It Happened by Magic - A Qualitative Study of Falling in Love
It Happened by Magic - A Qualitative Study of Falling in Love
It Happened by Magic - A Qualitative Study of Falling in Love
1988
Recommended Citation
Gibson, Jacqueline L., "It happened by "magic": A qualitative study of falling in love" (1988). Graduate
Student Theses, Dissertations, & Professional Papers. 4975.
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IT H A P P E N ED BY " M A G I C " :
By
Ja c q u e l i n e L. Gibson
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1988
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78 9 E a s t E ise n h o w e r P ark w a y
P .O . B ox 1346
Ann Arbor, Ml 4 8 1 0 6 - 1 3 4 6
Gibson, Ja cq ue l i n e L., M.A., June 1988 I n t e r p er so na l
Communication
Director: Wi ll i a m W. Wilmot
my ab i d i n g p r o f e s s i o n a l i n t e r e s t in r e l a t i o n a l de ve l o p m e n t
love experience.
Se lf /S ou l /G od d es s.
iii
thi s thesis! — g re at thanks, a n d a hope that t h e y ’ll get
and Sara Gonsior, who said "Go for it, Moml" wh e n I wanted
work.
Horton, fr ie n d a n d m e d i a t i o n pa rt ne r, a n d to C in dy Harris,
f r i e n d wi t h w h o m I sh ar e d many ag o n i z i n g hours of g r a d u a t e
o f f e r th i s final thanks.
iv
T A B L E OP C O N T E N T S
A B S T R A C T ................... . . . . ................ ii
T A B L E OF C O N T E N T S .......................... V
I. R E VI EW OF THE L I T E R A T U R E ............................ 1
Di me n s i o n s and El em e n t s of Ro mantic Lo v e . . . . 5
N e c e s s a ry C o n d i t i o n s for F al li ng in Love . . . . 16
T y p o l o g i e s of L o v e .................................. 33
R a t i o n a l e for M e t h o d ............ . . . . . . . . 38
The R e s e a r c h Q u e s t i o n s ............... . . . . . 40
S ubj ec t s . . . . . 40
P r o c e d u r e s ............................................ 41
M a t e r i a l s ............................................ 44
A n a l y s i s .............................................. 47
III. R E S U L TS . . . . . 52
v
Othe r F i n d i n g s . . . . .............. 32
F i n d i n g s ................................................. ...
Homosexual/HeterosexualDifferences ................ 88
Limitations .................................. 95
Conclusion 97
V. APPENDICES . . . . . 99
A p p e n d i x B: S e l e ct i o n Cr iteria . . . . 105
A p pe nd i x D; I n t e r v i e w Qu e s t i o n n a i r e . . . 107
A p pe nd i x E: Em e r g e n t C a t e g o r i e s . 110
A p pe nd i x F: Su bj e ct s . . . . . . . . 1 1 8
vi
R E V I E W OF THE L I T E R A T U R E
d e f i n i t i o n s of love as t he re are th in k e rs or wr it er s on
1
In the literature, the falling in love e x p e r i e n c e is
2
(Berscheid & Walster 1978, p. 151); "a distinct form of
68)•
3
madness of love, the aching obsession with love, the
p. 33).
love condition.
4
Dion say:
5
his own br ea kdo wn of what constitutes ro ma nti c love. The
as c o o p e r a t i v e / f r i e n d l y or c o m p e t i t i v e / h o st il e,
6
138). He c h a r a c t e r i z e s the dimensions of such
7
de pe n d e n c y (called "a tta ch men t" by others); (2) a clust er
pr ove valuable.
8
In every case, falling in love is
always a meeting of two isolated
individuals, each of whom carries in
and with himself a system of
relationships, wanting to retain some
and restructure others. . . they seek
absolute meeting of their individual
natures, but at the same time an
integration of the immediate
circumstances in which they are
involved. Not one or the other, but
both of these things (Alberoni 1983,
p . 48) .
5 1).
9
(1) Lovers seem to 'recognize' each other.
1988, p. 242).
10
(Liebowitz, 1984, p. 95).
Fu r t h e r complicating the di m e n si on of a t t a c h m e n t is
3-5; Kel ley 1983,p. 277? Pam, Plu tc hi k & Conte 1975, p.
In ad d i t i o n to the a b o v e - m e n t i o n e d d i s t i n g u i s h i n g
be low in c l u s t er s of re l a t e d elements.
Of t e n m e n t i o n e d by w r i t e r s on ro ma nt ic love is the
el em e n t of u nc e r t a i n t y c o m b i n e d w i t h frust ra ti on , often
accompanied by a ch a l l e n g e to o v e r c o me o b s ta cl es
2 7 2).
