HardwareController EN
HardwareController EN
Copyright
This documentation is protected by copyright law.
All rights, especially rights concerning duplication, distribution, and translation, are
reserved.
ASIO & VST are registered trademarks of Steinberg Media Technologies GmbH
This product uses MAGIX patented technology (USP 6518492) and MAGIX patent pending
technology.
Table of Contents
Copyright 2
Hardware Controller 4
Hardware controller - Introduction 4
Hardware controller settings 4
Hardware controller – "Internal" mode 6
Customizing controllers 10
Controller elements 13
Hardware controller options 13
Hardware controller - fader scaling 16
Learn controller for plug-in/mixer elements 17
Artist Mix 18
Artist Control 20
Artist Transport 22
Frontier AlphaTrack 24
Frontier TranzPort 27
JLCooper MCS-3800 29
Logic Control 33
Logic Control XT 39
Mackie Control 40
Mackie Control XT 45
PreSonus FaderPort 46
Tascam US-2400 49
Tascam FW-1884 53
Index 57
4 H ARDWARE CONTROLLER
Hardware Controller
Hardware controller - Introduction
Samplitude lets you easily control the software using external hardware controllers.
Templates (.cps files) for advanced controllers come supplied. The number of supported
devices is increased continually and they are adapted to the new devices that appear on
the market.
A MIDI interface is required to use a hardware controller. Please ensure that the program's
MIDI functions are not deactivated, (Menu, "File > Program Preferences > System options
> MIDI > Deactivate all MIDI functions") since they are necessary for addressing the MIDI
controllers.
1. Click the "Add New" button in the controller settings. Select your controller or a
compatible device from the list. Pressing "Remove" or "Del" on your keyboard will
remove the selected controller. Save your individual configuration by clicking "Save
as".
2. Drag & drop to modify the order of controllers and their internal assignment. A
controller that appears beside another one corresponds to an expansion module.
Click the check box above the controller to activate/deactivate a controller
temporarily.
3. Select the MIDI In and MIDI Out ports that your controller is connected to on the
right.
4. Close the dialog. The controller is now operational.
H ARDWARE CONTROLLER 5
A maximum of four controllers may be positioned in the controller selection list. For
example, if you select a Mackie Control and want to add an extension to it, then just add a
Mackie control again. This will be added automatically directly below the first one. In this
case, the second controller is treated as the extension. Specify the correct MIDI ports for
this controller, too.
If the order of both devices is not correct, simply swap their positions via drag & drop or
change the MIDI ports.
If you wish to have both controllers working parallel and independently, drag them using
the mouse so that one is directly beneath the other in the list.
Activate EuCon: Activate this check box if you are working with a EuCon controller. The
connection may be updated at any time via the corresponding button.
Track count: Specifies the number of tracks in a bank available to the controller. This is
usually eight tracks. Mackie Control and HUI protocols can only communicate with eight
channels per bank. However, there are also controllers that have a native mode that is able
to learn several channels (64 max.). This value is 1 for single track controllers.
Output
Deactivate: If your controller does not have any motorized faders, you can use this option
to deactivate transmission of controller data.
Normal Send: Program data (e.g. mixer fader changes) are sent to the controller. MIDI
controller data is received and processed.
Send Echo: Program data (e.g. mixer fader changes) are sent to the controller. MIDI
controller data is received and processed and sent back to the controller. This is required
by the controller to update features such as LED displays and buttons. If your controller
has difficulties with this (e.g. Logic Control), activate "Normal Send".
Send Echo (without fader touch): Program data (e.g. mixer fader changes) are sent to
the controller. MIDI controller data is received and processed and sent back to the
controller. In this case however, the fader values are not returned when the faders are
moved (activated fader touch), but rather only the last value after the fader is released is
sent (in order to prevent increased data volumes). If your controller experiences difficulties
with this feature (e.g. Logic Control), then activate "Normal Send".
6 H ARDWARE CONTROLLER
The function "Learn hardware controller" in the mixer menu or in the menu for any
VST plug-ins (view page 17) enables these data structures to be manipulated. In this case,
the active operating mode may be changed so that it is able to function differently than its
preset. The changed data structures are saved accordingly and are immediately available
the next time the program is launched. This ensures that you are able to continue working
with the most recent settings.
