one second. If either LED remains on for
longer than three seconds, that channel is hard limiting
with the following negative consequences:
■ Increasing the input level will not increase the
Right Rear MS-815 Left Rear MS-815 volume.
■ The system distorts due to clipping and nonlinear
driver operation.
+ -
- +
■ The lifespan of the drivers is reduced because they
are subjected to excessive heat.

Fans

Upper Control Card (Front)

M3D TPL Limiters
24.033.042.32
Black
Red
Black
Red

The left-and-right front low-frequency drivers are

Lower Control Card (Rear) driven by separate amplifier channels but are routed to
24.033.042.31
one limiter; the LO TPL F LED on the user panel indicates
TPL activity for the front drivers. The two rear low-
Black
Red
Black
Red

frequency drivers are driven by one amplifier channel;

M3D-Sub
HP Amplifier Chassis the LO TPL R LED indicates TPL activity for the rear low-
(Top View)
frequency drivers. The two high-frequency drivers are
driven by one amplifier channel; the HI Limit LED, shown
User Panel
in Figure 14 on page 7, indicates TPL activity for the
Figure 13. M3D-Sub internal wiring harness diagram high-frequency drivers.
The limiters cease operation when the power level in the
THE TRUPOWER™ LIMITING SYSTEM channel returns to normal and do not affect the signal
when the LED is inactive.
Conventional limiters assume that the impedance of a
speaker remains constant and set the limiting threshold
by measuring voltage only. This method is inaccurate,
because the speaker’s impedance changes in response to
the frequency content of the source material and thermal
variations in the speaker’s voice coil and magnet.
Conventional limiters begin limiting prematurely, which
under utilizes system headroom and deprives the
speaker of its full dynamic range.
The TruPower Limiting (TPL) system accounts for varying
speaker impedance by measuring current, in addition to
voltage, to compute the actual power dissipation in the
voice coil. TPL improves performance before and during
limiting by allowing each driver to produce its maximum
Figure 14. M3D Limit LEDs

Meyer Sound Laboratories Inc M3D™ Line Array • 7

 fixed level for that frequency, protecting the drivers and
NOTE: The TPL LEDs indicate when the safe minimizing negative sonic effects. The LED, shown in
power level is exceeded. If an entire system of Figure 15, illuminates when the maximum allowed peak
M3Ds begins to limit before reaching the voltage at each frequency is reached. This circuit works
required sound pressure level (SPL), you for all frequencies, not just very low frequencies where
should consider adding more loudspeakers. the drivers are more vulnerable overexcursion.
The M3D-Sub operates safely if the Exc. Clamp LED is on
for no longer than two seconds, and off for one second.
M3D Peak Limiter
When engaged, the Peak Limiter prevents signal peaks
from causing distortion in the high channel, preserving FANS AND COOLING SYSTEM
headroom and maintaining smooth frequency response The M3D uses a forced-air cooling system with four fans
at high levels. Peak limiting is indicated by the Hi Peak to prevent the amplifier modules from overheating. The
LED on the user panel; the same on/off cycle discussed fans draw air in through ducts on the front of the cabinet,
for the TPL limiters applies to the Peak Limiter. over the heatsinks, and out the rear of the cabinet.
Because dust does not accumulate in the amplifier
circuitry, its lifespan is increased significantly. The front
M3D-Sub TPL Limiters grill surface acts as an air filter for the cooling system
The 18-inch front low-frequency drivers are driven by and should always be in place during operation.
separate amplifier channels but are fed by one limiter;
the LO TPL F LED on the user panel indicates TPL activity
for these drivers. The rear 15-inch drivers are connected
in parallel and driven by a single amplifier channel that is
fed by one limiter; the Rear TPL LED on the user panel
indicates TPL activity for the rear drivers. The limiters
cease operation when the power level returns to normal,
and do not affect the signal when the LED is inactive.

M3D-Sub Excursion Clamp

The drivers in the M3D-Sub are protected by an
excursion clamping circuit that provides instantaneous
braking for the drivers without the pumping effects
commonly produced by compressor/limiters.

Figure 16. Airflow of M3D

Despite the filtering, extensive use or a dusty operating

environment can allow dust to accumulate along the path
WARNINGS:
of the airflow, preventing normal cooling. We
THIS PRODUCT MUST BE GROUNDED
This surface may reach high tempuratures white in use.
To ensure proper operation, allow at least 6 inches
clearance from this surface and adequate ventilation.
recommend periodically removing the grill and amplifier
To reduce the risk of electric shock do not remove cover.
No operator or serviceable parts inside.
Refer servicing to qualified personnel.
To reduce the risk of fire or electric shock
do not expose this appliance to rain or moisture.
module and using a vacuum cleaner to clear dust from
ATENCI N: ACCESO INTERNO SOLO
AUTHORIZADO A PERSONAL T CNICO CALIFICO

ACHTUNG: GEHˆUSE NICHT OFFENE WARTUNG

UND REPARATUR NUR DURCH ELEKTROFˆCHKRAFTE
the grill, fans, and heatsinks.
ATTENTION: ENTRETIENET REPARATIONS
INTERNES NE SONT AUTORISEES QU’AU
PERSONNEL TECHNIQUE QUALIFI

U.K. WARNING: THIS APPARATUS MUST BE EARTHED.