11
fa nt as i es of fu lfi llment, perfect io n, of id ea l i z a t i o n of
experi e n c e .
12
1978, p. 16; Ha tf ie ld 1982, p. 271). We know from our
rela ti on sh ip s.
13
history of fa lli ng in love, then,
a m o un t s to the history of that journey
an d its hardships, the st ruggles
endured, wi th o u t an arriva l or a happy
landing (Alberoni 1983, p. 98).
e x p e r i e n c e - w h e n - 1 h e y - f a 1 1 -i n- lo ve is to ex a m i n e the
our experiences.
14
the song, that tells us this is the one, true love (Peck
Ci nde rel la and her Prince, that all our dreams will come
true.
1972, p. 53).
15
and the my th a s s o c i a t e d wi t h it is that we must
right person, this is not true love (Peck 1978, pp. 91-
a ho rrible mistake.
N E C ES SA RY C O N D I T I O N S FOR F A L L I N G IN LOVE
16
loved; fifth, p e r c e p t i o n s of the other p e r s o n as capabl e
ensuin g feelings.
F o l l o wi ng a s oc ia li z ed state of re ad in es s is the
17
immediate life circumstances, where "a certain level of
apply. On the one hand, one may have a very low self
18
disappointment in o ne 's self or in what one has loved
relations hi ps.
re s ul ti ng p er h a p s fr o m a recent victory or a c c o m p l i s h m e n t
19
i m m e di a t e life cir cum st a nc es , wh ere "a ce rt ai n level of
20
face, po un di ng heart, tr em bl in g hands, accelerated
63-64).
is labele d "love."
FEE LI N GS AS SO C I A T E D WI T H R O M A N T I C LOVE
21
The e xp er i e n c e of falli ng in love is c h a r a c t e r i z e d by
p p . 2 0-22)
54-55 ) .
23
de s c r i b e s this state as like a "blinding light" w hi ch is
(Walster & Wa lst er 1978, pp. 54-55; Tenn ov 1979, pp. 20-
22 ) .
1983, p. 43).
24
lover e xa gg e r a t e s the belo ve d' s vi r t u es and m i n i m i z e s
25
ag a i n be i n t e r r u p t e d by boredom, b i t t e r n e s s and
time .
BEHAVIORAL C O R R E L A T E S OF RO MA N T I C LOVE
26
they use a secret, personalized language; and they show
of the union of the two lovers (Z. Rubin 1973, pp. 222-
una b l e to take their eyes away from each other (Walster &
Walster 1978, pp. 54-55), because, as Davis says, "mutual
1973, p. 67).
27
de ve lo p s and more c h a n n el s are used for sending and
in di ca ti ng a total c o m m u n i c a t i o n p a t t e r n of intimacy
Knapp & Scott 1981, pp. 22, 25-26; Davis 1973, p. 75).
28
sen si t i v it y to the c o m m u n i c a t i o n pattern in the
(Walster & Wa lst er 1978, pp. 54-55). Sta nding dis tance
29
other in special ways (Davis 1973, pp. 77-78) before
ge nerally, intru din g more and more into each o t her 's
recogni z e d ;
those af f e c t e d by m i n d - a l t e r i n g drugs.
30
go bonkers in r e sp on se to an
i n t e r a c t i o n w i t h a n o t h e r pers on
(Liebowitz, 1984, pp. 69-74).
w hi ch is why the first touch, the first kiss, the first "I
31
clai ms that these te sts are a way to d i s c ov er which of the
32
wi th strong, in timate frie nd shi ps . As one lesbia n woman
TY PO L O G I E S OF LOVE
33
and "co mp an i on a t e" (Hatfield 1982, p. 268). C u n n i n g h a m and
(Maslow, McGovern).
this way:
34
none of these seemed satisfactory. We
a lso do not like using the word
c o h a b i t o r s , but c o u l d find no more
fe l ic i t o u s term (Blumstein & Schwartz
1983, pp. 22-23).
two secon dar y sets of love types: (1) compou nds : mania,
pragma, and agape; and (2) mix tures: ludic eros, storgic
35
wh ic h may not exist in real life.
1980 ) .
While t y p o l o g i e s p r o v i d e a degree of u n d e r s t a n d i n g of
p a r t i c u l a r w h i c h gu id e our e x p e c t a t i o n s and c o m m u n i c a t i o n
to be forgotten.
36
love with offe rs us a way to modify
our ev ery day e x p er ie nc e ra di cal ly
(Alberoni 1983, pp. 114, 132).