Note: If you are using a hardware controller that is not listed in the hardware control setup,
then select one from the list that is most similar in concept and design.
Mackie Multitrack
Track
Each activated mixer element (recognizable by the red marking) is controlled by the first
fader
PAN
EQ
Note: The bank switch functions have to be learned, which is usually the case
Gain, frequency, and quality accessible via the knobs (differently grouped than in
Bandwise mode)
Using the bank switch keys, each of the other EQ functions can be accessed
AUX
Plug-in
The VST plug-in slots are listed for the active track (flip through via bank switch keys)
Selection of the VST plug-in to be adjusted by pressing the corresponding knob
Thereafter the parameters for the selected plug-ins are shown
Changing the parameter using the knob
Page through the parameters
Frontier AlphaTrack
Track
Panorama control
Navigate to markers
Move selected track
Changes the value of the selected element in the mixer with the fader.
AUX
EQ
Controlling the input volume, frequency, and quality bands of the selected EQs. The
individual bands are selected with "Mixer track up/down".
Plug-in
8 H ARDWARE CONTROLLER
Select track
Select plug-in slot in the track with "Mixer track up/down" key
Now you can control 3 parameters of the corresponding plug-ins with the vpots. The
display page is toggled with the keys "Mixer track up/down".
Frontier Tranzport
Functions: For transport only
JLCooper (MCS)
Track
Each activated mixer element (recognizable by the red marking) is controlled by the first
fader
AUX
EQ
The currently active mixer element (recognizable by red highlighting) is controlled by the
first fader.
H ARDWARE CONTROLLER 9
Mackie HUI
Track
Track mode
Active control
The currently active mixer element (recognizable by red highlighting) is controlled by the
first fader.
Controls the EQ for the selected track via the knob controllers.
Controls AUX sends for the different tracks in the selected slot.
10 H ARDWARE CONTROLLER
Customizing controllers
Most devices available on the market understand protocols such as Mackie Control or HUI.
If your device is not included in the list (view page 18), simply select the nearest compatible
device.
Note: Before adapting an existing template to your controller, save it under a new name via
"Save as..."
If you can't find your device in the list or want to change the default settings, you should
proceed as follows:
2. Use Mackie Control if the controller is able to emulate this mode. In this case, 7-bit
messages are transmitted. This is also visible in the MIDI input monitor. Pressing a button
displays a new line; another line is displayed upon release. HUI receives 14-bit messages,
i.e. two lines respectively.
3. In the mixer, which should be open at the same time, you can now select the element
you wish to program on your controller. The saved function is displayed in the section
"Program function", e. g. "Fader master" for the fader in the Samplitude mixer.
Alternatively, you may also open the context menu via "Program function". This contains a
list of all remotely controllable functions in Samplitude. The uppermost commands are
purely mixer functions and are suited solely for the controller connection. The lowermost
commands are illustrations of the complete Samplitude menu structure. You can use this
to assign each command from a menu to a controller key. Please note that when working
with menu commands, the key LEDs of the controllers remain inactive.
1. Select a program function via the context menu or by moving a mixer element.
2. Now move the fader or press the corresponding key on your controller. The MIDI data
for this element is displayed in the section "Latest MIDI data".
3. Press "Learn" and the new data will be assigned to the function in Samplitude.
Note: Hardware controllers with touch-sensitive faders send a message whenever they are
moved and released (FaderTouch). "Learning" must be activated before moving and
releasing a fader.
If you want to learn a key/fader for multiple tracks, e. g. mute, select the corresponding
function in "Program functions" (e. g. "Mixer -> Tracks -> Track mute"). Now activate
"Track -> Auto increase" and start programming the first track. After pressing "Learn",
the value of the track is automatically increased by "1". Simply move/activate the next
element on the controller and press "Learn" again.
If a controller moves in the wrong direction after programming it, repeat the programming
sequence and activate the "Invert vpots direction" option.