NO OPERATOR SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.

CAUTION: Be sure to unplug power to the

! unit before cleaning the air filter.

Figure 15. M3D-Sub limit LEDs Make sure that the air ducts are clear.

The circuit uses sophisticated filters to minimize the

distortion normally caused by clamping and clipping. As NOTE: Always use the rain hood in the fully
the M3D-Sub’s input signal is increased past the clamping open position to maintain proper cooling of
point at each frequency, the output signal remains at a the amplifier.

8 • M3D™ Line Array Meyer Sound Laboratories Inc

Two variable-speed primary fans run continuously with
an inaudible operating noise of 22 dBA at 1 m at their pocket
slowest speed. The primary fans begin increasing speed top stifener
when either of the two heatsinks reaches 42˚C. The fans
reach full speed at 62˚C and are barely audible near the pocket
cabinet, even without an audio signal. In the event that 1 ea. side
the heatsink temperature reaches 74˚C, the secondary
fans turn on and are clearly audible without an audio
signal. The secondary fans turn on in response to:
■ primary fan failure (check status immediately)
FRONT
■ high source levels for a prolonged period
■ accumulation of dust along the cooling path Figure 17. Rain hood stiffener pockets
The secondary fans turn off when the temperature
decreases to 68˚C. See Figure 18 for an example of an installed rain hood.

NOTE: In the highly unlikely event that the

secondary fans do not keep the temperature
below 85˚ C, the M3D automatically shuts down
until AC power is removed and reapplied. If the
M3D shuts down again after cooling and
reapplying AC power, contact Meyer Sound for
repair information.

USING AND REPLACING THE RAIN HOOD

The rain hood installed on the M3D user panel is provided
to protect the loudspeaker’s electronics from direct
exposure to rainfall. Before using the M3D, open the rain
hood as described in the following procedure.

Opening the Rain Hood

1. Pull the exterior Velcro straps off the hood, allowing Figure 18. Fully open rain hood installed on a M3D
it to open.
2. Lift the flap fully outward, and unfold the fabric rain
hood. CAUTION: Always be sure the rain hood is
3. With your other hand, reach into the hood and free ! fully open when operating an M3D. Leaving the
the two PVC supports from their corner pockets in the hood partially open will limit the airflow
outer flap. through the amplifier, which could cause it to
4. Fold both supports out and reinsert them into the two overheat and shut down.
pockets, shown in Figure 17, in the lower corners of
the soft side flaps. This will hold the rain hood fully
open for use, which is necessary for proper cooling of
the M3D electronics.

Meyer Sound Laboratories Inc M3D™ Line Array • 9

Removing the M3D/M3D-Sub Amplifier 5. Start all eight screws into the holes before tightening
them.
If you need to remove the M3D amplifier, you must first
remove the rain hood, as follows: 6. Use the screws to sandwich the fabric and its gasket
reinforcement bar over the external gasket.
1. Using a #2 Phillips screwdriver, remove all eight
screws from the rain hood. This will free both the rain 7. Once all eight screws are started, tighten them using
hood and the HP-4 electronics module from the M3D a #2 Phillips screwdriver.
cabinet. (Refer to Figure 19.) 8. Tighten the inner four screws first, and then tighten
the remaining four corners.

CAUTION: Never use power tools to remove

! or replace the stainless steel rain hood screws
on the M3D or M3D-Sub.

How Do Line Arrays Work?

Though hybrid line array systems are relatively new to
the sound reinforcement industry, line arrays have been
used since the 1950s. They have been described as a
group of radiating elements arrayed in a straight line,
closely spaced and operating with equal amplitude and in
Figure 19. Location of eight screws securing rain phase.
hood
Line arrays achieve directivity through constructive and
destructive interference. A simple thought experiment
2. Lift off the rain hood carefully, pulling all eight screws illustrates how this occurs.
through the panel.
Consider a speaker comprising a single 12-inch cone
3. Carefully slide the amplifier out using care not to radiator in an enclosure. We know from experience that
stress the cables. this speaker’s directivity varies with frequency: at low
4. Disconnect the two 4-pin speaker connectors. frequencies, it is omnidirectional; as the sound
wavelength grows shorter, its directivity narrows; and
above about 2 kHz, it becomes too beamy for most
Replacing the M3D/M3D-Sub Amplifier applications. (This is why practical system designs
When you replace the amplifier and rain hood on the M3D employ crossovers and multiple elements to achieve
cabinet, use the following procedure: more or less consistent directivity across the audio
band.)
1. Gently slide the amplifier partially back into the M3D
and connect the 2 speaker connectors. Make sure they Stacking two of these speakers one atop the other and
are connected into the right connector. Please refer driving both with the same signal results in a different
to Figure 12 and Figure 13. radiation pattern. At points on-axis of the two there is
constructive interference, and the sound pressure
2. Check to be sure that all three steel bars are correctly increases by 6 dB relative to a single unit. At other points
inserted in the three fabric pockets of the hood. off-axis, path length differences produce cancellation,
resulting in a lower sound pressure level. In fact, if you
drive both units with a sine wave, there will be points
NOTE: The bars must be inside the fabric where the cancellation is complete (this is best
pockets to achieve proper water protection. demonstrated in an anechoic chamber). This is
destructive interference, sometimes referred to as
combing.
3. Carefully install the fabric rain hood, using the
1.75-inch stainless steel screws and washers A line array is a line of woofers carefully spaced so that
provided in the kit. constructive interference occurs on-axis of the array
and destructive interference (combing) is aimed to the
4. Align all eight screws so that the washers are over the sides. While combing has traditionally been considered
fabric. undesirable, line arrays use combing to work; without
combing, there would be no directivity.