37
T H E METHOD
R A T I O N A L E FOR METHOD
un c o v e r the c o m m u n i c a t i o n b e h a v i o r s of p e r s o n s who
intervie ws , by o b s e r v i n g p e r s o n s who de s c r i b e d th em se l v e s as
38
the l it er a tu re a ll o w e d for one in st a n c e of an
in love.
was use d to cho os e su bje ct s who were more likely to have had
involvement/commitment, attachment,
intensity/intensification, and h a p p i n e s s / c a r i n g w ou ld be
n o n v er b al cues, em er ge n ce of both di ff ic ul ty of ex pr es s i o n
a n d flo w er i ng d i s c u s s i o n s f i l l e d w i t h m e t a p h o r s and
39
methods.
love?
SUBJECTS
interviewed.
t h e m s e l v e s as e x c l u s i v e l y heterosexual or ho mo se xu al in
40
co ll e g e communication courses. All were white. Ages ran ge d
study.
PRO CE DU RE S
41
the si s study on fa lli ng in love. She needs p e op le who
c o m p l e t e d ."
of pseudon ym s.
42
interviews elicited considerable data and no major change s
so forth.
wi t h d e s c r i p ti on s and a p p r o p r i a t e q u o t a t i o n s re c o r d e d on
pa rti cip ant ; and (5) the num be r of the i n t e r v i e w que sti on
MA T E R I A L S
44
falling in love. We a p p r e c i a t e your time taken to fill
for p a r t i c i p a t i ng ."
THE I N T E N S IV E IN TE RV I EW
i n t en si ve in t e rv i ew study g e n e r a t e s q u e st io ns mer it in g
45
Rec en t studies have used the i n t e rv ie w m e t h o d o l o g y to
organizational i d e n t i f i c a t i o n as it r e l a t e d to d e c i s i o n
making .
a c c u r a t e a s s e s s m e n t of the p h e n om en on , as p e r c e i v e d by the
46
pr ocess, the q u e s t i o n n a i r e was only subtly a l t e r e d (e.g.,
the questions.
A N AL YS I S
47
cards. The r e s ea rc h er w ou ld then begin to sort the data
data.
48
in qu a l i t a t i v e research. These judges w e r e a s k e d to
categories.
49
c ol la p s e categories.
say s :
w h i c h r e p r e s e n t e d all p o s s i b l e c o m b i n a t i o n s of ag r e e m e n t and
fo = the o b s e r v e d f r e q u e n c y of
agreements,
fc = the f r e que nc y of ag r e e m e n t w h ic h
w o u l d be e x p e c t e d by chance,
50
and N = the g r a n d total of all cells
in the table, or total number of un its
of data sorted by code rs r e ga rd l e s s of
ag r e em e nt or disagre eme nt.
time.
e m e r ge nc e of new theory.
51
RESUL TS
r e l a t i o n s h i p s and friendships.
judge then sorted the 259 cards into new categories, and the
52
FINAL C A TE G O R I E S
*1 . love is . . .
2. r o ma nc e
3. a t t ra c t i o n
4. compa ri sons
*5. commitment
*6 . problems
*7 . communication
*8 . fe elings
9. ambi v a 1enc e
10 . d e s c r i p t i o n of the se lf /l ov er
11. d e s c r i p t i o n of the belov ed
12 . d e s c r i p t i o n of the r e l a t i o n s h i p
*13. the future
14. p h y s i c a l factors
15 . se x ua li ty
53
ag r e e m e n t by several judges in mak in g sense of the data.
serves its purpose, but should not be seen as the de fin iti ve
purpose of pr o v i d i ng re s p o n s e s w h i c h an s w e r e d the r e s e a r ch
54
response s, and/o r (4) fi gu r a ti ve language.
THE RE SE A R CH Q U E S T I O N S
will be c o m b i n e d below.
WHAT LOVERS MEAN WHEN THEY SAY THEY ARE IN LO V E AND WHAT
THEY MEAN BY F AL LI NG IN LOVE
such a person?"
55
of their own experience.
"letting go" when she fell in love with Paul. Her whole
Later, Paul gently tol d her to "just let go." She did, and
Emma, a 2 9 - ye a r - o l d involved in a c o m m i t t e d L e s b i a n
r e l a t io ns hi p, said:
56
qui et man who us e d his words carefu ll y, described it this
way :
. . . [in p r e v i o u s relation sh ip s] I
was to t a ll y giv ing e v er yth ing , I felt
like I was alw ay s giving, giving,
giving. It's a real t w o- wa y thing
wit h Paul.
57
Respondents so m e t i m e s spoke of love as a p a r t i c u l a r kind
C om mi t me nt was a no t h e r c o n s t r u c t w h i c h e m e r g e d repeatedly.
