KIT 153. Audio DTMF Decoder: Testing and Setup
KIT 153. Audio DTMF Decoder: Testing and Setup
Identify the trimpot and put it aside this will be the last component assembled. It is recommended that components be inserted and soldered in the following order. 1. All the resistors. Use a couple of the resistor lead offcuts for the two wire links. 2. Capacitors C1,2,3,5,6,7,9,10 and 11. Note that capacitors C3 and C5 fit inside the IC sockets. Make sure they are right down against the PCB before soldering. 3. The two IC sockets. 4. Crystals - solder them quickly as they can be damaged by excess heat. 5. Transistor Q1 and IC1 (the 5 volt regulator.) 6. The 16-way socket strip for the LCD. Make sure it is right down against and at right angle to the PCB before soldering. 7. The electrolytic capacitors C4 and C8 and the electret microphone. 8. The two zippy switches. Push them right in until the leads click into place. The bottom of the switch should be right down against the PCB. 9. The DC jack, slide switch and transformer. The transformer can be fitted either way around. 10. Lastly, the trimpot. It is mounted on the bottom of the PCB on the solder side. The trimpot leads are exposed and can be soldered onto the PCB pads. Do not insert any ICs or the LCD into their sockets yet.
RXD GND
The PC serial port should be configured for 9600 8N1 (9600 baud, 8 data bits, 1 stop bit, no parity). No hardware or software handshaking is required. DTMF HOW DOES IT WORK DTMF was originally developed to allow sending control information (dialled numbers) across the telephone network. The telephone network has a bandwidth of approx. 300 to 3400 Hz, suitable for voice communications. Any control tones would also need to be in this range and had to work regardless of whether voice was present or not. A single tone or frequency could have been used. However, if voice was present, it would interfere with the control tones, making them useless. To overcome this a scheme was developed whereby two tones or frequencies were combined to represent each control code or number. A total of seven tones were needed to represent the digits normally found on a telephone keypad, namely 0-9, * and #. An eighth tone was added so that some extra digits were available for use. These are commonly labelled ABCD. These eight tones were divided into two groups of four tones each, a low-frequency group and a high-frequency group. This