10 • M3D™ Line Array Meyer Sound Laboratories Inc

HYBRID LINE ARRAYS vertical column, they throw high-frequency energy more
effectively through coupling. The amount of energy can
The M3D is a high-powered BroadbandQ™ loudspeaker then be controlled using the relative splay between the
system. In order to effectively array, drive, and optimize elements.
a system to produce optimal results, it’s important to
understand how a hybrid line array loudspeaker works. For the mid-to-low frequencies, it’s important to
For high frequencies, the M3D takes advantage of the understand that even though the M3D’s Broadband Q™
control that wave guide horns provide. In the horizontal technology will maintain front-to-back attenuation from
pattern of the array, these horns work just as any wave 580 Hz down to 35 Hz, line arrays must be coupled
guide does to produce a consistent beamwidth of together to narrow their vertical polar response and
coverage. In the vertical, however, the REM™ is designed throw mid and low energy to the far field. The more
to produce very narrow coverage in order to minimize elements used, the narrower the vertical beamwidth
destructive interference between adjacent elements and becomes. (See Figure 20.)
maximize throw. As more elements are arrayed in a

eight
M3Ds

sixteen
M3Ds

250 Hz

eight
M3Ds

sixteen
M3Ds

125 Hz
Figure 20. Eight versus sixteen M3D line arrays

Adjusting a Line Array’s Coverage produce a higher-Q vertical beamwidth, while wider
splay lowers the Q. The following is a case example
The most effective method for adjusting a hybrid line showing a design where this principle is applied to a
array’s vertical coverage is to adjust the mechanical sloped outdoor venue.
splay between the elements. (Horizontal coverage for a
single array is constant.) Narrower vertical splay angles

Meyer Sound Laboratories Inc M3D™ Line Array • 11

 Figure 21. Using vertical splay to adjust a line array’s coverage

With these two technologies (low-frequency line array with multiple equalization channels. It is best to maintain
and high-frequency wave guide) combined in a single a similar or identical equalization in the low-frequency
product, it's important to understand how to best filters, even though different equalization is being
electronically drive a hybrid line array. The high- applied to each zone in the high frequencies.
frequency section can, and usually should, be zoned for This is also why gain tapering is not recommended for
implementing different equalization into zones. The first line arrays. Adjusting the various zones with an overall
step is to optimize the coverage using the relative amplitude control for each zone results in the following:
mechanical splay between the array's elements. MAPP
Online is an ideal tool for doing this and determining 1. Directionality decreases.
what will work best for the application. MAPP can also 2. Overall low-frequency headroom decreases.
help to determine how to break up the electronic drive of
the system using its Virtual SIM feature. For the far field, 3. The length of the line array column is effectively
a smaller mechanical splay angle achieves superior shortened.
throw to compensate for energy lost over distance. The following is a sample M3D system block diagram
While wave guides provide isolated control over various showing one method of driving an array, along with
coverage areas, the low-frequency section of a line additional fill loudspeakers and subwoofers. Digital
array still requires mutual coupling—with equal delays are included to provide a time adjustment to
amplitude and phase—to achieve a narrow beamwidth. compensate for the various subsystems and subwoofers
This is important to remember when optimizing the array being geometrically out of plane with one another.

12 • M3D™ Line Array Meyer Sound Laboratories Inc

 LEFT CLUSTER RIGHT CLUSTER
(8) M3D (8) M3D
L R
DIGITAL DELAY
(1) 2-IN x 4-OUT EQUALIZERS
DUAL INPUT \ QUAD OUTPUT DELAY

POWER
(3) CP-10

Meyer Sound Laboratories Inc

INPUT LEVEL 1 INPUT LEVEL 2 DELAY TIME
OUTPUT LEVEL

CHANNEL A CHANNEL B
POWER 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K READY
IN
OUT
INPUT INPUT
CLIP CLIP
OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

CP-10 BANDWIDTH
Parametric Equalizer
HI CUT HI CUT

CUT / BOOST

LD-1A #1
CHANNEL A CHANNEL B
20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K
IN Channel 1 MID-HI POWER
IN
READY

OUT
OUT INPUT INPUT
CLIP CLIP
OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

CP-10 BANDWIDTH
DS-2 Parametric Equalizer
HI CUT HI CUT

CUT / BOOST
OUT

SUB
OUT

IN Channel 2 MID-HI
OUT CHANNEL A CHANNEL B
POWER 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K READY
IN
OUT
INPUT INPUT
CLIP CLIP
DS-2 OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

