Watercolor Homework
Watercolor Homework
your academic career. While watercolor may seem like a fun and easy medium to work with,
completing a watercolor assignment can actually be quite challenging.
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with each layer needing to dry completely before the next one can be added. This can be a time-
consuming process and requires a steady hand and a lot of concentration.
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Reply Delete Replies Reply Vicki Dutcher May 12, 2014 at 6:18:00 PM HST You are doing
fabulously in this class. Imagine if I had painted a single shape to represent all the background stuff,
reserving a few hard-edged lights, and inserting a couple of accents. Reply Delete Replies Reply
shirley-bee May 13, 2014 at 11:13:00 AM HST These are both fabulous, Donna, but I especially love
the birdie card and straying outside the lines. Here are a few paintings and photos to guide your
experiments. Because of the nature of the subject matter, it was not as important to understand the
roles of wetness and composition. It also provides good practice for seeing in layers. For an optimal
experience, please switch to the latest version of Google Chrome, Microsoft Edge, Apple Safari or
Mozilla Firefox. You'll probably need to use somewhat thicker paint for the second layer to keep it
from feathering too far. Reply Delete Replies Reply Savannah O'Gwynn May 18, 2014 at 12:14:00
PM HST SUPER SUPER fab cards, Donna. Cathy Makes a Card Live—The giveaway post for this
week’s YouTube livestream. I have just started playing with watercolor - and oh my, you inspire me.
These beautiful holiday homework passes are perfect to give as a gift or treat anytime throughout
the school year. If you are tempted to get fussy about edge quality, or texture, or any kind of detail,
remember, this is NOT A PAINTING, and it is supposed to be too simple. I finally got to use some
Distress markers and I love how they react to water. It looks ok where there is a shadow behind it,
but where the wall is sunlit only the pencil line separates the two shapes. LOVE that embossed
background-- love the vellum and gold. May 14, 2014 at 8:13:00 AM HST Love both of these,
Donna. Reply Delete Replies Reply conil May 12, 2014 at 6:29:00 AM HST Brother.my attempts
aren't anywhere near as good as yours. Here are a couple of familiar images that lend themselves to a
similar treatment. Notice that the top of the big fir is hard, while the rest of the tree is soft. How
wonderful to gather 5 generations together - enjoy a fabulous Mother's Day! You can switch to
different primaries on the next version. After the wash is applied, the brush you used still has enough
liquid in it to pick up some more pigment from the palette. Reply Delete Replies Reply Shannon J
May 12, 2014 at 10:12:00 AM HST I am just in love with both of these.the first card is stunning, and
the second is just adorable. Share to Twitter Share to Facebook Share to Pinterest. Reply Delete
Replies Reply Barb Ghig May 12, 2014 at 3:45:00 PM HST Really gorgeous cards, Donna. This soft
edges of the secondary information keep it integrated into the general statement. I colored each of
the chicks with a swish of color and. It will stay wet much longer than if you had just wet one side
with a brush, but not forever, so move right along. Reply Delete Replies Reply jintyoo7 May 13,
2014 at 4:08:00 AM HST Beautifully coloured, Donna - fabulous cards:) Reply Delete Replies Reply
Jodi May 13, 2014 at 7:08:00 AM HST This is truly stunning.
Many thanks to Alvaro Castagnet, whose work helped make this clear. Let the mistakes show, take
notes, and make another version. In your drawing of the big shapes, try to keep the number down to
ten, or fewer. Just remember the paper must be all the way dry before you lay on a new layer of
water. I added some shine to each of the birds with a Wink of Stella pen. Very pretty card: I resisted
signing up for the class-: ) Loving the samples I am seeing though. I think it's fair to say that more
than you think is actually optional information. Try counting how many layers it would take to paint
them. Let's Be Friends! - Follow me on TPT for DISCOUNTS and FREEBIES! - Find me on
Instagram and send me a DM! - Tag along with me on Pinterest to see how I use my resources! - Join
my email list for exclusive freebies. Here are a couple of familiar images that lend themselves to a
similar treatment. This forces you to look at the study with an eye toward how to make good use of
hard edges without overloading the painting. Reply Delete Replies donna mikasa May 26, 2014 at
7:24:00 PM HST The Chickadees are by Technique Tuesday. Homework for Day 5 of Online Card
Classes Watercolor Class is coloring an embossed image. Reply Delete Replies Reply Barb May 12,
2014 at 3:07:00 AM HST Fabulous work, Donna. But this was not one of those lucky moments
when you discover that the painting is really good, you just had to forget your original intentions. I
had time to practice some watercolor techniques from the Online Card Class while waiting for her.