58
c o m m i t t e d m y s e l f to her. With others,
it was a c o m m i t m e n t to not fool a r o u n d
w i t h any on e else, but more "give me
space, give me time w i t h my other
fr iends." But w i t h Mary I don't need
that extra space, I want to be wi t h
her all the time. I don't feel any
ne ed to be separate.
and intensity.
59
of p o s s i b l e feelings, such as " b u t t e r f l i es in the stomach,"
Sue, a 29 -y e a r - o l d L e s b i a n b e g in ni ng a long-distance
in her heart:
60
think ing it mig ht be him.
c ha ng ed be ha v io r like this:
61
Gosh, it was pr et t y quick. I think I
knew that I loved Steve the first
evening I met him. . . I was aware of
a p h y si ca l att rac ti on , as well as an
i nte ll e c t ua l and em ot ion al yea rni ng to
know more a bo ut this individual.
stage, some were just out of it, some were holding onto it
r e l a t i o n s h i p s as well.
62
grow and f l o u r i s h for a while, but
will e v e nt u a l l y die, it doesn 't take
root and live for a long time. It's a
shallo w system. It can look like a
healthy pl an t for a while.
I kin d of be lie ve in a ce rt ai n
fo r e s h a d o w i n g of events, i m p or ta nt
events. C e r t a i n thi ng s that ha p pe n a
year or so ah ead of something, be cau se
of that event, you realiz e why those
events stuck in your mind. Wi t h Matt
it was very m u c h a case of that
[foreshadowing].
wo nd er of it.
63
The an sw er s to this q u e s t i o n fell into many categories,
another:
they did rather than how they felt or what they were
her behavior:
They often simply loo ked out the window, held long pauses,
64
or loo ke d h e l pl e s s l y at the i n te rv ie we r. Dan spoke for many
whe n he said "It's hard to put this into words, for one
t h i n g ."
d e s c r i b e d it like this:
65
get e v e ry th i ng together, then you come
back to reality, back to the world,
together.
total ly ." Half also reported that love happened, this time,
"i n s t a n t l y ."
participants st r u g g l e d to d e s c r i be it, im me rs in g th em s e l v e s
THE AT T RI B U T E S OF "MAGICAL" LO V E
66
attributes of this ki n d of 'magical' love?" Some
re s p o n d e n t s a n s w e r e d this q u e s t i o n by de sc r i b i n g important
m e t a p h o r an d analogy.
now.
excerpt:
67
the be lo v ed as a safe harbor -- safe, secure, and calm, was
a common one.
fu ll n e s s of [the r e l a t i o n s h i p ] ."
h a p p y ."
I like it [being in l o v e ] 1 I wi sh
68
that she were here right now. It's
very special an d scary at the same
time. . . It's o v e r w h e l m i n g to talk
a bout these th in g s in a real joyous
way — it's s o m e ti m e s scary.
Su bj ect o b v i o u sl y is r e m i n d e d of the
d eli ca te ba lan ce she e x p e r i e n c e d in
trying not to show how in love she
was, how i n t e r e s t e d she was, while
still trying to get to know the
beloved.
her.
69
kn o w I was just o b s e s s ed all the way
home. I c o u l d n ' t think of a ny th in g
else and I w o u l d say, "Rem em ber when
she said. . .?" I r e m e m b e r e d all the
details, how funny her jokes were. . .
a nd I kept saying to Betsy, "What am I
going to do? What am I doing to do?"
reflected:
e x p r e s s e d her a d m i r a t i o n as well:
70
that the be l o ve d s me ll ed good. From Lisa 's interview:
together:
71
you're f e el in g sexual, but just a
n u r t u r i ng touch, so mething Jamie has
never had. Just this sort of
n u r tu rin g we give one a n o t h e r m a k e s it
di f f e r e n t .
Dan said,
her.
72
didn't know what was going on.
73
when the eyes meet and t r a n s c e n d --
there are a lot of peo pl e who looked
at me, and I c ou ld have fallen in
love, but I didn't.
It must be o v e r w h e l m i n g to have me „
gazing into her eyes -- my face
touc hi ng hers -- e s pe c i a l l y when she's
not used to baring her soul to someone
else.
Lis a's voice became very soft when she spoke a bo ut the
74
But so me ti me s it's just co mf ort abl e.
It ebbs and flows, and not to panic
when it ebbs and get out of the
rel ati ons hi p, but to stay wi t h it.
experience.
75
f oun d the follo win g "d im e n si on s: "
. eq ual it y or r e ci pr o cit y;
. in te nsi ty of feeling;
. pleasure, happiness;
. commitment;
. attachment;
. a t t r a c t i o n and passion;
. i de a l i z a t i o n of the beloved;
pr ofound, int uit ive level; the desire for i n se pa rab ili ty;
76
and ex pla in ing those e l e m e n ts not yet a dd res se d.
bli s s .