OUT CP-10 BANDWIDTH

Parametric Equalizer
HI CUT HI CUT

CUT / BOOST
EQUALIZER SUB
CP-10 OUT

CHANNEL A CHANNEL B
POWER 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K READY
IN
OUT IN Channel 3 OUT
INPUT INPUT
CLIP CLIP
OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

CP-10 BANDWIDTH
Parametric Equalizer
HI CUT HI CUT

CUT / BOOST
IN Channel 4 OUT
FF SUB
IN Channel 5 OUT

IN Channel 6 OUT

IN Channel 7 OUT

IN Channel 8 OUT

DUAL INPUT \ QUAD OUTPUT DELAY

POWER

INPUT LEVEL 1 INPUT LEVEL 2 DELAY TIME

OUTPUT LEVEL

DOWNFILLS
(3) MSL-4
PER SIDE

EQUALIZERS
(2) CP-10 L-SUBWOOFERS R-SUBWOOFERS
CHANNEL A CHANNEL B
POWER 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K READY
IN
OUT (4) M3D SUB (4) M3D SUB
INPUT INPUT
CLIP CLIP
OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

CP-10 BANDWIDTH
Parametric Equalizer
HI CUT HI CUT

CUT / BOOST

CHANNEL A CHANNEL B
POWER 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K 20 - 200 60 - 600 200 - 2K 600 - 6K 2K - 20K READY
IN
OUT
INPUT INPUT
CLIP CLIP
OUTPUT FREQUENCY OUTPUT

LO CUT LO CUT

CP-10 BANDWIDTH
Parametric Equalizer
HI CUT HI CUT

Figure 22. Wiring diagram of a typical M3D installation

CUT / BOOST

FRONT FILLS
(10) UPM-1P

M3D™ Line Array • 13

CABLING USING THE M3D-SUB WITH THE M3D
One method of cabling the system is using the Meyer LINE ARRAY LOUDSPEAKER
Sound/VEAM cable system. This system incorporates The M3D system will provide full bandwidth frequency
power, signal, and RMS monitoring system all in one response without M3D-Sub directional subwoofers. The
heavy-duty cable and connector per M3D cabinet. height of the array (number of cabinets) and the desired
The electrical, signal, and RMS cables for each cabinet SPL will determine how much sub-bass energy can be
can be consolidated to create a “three-pair” multi- provided, proportional to the upper-frequency spectrum.
conductor cable. This can be accomplished by using If higher SPL is necessary or the program content
separate electrical and signal XLR cable. The electrical, requires additional sub-bass energy, then M3D-Sub
signal, and RMS cable for each box can be loomed direction subwoofers can be used to augment the M3D
together per box to create a “three-pair” multi- line arrays.
conductor cable for each cabinet. This ensures no
patching errors and a minimum of cables behind the There is no polarity switch on either the M3D Line Array
array. or the M3D-Sub directional subwoofer. Both are wired
pin 2 “hot” (positive acoustic pressure when a positive
Two ring/stud fittings are provided on the back panel of pulse is applied to pin 2).
each M3D and M3D-Sub for the purpose of strain
relieving all cabling. Insert the signal, data, and AC The M3D Line Array frequency response operates down
connections into each loudspeaker as the array is being to 35 Hz, while the M3D-Sub operates in the range of
rigged, swag all cables under the rain hood’s side flaps, 30 Hz to 80 Hz. The M3D-Sub therefore does not extend
and tie them off onto either the left or right rings of the the system response appreciably; rather, it increases the
ring/stud fitting as shown in Figure 23. Using the strain acoustic power of the system in the lowest frequencies.
reliefs will minimize the chance of cables being damaged This can be very useful in applications that require large
during installation of the sound system. amounts of low-frequency energy, such as the
reinforcement of popular music.
Both the M3D Line Array and the M3D-Sub have a
cardioid directional pattern and are designed to provide
maximum cancellation from six to twelve meters behind
the cabinet (-20 dB at 8 meters). When they are used
together, in addition to increased forward power, the
rear power cancellation also improves.

Driving the M3D-Sub

All Meyer Sound products have been optimized with
Figure 23. Tying off cables to rings. internal crossover networks. When most Meyer Sound
loudspeakers are used together, these networks provide
maximum power addition through their respective
overlapping frequency ranges when used in close
CAUTION: The rear ring/stud fittings shown
proximity and co-planar to one another.
! in Figure 23 must be used only to secure
You may loop connections between the M3D Line Array
system cabling. These fittings are not intended
to be used for system rigging or a pull-back and the M3D-Sub. This will result in 6 dB greater sound
motor (pulling the bottom of the array pressure in the 40 Hz to 100 Hz range, as shown in
backward to increase downward tilt). The Figure 24, a ground-plane measurement taken at six
points are mounted on each side of the meters.
amplifier area, so as not to interfere with the
rain hood and the amplifier fan exhaust area.

14 • M3D™ Line Array Meyer Sound Laboratories Inc

 Figure 24. M3D Line Array and M3D-Sub with looped connections

When the two are driven with the same signal but the to the M3D Line Array alone but extends to 30 Hz, as
M3D-Sub is attenuated by 6 dB, the response is identical shown in Figure 25.

