Reflection
Reflection
4. When including direct quotations, I have acknowledged the use of others’ words by
including quotation marks around the quoted material and I have provided full and
accurate citations.
5. For paraphrased material, I put the original author’s ideas into my own words and I
have provided full and accurate citations.
7. For this assignment, I have saved all of the articles I cited, all of my notes, outlines
and rough drafts in the event that my professor asks to see these.
8. I have never previously submitted this assignment, or parts of this assignment, for
any other course.
9. I did not share my work with anyone else, and have no intention of doing so.
10. If someone else proofread my work and provided suggestions for revisions, I made
all of the changes myself.
Eunmi Jeon
EDUC 18081
Allison Fitzgibbon
writing proficiency. While exploring Module 11, I encountered a valuable teaching strategy called the
"pencil grip song" (Fitzgibbon, Module 11, Lesson 3). This approach, showcased in one of the videos,
involved the teacher singing a song while demonstrating the correct posture, including finger placement for
holding the pencil. This fun and relaxed method made learning and internalizing the proper pencil grip
easier for students. In conclusion, the "Handwriting Without Tears" strategy has fundamentally
transformed the teaching and learning of handwriting. By embracing a developmental approach,
incorporating multisensory activities, emphasizing proper pencil grip, and utilizing engaging teaching
strategies like the "pencil grip song," educators can empower students to develop their writing skills
effectively.
How did this strategy change the way you will teach your students?
In Module 11, we discovered that the "Handwriting Without Tears" (HWT) program emphasizes the initial
teaching of uppercase letters (Fitzgibbon, Module 11, Lesson 3). Several reasons and considerations support
this approach.
Firstly, starting with capital letters is developmentally easier for students, as they only need to learn 26
characters instead of 52 (upper and lowercase combined). By focusing on uppercase letters initially,
students can establish a strong foundation for writing without the added complexity of different letter
forms. Moreover, capital letters have consistent starting points at the top of the writing space and share
the same vertical space on a page. This uniformity eliminates the need for letter reversals, providing clarity
and reducing confusion for young learners. Additionally, children often encounter capital letters in their
environment, such as in signs for "Stop," "Exit," or "Danger." This familiarity with uppercase letters
enhances recognition and reinforces their practical relevance. Another benefit of starting with uppercase
letters is that when students eventually transition to lowercase letters, they will already be familiar with
about a third of the lowercase alphabet since many lowercase letters share the same shape as their
uppercase counterparts. This facilitates a smoother transition and builds upon their existing knowledge.
Additionally, lowercase letters require tracing down the line of letters, which can be challenging for
kindergarteners or students with underdeveloped fine motor skills. In contrast, uppercase letters have
upward movements that do not require tracing back, simplifying the writing process and accommodating
the motor skills of young learners. To make learning more accessible and engaging, it is recommended to
teach students frequently encountered letters such as "pizza," "milk," "lunch," and "sweets." This can be
accomplished through visual aids like photos, drawings, and educational games, which make the letters
more familiar and easier to learn and use. Word stories are also an effective strategy to help students
understand and remember the shape of letters (Fitzgibbon, Module 11, Slide 30). In addition to
handwriting, Module 11 introduced other writing strategies. Guided writing, for instance, utilizes various
writing experiences to guide students' understanding of the writing process, purpose, and form. It expands
their repertoire of techniques and modes of writing while providing structure and support during new
learning (Fitzgibbon, Module 11, Slide 36). Another strategy discussed is RAFT (Role, Audience, Format,
Topic). It helps students understand their role as a writer, the intended audience, different writing formats,
and the topic they will write about (Fitzgibbon, Module 11, Slide 37).
By incorporating these strategies, I can create a seamless and practical approach to teaching writing,
empowering students to develop their skills while fostering engagement, confidence, and understanding.
4
Cathy Newton. (2017, September). Pencil Grip Song [Video file]. Retrieved from YouTube:
https://www.youtube.com/watch?v=0V36VQ1cdJc&t=23s&ab_channel=CathyNewton
Learning Without Tears. (2009, August). Tracing Capital Letters Song [Video file]. Retrieved from
YouTube: https://www.youtube.com/watch?
v=IiO0RZhCSKI&t=12s&ab_channel=LearningWithoutTears