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1 Tourist Interpretation Centre

Tourist Interpretation Centre


with Kalagram
A Thesis Report submitted
in partial fulfillment of the requirements
for the award of the Degree

of

Bachelor of Architecture
2019-2024

By
Urvashi Thakur
(Roll No. 19031910)

Under the guidance


of
Ar. Karan Sharma

To the

SCHOOL OF ARCHITECTURE
RAJIV GANDHI GOVT. ENGG. COLLEGE
KANGRA- 176047, INDIA
NAGROTA BAGWAN, KANGRA
June, 2024
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Copyright ©Rajiv Gandhi Govt. Engg. College Nagrota


Bagwan, Kangra, Himachal Pradesh India 2024

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Certificate of Declaration

I hereby certify that the work which is being presented in theB.Arch. Thesis report entitled
“Student Centre, Sector 25, Panjab University, Chandigarh”, in partial fulfillment of the
requirements for the award of the Bachelor of Architecture and submitted to the School of
Architecture,Rajiv Gandhi govt. Engg. College Nagrota Bagwan, Kangra HP is an authentic record
of my own work carried out during a period from January 2024 to June 2024under the
supervision of Ar.Harshodaya Bharadwaj, School of Architecture.

The matter presented in this Thesis Report has not been submitted by me for the award of any
other degree elsewhere.

_________________________
Harshit Vasu
Roll No: 1903191011
This is to certify that the above statement made by the candidate is correct to the best of
my knowledge.

_________________________
Date: Ar. Harshodaya Bharadwaj
Signature of the Thesis Guide

The B.Arch Viva-Voce Examination of Harshit Vasu ,has been held on


……………………

________________________

Ar. Harshodaya Bharadwaj

________________________ ______________________________

Dr. Satish Kumar Katwal


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Acknowledgement
Iowemydeepgratitudetomyprojectguide and ourThesisCoordinatorAr. Karan
Sharmawhotookkeen
interestonmyworkandguidedmeallalong,tillthecompletionoftheprojectby providing all the
necessary information for developing a good design.

IwouldliketothankDr.SatishKumarKatwal(HeadofDepartment,Schoolof
Architecture,R.G.G.E.C,NagrotaBagwan)forapprovingmytopicandcompletingthe
officialformalitiesoftheproject.

Anoteofthanksgoestoalltheprofessorsofthejuryduringvariousstageswhose
commentsandsuggestionshavehelpedmeimprovemywork constantly.

Ialsoexpressmyspecialthankstomyparentsandtomyall-architecturebatchmates and
friendswhoencouragedmeand givetheir moralsupportto completethe thesis.

Urvashi Thakur

19031910

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Introduction

1.1 Interpretation is the revelation of the remote and unfamiliar in the


light of the familiar.”

“Interpretation”
An educational activity which aims to reveal meaning and relationships through
the original objects, by firsthand experience, and by illustrative media, rather than
simply communicate factual information. -Freeman Tilden

“Centre”
Typically, it refers to a physical location or facility specifically designed for the
dissemination of knowledge, information, or understanding of natural, cultural,
historical, or scientific heritage.

An interpretation centre also known as an interpretive center or visitor interpretive


center, serves as a facility dedicated to sharing information about the natural or
cultural heritage to educate and inform visitors. “Kalagram” Kala means ‘art’ and
Gram means a ‘village’. Kalagrams includes studios, galleries, performance spaces,
and accommodations for artists. It provide a supportive environment for artists to
engage in their creative processes, host exhibitions, workshops, and events, and
interact with the wider community.

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1.2 Gaddi Community

The word ‘Gaddi’ has been derived from


‘Gadar’ a Sanskrit word ‘gadhern’ where
Gaddis are inhabited and a term in hindi
use for shepherds, who would go out
from one particular place to some place
prolific of pastures or green grass along
with their cattle in the month of March &
come back to the native place in the
month of August.

Their distinct culture finds expression


through various facets such as language,
attire, cuisine, marriage customs,
traditional songs, and devout
celebrations. The primary livel
livelihood of
the Gaddi community revolves around
pastoralism, specifically sheep
sheep-rearing, as
they are commonly known as shepherds
who navigate and relocate their flocks
based on climate changes and landscape

1.3 Why this


is project?