Figure 25. M3D Line Array and M3D-Sub with M3D-Sub attenuated by 6 dB

The third option provides optimal headroom to the M3Ds, The DS-2 & Sub Crossover network is composed of a
while adding an often preferred frequency response low-pass and an elliptical filter. Pushing the switch in
bump centered around 65 Hz. This configuration, shown activates the two-way crossover, sending frequencies
in Figure 26 and Figure 27, high passes the M3D below 80 Hz to the Sub output and above 80 Hz to the
loudspeakers in the array while letting the M3D Subs use DS-2 output. With the switch out, a full-range signal is
their normal internal crossover frequencies. If the 65 Hz sent to both the DS-2 and Sub outputs. Since this filter
bump in the spectrum isn’t desired, an equalization filter affects the DS-2 out and the SUB out the M3D-Subs need
can be used to flatten the overall response, while still to be connected to the Mid-Hi output receiving a full
optimizing system headroom. range signal.
To achieve this, drive the M3D loudspeakers using the
DS-2 (or mid bass) output of the LD-1A line driver, as NOTE: Full-range signals may be applied to
shown in Figure 26 or the LD-2 line driver as shown in Meyer self powered subwoofers because they
Figure 27, with the DS-2 crossover engaged and with no have built-in active crossovers that filter mid-
polarity reversal. This provides a crossover function by hi frequencies; external crossovers are
rolling off the M3D Loudspeakers below 80 Hz, as shown unnecessary.
in Figure 28. increasing its headroom at very low
frequencies.

Meyer Sound Laboratories Inc M3D™ Line Array • 15

 LD-1A
ALL POLARITY SETTINGS FOR
LD-1A & LOUDSPEAKERS
REMAIN THE SAME

DS-2 & Sub Crossover (IN) M3D

DS-2 OUTPUT

MID-HI OUTPUT (LOW CUT OUT, ARRAY EQ OUT)

M3D-Sub

Figure 26. M3D and M3D-Sub headroom optimization using an LD-1A line driver

Figure 27 shows an LD-2 line driver configured to in Figure 26. The comparison plot when using these
produce the same results as the LD-1A line driver shown configurations is shown Figure 28.

MID-BASS & Sub

Crossover (IN)

LD-2

ALL POLARITY SETTINGS FOR

LD-2 & LOUDSPEAKERS
MID-BASS OUTPUT
REMAIN THE SAME

M3D

MID-HI OUTPUT (LOW CUT OUT, ARRAY EQ OUT)

M3D-Sub

Figure 27. M3D and M3D-Sub headroom optimization using an LD-2 line driver

16 • M3D™ Line Array Meyer Sound Laboratories Inc

Figure 28. M3D driven from the mid-bass output of LD-1 line driver with the M3D-Sub driven with a full-range signal

SIM® SYSTEM II Applications

SIM System II is a powerful, compact instrumentation You can use the SIM System II in the following
product line comprising the SIM-2201 Sound Analyzer, applications:
SIM-2403 Interface Network, and a selection of software ■ Loudspeaker system testing and alignment
options, microphones and accessory cables. The
instrument is optimized for making audio-frequency ■ Microphone calibration
measurements of an acoustical system and applying ■ Architectural acoustics
precise electronic corrections to adjust the system
response. ■ Transducer evaluation and correction
SIM System II implements the Meyer Sound Source ■ Echo detection and analysis
Independent Measurement technique, a dual-channel ■ Vibration analysis
method that accommodates statistically unpredictable
■ Underwater acoustics
excitation signals. Any excitation signal that
encompasses the frequency range of interest (even
intermittently) may be employed to obtain highly
accurate measurements of acoustical or electronic
Measurement Modes and Features
systems. (For example, concert halls and loudspeaker Measurement data may be displayed as amplitude versus
systems may be characterized during a musical time (impulse response), or amplitude and phase versus
performance, using the program as the test signal.) frequency (frequency response). A single-channel
spectrum mode is provided, and frequency domain data
Housed in a four-space rack-mountable industrial
are displayed with a logarithmic frequency axis. A Delay
chassis, the SIM-2201 Sound Analyzer performs 32-bit
Finder function determines and internally compensates
floating-point audio signal measurements with >100-dB
for propagation delays.
dynamic range (actual input signal range is greater
because of selectable gain). The instrument permits two- The SIM-2201 incorporates a front-panel–controllable
port measurements between any two of three front- precision signal generator with low-distortion sine
panel inputs (one microphone with switchable phantom wave, pink noise, and modulated, weighted pulse
power, two isolated line level), and incorporates a rear- outputs; multi-segment level meters for each
panel multipin interface for automated measurements of measurement input; a removable hard disk and DOS
two-channel systems. Optional hardware and software format 1.44-Mbyte floppy disk drive for data storage;
upgrades permit up to sixty-four analysis channel high-resolution color monitor output; and dedicated
capacity. rear-panel multipin system interface connectors. A
headphone output is provided for aural monitoring of the
measurement inputs. User-friendly software with pull-
down menus streamlines operation, and measurement
data may be exported to disk in ASCII format for post-
processing or laser printed for presentation.