77
mon t h s of c oup le s counseling. Dan said, "I am ma ki n g a
by E m m a :
At t a c h m e n t is a c o n c e p t v a r i o u s l y d e fi ne d in the
by lovers.
78
several ways. Rachel spoke at le n g t h ab ou t how her daily
looking and looking [for me] for years ." Rachel said:
Ge or ge have "p rin cip les " they live by -- such as: "We don't
79
Rachel said it this way:
f a n t a si e s s ur ro un di ng the beloved, o ft en e x p r e s s e d as
Dan said that he and Annie talk about loving and liking,
80
Eup hor ia was i d e n t i f i e d by many of the p a r t i c i p a n t s in the
voices.
81
. . All t h r o u g h it there was this
kind of e mb ar ras sm ent . We thought,
"My God, we 're in love, and women
ar en ' t s u p po se d to do these ki nd s of
things." All these stereot yp ic
reactions. But it was really hard to
o v e r c o m e that in some ways.
ex pe r i e n c e of fa lli ng in love.
O T H E R FINDINGS
82
the questions. R e s p o n d e n t s were us u a l l y grateful for the
r e m e m b e r i n g an d a s c r i b i n g m e a n i n g to th ei r falli ng in love.
83
be, or how to co mm i t to a sa me-sex p a rt n e r wi t h o ut "coming
in this study.
84
sys tem ati c look at the di me n s i o n s and e l e m e n t s of ro mantic
85
DISCUSSION
experience.
FINDINGS
86
wer e mo r e likely to have felt that falli ng in love "just
carefully.
87
sexual experiences. One gay male, Mike, revealed his and
"Bink" and "Zink" for short. Mike said "I know things are
ri tu a l i s t i c ch aracter, an d w o ul d be r e p e a t e d as an
HOMOSEXUAL/HETEROSEXUAL D I F F ERE NC ES
S i m i l a r i t i e s an d d i f f e r e n c e s between h o m o s e x ua l and
88
relationships as a mat te r of course. The Mendola Repo rt was
love wi t h a m a r r i e d man.
n e tw or k of friends, c o- wo rk er s, and a c q u a i n t a n c e s ,
89
common. H o m o s e x ua ls as a g r ou p we re less likely to have had
a hi st or y of e x c l u s i v e i n vo l v e m e n t w i t h sa me-sex romantic
unwillingness to a c k n o w l e d g e the v a l i d i t y of ho mo s e x u a l
i nd i v i d u a l s are p r a c t i c i n g t he ir ro ma nti c re la ti o ns hi ps ,
90
MALE/FEMALE DIFFERENCES
wer e qu it e e x p a n s i v e a n d talkative.
IMPLICATIONS
A p r im ar y q u e s t io n the r e s e a r c he r p o n d e r e d w h i l e studying
91
psychologists and p s y c h i a t r i s t s who write a bo ut love
psychologically d i s t u r b e d p e o p l e w i t h e x a g g e r a t e d romantic
92
erotic lovers such as Lisa see me d to this r es ea rc he r to be
p s y c h o l o g i s t s to study.
it .
93
des cri be the romantic, in-love stage. Those researchers co
va ri o u s t yp ol og i es and a s s e s s m e n t scales is p r o g r e s s i n g to
94
as if th er e were so mething unexplainable in wo rds about the
LI M I T A T I O N S
limitation, and is fa ce d by mo s t q u a l i t a t i v e or e t h n o gr ap hi c
95
d i sc ov e r and c o n f i r m the basic characteristics of the
of a p p r o p r i a t e qu ot e s fr o m the r e s p o n d e n t s themselves to
96
hand, n a r r o w i ng the f iel d of c a t e g o r i e s to a set co nt a i n i n g
i nd iv i d u a l r e s p o n d e n t s we r e not t r a c k e d t h r o u g h any p e r i o d
CONCLUSION
i n f o r m a t i o n was g at h e r e d t h r o u g h the c o m p r e h e n s i v e a p pr oa ch
c o n s t r u c t s w h i c h d e s c r i b e d or d e f i n e d part of wh a t they
