Cambridge Basic 8 English
Cambridge Basic 8 English
Cambridge Basic 8 English
Lower Secondary
Complete
8
English
Series Editor: Dean Roberts
Annabel Charles, Alan Jenkins,
Mark Pedroz, Tony Parkinson
Second Edition
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Foodies’ delight
1
Healthy eating – a radio discussion Listen to the Developing your language – writing Global
Sophia, Nikri and Nor were asked to discuss how young people audio for this task: appropriately for the reader Perspectives
can be encouraged to eat healthily. Sophia starts the discussion. Sophia, Nikri and Nor talk about how to convey information Most fresh food produced
Listen carefully to their discussion. about healthy eating effectively for young people. Answer the by farmers around the world
following questions about language features. is nutritious. However, many
Understanding 1. What do the group suggest is important? of these natural foodstuffs
2. Look at the features below and decide which you think are are then processed into
Answer the following questions.
important and which are not. Explain your answer. considerably less healthy
1. Sophia’s and Nikri’s mothers have the foods. Think about your
same view of food. What is it? region. How might a local
Standard English clear headings straightforward words
2. What do Nor, Sophia and Nikri think farmer communicate this to
writing in the third person colloquial language
young people need to eat to stay local people?
healthy? short sections complex sentences
3. What do they think are the foods you scientific words illustrations addressing the reader directly
should eat less of? What would you subject-specific language glossary to explain difficult
add to that? words similes exclamations humour
4. Give two ways the group suggests of persuading young
people to eat healthily. 3. Add more features to those above.
5. Which method do you think is more effective? Explain your 4. Using the information from the radio discussion, and your
answer. own knowledge, write an information leaflet for students of
your age to encourage them to eat healthily.
6. You just heard someone say, “An awful lot has to change
before children will eat a healthy diet.” What might they You need to think about:
mean by this? ● what you are going to include in your leaflet
● how to make your leaflet persuasive for a younger
Word builder Word cloud audience by using a range of suitable language techniques
● how you are going to organise your ideas clearly.
calcium nutritious
The words in the Word cloud are all subject-specific words
linked to the topic of nutrition and diet. Look at the Word carbohydrate protein
cloud and answer the following questions. fat vitamins My favourite food
1. Check you know what each word in the Word cloud means. nutrients
On social media, you follow a Teenage Kicks pro-health
Use a dictionary to help you. food group. Write a quick tweet, in reply to these
2. Give some examples of foods in each of these categories: rich prompts.
in calcium; high fat content; high protein content; plentiful ● My favourite healthy food is ...
vitamins.
● What I love about it is ...
3. Nutrients and nutritious come from the same word family.
● Nutritionally it is ...
They are both Latin words. Use a dictionary to find out what
their Latin origins are. ● Science says we need this food because...
16 17
Need help?
Contact your local educational consultant: www.oxfordsecondary.com/contact-us
Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Extract from ‘Sky Hawk’ by Gill Lewis, OUP 2011. Reproduced with
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Acknowledgements
1960)/Private Collection/Bridgeman Images; p103: Catherine
The publisher would like to thank the following for permissions to
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use copyright material: ‘The Machine Stops’ by E.M. Forster. The
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E.M. Forster. Used by permission.
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Rawicz; Robinson, 2007. Reprinted by permission from Aitken (BL): Fuse/Getty Images; p118 (BR): Allstar Picture Library Ltd./
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Extract from ‘The Cruelest Journey’ by Kira Salak. Copyright © 2005
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Society, 2005.” Used by permission from Restless Books.
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Poem ‘Breathless’ by Wilfred Noyce. Copyright © Estate of wilfred Alamy Stock Photo; p139 (L): Maria Skaldina/Shutterstock; p139
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Extract from ‘Railhead’ by Philip Reeve, OUP 2016. Reproduced with Every effort has been made to contact copyright holders of
permission of the Licensor through PLSclear. material reproduced in this book. Any omissions will be rectified in
subsequent printings if notice is given to the publisher.
Extract from ‘And the Mountains Echoed’ (Bloomsbury, 2013),
copyright © Khaled Hosseini 2013, Bloomsbury Publishing Plc.
Reprinted by permission.
Contents
Introduction 4
Foodies’ delight 6
1 Development of writing skills, including spelling, sentence
construction, punctuation, and stylistic techniques
Amazing arts 22
2 Development of reading skills, including inference,
setting, and drama
Terrific technology 38
3 Development of speaking and listening skills to explain ideas
clearly and give presentations
4 Unnatural nature
Non-fiction: Use of imagery, metaphors, and personification
54
5 Fabulous hobbies
Features and conventions of non-fiction texts
70
6 Alarming journeys
Features of poetry across different times and cultures
86
7 Heroic history
Myths and legends from different cultures
102
In every unit there are listening tasks. Your teacher may play the audio for
you, or you can listen to the audio on the website using the QR code.
