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    A Quién Le Importa Trompeta Do

    Uploaded by

    FRANCISCO CLARAMONTE PATERNA
    This musical composition is written for trumpet and includes musical notation and lyrics. It is separated into labeled sections and indicates instrumentation, dynamics, tempo markings, and other musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    A Quién Le Importa Trompeta Do

    Uploaded by

    FRANCISCO CLARAMONTE PATERNA
    11 views1 page
    This musical composition is written for trumpet and includes musical notation and lyrics. It is separated into labeled sections and indicates instrumentation, dynamics, tempo markings, and other musical directions.

    Original Title

    A quién le importa Trompeta Do

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This musical composition is written for trumpet and includes musical notation and lyrics. It is separated into labeled sections and indicates instrumentation, dynamics, tempo markings, and other musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    11 views1 page

    A Quién Le Importa Trompeta Do

    Uploaded by

    FRANCISCO CLARAMONTE PATERNA
    This musical composition is written for trumpet and includes musical notation and lyrics. It is separated into labeled sections and indicates instrumentation, dynamics, tempo markings, and other musical directions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    A quién le importa

                 
       



         
                
    Trompeta 1ª Do

                 

       2ª vez sin repetición      



                   
                               
       
    15


          2.

     
                             
        
    28
    1.

       
    
              
     
                     
     
       
         
    45


         2.  


                              
                    
        
    63
    1. D.S. al Coda Coda

     
               

    
                                           

    78

      

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