d iv ers ity in respon ses , there were also many similar, even
97
a r ou nd and t h r o u g h the data in the r ec ur si ve , q u al ita tiv e
98
APPENDIX A :1
PARTICIPANT QUESTIONNAIRE
1. I am in l o v e . . .
5 not at all
4 maybe, sort of
3 well, yes, I think so
2 yes, ce r t a i nl y
1 madly, t o ta lly
3 seldom
2 as often as possible
1 if it isn't always, itisn't enough
5 not m u c h
4 some ti me s
3 several tiraes a day
2 many t ime s a day
1 every m om e n t of every day
99
3 wo rs e than before; I w i s h I'd never met
he r/ him
2 pre tty m u c h the same as b e f o r e I met him/her
1 w ond erf ul , and unl ik e a ny th in g I've ever
experienced
trem bli ng
n e r v o u s n e s s or "the jitters"
a fl oa ti n g se nsation
excited, aroused
bli ssful
finding it di ff icu lt to c o n c e n t r a t e
100
"you're not being r e a l i s t i c ’’
10 1
A P P E N D IX A :2
PARTICIPANT QUESTIONNAIRE
I a m in love.
5 not at all
4 maybe, sort of
3 well, yes, I think so
2 yes, c e r t a i n l y
1 madly, t o t a l l y
3 seldom
2 as o f t e n as possible
1 if it isn't always, it isn't en o u g h
4. I think a b o u t my beloved. . .
5 not m u c h
4 sometimes
3 several t i m e s a day
2 many t i m e s a day
1 every m o m e n t of every day
102
3 w o r s e tha n before; I w ish I'd n e v e r met
her/ h i m
2 pretty m u c h the same as be f o r e I me t him/her
1 w o n d e r f u l , and un l i k e a n y t h i n g I've ever
experienced
tre m b l i n g
i
warm, expansive feel i n g in my heart
pounding in my heart
a floating sen s a t i o n
blissful
excited, aroused
finding it d i f f i c u l t to c o n c e n t r a t e
103
"your head's in the clouds"
104
A P P E N D IX B
Part I:
#1 ans w e r mus t be 1 or 2
#2 1 or 2
#3 1 or 2
#4 1 or 2
#5 1-, 2,
#6 1 or 3
Part II:
105
AP P E N D I X C
C O N S E N T FORM
TO THE SUBJECT:
J a c q u e l i n e Gibson, a g r a d u a t e student in I n t e r p e r s o n a l
C o m m u n i c a t i o n , is c o n d u c t i n g a r e s e a r c h p r o j e c t for her
M a s t e r ’s t h e s i s on the subject of f a l l i n g in love. The
p r i m a r y m e t h o d of data c o l l e c t i o n is an i n t e n s i v e i n t e r v i e w
lasting one to two hours, w i t h f o u r t e e n subjects.
As a subject, you will be a s k e d to d e s c r i b e your
e x p e r i e n c e of f a l l i n g in love. The only r i s k s and
d i s c o m f o r t s yo u m a y b e e x p o s e d to are the emo t i o n a l ones
a s s o c i a t e d w i t h sharing i n t i m a t e i n f o r m a t i o n w i t h a stranger
(the res e a r c h e r ) . On the other hand, you may find the
e x p e r i e n c e b e n e f i c i a l in being abl e to share those happy
e x p e r i e n c e s w i t h a n o t h e r person.
The r e s e a r c h e r wil l b e n e f i t by g a i n i n g an o p p o r t u n i t y to
i n v e s t i g a t e an a s p e c t of fall i n g in love that has not been
a d d r e s s e d in the c u r r e n t r e s e a r c h literature.
C o n f i d e n t i a l i t y will be m a i n t a i n e d t h r o u g h the use of
p s e u d o n y m s and m o d i f i c a t i o n of any i d e n t i f y i n g b i o g r a p h i c a l
i n f o r m a t i o n w h i c h m i g h t be u sed in the text of the the s i s or
any s u b s e q u e n t p u b l i c a t i o n .
You the subject are free to w i t h d r a w your c o n s e n t and to
di s c o n t i n u e p a r t i c i p a t i o n in the p r o j e c t at any time. You
have the right to ask any q u e s t i o n s a b o u t the m e t h o d s used
or the o u t c o m e s of the i n t e r v i e w p r o c e d u r e s , a fter the
i nt ervi e w .
CONSENT:
I hereby give my c o n s e n t to be i n t e r v i e w e d by J a c q u e l i n e
Gibson or her f e l l o w r e s e a r c h e r for the p u r p o s e of her study
on the e x p e r i e n c e of fall i n g in love. T his c o n s e n t i n c l u d e s
p e r m i s s i o n to a udio t ape the i n t e n s i v e interview. I
u n d e r s t a n d that this t ape will be e r a s e d a fter a
t r a n s c r i p t i o n has been taken for p u r p o s e s of the study.
I u n d e r s t a n d that c o n f i d e n t i a l i t y will be m a i n t a i n e d and
my name will not be r e l e a s e d to anyone. All s t a t e m e n t s I
make will be a s s i g n e d to a f i c t i t i o u s name. I understand
that I am free to w i t h d r a w my c o n s e n t a n d my p a r t i c i p a t i o n
in the p r o j e c t at any time.