Website: www.oxfordsecondary.com/9781382010279
3
Introduction to Student Book 8
Welcome to Oxford’s Cambridge Lower Each unit has a global theme. For example,
Secondary Complete English Student you’ll explore how to maintain a healthy
Book 8. This book and the student Workbook eating regime, read about how our reliance
will support you and your teacher as you engage on smartphones was predicted 100 years
with Stage 8 of the Cambridge curriculum ago, imagine the dangers and wonders of the
framework. jungle and deserts, and drift to the Arctic and
It aims to encourage you in becoming: climb Mount Everest by reading poems.
● Confident in your English skills and your
ability to express yourself Thinking time
● Responsible for your own learning and
responsive to and respectful of others
● Reflective as a learner so that you can be a
Speaking & Listening
life-long learner – not just in school now Through the Thinking time and Speaking &
● Innovative and ready for new challenges as Listening features you get the chance to express
a global citizen what you already know about a theme or topic,
● Engaged in both academic and social think critically and find out more from your
situations. classmates whilst exploring new ideas.
5
2 Amazing arts
In this unit, you will explore some classic texts – drama and fiction – and think
about the difference between the two art forms. You will read a review of
one of Shakespeare’s most famous plays, Hamlet, and analyse an extract from
Charles Dickens’ novel Great Expectations. You will listen to a director talking
about adapting a novel for the stage. You will then write your own adaptation,
changing prose into playscript.
And in doing all that, you will be practising these key skills:
oks
o ca n re ad, ever lo
h shelf,
“No one w ened on a
n u no p who had, no
at a book
, eve s “A brave vessel
ca nn ot.” Charle oble creature
like one w
h o doubt, some n
al Friend all to pieces.”
ick en s, Our Mutu in her, dashed
D peare, The
William Shakes
Tempest
22
2
Thinking time
The Tempest by William Shakespeare is a play that begins with a
great storm but ends happily for those characters who are honest
and good.
1. What will happen to a small wooden ship caught in a
huge violent storm?
2. Why do you think a storm is an effective way to begin a
story or play?
3. What qualities must a story have for you to want to read it?
4. Does a story have to end happily for the main characters
to make it enjoyable?
5. Do you think it is important for a story to have a moral?
23
Amazing arts
Word builder
All eight words in the Word cloud are adjectives chosen to show
the special nature of the performance. Using a thesaurus, create
your own range of positive adjectives based on the Word
cloud words. 25
Amazing arts
hesitant
coy
bashful shy
timid
reserved
Antonyms
Verbs love hate
Adverbs inside outside
Adjectives good bad
Prepositions to from Key concept
Antonyms are really useful when juxtaposing different ideas. Synonyms and
Answer the following questions. antonyms
1. Copy and complete the table by adding antonyms. Synonyms and antonyms
can be used to add
variation and depth to
Hero Villain
your writing.
cowardly
Synonyms have similar
honest meanings but there are
subtle differences, as two
trustworthy
words rarely have exactly
Key concept
immoral the same meaning. For
example, cross and angry
gentle both mean ‘annoyed’, but
loyal the word angry suggests a
stronger emotion than the
ugly word cross.
innocent Antonyms are opposites
but there can still be
2. Language is complicated, so sometimes the opposites are not
subtle variations in
as clearly definable as they initially appear.
meaning. For example,
Take day and night, for example. These are antonyms, but happy and serious can
each can be described in a number of ways. have approximately the
Write two lists of words to describe different times of day opposite meaning, as in
and night. Each word in one list must be matched with an She had a happy/serious
antonym in the other list. For example: personality but serious
suggests being solemn
Day Night and thoughtful as well as
being unhappy.
noon/midday midnight
27
Amazing arts
28
2
5. Do you think this is an effective descriptive of Miss Havisham? Remember
Refer to specific details in the text to support your answer.
Charles Dickens, who lived
6. Write a paragraph from the point of view of Miss Havisham, 1812–1870, is one of the
describing her thoughts. You could start: ‘When I stare into best-known English novelists.
the looking-glass, I see...’. He is famous for creating
memorable characters, often
Developing your language – creating
exaggerated to make them
a character terrifying, grotesque, or
Dickens is famous for his memorable characters. Miss Havisham funny.
is a particularly fine example. He uses several techniques.
Pathos is an appeal to the emotions of the ‘I saw that the dress had been put upon the rounded
audience. Here it is used to create a feeling of figure of a young woman, and that the figure on
pity and sympathy for Miss Havisham. which it now hung loose, had shrunk to skin and bone.’
‘She had not quite finished dressing, for she Observed detail – Pip narrates everything he
had but one shoe on – the other was on the sees in minute detail, giving the reader an exact
table near her hand.’ impression of what has become of Miss Havisham.
29
Amazing arts
Semi-colons
A semi-colon looks like a comma with a full stop on top of it . ;
It signals a stronger break than a comma, but it is not as final as
the break provided by a full stop.