Himachal Pradesh, a state rich in diverse communities, cultures, and ways of life,
is unfortunately facing a gradual decline due to insufficient awareness and
education and the erosion of traditional practices, economic shifts and
modernizationn contribute to the gradual loss of the Gaddi people’s cultural
identity.

1.4 Thesis Statement

“In response to the encroaching challenges of insufficient awareness, education,


and modernization eroding the cultural identity of the Gaddi people in Himacha
Himachal
Pradesh, this architecture thesis seeks to design a multifaceted cultural
preservation project
that safeguards and promotes the rich heritage and diverse ways of life,
fostering community resilience and sustainable development.
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1.5 Aim

The aim of this project is to establish an


architectural interpretation centre
dedicatedto preserving, promoting, and
revitalizing the indigenous art, cultural
heritage,and architectural practices of
Himachal Pradesh’s Gaddis and Kangri
communities.

1.6 Objectives
 To create a place to make people aware about the cultural aspects and
various communities such as kangri and gaddi.

 Encouraging cultural tourism by blending traditional arts, cuisine ,and the


tranquil environment.

 To promote the local handicraft of tthe


he region and to support the
livelihoods of the people through it.

 Foster Education and Advocacy by developing outreach initiatives,


workshops, and educational resources to empower local communities,
architects, students, and visitors with knowledge about indigenous
architecture, encouraging its preservation and continuation.

 Examine pioneering methods to merge traditional architectural principles


with modern practices in design of Kalagram, ensuring the enduring
sustainability and contemporary relevance of heritage practices.

 Forge partnerships with local stakeholders, cultural experts, and


governmental bodies to ensure a collective effort in preserving and
promoting the architectural heritage of the Gaddi and Kangri communities.
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1.7 Scope

As a budding architect, my aspiration is to advocate for the art and architecture


indigenous to my homeland, Himachal Pradesh. The communities, such as the
Gaddis and Kangri people, confront an existential challenge stemming from the
lack of education and promotion. The scope of interpretation centre will involve a
comprehensive analysis and synthesis of theoretical frameworks, case studies,
design principles, visitor experiences, cultural significance, and potential future
directions within the realm of architectural interpretation and education.
Scope of work

Tourist Interpretation Centre


Tourist Interpretation Centre Fostering appreciation
for heritage and architecture through immersive
experiences and educational exhibits.

Iconic building
Craft Bazar/ Kalagram
Craft bazaars contribute to architecture planning
and heritage preservation by showcasing
traditional craftsmanship, inspiring design
innovation, and preserving cultural heritage.

Botanical garden
Site Development

It serve as architectural canvases, blending


design elements with diverse plant
landscapes to educate, inspire sustainable
architecture, and promote cultural
appreciation of flora and design
Recreational space and

Theme Park
Amenities

It integrates architecture inspired by diverse


cultures, fostering cultural exchange,
architectural appreciation, and immersive
experiences to preserve and showcase
heritage

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1.8 Justification

The rationale for the project stems from the growing significance of Dharamshala
as a burgeoning smart city and tourist hub. As existing tourist spots primarily
cluster in the elevated areas like Mcleodganj and Bhagsunag, there is a
recognized need to expand attractions to the lower region of Dharamshala to
promote local culture and art of gaddi and kangri people of area. The creation of
Centre, intends to fulfill this need, offering a space not just for tourists but also
for locals to explore and relish.

1.9 Methodology

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2. Smart City
Project

About Project

Name of Project - Tourist


Interpretation Centre with Kala
Gram Project

Location - Dharamshala ,
Himachal Pradesh

Sector -Cultural
Cultural and Tourism

Site Area - 5.33 ACRES

2.1 Project Background

The Himachal State government recommended Dharamshala city to the Ministry of


Urban Development (MoUD) for the Smart City proposal. In this process, Dharamshala
has chosen the brand name and logo “Divine Dharamshala.” This name signifies the city’s
strengths
hs rooted in its abundant natural and cultural heritage, as well as its people. By
capitalizing on the city’s inherent qualities of divinity, peace, serenity, and beauty, the aim
is to employ smart and intelligent methods to enhance these intangible aspect aspects,
s,
ultimately promising an improved quality of life and a stronger sense of belonging among
residents.

