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As part of Save the City, this project was generously supported by the Ontario Arts Council. ( see
more ). At the conference, we’ll hand them out, hoping attendees will write lots of notes in them. As
part of Save the City, this project was generously supported by the Ontario Arts Council. ( see more
). As part of Save the City, this project was generously supported by the Ontario Arts Council. ( see
more ). In addition to her work with Temporary Services, she writes, edits, and performs. She is a
co-founder of The Free Store Chicago. The Information Age is more a statement of societal
arrogance than a reflection of a broader cultural understanding of the world. Currently living in
Rotterdam, she is a visual artist who, since 1993, has created contexts for interaction in public
spaces. Located in the 362 California house is a small office room that BCL has taken over. Within
the project’s series of five activities, the content of each activity will be based on a creative
interaction with a part of Windsor’s current and historical social, economic, and regional culture. Two
ideas came up. Both responded to rain and wind warnings for the Windsor Region. His practice
explores collaborative structures, critical pedagogy, and custodial frameworks as tools for enacting
divergent possibilities for gathering, learning, and making. By attending the conference, you will be
participating in the creation of our collaborative publication, DOING OUR HOMEWORK: A Book
on Infrastructures and Collaboration in Social Practices. Martha Street Studio also has an inventory
of artists’ work for sale and an archive of work produced at the studio since 1988. Darren is a
novelist, essayist, playwright, director, designer, performer, and Artistic Director of Mammalian
Diving Reflex. And, we also started playing around with logos for a second iteration of our
Homework conference. He is an Assistant Professor of Sculpture at Queens College: City University
of New York (CUNY), has taught classes at Harvard, The Cooper Union, and Colgate University,
and teaches an annual seminar in theory and social practice for the CCC post-graduate research
program at Geneva University of Art and Design. A graduate of MIT and an artist in residence at
MIT’s Media Lab, Jahn has been recognized as a leading educator by UNESCO and has been a CEC
Artslink cultural fellow in Tajikistan, Estonia, and Russia. Through surveys, townhall meetings,
informal discussions, photography, and video, we concluded that “Everything is OK” in
Peterborough as of October 15, 2009. ( see more ). It’s my assumption that the biennial phenomenon
which exploded all over the last decade of the twentieth century rose to meet the demands of
alternative creative practices by offering a site for project-based work outside the traditional art
institution, (which often strategically ignored the connection between the global art exhibition and
political hegemony). Anyone participating will be issued a Letter Library Card and will able to sign
out 12? 3D letters from our collection to create their own temporary installation, document it with
one of our single-use cameras, and ultimately help to build an archive of new captions for the city’s
build environment. Mind you, the wide river is what visually distances Windsor and Detroit from
each other, and it seems that the communities of Rock Island, Stanstead, Beebe and Derby Line are
not separated by a body of water. Michelle’s passion is building community and encouraging civic
engagement in Windsor with a focus on socially-engaged and feminist practices. The members of
Temporary Services founded Half Letter Press in 2008 as a experimental web store and publishing
imprint in order to help support themselves and champion the work of others. The premise for the
exhibition was to create a series of works that could directly or indirectly suggest access points for
re-encountering the city and your role within it. She is interested in analyzing and interpreting the
connections between identity, culture, and the political environments in which we live. In addition to
our keynotes, we’ve also invited a series of curatorial partners to develop panels that tackle the
conference themes. We have a solid weekend planned for all attendees and everyone who is able to
watch the conference from home. Details about times and locations to participate in this process will
be forthcoming. These cards included the name of the location, a brief description, the coordinates,
and served to demarcate the space and the works. ( see more ). There was a commitment to stay
together as a group in working on this but it wasn’t until after lunch that actual working groups
started tackling specific aspects of the project.
Pick up your copy of INVENTED EMERGENCY at CIVIC SPACE, or let us know if you want
one, and we can mail it out to you. ( see more ). Within the project’s series of five activities, the
content of each activity will be based on a creative interaction with a part of Windsor’s current and
historical social, economic, and regional culture. To get your copy of How to Forget the Border
Completely, please click here. ( see more ). Guerrilla art interventions, some legal, some illegal, can
provoke dialog and action where before there was gridlock. As part of Save the City, this project
was generously supported by the Ontario Arts Council. ( see more ). Throughout the residency, we
collected research on North Bay in support of an exhibition in the fall that aimed to not only
examine the practice and production of a northern locality, but also present a range of resistive
tactics that can help the community survive, or help one survive the community. This storefront
space hosts community projects, artist residencies, DIY workshops, public lectures and a range of
other initiatives rooted in arts, community, collaboration, and problem solving. Joshua’s work is often
a response, literally or figuratively, to the materials with which he works. Introductions are the easy
part — getting to know everyone a bit better was excellent. At the conference, we’ll hand them out,
hoping attendees will write lots of notes in them. She is currently a lawyer in the DTES in
Vancouver. This project was funded by the University of Windsor’s Ontario Public Research Group,
the University of Windsor’s Arts Society, and the Mayor’s Youth Advisory Committee. ( see more ).