Last MIDI files: These fields display the last used MIDI files.
“Send MIDI message This function can be used to: send another MIDI message to the
controller for LED control.
MIDI messages that are sent by a hardware controller's control element are normally the
same messages used by the application to control the control element remotely. This may
be the position of a fader or a key's LED light, for example. There are also controllers that
expect different MIDI messages. These may be entered separately in the fields.
Control sends 14-bit message: Activate this button if the control element to be learned
sends two MIDI messages. HUI protocol does this, for example. There may be different
control elements on a single controller, in which case several send 7-bit messages while
others send 14-bit messages.
Endless: Activate this option if the control element to be learned sends relative movement
(e. g. dials to the right or left) - in contrast to absolute positions.
If a controller moves in the wrong direction after programming it, repeat the programming
sequence and activate the "Invert vpots direction" option.
12 H ARDWARE CONTROLLER
Alternative controller dynamic: If a dial makes overly large 'jumps' when moved quickly
you can edit that here.
Don't send feedback: Regardless of the output mode, you can specify the controller
settings for each controller, e.g. if feedback should be prevented from returning to the
controller.
Status key: Controllers normally send a MIDI "IN" message when a key is pressed and
then a MIDI "OUT" message when the key is released. Some controllers send alternating
"IN" or "OUT" messages by pressing and releasing respectively. To be able to use keys in
this fashion, activate this message during MIDI learning.
MIDI monitor: The MIDI monitor can be opened using the button of the same name. It
displays all MIDI files, which are sent by the Hardware Controller Module to Samplitude. As
sources of sent MIDI files, Samplitude's MIDI Editor as well as activated plug-ins come into
consideration.
If you press the "Shift" key when clicking a button at the same time, the MIDI monitor will
remain open once you close the hardware controller settings.
If you click a button while holding down the "Ctrl" key, then you will be able to move the
MIDI monitor as an independent window freely on your monitor.
Of course, both modifiers ("Shift" + "Ctrl") may also be held down together to connect there
functions.
Modifier: Assigns modifier keys for the computer keys (Shift, Alt/Option, Ctrl/Control) to
execute special functions. Pressing the assigned modifiers will execute these special
functions.
The "Shift", "Option", and "Control" modifiers are available for hardware controllers. To be
able to use these modifiers, they will need to be learned first as program functions on the
hardware controller keys. To learn a function with modifiers to a key, you need to set the
desired combination of modifiers in the modifier field. Of course, not all functions may be
used with modifiers.
H ARDWARE CONTROLLER 13
Other learned functions: Learned functions are displayed clearly in a list. Click on an
entry in the display window and the setting will be transferred to the dialog element.
Individual changes may now be written over older entries by pressing "Learn".
Controller elements
The hardware controller elements featured in Samplitude provide additional options:
Protocol: The protocol specifies a series of internal interpreting parameters. You may
select Mackie Control, HUI, JLCooper, and Tascam.
Display mode: Many controllers feature LCD displays which differ in size and number of
lines, and which also need to be controlled differently. For controllers without a display, you
can deactivate the display control. You may select Mackie Control, HUI, and JLCooper.
Locator mode: Several controllers possess a special display for the current time position
(locator). Locator mode may be set in the following display types: Off, Mackie Control, HUI,
and JLCooper.
14 H ARDWARE CONTROLLER
Peak meter mode: Some controllers possess a special peak meter display. "Peak meter"
mode sets the way that the display is controlled. You may select Off, Mackie Control, HUI,
JLCooper, and Tascam.
Bank switch track number: A project in Samplitude can include more tracks than are
available to the controller. In this case, the controller only displays a section of the available
tracks. To change this section, change the channels or the bank. While switching channels
changes the section exactly to the track, a bank switch can jump several tracks.
Depending on the number of tracks on the controller and your preferred working style, you
may set different step intervals per bank.
MIDI ping to controller: Most controllers expect a periodic incoming MIDI message (ping)
to ensure that there is communication with the application. Different messages may also
change a controller's operating modes. Enter the message to be sent to the controller.
