Romance del Diablo

Astor Piazzolla
4 chelos
  
Arr. Facundo Gonzalez Montes

   = 80  
           
       
Violonchelo 1

               
     
pizz.


    
Violonchelo 2

   

Violonchelo 3

   
               
            
pizz.

 
Violonchelo 4

6      
   
solo

 
Vc. 1

arco   
       
 


 
 
Vc. 2

 
   
    


 
Vc. 3

          


                         
  
pizz.

  
Vc. 4

12          
   
gliss.

  
  
Vc. 1

             

  
Vc. 2

   
       
Vc. 3

                  
Vc. 4
 

17     
        
 
Vc. 1

     
 
cresc.

 cresc.

         
Vc. 2

      

          
pizz.

    cresc. 
   
Vc. 3

       
           
  cresc.
Vc. 4
 21             

2

     

Vc. 1

        
 
(cresc.) 3


              
Vc. 2

          
  
  

(cresc.)

 

Vc. 3

  
           
    
(cresc.)

   

Vc. 4

(cresc.)

 
26          
   
 

    
Vc. 1

        
    
 portamento

 
Vc. 2

      
       

arco

   
Vc. 3

                            


  
Vc. 4


32             
    
  
    
Vc. 1

  
       
dim.


     

Vc. 2

       
   
dim.

              
pizz.

  dim. 
      
Vc. 3

                        
    

Vc. 4
dim.

37      
         


Vc. 1

           
(dim.)

  
 
Vc. 2

        
                   
(dim.)

       

Vc. 3

           
      
(dim.)

Vc. 4
        
(dim.)
   
  
42     
3

  
ligado

    
 
Vc. 1

   

 
Vc. 2

                  
                             
arco


Vc. 3

     
                                  
arco


Vc. 4



47                 
Vc. 1  
       
            
3 3




Vc. 2 

        
                           
3 3

Vc. 3
 
    
3 3

        
                        



Vc. 4

52    
        

      
Vc. 1

           
           
 
Vc. 2

          

 

Vc. 3

    
             
  
pizz.

 
Vc. 4

58             
      
solo


Vc. 1

             
        
pizz.

         

Vc. 2

 

                              
pizz.

     

Vc. 3

         
                   

Vc. 4
      
64       
4

    

Vc. 1

                    
         
arco



Vc. 2

                                
 
arco


Vc. 3

       
                 
arco
Vc. 4

     
71   
   
      
    
Vc. 1

  
  

       
Vc. 2

      
           

Vc. 3

 
        

Vc. 4

     
77 solo  

        
  
Vc. 1

         

Vc. 2

      

Vc. 3

   
        
           
 
pizz.

  
Vc. 4

83   
         
 
 
Vc. 1

       

cresc.


     cresc.     
  
   
Vc. 2

     
pizz.

              
  cresc.

Vc. 3

        

  
          
  
 cresc.
Vc. 4
 88             
 
5

   

Vc. 1

      
3




 
(cresc.)


      
Vc. 2

             
 
(cresc.) 

               
  

Vc. 3

               
     
(cresc.) 

   

Vc. 4

(cresc.) 

93      
        
                  dim.
Vc. 1

           
      
cresc.


    dim.
   
Vc. 2

          
cresc.


arco

 dim.
Vc. 3

        
             
cresc.
arco

 dim.
Vc. 4
cresc.

100
                 
 
          
Vc. 1

                     
(dim.)


    
Vc. 2

    
       
(dim.)



Vc. 3

     
                   
(dim.)

 

Vc. 4

(dim.)

108 
   

Vc. 1


    


Vc. 2

   
 


Vc. 3

  
   

Vc. 4
Violonchelo 1 Romance del Diablo
4 chelos Astor Piazzolla

   
Arr. Facundo Gonzalez Montes

                   
 = 80



        
     
8
solo


    


    
    

 
17

 
  
        
cresc. 3

   
 
24


                  


     

32

 dim.


          
38


     
    
     
(dim.)

   
ligado
43


 
              
 
47


3 3

   


          

52


              
       
solo


59


       
    
2

   

66

    
    

72

  gliss.      
    
77
solo

  
            
84

 cresc. 3

    
     
  
89

 

     

           
93

cresc.  dim.


                
101

(dim.)  
Violonchelo 2 Romance del Diablo
4 chelos Astor Piazzolla

          

Arr. Facundo Gonzalez Montes

                  
 = 80
pizz.


arco      
      
 


6

   

                

               
 
    
19 portamento

 cresc. 

 
         


        
   
28


            
        

35


  
dim.

                    
 

43

 3 3

       
                



51

          
       
pizz.

           

59


             

2

       
arco


64

          
    
    
 
70

  
      
         
77

          

         
83

 cresc.  

   
                     
      
93

cresc.  dim.

                                 
99

(dim.) 

     
     
105


Violonchelo 3 Romance del Diablo
4 chelos Astor Piazzolla

 
Arr. Facundo Gonzalez Montes

              
 = 80

 
   


     
    
pizz.

   
11

 
  
                  
       
19

 cresc.
          
  
     
       
23
arco


    
      


         
29 pizz.


     
          
                 
    
35

   
                
dim.

   
           
40
    
arco

  
                                  
45

                    
  
   
49


        
3 3


                       

55 pizz.


                      
2

  
61

                            
    
66 arco

                                

72

 

 
           
pizz.

          
81

 cresc.

               

(cresc.) 

             
              
    
90 arco

 cresc.

                 
       

97

(cresc.)  dim. 

        
106


Violonchelo 4 Romance del Diablo
4 chelos Astor Piazzolla
Arr. Facundo Gonzalez Montes

             
 = 80

                                     
pizz.


  
     
       
             
8

    
pizz.


           
                        
 
14

 cresc.
           
         
            
20

 

     
(cresc.)

      
                  

26

  

         
                        
  
32

   dim.

     
           







  
37

(dim.)

     
                         
42
arco

       


          
                       
46

               
    
   
                  
51
pizz.

  
         
2

                
  
58

 


       
            
   
64
arco

              
    
72

  
pizz.

  

   
                     

    
80

     cresc.

       
        
           
86

     
(cresc.) 

       arco
                
92

 cresc.  dim.


                               

99

(dim.) 

  
 
107

  