Nor can my attempts to record some of the overarching concerns that I picked up on appropriately
document the frustrations, insights, and moments of meaningful critical engagement, do any part of
the day justice. Drift was developed by Justin Langlois in collaboration with Broken City Lab. He
holds a B.A. in Visual Arts from the University of Windsor and is currently living and working in
Windsor. Anyone participating will be issued a Letter Library Card and will able to sign out 12? 3D
letters from our collection to create their own temporary installation, document it with one of our
single-use cameras, and ultimately help to build an archive of new captions for the city’s build
environment. As part of Save the City, this project was generously supported by the Ontario Arts
Council. ( see more ). He has also worked with the Graffiti Research Lab and as a senior fellow with
Eyebeam Open Lab. She is constantly reminding herself and those around her to explore and
examine why things are the way they are. How might we find solutions, inspirations, and models for
a way forward through new schools, new byproducts, new practices, and new infrastructures,
leading us toward a critical and novel way of integrating art with everyday life. The premise for the
exhibition was to create a series of works that could directly or indirectly suggest access points for
re-encountering the city and your role within it. There was a commitment to stay together as a group
in working on this but it wasn’t until after lunch that actual working groups started tackling specific
aspects of the project. The premise for the exhibition was to create a series of works that could
directly or indirectly suggest access points for re-encountering the city and your role within it. The
members of Temporary Services founded Half Letter Press in 2008 as a experimental web store and
publishing imprint in order to help support themselves and champion the work of others. It’s fantastic
stuff, and I highly recommend visiting Mammalian’s site and browsing their Projects section. The
room is quite bare right now, but our office space is sure to be decked out in no time. Is the work to
be done something that tackles the city itself, or is that just the default inclination for most people
around the table. The result? International knowledge-sharing; a growing network of change-makers;
and organizations across the world better equipped to serve cities, for one, for all.”. It would seem
that some iteration of this in Windsor would be a no-brainer—and I know it’s been brought up
before in conversations, but new banners and some input on the Christmas-themed light sculptures
that adorn our streetlight poles in the winter would be a welcomed change. They collaborate on
producing projects, publications, events, and exhibitions.
Each page creates a landing point in what seems to be the cyclical nature of cities — hope, failure,
bad decisions, nostalgia, construction, sprawl, gentrification, isolation, devotion, etc. Supported by
the Ontario Arts Council. ( see more ). How might we find solutions, inspirations, and models for a
way forward through new schools, new byproducts, new practices, and new infrastructures, leading
us toward a critical and novel way of integrating art with everyday life. He is a founder of the Anti-
Advertising Agency, an artist-run initiative which critiques advertising through artistic interventions,
and of the Budget Gallery (with Cynthia Burgess) which creates exhibitions by painting over
outdoor advertisements and hanging submitted art in its place. These questions are more about
unfolding ideas than about the people we’re asking, but we do ask those kinds of questions too. Sara
is also investigating her role as an activist, and writes about it. The two practices are intertwined to
contribute to the larger field of cultural work, and I’m eager to participate in this collaborative well
into the new century. For more information and to register to attend, please click here. His practice
explores collaborative structures, critical pedagogy, and custodial frameworks as tools for enacting
divergent possibilities for gathering, learning, and making. Since then, Temporary Services has been
responsible for the publication of over 91 books and booklets (including 2003’s Prisoners’ Inventions
and 2008’s Public Phenomena), and have created many projects in public and shared spaces, in
spaces often dedicated to art and spaces often used for other things, and on the internet. Two ideas
came up. Both responded to rain and wind warnings for the Windsor Region. This storefront space
hosts community projects, artist residencies, DIY workshops, public lectures and a range of other
initiatives rooted in arts, community, collaboration, and problem solving. He is the co-founder and
research director of Broken City Lab, an artist-led interdisciplinary research collective working to
explore the complexities of locality, infrastructures, and participation in relation to civic engagement