Meyer Sound Laboratories Inc M3D™ Line Array • 17

MEYER SOUND MAPP ONLINE™ equalization settings. Its accurate, high-resolution
predictions eliminate unexpected onsite adjustments and
MAPP (Multipurpose Acoustical Prediction Program) coverage problems. With MAPP Online, every sound
Online is a powerful, cross-platform, Java-based system installation has the maximum chance of success.
application for accurately predicting the coverage
pattern, frequency response, impulse response, and MAPP Online is compatible with Windows, Linux, Unix,
maximum SPL output of arrayed Meyer Sound and Apple Macintosh computers running Mac OS X
loudspeakers. Residing on the local host computer, the version 10.1.2 or higher. MAPP Online requires Java Web
Java application facilitates configuring arrays of a wide Start version 1.0.1_02 (included with Mac OS X).
variety of Meyer Sound products and, optionally, defines
the environment in which they will operate, including air
temperature, pressure, and humidity, as well as the RMS™ (REMOTE MONITORING SYSTEM)
location and composition of walls. You can find MAPP Once an installation is complete, use Meyer Sound’s RMS
Online at: system to monitor system performance.
www.meyersound.com/products/software/mapponline RMS is a real-time monitoring system that connects the
Meyer Sound self-powered speakers with an
IBM-compatible computer at the sound mix position or
NOTE: You will need to apply for use of MAPP other location. RMS software delivers extensive status
Online by clicking on the appropriate link on and system performance data directly to the operator
the screen at the URL above. Once your from every installed speaker.
registration is complete, you will be given a
user name and password, which will be RMS displays include amplifier voltages, limiting activity,
returned to you by email along with the power output, temperature, fan and driver status,
address for the MAPP Online program itself. warning alerts, and other key data for up to sixty-two
Follow the online instructions to install the speakers, without a network repeater, at a display
program on your computer. update rate of two to five times per second. More
information is available, and with greater convenience
than from conventional monitor systems. The RMS
When a prediction is requested, data are sent over the Monitor Program interface can be learned quickly, and
Internet to a high-powered server computer at Meyer runs in a Microsoft Windows 95 or Windows 98, 2nd
Sound that runs a sophisticated acoustical prediction Edition environment.
algorithm using high-resolution, complex (magnitude
and phase) polar data. Predicted responses are returned
over the Internet and displayed on the local host in color. Monitor Displays
With MAPP Online, you can: Each speaker appears on the computer’s color monitor as
■ Plan an entire portable or fixed loudspeaker system a “view” in the form of a status icon, bar graph meter, or
and determine delay settings for fill loudspeakers text meter (numerical values), depending on user
preference.
■ Clearly see interactions among loudspeakers and
minimize destructive interference Each view contains speaker identification information
and data from the amplifier, controller, driver, and
■ Place microphones anywhere in the sound field and power supply of that particular unit. System status
predict the frequency response, impulse response, conditions cause changes in Icon and bar graph
and sound pressure at the microphone position indicators, alerting the operator to faults or excessive
■ Refine your system design to provide the best levels. The views are moveable and typically are
coverage of the intended audience area arranged on the screen to reflect the physical layout of
the loudspeakers. A user can design a screen “panel” of
■ Use a virtual VX-1 Program Equalizer to predetermine
icons or meters, as shown in Figure 29, and save it on the
the correct control settings for best system response
computer’s hard disk, conveniently named for a unique
■ Gain valuable load information about the array to arrangement or performer. If the speaker installation
determine rigging capacities pattern changes completely, a new screen panel can be
MAPP Online enables sound system designers to come to built. If a different subset of already installed speakers is
an installation prepared with a wealth of information to be used at the next show, only selected speakers need
that ensures the system will satisfy their requirements appear on the monitoring screen for that performance.
“out of the box” – including basic system delay and

18 • M3D™ Line Array Meyer Sound Laboratories Inc

 Figure 29. Sample RMS display panel

Meyer Sound Laboratories Inc M3D™ Line Array • 19

APPENDIX A - M3D LINE ARRAY SPECIFICATIONS
Table 2. M3D Line Array Specifications
Acoustical
Note: The low-frequency power response of the system will increase according to the length and configuration of the array
Operating frequency range 35 Hz to 16 kHz
Free field ±4 dB 42 Hz - 16 kHz; -6 dB @ 35 Hz and 16 kHz
Note: Measured with 1/3 octave frequency resolution in fixed ISO bands at 4 meters.
Phase response ±30˚ 300 Hz - 14 kHz
Maximum peak SPL 145 dB
Note: Measured with 1/3 octave frequency resolution in fixed ISO bands at 4 meters.
Dynamic range > 110 dB
Horizontal coverage Low frequency: Cardioid, with active pattern control
High frequency: 90˚
Note: MAPP Online data available
Vertical coverage Vertical coverage varies, depending on array length and configuration.
Acoustical crossover 580 Hz
Note: At this frequency, the high- and low-frequency transducers produce equal sound pressure levels.