Reply Delete Replies Reply Dawn T May 12, 2014 at 7:26:00 PM HST LOVE these both Donna.
Great cards. Reply Delete Replies Reply Diane Jaquay May 13, 2014 at 4:07:00 AM HST These are
both AMAZING. Reply Delete Replies Reply Dotty Jo May 12, 2014 at 7:21:00 AM HST Two
gorgeous cards - love that watercolouring. Reply Delete Replies Reply Jacquie Southas May 12,
2014 at 5:45:00 AM HST Stunning cards Donna - love the bright watercolors against the white
embossing on the first card and always love when you use the sweet little birds. You'll probably need
to use somewhat thicker paint for the second layer to keep it from feathering too far. The sentiment is
my just-arrived-today Stampendous set. Share to Twitter Share to Facebook Share to Pinterest. Look
them over, with an eye toward what can be hinted at, or left out altogether. Simply print, cut, and
distribute these sweet passes. Cathy Makes a Card Live—The giveaway post for this week’s
YouTube livestream. Colorful Topography. Simon Says Stamp Splendor Blog Hop. Are there features
you could simplify, or some that you could let go of to make the ones you keep more important. If so,
you have a good basis for evaluating the effectiveness of your approach. In the original version, I had
to actively ignore parts that were shouting for attention.
Reply Delete Replies Reply Jacquie Southas May 12, 2014 at 5:45:00 AM HST Stunning cards
Donna - love the bright watercolors against the white embossing on the first card and always love
when you use the sweet little birds. If you had suggested that there were too many focal points, I
would have said that the buildings in the background were very simple, with no detail, so they
shouldn't be the problem. Similarly, all paint should be applied to dry paper, to keep wetness from
distracting your attention from value. Here are a couple of familiar images that lend themselves to a
similar treatment. XO Reply Delete Replies Reply judkajudi May 12, 2014 at 2:55:00 PM HST
Gorgeous cards, Donna. Share to Twitter Share to Facebook Share to Pinterest. The shadows in this
painting may look very complex at first, but they are primarily a middle value layer laid on top of the
lights. This is so beautiful Bobby, I love that pretty yellow flower. I think it's fair to say that more
than you think is actually optional information. Now that the background figure has a dark grey
layer, and the section of wall behind him does not, notice how effectively the two separate,
compared to the previous stage. It is surprisingly easy to see what is missing and what needs to be
changed when the image has been over-simplified. It manages to be complex and simple at the same
time. I hope many of you have been able to take advantage of the online card class Watercolor for
Cardmakers. Simply print, cut, and distribute these sweet passes. Whenever we look at something we
automatically bring it into focus. Reply Delete Replies Reply shirley-bee May 13, 2014 at 11:13:00
AM HST These are both fabulous, Donna, but I especially love the birdie card and straying outside
the lines. A five-value version (white, light grey, middle grey, dark grey, black) can be done quite
quickly over a simple drawing of the big shapes. A door may be important, but the doorknob
probably isn’t. You are encouraged to read the privacy policies or statements of the other websites
you visit. You can dry the paper thoroughly and re-wet the area you want to work on with a single
stroke of a large brush. As you move on to the middle value shapes the paint on your brush can be
thicker than the first layer. The second one will take half the time of the first. A little practice reveals
the techniques and puts you back in charge. I finally got to use some Distress markers and I love
how they react to water. Love the distress marker with the embossed background.but, have to say,
those birds are glorious. On day 4, Shari Carroll showed us how to use gelatos on our stamps for an
awesome watercolor look. Meanwhile, here are a couple of images that can easily resolve into a
couple of layers. I added some shine to each of the birds with a Wink of Stella pen. Cathy Makes a
Card Live—The giveaway post for this week’s YouTube livestream. What a wonderful job you've
done with your watercoloring.