S i g n e d : ________________________________ D a t e : ____________
106
APPENDIX D
INTERVIEW QUESTIONNAIRE
I n t r o d u c t i o n ; I am w o r k i n g on a thesis r e s e a r c h p r o j e c t
on fall i n g in love a n d w o u l d like you to an s w e r a nu m b e r of
q u e s t i o n s a b o u t your e x p e r ience. I will use p s e u d o n y m s so
that no p e r s o n ' s r e s p o n s e s can be i dentified. Your
r e s p o n s e s will be hel d s t r ictly confi d e n t i a l .
Pl e a s e choose p s e u d o n y m s for y o u rself and your beloved,
and I will use t hose n a m e s in the t r a n s c r i p t i o n s . You may
use his or her real name during the interview.
At the end of the i n terview, you may feel free to ask me
any q u e s t i o n s a b o u t the r e s e a r c h p r o j e c t a n d the
questionnaire.
I. The E x p e r i e n c e of F a l l i n g in Love
107
11) How do the f e e l i n g s you have a b o u t your b e l o v e d
differ fro m the f e e l i n g s you have a b o u t your
c l o s e s t friend?
III. Beliefs in R o m a n t i c i s m
IV. Prototypes
108
V. Metaphors about Falling in Love
VII. Wrapup
109
AP PE N D IX E
EM ER G E NT CAT EG OR IE S
First S e t : (7/87)
1) special, unique
2) tens i o n of p o l a r i t i e s
3) firsts
4) holi n e s s
5) safety, p r o t e c t i o n
6) labeling it love
7) sharing
8) fu l f i llment, w h o l e n e s s
9) magic
10 ) chemistry
1 1) i m p o r t a n c e of all th e senses
12 ) wo n d e r
13) i n tensity
1) metaphors
2) sudden r e a l i z a t i o n
3) just h a p p e n e d
4) it's sea r y !
*5 ) special, unique
*6 ) t e n s i o n of p o l a r i t i e s
*7 ) firsts
*8 ) holiness
9) security
10 ) depth, i n t ensity
1 1) labeling, deciding
*12) sharing
*13) fu l f i llment, w h o l e n e s s
14) emp t i n e s s
15 ) contentment
* 16 ) magic
17 ) trust
*18 ) i m p o r t a n c e of all the senses
19) smell, taste
20) eye gaze
2 1) t ouch
22 ) selflessness
23 ) loss of self
24) games, rituals
25 ) i m p o r t a n c e of c o m m u n i c a t i o n
1 10
Third Set (8/87)
26) c o m m i t m e n t
27) free to be me
28) r e c i p r o c i t y
29) need
30) p e r s o n a l themes
31) w a n t i n g to be w i t h the b e l o v e d
32) happiness
33) g i v e s life m e a n i n g
34) u n i v e r s a l i t y of love
35) p r o b l e m s uni q u e to h o m o s e x u a l s in love
F i f t h Set (9/7/87)
I. D i m e n s i o n s of Love
A. commitment
B. contentment
C. hap p i n e s s
D. free to be me
E. depth, int e n s i t y
F. security
G. reciprocity
II. E l e m e n t s of Love
A. sudden r e a l i z a t i o n
B. w a n t i n g to be w i t h the b e l o v e d
c. special, unique
D. holiness
E. t e n s i o n of p o l a r i t i e s
F. sha ring
G . fu l f i llment, w h o l e n e s s
H. magic
111
I. sensory c a t e g o r i e s
J. selflessness
K. loss of self
L. trust
I. D i m e n s i o n s of Love
*A. commitment
*B. free to be me
*C. depth, i n t e n s i t y
* D . security
*E . reciprocity
II. E l e m e n t s of Love
*A . sudden r e a l i z a t i o n
* B . special, u n i q u e
* C . holin e s s
*D. sharing
* E • sensory factors
* F . loss of self
*G . selflessness
I I I . N e c e s s a r y C o n d i t i o n s for F a l l i n g in Love
* A . just h a p p e n e d
* B . need
C. g ives life m e a n i n g
D. magic
*E. labeling
IV. Feelings
A. hap p i n e s s
B. contentment
C. trust
D. tens i o n of p o l a r i t i e s
E. want i n g to be w i t h the beloved
F. fulfillment
S e v e n t h Set (9/13/87)
1 12
I. N e c e s s a r y C o n d i t i o n s for Falling in Love
*A . just h a p p e n e d
*B. need
*C. magic
* D . labeling, d e c i d i n g
II. D i m e n s i o n s of Love
*A . security
*B . c o m m i t m e n t
*C. free to be me
D. int e n s i t y
E. depth, breadth, levels of love