2.2 Requirement Brief


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2.2 Requirement Brief

Connectivity
Airport- 13 km
H.P.C Stadium- 1.3 km
Bustand- 2.9 km
Ropeway, Mcleodganj – 5.5 km
Railway station- 20 km

The site’s unique setting, encompassing the majestic Dhauladhar ranges to the north,
presents an remarkable view in reverence for the natural landscape. The south and east
directions has presence of Charan khad water body, flowing gracefully from north to
south. This natural feature not only enhances the site’s appeal but also presents an ideal
for waterfront development, aligning harmoniously with proposed usage. The contoured
site, with its gradual slope and the presence of Charan Khad river on the right side,
coupled with a seasonal nallah on the left, offers a diverse natural landscape. Adjacent to
the Dharamshala-Palampur Road on the north, the site gently descends 20 meters from
north to south. The presence of a significant boulder and an adjoining depression
presents an intriguing prospect for development. The depression, becomes a water body
,natural elements into the site area with 5 acres .

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2.4 Project Brief - Area Program 20. Dormitories


Administrative block 21. Staff quarters
1. Reception 22. Workshops
2. Managers room Theme Park - Mini Himachal
3. Staff rooms 24. Miniature buildings Scale 1:25
4. Meeting room a. Masur rock cut temple
5 Officer’s guest house b. Church of St. John in the Wilderness
6. Toilets c. Kangra fort
Interpretation centre d. Baijnath temple
7. Reception e. Wildflower Hall, An Oberoi Resort,
8. Visitors’ Gallery Shimla

9. Audio visual rooms f. Tabo Monastery

10. Office g. Himachal Pradesh Cricket 1


Association Stadium
11. Store (Reserved collections)
h. Spaces for future buildings
12. Pantry
25. Sculptures
13. Toilets
26. Toy train
Kalagram (Artisan Village)
27. Ferris Wheel
14. Exhibition stalls
28. Merry go round
15. Provision for live demonstration
29. Corridors, walkways and seating
of showing the art:
30. Ride control rooms
 a. Pottery
Botanical Park
 b. Weaving and embroidery
 c. Sculpture & toy making 31. Corridors, walkways and seating
 d. Lacquer work/polishing
32. Common & Botanical names of all
16. Food shops: plants Common Facilities

 Traditional Himachal Food 2 33. Ticket counters


 North Indian Food 34. Cloak room
 Other food shops
35. Open air theatre
17. Corridors, walkways and seating
36. Lecture rooms
18. Space for organizations & 1
administration 37. Conference room

19. Indoor games: a. Pool, Snooker 38. Prayer halls

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39. Multipurpose halls

40. Store rooms

Others

41. Landscape areas

42. Parking

43. Services areas

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3.Site Analysis

3.1 Location
Name of Project - Tourist Interpretation Centre with Kala Gram Project
Location - Dharamshala , Himachal Pradesh
Sector- Cultural and Tourism
Site Area - 8 ACRES

3.2 Climate
Dharamshala, nestled in the picturesque state of Himachal Pradesh, experiences a
diverse range of temperatures throughout the year, thanks to its varying altitudes
and distinct seasons.

It experiences a magical transformation during the winter months with its


enchanting snowfall. From December to February, the town is blanketed in
serene white landscapes as the average snowfall ranges from moderate to
heavy.
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 Area experiences a significant amount of rainfall, especially during t he


monsoon season. The average annual rainfall in Dharamshala is approximately
3,153 millimetres (124 inches). The monsoon se
season
ason typically occurs from June
to September, with July and August being the wettest months.