and social change. Alas it did not, but thankfully that seemingly desperate moment revealed itself as
fleeting as the lovely people who attended the event feverishly jot down their various anecdotes, love
stories, musings and mini manifestos regarding Windsor. Facilitated by Broken City Lab, this
workshop will begin with shared story telling, community mapping, and DIY design tactics and
culminate in an exhibition at Martha Street Studio, of all the posters. The goal of this panel will be to
discuss diverse perspectives on Social Practice, ask critical questions, and formulate some useful
guidelines for its successful pedagogy and praxis. The members of Temporary Services founded Half
Letter Press in 2008 as a experimental web store and publishing imprint in order to help support
themselves and champion the work of others. Her practice is collaborative, research based and
community engaged. Throughout the residency, we collected research on North Bay in support of an
exhibition in the fall that aimed to not only examine the practice and production of a northern
locality, but also present a range of resistive tactics that can help the community survive, or help one
survive the community. These cards included the name of the location, a brief description, the
coordinates, and served to demarcate the space and the works. ( see more ). With Windsor at the
edge of so many transitions, how might we collectively reclaim and create our own public narratives
about the future of our city through this playful intervention. The premise for the exhibition was to
create a series of works that could directly or indirectly suggest access points for re-encountering the
city and your role within it. Most recently, they participated in an exhibition on the Lower East Side
organized by Creative Time. In addition to her work with Temporary Services, she writes, edits, and
performs. She is a co-founder of The Free Store Chicago. We have a solid weekend planned for all
attendees and everyone who is able to watch the conference from home. Attendees will examine best
practices for connecting creative practitioners with advanced manufacturers to establish a “Creative
Supply Chain.”. By visualizing the discourses, the signs set a rethinking of the public arena in motion
through collective cultural action. Above, we reach the edge of Canada — Windsor overlooking Zug
Island. It was completed quickly and deployed into the halls of Label. He is an Assistant Professor of
Sculpture at Queens College: City University of New York (CUNY), has taught classes at Harvard,
The Cooper Union, and Colgate University, and teaches an annual seminar in theory and social
practice for the CCC post-graduate research program at Geneva University of Art and Design.
Situated on the roof of a local business and projecting onto the wall of an apartment building, we
presented a list of our ideas for saving the city, followed by an open-submission of ideas from the
street, our phones, and Twitter. ( see more ). Knowingly and unknowingly our actions reinforce and
resist the transformation of these systems, which do shift under the weight and energy of people and
things. This project was supported by the Ontario Arts Council. ( see more ). The answers we got
over the hour and a half we spent recording in downtown Windsor presented not just answers to
those two questions, but sprawling conversations about what it means to live in Windsor, how we’ve
shaped this city, and how it’s shaped us. Hiba went through an categorized all the archives and we’ll
spend some more time on Thursday going through a first in-depth look at all of the work. She is
interested in art as a form of documentation as well as the interactivity between art and the viewer.
Acting, meeting, and communicating are key concepts in her method of working. Laser cut and
etched in mirrored acrylic, one half of the broken locket was installed on Pelissier Street in Windsor,
Ontario, while the second half was installed on Gratiot Avenue in Detroit, Michigan. One of
Mammalian’s most popular and critically-acclaimed projects is Haircuts by Children (pictured above),
a project in which children are trained by professional hairstylists, and then paid to run real hair
salons, eventually giving members of the public free haircuts. Emerging curators are trained in
tandem with emerging artists, their practices linked by shared interests, and diverge only in media. It
would seem that some iteration of this in Windsor would be a no-brainer—and I know it’s been
brought up before in conversations, but new banners and some input on the Christmas-themed light
sculptures that adorn our streetlight poles in the winter would be a welcomed change. Interested in
the archive, the photograph as documentary object, and how these can be combined to create and
preserve stories, she has actively spent the last several years photographing and documenting the
cities she occupies. Through surveys, townhall meetings, informal discussions, photography, and
video, we concluded that “Everything is OK” in Peterborough as of October 15, 2009. ( see more ).