Transducers
Low/mid frequency (front) 2 each 15-inch diameter cone drivers with Neodynium Magnets
Nominal impedance: 4 ohms
Voice coil size: 4 inches
Power-handling capability: 1200 W
Note: Power handling is measured under AES standard conditions: transducer driven continuously for two
hours with a band-limited noise signal (125 Hz to 8 kHz) having a 6 dB peak-to-average ratio.
Note: To eliminate interference at short wavelengths, the two front-facing 15-inch drivers work in combination at low frequencies (35
Hz to 140 Hz). At mid frequencies (140 Hz to 580 Hz) only one driver is fed from the crossover to maintain optimal polar and frequency
response characteristics.
Low/mid frequency (rear) 2 each 15-inch diameter cone drivers
Nominal impedance: 8 ohms
Coil size: 3 inches
Power-handling capability: 600 W
Note: AES transducer rating wattage; loudspeakers driven with a band-limiting noise signal (125 Hz to 8
kHz) with 6-dB peak-to-average ratio for two hours.
Note: At low/mid frequencies the two rear-facing 15-inch drivers produce a wave front that interacts with, and is additive to, the wave
front produced by the two front-facing drivers, while reducing sonic energy directed from the rear of the cabinet. The resultant
directional low-frequency output extends to 35 Hz, with a 25 dB reduction in SPL behind the cabinet.
High frequency Two 4 inch diaphragm compression drivers coupled to a constant-directivity horn through a proprietary
acoustical combining manifold
Nominal impedance: 8 ohms
Voice coil size: 4 inches
Diaphragm size: 4 inches
Throat size: 1.5 inches
Power-handling capability: 200 W
Note: AES transducer rating wattage; loudspeakers driven with a band-limiting noise signal (125 Hz to 8
kHz) with 6-dB peak-to-average ratio for two hours.

20 • M3D™ Line Array Meyer Sound Laboratories Inc

Table 2. M3D Line Array Specifications (continued)
Audio input
Type Differential, electronic balanced
Maximum common mode ±15 V DC, clamped to earth for voltage transient protection
range
Connectors Female XLR input with male XLR loop output
Input impedance 10k ohms differential between pins 2 and 3
Wiring Pin 1: Chassis/earth through 220k ohm, 1000 pF, 15 V clamp network to provide virtual ground lift at audio
frequencies
Pin 2: Signal +
Pin 3: Signal -
Case: Earth ground and chassis
CMRR > 50 dB, typically 80 dB (50 Hz–500 Hz)
RF filter Common mode: 425 kHz
Differential mode: 142 kHz
TIM filter < 80 kHz (integral to signal processing)
Input level Audio source must be capable of producing a minimum of 20 dBV (10 Vrms, 14 Vpk) into 600 ohms in
order to produce maximum peak SPL over the operating bandwidth of the speaker.
Nominal input sensitivity 0 dBV (1 Vrms, 1.4 pk) continuous is typically the onset of TPL limiting for noise and music.

Amplifiers
Amplifier type Complementary power MOSFET output stages (class AB/H) based on 95 Vpk into 4 ohms
Output power 4500 watts (1125 watts/channel, xfour channels)
Note: Amplifier wattage rating is based on the maximum unclipped burst sine-wave RMS voltage the
amplifier will produce into the nominal load impedance; in this case, 67 Vrms (95 Vpk) into 4 ohms.
THD, IM TIM < .02%
Load capacity 4 ohms minimum impedance each channel
Cooling Forced air cooling, four fans total (two ultra high-speed reserve fans)

AC Power
AC power connector 250VAC NEMA L6-20 (twistlock) inlet or IEC 309 male inlet
Optional VEAM connector (integrates AC, audio and network)
Voltage selection Automatic, two ranges, each with high-low voltage tap (uninterrupted)
Safety agency rated 95 VAC–125 VAC, 208 VAC to 235 VAC, 50/60 Hz
operating voltage
Turn on/turn off points 85 VAC–134 VAC; 165 VAC - 264 VAC
Current Draw
Idle current 1.2A RMS (115 VAC)
0.6A RMS (230 VAC)
1.3A RMS (100 VAC)
Max. long-term continuous 18 A RMS (115 V)
current (>10 sec) 9 A RMS (230 V)
20 A RMS (280 V)

Meyer Sound Laboratories Inc M3D™ Line Array • 21

Table 2. M3D Line Array Specifications (continued)
Burst current (<1 sec) 32 A RMS (115 V)
16 A RMS (230 V)
36A RMS (100 V)
Note: AC power cabling must be of sufficient gauge so that under burst current conditions, cable
transmission losses do not drop voltage below specified operating range at the speaker.
Ultimate short-term peak 50 A pk (115 VAC)
current draw 25 A pk (230 VAC)
57 A pk (100 VAC)
Inrush current < 12 A at 115 VAC

RMS™ Network Equipped for simple two conductor twisted-pair network, reporting all operating parameters of
amplifiers to operator’s host computer.