Semi-colons are used in three ways.
30
2
Using semi-colons for description
Dickens made considerable use of semi-colons in his writing,
particularly when he was describing a character or location.
31
Amazing arts
Listen to the
‘Great Expectations – The Play’ audio for this task:
Listen to a fictional interview with artistic director Boz Charles,
conducted by Mei Chun, the arts presenter at a TV studio.
Glossary
Understanding
caricatures heavily
A touring theatre company will often seek promotion of its show exaggerated characters
through interaction with the local media.
the Dickensian world life
Answer these questions.
as shown in the novels of
1. In which city is the interview taking place? Charles Dickens
2. What is Mei Chun’s favourite part of Great Expectations?
in modern parlance in
3. Summarise the reasons for Boz Charles being inspired to today’s language
choose a Dickens novel as a subject.
like a rabbit in the
4. Boz refers to Dickens making you laugh and cry on the same
headlights a simile
page. In what ways might Miss Havisham cause different
meaning ‘frozen with
reactions in the reader?
fear’
5. Do you agree that the themes of Great Expectations are still
relevant today? Give reasons for your answer. moral compass ability
to focus on important
6. Explain some of the challenges of adapting a novel into a
issues
play, TV series or film. Refer to examples you have seen that
either work or don’t work well. quintessentially English
stereotypically English in
nature and style
Speaking & Listening –
secret benefactor
similes game unknown sponsor
Boz Charles uses a simile that describes Pip ‘like a rabbit in the
headlights’ to show how scared he was on seeing Miss Havisham
for the first time. What other similes can you think of to
describe Pip, Miss Havisham and Satis House?
Decide who goes first, then take it in turns to create a simile.
Give each other marks out of five for how effective you think
each simile is.
32
2
Word builder Word cloud
Look at the Word cloud. The last six words are adjectives that enduring
describe a negative state, but they do so in varying ways. intimidated
Answer the following questions. overawed
perpetual
1. How does using intimidated, overawed and traumatised help to
redundant
create sympathy for Pip?
traumatised
2. Miss Havisham is described as being vicious. In this case there unrequited
is no sympathy created for the character. In what ways does vicious
vicious have different negative connotations from the other
words in the Word cloud?
3. During the novel, Pip falls in love with Estella and decides he
wants to marry her, but his love is unrequited because Miss
Havisham has raised Estella to be heartless and incapable
of love. How does the use of unrequited add to the negative
atmosphere surrounding Pip?
4. Mei Chun suggests Dickens’ novel may be redundant in
today’s society because it is outdated and out of place in the
contemporary world. How might the word redundant also be
appropriate to describe Miss Havisham?
Before the
When Pip visits:
wedding day:
dilapidated
magnificent
filthy
welcoming
33
Amazing arts
Preparation
First, you will need to research your characters. One way is to
use a character map like the one below.
34
2
Setting the scene
Playscripts are set out differently from works of prose. To adapt
the scene, you need to take into account the differences.
35
Amazing arts Practising key skills
Copy, or take a photo of, the questions and write your answers in your exercise book.
1. Explain two ways the writer tries to engage the reader’s interest in the first sentence of this
text (lines 1–2).
...............................................................................................................
............................................................................................................[2]
2. How does the writer link paragraph 1 (lines 1–2) and paragraph 2 (lines 3–14)? Refer to a
specific word or phrase in each paragraph in your answer.
................................................................................................................
.............................................................................................................[2]
3. Look at lines 3–14. Identify two pieces of evidence that suggest Miss Havisham was
abandoned when she was in the middle of getting ready for her wedding.
................................................................................................................
.............................................................................................................[2]
4. In lines 15–17, what does the narrator suggest about his experience of seeing Miss Havisham
for the first time? Tick ( ) one box.
5. In lines 17–23, the writer uses contrasts to make the description vivid.
............................................................................................................
........................................................................................................[1]
6. ‘had lost its lustre’ (lines 18–19) What literary technique is this an example of? Tick ( ) one box.
Personification Onomatopoeia
36
2
The story of my success!
Here are some of the important skills from Unit 2. Reflect on how successfully you
can use each skill.
I’m okay at this but I’m quite good at I have mastered this
I make some mistakes this as long as I am and can explain it to
and need more practice thorough and careful. someone else.
for sure.
Discuss your progress with your teacher. Agree on some targets for an action plan.
37
Cambridge Lower Secondary
Complete
English
Second Edition
8
Cambridge Lower Secondary Complete English embeds an excellent
understanding of the Cambridge Lower Secondary English curriculum. The
stretching approach supports learners with reading, writing, listening and
speaking, and develops the skills required to help students progress to
Cambridge IGCSE® with confidence.
● Fully prepare for exams – comprehensive coverage of the course
● Develop advanced skills – cross-subject links support Global
Perspectives tasks
● Progress to the next stage – differentiated extension material eases
the transition to 14–16 study
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