*F . r e c i p r o c i t y
G. true love e n d u r e s
H. i d e a l i z a t i o n of the beloved
I I I . E l e m e n t s of Love
*A . sudden r e a l i z a t i o n
*B. special, u n i q u e
*C. h o l iness
*D . sharing
E. want i n g to be w i t h the b e l o v e d
F. senses, s e n s u a l i t y
*G • selflessness
H . it's scary
I. i m p o r t a n c e of c o m m u n i c a t i o n
IV. F e e lings
*A . happiness
*B . c o n t e n t m e n t
*C. trust
D. f u l f illment, w h o l e n e s s
* E . t e n s i o n of p o l a r i t i e s
V. Be haviors
A. m u t u a l eye gaze
B . f ir sts
C. games, rituals
E i g h t h Set (9/25/87)
1. in feel i n g t erms
2. giv i n g the "account" of how it h a p p e n e d
3. using m e t a p h o r s
113
4. symbols and tokens
5. p h y s i c a l factors
a. sensuality
b. closeness
c. p h y s i c a l sens a t i o n s
6. w i t h awe, wonder, sense of holiness
7. by trying to e x p l a i n the u n e x p l a i n a b l e (magic, mystery)
8. d e s c r i b i n g b e haviors, in c l u d i n g b e h a v i o r a l chan g e s
9. in rela t i o n a l langu a g e
a. commitment, sharing
b. reciprocity
10. comparison with other relationships
11. in aphorisms, d e f i n i t i o n s
12. with ambivalence
13. p r o b l e m s , o b s t a c l e s to be o v e r c o m e
1 14
K. i d e a l i z a t i o n of the beloved
L. uniqueness
M. desire to s h a r e / i m p o r t a n c e of sharing
T e n t h Set ( 1 1/87)
E l e v e n t h Set (12/87)
115
10. How my p a r t n e r has c h a n g e d since m e e t i n g me/
r e l a t i o n s h i p is d i f f e r e n t
11. R e s i s t a n c e to letting go
12. How one sees the r e l a t i o n s h i p
13. Why be i n v o l v e d w i t h love?
14. Deal i n g w i t h p r o b l e m s
15. C h a n g e s w h i l e in the r e l a t i o n s h i p
16. Feel i n g secure adn p r o t e c t e d
17. T a l k i n g / c o m m u n i c a t i n g
18. What's your lover like?
19. The story of how we got t o g ether
20 . The future
21. The "structures" we can love in
22. Having a c o m m o n hist o r y p r i o r to i n v o l v e m e n t
23. How it feels to be i n v o l v e d in a r e l a t i o n s h i p
24. H o m o s e x u a l / L e s b i a n love r e l a t i o n s h i p s
25. T o u c h i n g / n u r t u r i n g
26. The e x p e r i e n c e of my sexua l n e s s
27. What s e x u a l n e s s has g iven the r e l a t i o n s h i p
1. love i s . . .
2. frie n d s and l o v e r s / l i k i n g a n d loving
3. c o m m i t m e n t and other c o v e n a n t s
4. problems
subset: p r o b l e m s un i q u e to gays
5. i m p o r t a n c e of c o m m u n i c a t i o n / m e t a c o m m u n i c a t i o n
6. feelings
7. u n i q u e n e ss
8. the s t o r y / a c c o u n t
9. the future
10. p h y s i c a l factors
subsets:
a. t o u c h i n g
b. eye gaze
c. smell
d. s e xuality
1 16
Final Categories (1/2/88)
* 1. love i s . . .
2. romance
3. attraction
4. compari sons
*5. commitment
*6. problems
*7. communication
*8 . feelings
9. ambivalence
10. description of the s e l f / l o v e r
11. description of the b e l o v e d
12. description of the r e l a t i o n s h i p
*13. the future
14. p h y s i c a l fact o r s
15. s e x uality
1 17
APP EN DI X F
SUBJECTS
2. Emma, "married," p a s t o r / m i n i s t e r of m a i n s t r e a m
P r o t e s t a n t d e n o m i n a t i o n in suburb of large W e s t c oast city,
age 29; b e l o v e d Donna, social worker, age 34.
3. C h ristine, engaged, g r a d u a t e s t u d e n t / b i o c h e m i s t , re c e n t
Peace C orps volun t e e r , m i d w e s t e r n city, age 25; beloved
George, w i l d l i f e biolo g i s t , age 25.
1 18
24; be lo v e d Matt, artist/gallery manager, late twenties.
1 19
B I BL I O G R A P H Y
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128