MIDI ping from controller: As a response to ping messages, controllers usually send a
ping message. So that no confusion results, you may enter these explicitly so that they may
be ignored by the application.
Display interval (ms): Display control occurs in certain time intervals and not continuously.
This limits the amount of display information. A small interval accelerates the display on the
controller, but enlarges the amount of MIDI data that needs to be transferred.
Locator interval (ms): Locator display control also takes place in intervals. If the time
position within an interval changes, only the current value is sent to the controller after it
expires. Reduce this interval and the locator display will react more directly.
AnySolo LED: Some controllers possess an LED which indicates that at least one track in
the project has an active "solo" function. Since no button belongs to this LED and it is not
learnable, you may set the corresponding MIDI message here.
Manual hardware ID: To activate "Mackie Control" display mode, an additional parameter
is necessary: the hardware ID. This may be automatically queried with new firmware
versions or entered manually.
Query hardware ID: Activate or deactivate the automatic hardware ID query. Deactivate
this function if you aren't using the "Mackie Control" display mode. This helps to avoid
incorrect interpretation of the query message.
Ignore SysX input data: SysX data sent from the controller won't be processed by the
application.
Don't send SysEx: Samplitude sends different messages via SysEx. What is sent exactly
depends on the selected display mode, locator mode, etc. If problems occur with SysEx
messages while using a controller, then you can use this to stop sending these messages
to the hardware controller.
Fader touch activates track: This option activates the track that belongs to the fader
when a touch-sensitive fader is used.
H ARDWARE CONTROLLER 15
No fader update after release for motorized faders: When you move touch-sensitive
faders, the fader messages to the controller are normally ignored by the controller.
However, after release, the controller requires a positioning message. If this isn't sent, the
fader will reset to its last position before being moved. Some controllers don't require this
new position message. They jump to the new position from the old message to the new
one first. To avoid this, deactivate sending of new positions.
The following options concern the synchronization between controller range, mixer
range, and the active track. The controller range describes the section of available tracks
in a project which can be controlled by the controller. The mixer range is the section of
available tracks in the project that can be controlled by Samplitude's mixer.
Controller range follows active track: If this option is active, then the controller range is
adjusted if the active track is changed so that the active track lies within the controller
range.
Controller area follows controller range: If this option is active, a track within the
controller range is activated when the controller range is changed. The track next to the
previously activated track is also activated.
Mixer range follows controller range: If this option is active, changes to the controller
range at the start of the mixer will be adjusted to the start of the controller range.
Mixer range follows controller range when active track is changed: This option is only
sensible when "Controller range follows active track" is active. If a track outside of the
controller range is active, then the controller range will be adjusted to it. These changes to
the controller range readjust the mixer range.
Note: If you scroll through the mixer and simultaneously hold "Shift", the beginning of the
controller range will be adjusted to the start of the mixer range.
Show track numbers instead of track names: If this option is active, track numbers will
be shown instead of track names in the controller display.
Control assignment display: Some controllers possess an additional display field for
showing the current operational mode (track, EQ, AUX, etc.). If a controller does not such a
display field, then deactivate control the display field so that control commands don't
incorrectly influence other controller elements. This option updates Samplitude's
automation modes optimally.
Control fader LEDs: Some controllers possess LED displays that are assigned to the
dials. These can be used for visual display of the current parameter controlled by the dial.
For controllers without LED displays, you can deactivate the display control.
Process messages with dialogs open: Normally, when hardware controller dialogs are
open, MIDI messages are no longer processed to avoid unwanted changes. In some
situations, adjusting or programming a controller requires that controller messages are able
to be responded to. In this case, you can activate incoming messages while dialogs are
open. It's a good idea to deactivate this option again once the controller is adjusted.
16 H ARDWARE CONTROLLER
1. Delete all previous entries. Click on the entry in the list and then press "Delete scale
entry".
2. Enter the value "6" into the "Scale entries on controller" and move the fader all the way
up (to the scale value +6 dB). Next, click "Set scale entry" to set the new entry.
3. Move the fader all the way down and enter the value "-100" into the "Scale entries on
controller". Click "Set scale entry" again.
