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Color Theory

The document discusses exploring complementary colors in landscape painting. It explains that complementary colors like red and green, blue and orange, yellow and purple make high contrast when together. The author applied blue and orange in their landscape painting and conducted color swatch experiments to better understand complementary colors and their visual impact.

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mwangikelvin771
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25 views4 pages

Color Theory

The document discusses exploring complementary colors in landscape painting. It explains that complementary colors like red and green, blue and orange, yellow and purple make high contrast when together. The author applied blue and orange in their landscape painting and conducted color swatch experiments to better understand complementary colors and their visual impact.

Uploaded by

mwangikelvin771
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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SURNAME 1

Student Name:

Course:

Institution:

Instructor:

Date:

Exploring Complementary Colors in Landscape Painting

In this assignment, having decided to explore the principle of complementary colors,

which is fundamental concept in color theory. Complementary colors are pairs of colors that are

situated opposite one another on the color wheel. These pairs make contrast and vibrancy when

put together, making them a valuable tool for making dynamic and visually appealing artworks. I

applied this theory to my landscape painting, and I additionally conducted experiments with

color theory swatches to develop my understanding.

Theory

Complementary colors are fundamental in color theory since they make a strong visual

impact when set next to each other. The two primary complementary pairs are:

Red and Green

Blue and Orange

Yellow and Purple


SURNAME 2

The juxtaposition of complementary colors intensifies their respective hues and makes a

feeling of balance and harmony in an artwork.

My Approach

I chose to make a landscape painting inspired by the serene and picturesque scenes

frequently tracked down in nature. I envisioned a calming sunset over a tranquil lake with lush

greenery surrounding it. To carry out the guideline of complementary colors, I chose the

complementary sets of Blue and Orange.

I applied a deep, rich blue to the sky and the reflective waters of the lake, while I used

warm shades of orange and variations of it to paint the sun, its reflection on the water, and the

foliage. This deliberate choice permitted me to make a visually striking contrast that draws the

viewer's attention to the focal point of the composition the sun and its reflection.

Technical Demonstration

To more readily understand the impact of complementary colors, I led an experiment

utilizing color theory swatches. I made a set of swatches addressing different shades of blue and

orange, from the lightest tints to the darkest shades. By arranging these swatches in various

combinations, I could see how the colors interacted with one another (Anand).

Results and Commentary

The consequences of my landscape painting and color theory swatches experiment were

enlightening. By utilizing complementary colors, I accomplished an uplifted feeling of vibrancy

and balance in my artwork. The deep blue of the sky and water upgraded the warmth of the

orange tones, making a dramatic focal point at the focal point of the composition the setting sun.
SURNAME 3

Through my color swatch experiment, I likewise saw how the contrast among blue and

orange shifted relying upon their intensity and proportion (Hornung). The utilization of lighter

blues and darker oranges complemented the contrast, while a more balanced conveyance of mid-

tones made a more harmonious effect.

In conclusion, my exploration of complementary colors in both my landscape painting

and color theory samples permitted me to get a handle on the significance of this guideline in

making visually captivating artworks. Complementary colors have the ability to mix energy,

depth, and harmony into compositions, making them a valuable tool in my artistic practice. This

exercise supported the importance of understanding color theory for the purpose of upgrading

my artistic skills and creativity.


SURNAME 4

Works Cited

Hornung, David. Colour Third Edition: A workshop for artists, designers. Laurence King

Publishing, 2020.

Anand, Namrata, Raphael Eguchi, and Po-Ssu Huang. "Fully differentiable full-atom protein

backbone generation." (2019).

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