This community board above in particular caught my eye, again likely a sign of a dead place without
students, though remnants of a drunken night are on the other side where a downtown map is under
shattered glass. Each event called on public participation to engage with North Bay, its
infrastructures and its communities. Support by the Canada Council for the Arts. ( see more ). As
Windsor is situated in precarious economic, cultural, and geographic positions, the Save the City
project will serve as a much needed injection of positive collaboration, engagement, and dialogue
with the city itself and its diverse communities. We have a solid weekend planned for all attendees
and everyone who is able to watch the conference from home. And, to top it all off, everyone who
attends will be co-authors of a book that captures the ideas and conversations from this year’s
conference through a series of interviews with presenters, attendees, and organizers alongside
collected materials from our 2011 conference. Each instruction will ask you to move in a specific
direction and, using the compass, look for something normally hidden or unnoticed in our everyday
experiences. Since that time, they have been collaborating on projects that span performance, video,
mentorship, and much more. This eclectic panel will attack this issue from their unique perspectives
and is not the traditional arts and cultural conversation. He is an Assistant Professor of Sculpture at
Queens College: City University of New York (CUNY), has taught classes at Harvard, The Cooper
Union, and Colgate University, and teaches an annual seminar in theory and social practice for the
CCC post-graduate research program at Geneva University of Art and Design. A graduate of MIT
and an artist in residence at MIT’s Media Lab, Jahn has been recognized as a leading educator by
UNESCO and has been a CEC Artslink cultural fellow in Tajikistan, Estonia, and Russia. The
premise for the exhibition was to create a series of works that could directly or indirectly suggest
access points for re-encountering the city and your role within it. The idea is to engage in learning by
means of exchanging knowledge in a certain locality. It’s going to be fun and you should really
consider attending. Sara is also investigating her role as an activist, and writes about it. The goal of
this panel will be to discuss diverse perspectives on Social Practice, ask critical questions, and
formulate some useful guidelines for its successful pedagogy and praxis. In addition to our keynotes,
we’ve also invited a series of curatorial partners, who we’ll be announcing soon, to develop panels
that tackle the conference themes.
These decision making strategies will act as filters for an idea that may change day to day, or not.
Over the course of the residency, artists with a diverse range of practices and skill sets will engage in
new collaborative works and processes. Each page creates a landing point in what seems to be the
cyclical nature of cities — hope, failure, bad decisions, nostalgia, construction, sprawl,
gentrification, isolation, devotion, etc. Joshua’s work is often a response, literally or figuratively, to
the materials with which he works. Within the project’s series of five activities, the content of each
activity will be based on a creative interaction with a part of Windsor’s current and historical social,
economic, and regional culture. There’s a rather large number of vacant storefronts, but there’s a
decent mix of shopping and restaurants and bars, with apartments above all of them, to make it seem
kind of livable. Facilitated by Broken City Lab, this workshop will begin with shared story telling,
community mapping, and DIY design tactics and culminate in an exhibition at Martha Street Studio,
of all the posters. She is interested in art as a form of documentation as well as the interactivity
between art and the viewer. Situated on the roof of a local business and projecting onto the wall of
an apartment building, we presented a list of our ideas for saving the city, followed by an open-
submission of ideas from the street, our phones, and Twitter. ( see more ). Darren is a novelist,
essayist, playwright, director, designer, performer, and Artistic Director of Mammalian Diving
Reflex. The campus itself is sprawling and hugs the Bruce Trail, which winds itself around the
escarpment and a wondrous forest. With over 50 speakers in two days, this is going to be
AMAZING. This is a great way to network with local, national and international artists, scholars,
writers, thinkers, and doers and learn about social practice. This storefront space hosts community
projects, artist residencies, DIY workshops, public lectures and a range of other initiatives rooted in
arts, community, collaboration, and problem solving. These naturalized areas allow for a moment in
which one might be able to mistakenly believe that Windsor is a progressive city, a place where this
type of naturalization is encouraged for its beauty, for its potential to attract wildlife, and for the
stories our landscape is capable of telling. ( see more ). A 5-minute excerpt of the conversations and
the raw audio files were donated to the Windsor Archives. And, to top it all off, everyone who
attends will be co-authors of a book that captures the ideas and conversations from this year’s
conference through a series of interviews with presenters, attendees, and organizers alongside
collected materials from our 2011 conference. Laser cut and etched in mirrored acrylic, one half of
the broken locket was installed on Pelissier Street in Windsor, Ontario, while the second half was
installed on Gratiot Avenue in Detroit, Michigan. Michelle’s passion is building community and
encouraging civic engagement in Windsor with a focus on socially-engaged and feminist practices. A
graduate of MIT and an artist in residence at MIT’s Media Lab, Jahn has been recognized as a
leading educator by UNESCO and has been a CEC Artslink cultural fellow in Tajikistan, Estonia,
and Russia. Support by the Canada Council for the Arts. ( see more ). The conference is aiming to
foster a conversation around the ideas, infrastructures, and risks embedded in socially-engaged
practices that unfold over years or moments at a time. All I can say with certainty is that the figure of
the curator is as much an anchor as the figure of the artist. Throughout the residency, we collected
research on North Bay in support of an exhibition in the fall that aimed to not only examine the
practice and production of a northern locality, but also present a range of resistive tactics that can
help the community survive, or help one survive the community. There isn’t particularly a reference
point in time for each page (that is, within Windsor or really even generally in terms of a history of
the idea of the North American city). The premise for the exhibition was to create a series of works
that could directly or indirectly suggest access points for re-encountering the city and your role
within it. This is just an overview, if you need more information, please see the blog archives or email
us. Since then, Temporary Services has been responsible for the publication of over 91 books and
booklets (including 2003’s Prisoners’ Inventions and 2008’s Public Phenomena), and have created
many projects in public and shared spaces, in spaces often dedicated to art and spaces often used for
other things, and on the internet. This project was generously supported by the Ontario Arts Council.