4. Insert additional scale positions (e.g. -10,-20, -40, etc.) in the same way.
To test if the scale matches, close the dialog with okay and compare the controller's fader
positions with fader positions in the program mixer. Additional scale values may also be
added later. To change a value, delete the previously learned value first.
H ARDWARE CONTROLLER 17
Click the command "Learn hardware controller", activate a mixer element with the
mouse, and then move the desired control element on the controller. The control element
will now control the assigned mixer element. This assignment only changes the mode
active at this time. This makes is possible to use controller elements that have been learned
in the hardware controller dialog.
The plug-ins menus also include the entry "Learn hardware controller". The plug-in
parameters may also be learned for a controller in the same way.
The changes made remain available until either "Restore modes" is clicked in the
hardware controller dialog or until a change is made in the hardware controller dialog
settings.
The hardware controller element must have been learned in the hardware controller
setup beforehand and may not be empty.
Learned elements permanently modify the internal mode. Assignment is also available
later for other projects.
Assignment may be cleared again via the "Restore modes" button beside the internal
mode.
Artist Mix
1. Close your controller (according to manufacturer's instructions) and install the required
driver software.
Controller configuration
Track area:
ARTIST MIX 19
Navigation:
Observations:
The modes INPUT, DYN, GROUP and MIX are not available in the software.
Artist Control
1. Close your controller (according to manufacturer's instructions) and install the required
driver software.
2. In case the files Sam.xml or Sequoia.xml don't exist in the driver software
programs\Euphonics\EuCon\SQRL copy and paste it here from the folder program
directory/Customize.
Controller configuration
ARTIST CONTROL 21
Track area:
Display range:
Navigation:
22 ARTIST TRANSPORT
Observations:
The modes INPUT, DYN, GROUP and MIX are not available in the software.
Artist Transport
1. Close your controller (according to manufacturer's instructions) and install the required
driver software.
2. In case the files Sam.xml or Sequoia.xml don't exist in the driver software
programs\Euphonics\EuCon\SQRL copy and paste it here from the folder program
directory/Customize.
Controller configuration
Frontier AlphaTrack
FRONT IER ALPHATRACK 25
1. AlphaTrack is supported in "Native" mode. Right clicking the AlphaTrack symbol in the
toolbar switches the device to AlphaTrack Native.
Controller configuration
SHIFT Shift
PAN Press first time: Pan mode
Press second time: Active
Control mode
(see table 2)
SEND AUX mode
(see table 2)
EQ EQ mode
(see table 2)
Plug-in Plug-in mode
(see table 2)
AUTO Track automation Copy automation
mode to all tracks
F1 Touch automation F5 Read automation
F2 Latch automation F6 Automation off
F3 Overwrite automation F7 Restore
F4 Trim automation F8 Undo
< TRACK Previous track IN Punch start marker
> TRACK Next track OUT Punch end marker
26 FRONT IER ALPHATRACK
Special modes
Frontier TranzPort
28 FRONT IER TRANZPORT
1. TranzPort is supported in "Native" mode. By right clicking the TranzPort symbol in the
toolbar, you will switch the device to TranzPort Native.
Controller configuration
JLCooper MCS-3800
2. Now set up the MIDI ports with the corresponding in and outputs of your MIDI interface
on the right side.
Controller configuration
Track range
Control element Function Modifier Modifier function
Navigation
Control element Function
Area to view
Control element Function
Functions window
Control element Function
F1 Punch marker mode
F2 Loop
F3 Metronome
F4 Synchronization
F5
F6
F7
F8
SHIFT Shift
JLCOOPER MCS-3800 31
Mode range
Control element Function Modifier Modifier function
Shuttle range
Control element Function Modifier Modifier function
Locator range
Control element Function
Transport range
Control element Function
Special modes
Notes
In "Shift" mode, the LED buttons will not refresh for the commands learned in "Shift" mode.
LEDs for Bank3 (time information) and Bank 4 (video window) are inactive.
Logic Control
1. Go to Samplitude/Sequoia's system settings/hardware controller and select Logic
Control from the list via the New button.
2. Now set up the MIDI ports with the corresponding in and outputs of the MIDI interface
on the right side.