Physical
Enclosure Multi-ply hardwood
Finish Black textured (weather protected)
Note: Customer color available upon request
Protective grill Powder-coated Hex stamped steel
Rigging QuickFly MRF-3D rigging frame with integral CamLinks, rear connecting bars and captive quick-release
pins
Weather protection Standard
Dimensions 54" W x 20" H x 30.5" D (1372 mm x 508 mm x 762.5 mm)

Figure 30. M3D Loudspeaker physical dimensions

Weight Net: 415 lbs (188 kg)

Shipping: 500 lbs (228 kg)

Safety Agency Recognitions

CE Compliant
UL Listed
IEC 60065 (1998) Compliant

22 • M3D™ Line Array Meyer Sound Laboratories Inc

APPENDIX B - M3D-SUB DIRECTIONAL SUBWOOFER SPECIFICATIONS
Table 3. M3D-Sub Directional Subwoofer
Acoustical
Operating frequency range ±4dB 30 Hz - 88 Hz
-6 dB at 29 Hz and 95 Hz
Phase response ±30˚ Hz - 95 Hz; + 90˚ at 30 Hz
Maximum peak SPL >140 dB at 1 meter
Horizontal coverage Cardioid response pattern

Transducers
Low frequency Two each 18 inch diameter cone drivers
Nominal impedance: 4 ohms Voice coil size: 4 inches
Power-handling capability: 1200 W
Two 15" cone drivers
Nominal impedance: 8 ohms
Coil size: 3 inches
Power-handling capability: 600 W
Note: Power handling is measured under AES standard conditions: transducer driven continuously for two
hours with a band-limited noise signal (125 Hz to 8 kHz) having a 6 dB peak-to-average ratio.

Audio Input
Type Differential, Electronic balanced”
Maximum common mode ±15 VDC, clamped to earth for voltage transient protection
range
Connectors Female XLR input with male XLR loop output
Input impedance 10k ohms differential between pins 2 and 3
Wiring Pin 1: Chassis/earth through 220k ohm, 1000 pF, 15 V clamp network to provide virtual ground lift at audio
frequencies
Pin 2: Signal +
Pin 3: Signal -
Case: Earth ground and chassis
CMRR > 50 dB, typically 80 dB (50 Hz–500 Hz)
RF filter Common mode: 425k Hz
Differential mode: 142 kHz
TIM filter < 80 kHz (integral to signal processing)
Input level Audio source must be capable of producing a minimum of 20 dBV (10 Vrms, 14 V pk) into 600 ohms in
order to produce maximum peak SPL over the operating bandwidth of the speaker.
Nominal input sensitivity 0 dBV (1 Vrms, 1.4 pk) continuous average is typically the onset of TPL limiting for noise and music.

Amplifiers
Amplifier type Complementary power MOSFET output stages (class AB/H) based on 95 Vpk into 4 ohms
Output power 4500 watts (1125 watts/channel, four channels)
Note: Amplifier wattage rating is based on the maximum unclipped burst sine-wave RMS voltage the
amplifier will produce into the nominal load impedance; in this case, 67 Vrms (95 V pk) into 4 ohms.
THD, IM TIM < .02%
Load capacity 4 ohms minimum impedance each channel

Meyer Sound Laboratories Inc M3D™ Line Array • 23

Table 3. M3D-Sub Directional Subwoofer (continued)
Cooling Forced air cooling, four fans total, two ultra high-speed reserve fans

AC Power
AC power connector 250VAC NEMA L6-20 (twistlock) inlet or IEC 309 male inlet
Optional VEAM connector (integrates AC, audio and network)
Voltage selection Automatic, two ranges, each with high-low voltage tap (uninterrupted)
Safety agency rated 95 VAC to 125 VAC, 208 VAC to 235 VAC, 50/60 Hz
operating voltage
Turn on/turn off points 85 VAC–134 VAC; 165 VAC–264 VAC
Current Draw
Idle current 1.2Arms (115 VAC)
0.6Arms (230 VAC)
1.3ArmS (100 VAC)
Max. long-term continuous 18 Arms (115 VAC)
current (>10 sec) 9 Arms (230 VAC)
20 Arms (280 VAC)
Burst current (<1 sec) 32 Arms (115 VAC)
16 Arms (230 VAC)
36Arms (100 VAC)
Note: AC power cabling must be of sufficient gauge so that under burst current conditions, cable
transmission losses do not drop voltage below specified operating range at the speaker.
Ultimate short-term peak 50 A pk (115 VAC)
current draw 25 A pk (230 VAC)
57 A pk (100 VAC)
Inrush current < 12 A at 115 VAC

RMS Network Equipped for simple two conductor twisted-pair network, reporting all operating parameters of
amplifiers to operator’s host computer.

Physical
Enclosure Multi-ply hardwood
Finish Black textured (weather protected)
Note: Custom color available upon request
Protective grill Powder-coated hex stamped steel
Rigging QuickFly MRF-3D rigging frame with integral CamLinks, rear connecting bars and captive quick-release
pins
Weather protection Standard
Dimensions 54" W x 20" H x 30.5" D (1372 mm x 508 mm x 762.5 mm)

24 • M3D™ Line Array Meyer Sound Laboratories Inc

Table 3. M3D-Sub Directional Subwoofer (continued)

Figure 31. M3D-Sub Directional Subwoofer physical dimensions

Weight Net: 395 lbs (179 kg)

Shipping weight Net: 480 lbs (219 Kgs)

Safety Agency Recognitions

CE Compliant
UL Listed
IEC 60065 (1998) Compliant

Meyer Sound Laboratories Inc M3D™ Line Array • 25

CONTACT INFORMATION
Meyer Sound Laboratories, Inc.
2832 San Pablo Avenue
Berkeley, CA 94702
tel: 510.486.1166
fax: 510.486.8356
e-mail: [email protected]
http: www.meyersound.com Part Number: 05.105.022.01 Rev. A (08/02)