( see more ). These projects aim to connect various disciplines through research and social practice,
generating works and interventionist tactics that adjust, critique, annotate, and re-imagine the cities
that we encounter.
Up to this point we had a series of design concepts but had chosen not to pin anything down until
we had the umbrellas to work with. Supported by the Ontario Arts Council. ( see more ). Emerging
curators are trained in tandem with emerging artists, their practices linked by shared interests, and
diverge only in media. The fallout of the current economic realities is slowly being realized across
the city, but if you really want to imagine Windsor in 10 years if we don’t make some radical change,
just go for a drive down Indian Road (or anywhere in the West end, really). Based on a research
project we initially developed in Windsor, Ontario, our exhibition revolved around a curiosity about
locality and the ways in which it becomes shaped through shared experience and interwoven
narratives. Supported by the Ontario Arts Council, the University of Windsor’s School of Visual
Arts, and the Art Gallery of Windsor. ( see more ). We will offer a letter of support for participating
artists to assist in securing other funding. There isn’t particularly a reference point in time for each
page (that is, within Windsor or really even generally in terms of a history of the idea of the North
American city). It’s important to be able to laugh while actively questioning the various power
structures at work in our daily lives. They collaborate on producing projects, publications, events, and
exhibitions. We’re only here for a few days to help get the class started, but it’s been incredibly fun
working with a bunch of strangers. Public art is more than just the statue in front of the building and
can be beautifully integrated into projects for startling results. Discussing approaches for getting
projects off the ground. If you’re interested in digital and analog video, this workshop will help you
sharpen your skills in visual experimentation and allow you a chance to create with others. In the
current moment, the curator can operate simultaneously as community organizer and cultural
theorist, bringing together works and projects that are generative—cultivating discourse that
contributes to the fabric of social and cultural life both regionally and globally. Here are some brief
notes Rodrigo, Megan, and I put together this afternoon, with some feedback from Leah tonight. Is
the work to be done something that tackles the city itself, or is that just the default inclination for
most people around the table. Perhaps this happened out of the pragmatism of material construction.
Along with the umbrellas we bought duct tape, fishing wire, grommet gun, zip ties to and a few
small led flash lights and a few packs of glow sticks. My question as an emerging curator is how can
the museum and regional arts space evolve to become a viable venue for the nebulous dark matter
that employs creative practice as a site for social and political engagement. Alfred Taubman Centre
for Design Education in Detroit for the Rust Belt to Artist Belt III conference to participate on a
panel named Lab Culture: Hands on Think Tanks for Cities, with five other amazing individuals.
Laser cut and etched in mirrored acrylic, one half of the broken locket was installed on Pelissier
Street in Windsor, Ontario, while the second half was installed on Gratiot Avenue in Detroit,
Michigan. There isn’t particularly a reference point in time for each page (that is, within Windsor or
really even generally in terms of a history of the idea of the North American city). Each page creates
a landing point in what seems to be the cyclical nature of cities — hope, failure, bad decisions,
nostalgia, construction, sprawl, gentrification, isolation, devotion, etc. With support from the Ontario
Arts Council and Ontario Trillium Foundation, we’re looking to build an event that can frame a
discussion on socially-engaged practices that span disciplines, with a particular focus on emerging
practitioners. It seems that in many ways, the grand show global biennial has been played out, and
artists and collectives are again forging new spaces—often aided by 2.0 media, as venues for
exhibition, performance, and participation. And, to top it all off, everyone who attends will be co-
authors of a book that captures the ideas and conversations from this year’s conference through a
series of interviews with presenters, attendees, and organizers alongside collected materials from our
2011 conference. Applicants selected to participate in the residency will also be expected to
participate in the conference. The city appears to have survived the lowest lows of the economic
crisis and the social, cultural, and political realities in front of us seem to offer some sense of hope
and possibility. The premise for the exhibition was to create a series of works that could directly or
indirectly suggest access points for re-encountering the city and your role within it.