3. Close the dialog. The controller is now operational.
Controller configuration
TRACKS
Control element Function Modifier Modifier function
ASSIGNMENT
Control element Function
FADER BANKS
Control element Function
DISPLAY
Control element Function
NAME/VALUE
SMTP/BEATS Timecode switch
LOGIC CONTROL 35
FUNCTION BUTTONS
Control element Function Modifier Modifier function
GLOBAL VIEW
Control element Function
MIDI TRACKS
INPUTS
AUDIO TRACKS
AUDIO
INSTRUMENT
AUX
BUSSES Select previous object
OUTPUTS Select next object
USER Crossfade Editor
MODIFIERS
Control element Function
SHIFT Control
OPTION Option
CONTROL
# / ALT Shift
36 LOGIC CONTROL
AUTOMATION
Control element Function Modifier Modifier function
UTILITIES
Control element Function Modifier Modifier function
SAVE Save
UNDO Undo SHIFT Repeat
CANCEL Cancel
Enter Enter
LOGIC CONTROL 37
TRANSPORT
Control element Function Modifier Modifier function
Special modes
Note:
Logic Control XT
1. Go to Samplitude/Sequoia's system settings/hardware controller and select Logic
Control XT from the list via the New button.
2. Position Logic Control XT under Logic Control
If you have set up Logic Control XT to the left of Logic Control, the entries in the list
will appear as follows
3. Now set up the MIDI ports with the corresponding in and outputs of the MIDI interface
on the right side.
4. Close the dialog. The controller is now operational.
Note: The number of tracks to be jumped when a bank is switched may be altered via the
program's hardware controller setup options. These settings are available via Logic
Control.
40 MACKIE CONTROL
Mackie Control
1. Go to Samplitude/Sequoia's system settings/hardware controller and select "Mackie
Control" from the list via the "New" button.
2. Now set up the MIDI ports with the corresponding in and outputs of the MIDI interface
on the right side.
3. Close the dialog. The controller is now operational.
Controller configuration
TRACKS
Control element Function Modifier Modifier function
ASSIGNMENT
Control element Function
FADER BANKS
Control element Function
DISPLAY
Control element Function
NAME/VALUE
SMTP/BEATS Timecode switch
42 MACKIE CONTROL
FUNCTION BUTTONS
Control element Function Modifier Modifier function
MODIFIERS
Control element Function
CNTRL Control
OPT Option
SNAPSHOT
SHIFT Shift
AUTOMATION
Control element Function Modifier Modifier function
FUNCTIONS
Control element Function
TRANSPORT
Control element Function Modifier Modifier function
Special modes
Note:
Mackie Control XT
1. Go to Samplitude/Sequoia's system settings/hardware controller and select Mackie
Control XT from the list via the New button.
2. Position Mackie Control XT under Mackie Control
If you have set up Mackie Control XT to the left of Mackie Control, the entries in the
list will appear as follows
3. Now set up the MIDI ports with the corresponding in and outputs of the MIDI interface
on the right side.
4. Close the dialog. The controller is now operational.
Note: The number of tracks to be jumped when a bank switch is pressed may be changed
in the program's hardware controller setup options. These settings are available in Mackie
Control.
46 PRESONUS FADERPORT
PreSonus FaderPort
2. Next, set the MIDI ports on the right side to USB audio device.
Controller configuration
Special modes
ACTIVE FADER (controls the active element in the mixer, track editor, or plug-in
CONTROL that needs to be selected with the mouse beforehand)
MODE
Notes:
The foot switch is available for controller firmware 1.2 and up.
To learn control elements for the FaderPort, enter the response values to the controller for
learning so that the button LEDs also function. Copy the value of the last column from table
1 of the corresponding control element into the "Send MIDI files" field. Here is an example
of the correct arrangement for the MUTE keys.
T ASC AM US-2400 49
Tascam US-2400
1. The Tascam US-2400 is supported in "Native" mode. Use the most current firmware.
Start the device via the power button and hold down SEL (above the master fader) and
CHAN. The device is now in "Native" mode.