Tourism score in Dharamshala


“In recent times, Dharamshala has witnessed a notable surge in tourist
footfall, showcasing its growing popularity as a preferred destination for
travelers. The town’s captivating blend of scenic landscapes, cultural richness,
and serene ambiance has attracted an increasing number of visitors. This rise
in touristinterest reflects not only the inherent charm of Dharamshala but also
the
he efforts of local authorities and businesses to enhance the overall tourism
experience. The diverse offerings, from the majestic snow
snow-capped
capped mountains
to the vibrant local culture, contribute to the town’s allure, making
Dharamshala a thriving hub for th those
ose seeking a unique and enriching travel
experience.”
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Site Photographs

Sections
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BACKGROUND STUDY
Niladesan te nata laiaunda .The sky is overcast
There is hint of thunderstorm Today, my lord, is
the ominous night Dhudu goes today to the
mountain-top.
top. What will you, Dhudu, do on
the mountain-top?
top? I will get the “herb” from
the mountain-top.
top. I will order a dancer from
the Niladesa. Who is the ruler of Pyalpura? The
Naga-serpent
serpent is the ruler of Pyalpura. Who is
the king of heaven?
en? Inder is the one who lords
over heaven. Who is the one who rules over
the humankind? Dhudu is the one who rules
over the humankind. Kamakhya is the goddess
of the Kurudesa. What does Kamakhya
bestows to us? Kamakhya confers the gifts of
sons. The word ‘Gaddi’ has been derived from
‘Gadar’ a Sanskrit word ‘gadhern’ where
Gaddis are inhabited and a term in hindi use
for shepherds ,who would go out from one
particular place to some place prolific of SEASONAL MOVEMENT
pastures or green grass along with their cattle
in the month
nth of March & come back to the
native place in the month of August.
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Literature
study
WEAVING
“Weaving threads of dedication and patience, the fabric of achievement is
crafted with the loom of perseverance.”

Arrangements of spaces
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Local materials

POTTERY
“In the hands of artisans, pottery transcends the ordinary, shaping not just clay
but the very soul of architecture, adding a touch of timeless elegance to the
structures we inhabit.”

EXHIBITION SPACES
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Case Study
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Concept
Design Philosophy

This concept draws inspiration from


the rich tapestry of Gaddi culture,
particularly the importator of
weaving in their daily lives and
traditions Wearing represents the
intricats connections between
generations, the interwearing of
history and modernm, and the
ontimos creation of cultural
expressions

Central on Interpretation centre

Design: A central open space with a


traditional werving muxtif
incorporated dooring or ceiling
design, into the flooring or ceiling
design.

Activities: Exhibitions
ons showce woren
artifacts, stories about cultural
importance, and interactive
demonstrations. Performances and connecting different zones.
happen on a central stage, Feature traditional artwork, historical
symbolining the loom creating information and quotes from gaddi
cultural expressions elders.
Activities Integrate small interactive
Connection: Represents the one displays or “yarn trails" within the
community gathering space pathways guiding visitors on different
whethrrade "people"
people" come together thematic journeys through the centre
to be woven into a vihmun tapestry Connection. Represent the journey of
Gaddi culture, its interconnectedness,
Interconnected and Pathways and continuous evolution. Encourage
exploration and discovery of the
Design: Pathways
hways meander through centres divine
the centre, resembling threads
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“Thematic Warp and Weft Zones”


Textiles: Workshops on weaving, embroidery, and natural dyeing Display of
traditional garments and contemporary textile art.

Agriculture: Showcase traditional farming took stainable practices, and Social


produce. Imperative exhibits explain the connection between agriculture and
wearing

Music: Performance space designed with instruments resembling weaving tools.


Workshops on traditional music and story riling session passed down through
generations

Food Corking demonstrations using local ingredients and recipes, highlighting


the link between food and culture, Shared dining area fosters community Com

Connection: Each zone acts as a unique thread contributing to the rich tapestry
of Gaddi culture. Interactive elements encourage victors to actively engage and

Collaborative Spaces
Design Flexible and adaptable spaces with movable furniture and natural light
Can be themed around specific crafts or activities.

Activities Workshops on traditional skills like weaving, wood carving, ne metal


composition Community forms to discuss contemporary sues and future
aspirations.

Connection, Symbolize the pains where different threads (people & themes)
come together to collaborate, share knowledge, and create new cultural
expressions

Considerations
Sustainability: Integrate locally sourced and recycled materials, natural
ventilation, and renewable energy sources. Reflect the Gaddi values of living in
harmony with nature.

Accessibility: Ensure ramps, wider pathways, and clear signage for visitors with
Disabilities.

dabilities. Promatenity andress to all aspects of the cultural centre.

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