3. Next, set the MIDI ports on the right side to USB audio device.
Controller configuration
Track range
Control element Function Shift function
Navigation
Control element Function Shift function
CHAN EQ mode
(see special modes)
PAN Pan mode
(see special modes)
AUX 1 DIAL 1~24 to AUX 1 Read automation
AUX 2 DIAL 1~24 to Touch automation
AUX 2
AUX 3 DIAL 1~24 to Latch automation
AUX 3
AUX 4 DIAL 1~24 to Overwrite automation
AUX 4
AUX 5 DIAL 1~24 to Trim automation
AUX 5
AUX 6 DIAL 1~24 to Automation off
AUX 6
METER Activate level meter in dial display
F-KEY Active control mode
(see special modes)
NULL
Shuttle wheel Positioning
Shuttle wheel + Select range
STOP
SCRUB Scrub mode
BANK Mixer track 24 to the left Mixer track 1 to the left
BANK+ Mixer track 24 to the right Mixer track 1 to the right
IN Loop mode
OUT Metronome
SHIFT Shift
REW Fast rewind Cursor at project start
FFW Fast forward Cursor at project end
STOP Stop Cancel
PLAY Play Enter
REC Record
Foot switch Record
Special modes
Note:
The number of tracks to be jumped when a bank switch is pressed may be changed via
the program's hardware controller setup options.
When using the TASCAM US-2400 as an exclusive recording panel, it's recommended that
you relearn the SEL buttons as RecordReady.
T ASC AM FW-1884 53
Tascam FW-1884
2. Next, set the MIDI ports on the right side to "FW 1884 Control".
Controller configuration:
Encoder
Track range
Navigation
F7 Automation OFF
F8 Transfer
automation mode
to all tracks
F9 Trim automation
F10 Mixer
READ Read automation
WRIT Overwrite
automation
TCH Touch automation
LATCH Latch automation
SIITL Scrub mode SHIFT Zoom mode
WHEEL Jog/Scrub
CURSOR UP Previous track SHIFT Zoom project vert.(+)
CURSOR DOWN Next track SHIFT Zoom project vert.(-)
CURSOR LEFT Timeline SHIFT Zoom project horiz.(-)
positioning
CURSOR RIGHT Timeline SHIFT Zoom project horiz.(+)
positioning
BANK LEFT Previous bank SHIFT Mixer channel 1 left
BANK RIGHT Next bank SHIFT Mixer channel 1 right
NUDGE LEFT Move object left
NUDGE RIGHT Move object right
LOCATE LEFT Previous marker SHIFT Previous object
LOCATE RIGHT Next marker SHIFT Next object
SET Create marker SHIFT Delete marker
(auto #)
IN Set punch in SHIFT Delete punch marker
marker
OUT Set punch-out
marker
REW Fast rewind SHIFT Cursor to project start
(Return to Zero)
FFW Fast forward SHIFT Cursor to project end
(Go to End)
Stop Stop SHIFT Cancel
PLAY Playback (second SHIFT Enter
press: stop at
position)
REC Recording CTRL Punch mode on/off
Notes
The following elements do not send MIDI values and may not be learned:
PFL, HIGH, HI-MID, LOW-MID, LOW, GAIN, FREQ, Q, COMPUTER, MIDI CTRL, MON,
CLOCK, ROUTE
56 T ASC AM FW-1884
All elements with CTRL configuration may be learned in the control panel without
providing a modifier, sine the CTRL configuration already takes place in the controller
and sends separate IDs.
All elements with a CTRL configuration may also be set up with SHIFT-CTRL. In the
control panel, set the modifier to "Shift" (since the CTRL configuration takes place in the
controller already), next press CTRL + the element and learn.
AUX elements LED doesn't light up correctly
FLIP LED doesn't light up correctly
The SoftLCD application that was installed with the FW-1884 drivers may be used to
display track names and other Mackie Control-typical information
INDEX 57
Index
Customizing controllers.................................................................................10
Frontier AlphaTrack.......................................................................................24
Frontier TranzPort .........................................................................................27
JLCooper MCS-3800....................................................................................29